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                <text>Builder: Himeji City and local craftsmen specializing in traditional Japanese tea houses</text>
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                <text>Latitude: 34.8337° N&#13;
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                <text>Located within Kōkō-en Garden, adjacent to Himeji Castle (UNESCO World Heritage Site).</text>
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                <text>Mursal Abdullah</text>
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                <text>Coaldrake, William H. Architecture and Authority in Japan. Routledge, 1996.&#13;
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                <text>Japan National Tourism Organization. “Himeji’s Other Star – Kōkō-en Garden.” Travel Japan Blog, May 31, 2007&#13;
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                <text>&lt;p style="font-weight:400;"&gt;&lt;em&gt;The Shōkōken Tea House is a small rectangular building that has a single low level with a sloping tiled roof. It has a very simple frame. It’s surrounded by the garden. It is a single-story structure. The entrance is low and modest, it is requiring visitors to bow slightly as they step inside. The floor is covered with tatami mats. The Circulation is minimal, visitors enter directly into the tearoom, which opens visually to the garden through sliding doors. Movement is calm, controlled, and ceremonial, and it’s divided into a 4.5-mat layout. Sliding shōji screens open toward the garden, letting in soft, diffused light. The structure is simple, and the materials used in this tea house are wooden posts, plaster walls, and bamboo details. Inside the house, there are ornaments, and only natural textures of wood and paper, with shadows shifting gently across the space.&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;em&gt;Interpretive reading: This tea house was built for quiet gatherings and the ritual of the tea ceremony. Its small scale creates intimacy, while the natural materials encourage harmony with nature. The humble entrance and minimal decoration reflect the values of wabi-sabi, finding beauty in simplicity. Unlike nearby castles or temples, the tea house is not about power but about refinement, reflection, and calm. It serves as a cultural balance, offering a place for stillness and connection.&lt;/em&gt;</text>
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                <text>&lt;em&gt;The visitors will experience the aesthetics of Japanese tea ceremony culture in close proximity to Himeji Castle, that balances the monumental military architecture with domestic cultural refinement.&lt;/em&gt;</text>
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                <text>Elvis birth home(USA southern Shotgun)</text>
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                <text>Originally Built: Began and completed in 1934</text>
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                <text>The structure has a long, rectangular, vertical form in its layout. It does not have many levels as there is a singular set of steps at the front that lead you to the single floor. There are 2 doors (front and back) and 6 windows in total. This domestic structure makes it easy to move through the area, with connected rooms for habitation and a signature of no hallways. Its structure seems to follow a “box” like method, again relating back to its rectangular form. Its front stands out with pillars creating a small porch highlighted particularly with a swing. &#13;
&#13;
Its patterns are simplistic ones that you would find common for not only this domestic type structure, but for the domestic types of the region.  Light enters through those windows. With its simple and compact structure, the shadows cast on the inside may be similar to those found in that of an ordinary structure. It is a similar effect with the structure on the outside, simple cast shadows caused by simple shapes. Wood plays a big role in the structure’s build. The pillars that help make up the front of the structure as well as the base structure appear to be made up of this wood. In addition to the wood, there are stones underneath the structure that elevate it. The structure plays a role in the cultural aspect of raising one of the most pulverizing celebrities and its region’s styles. In addition, Its build signals a working class status of the region and the structure’s time period. &#13;
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                <text>The Central Moravian Church in Bethlehem, Pennsylvania, is a striking example of Georgian architecture adapted through the lens of Moravian religious and cultural values. Built between 1803 and 1806, the structure presents a symmetrical, rectangular brick form typical of Georgian design, with balanced window placement and a restrained classical vocabulary. Its façade is modest but orderly, reflecting the Moravian preference for simplicity over ornamentation. Large arched windows allow light to pour into the expansive interior, while a tall, hipped roof and central tower emphasize verticality without dominating the surrounding historic district. The overall composition reflects a British colonial architectural influence interpreted through Central European sensibilities, characteristic of the Moravian community’s Germanic roots.&#13;
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                <text>late 17th and early 18th century.</text>
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The house rests low to the ground, with an ell extending from the back, suggesting later additions. The overall feel is modest and functional, with little ornamentation. It sits quietly in its surroundings, bordered by simple shrubs and a stone path, embodying the practical elegance of early American life.</text>
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                <text>Building History - The Parson Barnard House was built in 1715 for Reverend Thomas Barnard, the town’s minister in North Andover, Massachusetts. It served not only as his residence but also as a place for religious study and community gatherings. Over the centuries, the house remained a private home before being preserved as a historic site, offering a rare glimpse into early 18th-century colonial life in New England.&#13;
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                <text>&lt;em&gt;Formal Description A beautiful, fascinating house that looks like it is standing tall right in the sky above all other houses, like it is floating in the sky like clouds without any base. Makes you wonder what it feels like to be up there. This house has many layers of walls, and the gates that surround the central tower. The layout is fascinating but also complicated and mysterious. It feels like a maze. It is mostly designed to confuse enemies. The paths of the house are twisted and turned, leading uphill through courtyards, towers, and narrow passageways. Each area is built to slow down attackers and protect the center. The highest tower is &lt;span&gt;152&lt;/span&gt; feet tall. From the outside, it looks like it has five levels, but actually it has six levels inside and also a basement. Each level gets smaller as it goes up. The entrance of the house is made up of a large wooden gate at the very bottom of the hill. It moves through the paths and multiple gates, which lead to the main tower. The building material is a wooden post and lintel structure. Beams and columns support each floor. There are no vaults or domes, just stacked wooden levels with steep tiled roofs. The Surfaces are smooth white plaster over wood and stone. Roofs have repeating curved tiles and family crest tiles at the edges. Decorations are simple but elegant, with fish-shaped roof ornaments for protection. The light of this house comes through small windows and slits in the walls. The house is made of wood, stone, and white plaster. The base is made from a strong stone, and the towers and walls are mostly made out of wood, with plaster to help prevent fire.&lt;/em&gt;</text>
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                <text>&lt;em&gt;Contemporary Resonance or Reflection Today, this house is a rare example of a large wooden structure that has survived for centuries, so it raises questions about how this building has lived for centuries that not even in modern times, with a lot of technology, we are unable to build such a building. It also reminds us to think about how power and beauty were shown through architecture, and how a design and an idea will still live on even after the architect dies.&lt;/em&gt;</text>
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                <text>UNESCO World Heritage Site (since 1993)</text>
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                <text>Coaldrake, William H. Architecture and Authority in Japan. Routledge, 1996.</text>
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                <text>UNESCO World Heritage Centre.https://whc.unesco.org/en/list/661</text>
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&#13;
Internally the building's massive hall spans multiple supports acting as a nature room divider. These supports hold important lighting which previous would be candles and torches now LED's for safety purposes. Along the sides built in seating, tables. and other misc items lay along the walls. Stepping down into the center a large stone hearth for cooking stands between two massive dinning tables ready for a feast. Weapons and shields hang on the walls.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cathedral of Notre Dame; Notre Dame de Paris; Temple of Reason/Temple of the Supreme Being</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Île de la Cité, Paris, France</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1163 – Bishop Maurice de Sully begins construction of new cathedral.</text>
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                <text>1270 – South transept and rose window completed by Pierre de Montreuil.</text>
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                <text>15 April 2019 – A fire destroys a large part of the roof and the spire. Reconstruction begins two years later in 2021.</text>
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                <text>Fall 2024? - Notre Dame reopened after complete restoration.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Patron: Maurice de Sully&#13;
</text>
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                <text>Master Mason/Architect: Jean De Chelles (1250-1260)&#13;
</text>
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                <text>Architect: Pierre de Montreuil (1270)</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="126">
                <text>Divya Kumar-Dumas &amp; Quint Gregory</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="133">
                <text>image 1:Paris_Notre-Dame_Southeast_View_01,jpg (https://upload.wikimedia.org/wikipedia/commons/7/77/Paris_Notre-Dame_Southeast_View_01.JPG)</text>
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              <elementText elementTextId="158">
                <text>image 2:Notre-Dame_de_Paris_2013-07-24.jpg (https://upload.wikimedia.org/wikipedia/commons/a/af/Notre-Dame_de_Paris_2013-07-24.jpg)</text>
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          <element elementId="64">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
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              <elementText elementTextId="134">
                <text>image 1: Creative Commons</text>
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              <elementText elementTextId="159">
                <text>image 2: Creative Commons</text>
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          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="148">
                <text>48.85289032686707, 2.3499450510626616</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="496">
                <text>French Gothic</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="505">
                <text>Religious</text>
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      <tag tagId="40">
        <name>midterm</name>
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      <tag tagId="52">
        <name>neatline assignment</name>
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