<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/255">
    <dcterms:title><![CDATA[Kirk Modern Apartments ]]></dcterms:title>
    <dcterms:description><![CDATA[This historic apartment complex is quadratic in its makeup. Viewed from above, it is a simple square with morphed edges. It was a three story building, and served several entrances on its bottom level. From here, it unfolds like a typical apartment. The materials here are somewhat similar to those typically found in Richardsonian architecture. There is brick material similar to stone, granite and rocks. In addition there is typical glass material found in these projects. However, there are other materials, such as copper and panel wood, that helped make up the structure. This goes to show the idea that the popularity of Richardsonian began to fade just a bit as we entered the 20th century. This in addition to the fact that the construction method, specifically the arches, were combined with other classical styles. Despite this, the structure represented as one of the last installments from the most popular period of Richardsonian Romanesque architecture, with it still being in use until very recently, unfortunately being demolished in 2023 after a fire accident.]]></dcterms:description>
    <dcterms:creator><![CDATA[J. H. Felt]]></dcterms:creator>
    <dcterms:date><![CDATA[Completed: 1903]]></dcterms:date>
    <dcterms:date><![CDATA[Demolished: 2023]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/d/d5/TheKirk.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[3 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[copper (metal), panel (wood by form),metal, brick (clay material)]]></dcterms:medium>
    <dcterms:language><![CDATA[Mason City,Iowa]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[David Gebhard and Gerald Mansheim, &quot;Kirk Modern Apartments&quot;, [Mason City, Iowa], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/IA-01-NO208.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Demolition on Kirk Apartments planned to start Wednesday morning]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[43.15401238739781, -93.20127579993117]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/63">
    <dcterms:title><![CDATA[Churches of Chiloé ]]></dcterms:title>
    <dcterms:description><![CDATA[The churches of Chiloé were constructed from wood and boasted a tall central bell tower that rose majestically in a symmetrical design. These churches showed a vibrant brown hue supported by white cylindrical pillars. The most iconic feature of the churches is the front courtyard. A covered entrance supported by a row of wooden columns with rounded edges. The roofs were steeply pitched to allow rain to slide off easily. Small windows punctuate the side walls, while decorative crosses  alongside the building showing religious significance of these buildings. Surrounding the church is a spacious courtyard, enclosed by a perimeter of trees. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Jesuits missionaries, Franciscans, Spaniards ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://whc.unesco.org/en/list/971<br />
Image 2, 3, &amp; 4: https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage]]></dcterms:source>
    <dcterms:date><![CDATA[- 1610-1767 the Jesuits began building the churches part of the &quot;circular missions&quot;.<br />
- 1767 Jesuits were expelled by Spanish territories. The Franciscans took over building and maintaining the church.<br />
-18th century wooden churches were constructed.<br />
-1991 restoration began to preserve historic buildings.<br />
-2000 16 of the churches were a UNESCO world heritage site.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1, 2, 3, &amp; 4: creative comments<br />
]]></dcterms:license>
    <dcterms:format><![CDATA[- Chilota Style. ( A blend of European Jesuit Baroque and local indigenous craft ). ]]></dcterms:format>
    <dcterms:extent><![CDATA[- medium sized wooden structures between 20 to 40 meters in length and 8-15 meters In height. <br />
- spacious inside designed to accommodate the community.]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Wood.<br />
- Stone.<br />
- Nails and Metal fasteners. <br />
- Wooden shingles. ]]></dcterms:medium>
    <dcterms:language><![CDATA[Chiloé archipelago, southern coast, Chile]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- UNESCO World Heritage Centre. “Churches of Chiloé.&quot; https://whc.unesco.org/en/list/971.<br />
<br />
- Jordan, Adrienne. “These Centuries-Old Nailless Churches Are Still Standing.” National Geographic, September 20, 2017. https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[-42.49975421219375, -73.78593508775275]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[17th century, 18th century, 19th century, early 20th century ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/141">
    <dcterms:title><![CDATA[Library of congress ]]></dcterms:title>
    <dcterms:description><![CDATA[<p>The Library of Congress’s exterior is a grand display of neoclassical architecture. Completed in 1897, the Jefferson Building spans approximately 890,000 square feet, including basements, attics, and other areas. Half of this space is dedicated to book stacks, which collectively stretch over 100 miles of shelving. The front of the building is adorned with tall Corinthian columns that create a rhythmic pattern of strength and refinement. Carvings and statues of historical figures representations start by the entrances, adding a touch of culture and history. The expansive stone walls are punctuated by large, arched windows that allow natural light to flood the interior. A mesmerizing staircase leads visitors to the main entrance, emphasizing the building’s monumental scale. The central dome rises prominently above the structure, crowned with elaborate detailing displaying it can be spotted from a far. Surrounding the library are well-maintained lawns and sculptures, creating a welcoming and peaceful atmosphere. This combination of impressive architecture makes the Library of Congress’s inspiring and welcoming.</p>]]></dcterms:description>
    <dcterms:creator><![CDATA[John L Smithmeyer: Lead Designer<br />
Paul J Pelz: Lead Designer<br />
Edward Pearce Casey: interior/finishing designer]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:Creative comments <br />
Image 2 &amp; 3: Creative comments ]]></dcterms:source>
    <dcterms:date><![CDATA[- 1800: Library of congress established.<br />
- 1851: A major fire destroys two thirds of the collection.<br />
- 1878: Congress begins construction separate from original building. <br />
- 1881: Architects agree with designs.<br />
- 1896: Final renovations, reading rooms and mechanical systems were completed.<br />
- November 1st 1897: Grand opening. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:format><![CDATA[- Beaux arts.<br />- Italian renaissance.<br />- Neoclassical.]]></dcterms:format>
    <dcterms:extent><![CDATA[-600,000 sq ft.<br />
-104 miles of shelving space.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Granite.<br />
Marble.<br />
Limestone.<br />
Brick.<br />
Iron and steel.<br />
Copper.<br />
Wood.]]></dcterms:medium>
    <dcterms:language><![CDATA[Washington, DC, United States ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Library of Congress (n.d.) Library of Congress. Available at: https://www.loc.gov/<br />
<br />
- Noe, B.A. (2021) ‘The Icon: D.C.’s Library of Congress’, National Geographic, 4 May. Available at: https://www.nationalgeographic.com/travel/article/the-icon-d-c-s-library-of-congress]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Image 1:https://www.loc.gov<br />
Image 2 &amp; 3: https://www.nationalgeographic.com/travel/article/the-icon-d-c-s-library-of-congress]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[38.88875836559127, -77.00474471844284]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Transitional Period United States ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/22">
    <dcterms:title><![CDATA[Royal Exhibition Building and Carlton Gardens]]></dcterms:title>
    <dcterms:description><![CDATA[ <br />
 The Royal Exhibition Building is large and primarily rectangular. The anterior side of the building is the most compressed. A large vault towers above the entrance doors. Two dome-like structures jut out from the top of the vault, giving it a castle-like appearance. The large dome stands proudly on the building.  Two massive wings stretch both sides of the building, housing massive corridors. Inside the corridors are various pillars, designs, and works of art. Most of the building’s design language takes inspiration from Roman, Byzantine, and Italian structures. The posterior side of the building houses a smaller, shorter corridor that faces out toward another building. The primary color of the building is white with blueish-green domes and roofing, giving it a striking look. <br />
<br />
 This building&#039;s primary purpose is to exhibit the various scientific, artistic, and educational displays during the two primary international exhibitions held there. Though the building itself was also designed to be displayed. It was made to show off Australia on the world stage. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Joseph Reed (1823-1890) (Architect) ]]></dcterms:creator>
    <dcterms:creator><![CDATA[David Mitchell (1829-1916) (Builder)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Royal_Exhibition_Building_Aerial_View (https://upload.wikimedia.org/wikipedia/commons/4/47/Royal_Exhibition_Building_Aerial_View.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:  Melb_Royal_Exhibition_-_East_Side(https://upload.wikimedia.org/wikipedia/commons/2/25/Melb_Royal_Exhibition_-_East_Side.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1880 (Date of Construction) <br />
<br />
1880 (Melbourne International Exhibition)<br />
<br />
Between 1880-1888 (Steel pipe was tied to bottom arches to prevent column spreading.)<br />
<br />
1888 (Melbourne Centennial International Exhibition) <br />
<br />
2004 (Date of inscription into becoming a UNESCO heritage site.)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Roman/ Byzantine/ Italian]]></dcterms:format>
    <dcterms:extent><![CDATA[Ground floor as a space of 6,400 m^2.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Timber, Slate, Brick, and Steel.]]></dcterms:medium>
    <dcterms:language><![CDATA[Carlton, Melbourne, Victoria, Australia]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://whc.unesco.org/en/list/1131/<br />
<br />
2. https://www.utas.edu.au/__data/assets/pdf_file/0005/446684/MelbExhibitionBuilding.pdf<br />
<br />
3. https://adb.anu.edu.au/biography/reed-joseph-4459<br />
<br />
4. https://adb.anu.edu.au/biography/mitchell-david-4209<br />
<br />
5. https://museumspaces.com.au/media/7551/museum_spaces_reb_operations_manual_august_2018.pdf]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[-37.804643061009244, 144.97163808607027]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial era, Australia]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/18">
    <dcterms:title><![CDATA[Monastery of St Catherine]]></dcterms:title>
    <dcterms:description><![CDATA[Formal description:<br />
<br />
The Sacred Autonomous Royal Monastery of Saint Catherine of the Holy and God-Trodden Mount Sinai, more commonly known as Saint Catherine’s Monastery, stands at the foot of Mount Sinai in Egypt. Dating back to the mid-500s AD, it is one of the oldest and still occupied monasteries in the world. Harboring the aesthetics of most Byzantine and early Christian style structures, its plan is rather irregular and has a fortress-like format with its high, thick granite stone walls to house a collection of buildings. It is rather compacted and the various structures primarly range between 33 and 66 feet. The natural earth colored exterior blends in with the desert surroundings, as the granite was excavated from the surrounding mountain environment. A fortified gate named after Emperor Justinian, who ordered the building of the monastery (Justinian’s Gate or Gate of the emperor), was no longer used as the main entry point to preserve its condition. One of the main basilica-style churches has a timber roof, wooden doors, and decorative beams that contain intricate mosaics and depictions of important Byzantine icons. Next to it is the notable belfry, which is three stories but divided into 4 tiers, has open archways, and large bells that are still in use today. It is a much later addition to the monastery and was built in a style similar to 12th-century Syrian churches.<br />
<br />
The monastery&#039;s overall structure flexes its dual role as an elaborate sanctuary and fortress, as it was meant to protect monks and pilgrims within its massive granite walls that are practically impenetrable. Housing manuscripts, relics, and even a library of volumes in various languages, the monastery, for many, is a holy place and sacred. It is believed to be built where Moses witnessed the burning bush, which still lives on the premises. It was then that the building of all the surrounding structures became almost an act of worship in itself, and certainly a way for people to preserve the divinity of the area. Then, the body of Catherine of Alexandria (after which the monastery was later named) was also said to have been discovered there. This only further cements the status of it being spiritual, which has stretched across all three major Abrahamic religions. Each faith has its own tie to the area, such as the discovery of Christian Palestinian Aramaic, Arabic, and Hebrew texts. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Justinian I]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Katharinenkloster_Sinai_BW_2<br />
(https://en.wikipedia.org/wiki/Saint_Catherine%27s_Monastery#/media/File:Katharinenkloster_Sinai_BW_2.jpg)<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:1920px-Monastery_of_Saint_Catherine_at_Mount_Sinai-_drawing_from_the_Description_de_l&#039;Égypte_(1809)<br />
(https://en.wikipedia.org/wiki/Saint_Catherine%27s_Monastery#/media/File:Monastery_of_Saint_Catherine_at_Mount_Sinai-_drawing_from_the_Description_de_l&#039;%C3%89gypte_(1809).jpeg)]]></dcterms:source>
    <dcterms:date><![CDATA[AD 565]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sultana Rahim]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Byzantine architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[ 76 by 90 meters (249 by 295 feet)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:medium><![CDATA[Metal]]></dcterms:medium>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:language><![CDATA[South Sinai Governorate, Egypt]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Saint_Catherine%27s_Monastery# <br />
https://orthodoxwiki.org/St._Catherine%27s_Monastery_(Sinai)<br />
https://www.sinaimonastery.com/index.php/en/<br />
https://whc.unesco.org/en/list/954/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[28.55604261247535, 33.97612309807164]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[6th century CE, Byzantine ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/12">
    <dcterms:title><![CDATA[Siwaluh Jabu]]></dcterms:title>
    <dcterms:description><![CDATA[A stilted longhouse of the Karos people in Northern Sumatra. Usually it has a rectangular foothold, the structure rises around 12meters. It has an iconic triangular thatched roof that makes up over half of the structure&#039;s size. The insides are large enough to house large families. The purpose of the building&#039;s unique style is to resist the elements of the region, such as earthquakes and storms. Made of out wood, bamboo and reeds, traditionally without the need of nails or modern tools. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Karo Peoples of North Sumatra, Indonesia]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Siwaluh Jabu Desa Budaya Lingga.jpg (<a href="https://commons.wikimedia.org/wiki/File:Siwaluh_Jabu_Desa_Budaya_Lingga.jpg">https://commons.wikimedia.org/wiki/File:Siwaluh_Jabu_Desa_Budaya_Lingga.jpg</a>) <br /><br />Image 2: COLLECTIE TROPENMUSEUM Een Karo Batak loods TMnr 60004176.jpg (<a href="https://commons.wikimedia.org/wiki/File:COLLECTIE_TROPENMUSEUM_Een_Karo_Batak_loods_TMnr_60004176.jpg">https://commons.wikimedia.org/wiki/File:COLLECTIE_TROPENMUSEUM_Een_Karo_Batak_loods_TMnr_60004176.jpg</a>)]]></dcterms:source>
    <dcterms:date><![CDATA[Mid 19th Century to Early 20th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
<br />
Image 2:Creative Commons<br />
]]></dcterms:license>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Bamboo]]></dcterms:medium>
    <dcterms:medium><![CDATA[Reeds]]></dcterms:medium>
    <dcterms:language><![CDATA[Lingga Village, Karo District, North Sumatra, Indonesia]]></dcterms:language>
    <dcterms:type><![CDATA[Domestic]]></dcterms:type>
    <dcterms:spatial><![CDATA[3.1207485292314012, 98.4656979519234]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Pre-Colonial Indonesia]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/173">
    <dcterms:title><![CDATA[Mystic Aquarium]]></dcterms:title>
    <dcterms:creator><![CDATA[Kelvin Smith (Owner/ Patron)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: 62dbf331920df310b7e04546_5a987d41bb843f00017ae5a7_mystic-aquarium14 (https://cdn.prod.website-files.com/62d85fe2a2f405cf73e20934/62dbf331920df310b7e04546_5a987d41bb843f00017ae5a7_mystic-aquarium14.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Opened (1973)]]></dcterms:date>
    <dcterms:date><![CDATA[Joined Sea Research Foundation (1979)]]></dcterms:date>
    <dcterms:license><![CDATA[Image 1: Fair Use]]></dcterms:license>
    <dcterms:language><![CDATA[Stonington, Connecticut, United States]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://mystic.org/2023/08/50th-anniversary-of-the-mystic-aquarium/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.37348217107145, -71.95265910633742]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern, United States]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/41">
    <dcterms:title><![CDATA[Ta Prohm]]></dcterms:title>
    <dcterms:description><![CDATA[This Temple structure is an example of a Flat Temple, well known in the region. Consisting of a flat square base, walls surrounding it, a Gopura or entrance gate on each of the walls. These are stepped gates larger than the wall itself. Each facing the cardinal directions. The out facing surfaces of these entrances are decorated with Hindu and Buddhist imagery. Inside the walls are 5 more rectangular enclosures, one inside the next. At the center sits the main Temple, a rectangular main building with a stepped pyramid like tower raising from its center. Each enclosure has a similar smaller structure, including tower. <br />
The outstanding detail that makes this temple so unique is it&#039;s relationship with the surrounding jungle. Unlike similar temples of this style, conservation efforts focused on keeping this temple in a state of disrepair, as the jungle had reclaimed much of its surface. Now visitors can observe as its courtyards and structures are adorned with both manmade and natural designs. Such as trees growing from between the stone blocks. The entire stone structure is covered in a slight layer of earth and moss. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Khmer King Jayavarman VII]]></dcterms:creator>
    <dcterms:creator><![CDATA[Abandoned when the Khmer Dynasty fell ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Rediscovery and conservation efforts done by French archeologists  ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ta Prohm (III).jpg <a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_(III).jpg">(https://commons.wikimedia.org/wiki/File:Ta_Prohm_(III).jpg)</a><br /><br />Image 2: <span class="mw-page-title-main"><span class="mw-page-title-main">Ta Prohm reclaimed from forest.jpg (<a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed_from_forest.jpg">https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed_from_forest.jpg</a>)<br /><br />Image 3: </span></span><span class="mw-page-title-main">Ta Prohm reclaimed.jpg (<a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed.jpg">https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed.jpg</a>)</span>]]></dcterms:source>
    <dcterms:date><![CDATA[Construction: Founded in 1186 CE]]></dcterms:date>
    <dcterms:date><![CDATA[Abandonment: 15th Century ]]></dcterms:date>
    <dcterms:date><![CDATA[Rediscovery: Early 20th Century ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons <br />
<br />
Image 2: Creative Commons <br />
<br />
Image 3: Creative Commons ]]></dcterms:license>
    <dcterms:extent><![CDATA[The Entire Compound is 65 Hectares. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone ]]></dcterms:medium>
    <dcterms:language><![CDATA[Krong Siem Reap ,Cambodia]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[13.43488242203669, 103.8893645126216]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Bayan Period, Medieval South East Asia]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/246">
    <dcterms:title><![CDATA[Torre latino mirador ]]></dcterms:title>
    <dcterms:description><![CDATA[The tower stands 182 meters tall and was one of the first skyscrapers in the world built on highly seismic soil. its design follows the International Style, which means it has clean lines, a simple shape, and a modern appearance. The building, constructed from steel, glass, and reinforced concrete, boasts both strength and flexibility. Visitors can go up to the mirador on the top floors. They are rewarded with a breathtaking 360-degree view of the city. The tower has endured significant earthquakes, demonstrating the advanced engineering it possessed for the 1950s. Today, it stands as a testament to Mexico City’s growth and resilience.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo Zeevaert ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:  https://commons.wikimedia.org/wiki/File:Mexico_df_-_Torre_Latinoamerica.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[- 1948: Construction begins.<br />
- 1965: Construction completed.<br />
- 2006: 50th anniversary renovations which included the observation deck.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Modernist ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The building is 182 meters tall and 31,000 square meters.<br />
- 44 floors above ground and 3 basement levels. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Steel<br />
- Concrete<br />
- Glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Ledl, T. (2015) Mexico df – Torre Latinoamerica. https://commons.wikimedia.org/wiki/File:Mexico_df_-_Torre_Latinoamerica.jpg ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.434119986408035, -99.14052808280495]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern 20th Century ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/88">
    <dcterms:title><![CDATA[St. Ignatius Church N Calvert St, Baltimore, MD]]></dcterms:title>
    <dcterms:description><![CDATA[The building presents a symmetrical, classically composed façade with the base of the building rusticated, and the rest of the facade is brick with tall arched windows and a heavy modillioned cornice. The church is also adorned with a golden cross on top. The tall, frosted glass arched openings and blank brick arches alternating on the upper levels give the façade a rhythm and sense of verticality while maintaining elegant restraint. The interior is designed to be a late-Renaissance and Baroque style. The columns rise to support a richly ornamented entablature and gallery, and the overall volume conveys both grandeur and symmetry. There are no intrusive structural columns dividing the nave, allowing unobstructed views toward the high altar. The stained-glass windows installed in the 1870s and comprising some seventeen different colors bring vibrant light into the space, enhancing the layered ornamentation and inviting the visitor’s gaze upward. the church’s setting and architectural composition reflect broader civic and cultural ambitions of the Catholic community in Baltimore in the 1850s. Positioned along Calvert Street between Madison and Monument Streets, the building was conceived as a “palace” of the Italianate style that proclaimed the growing confidence of the Jesuit-administered parish.]]></dcterms:description>
    <dcterms:creator><![CDATA[Louis L. Long (Architect/Designer) and Henry Hamilton Pittar (Builder)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image Link 1<br />
https://www.hmdb.org/Photos/18/Photo18314.jpg?11252005<br />
Image Link 2<br />
https://ispretreats.org/wp-content/uploads/St-Ignatius-Baltimore-e1589484022397.jpg<br />
Image Link 3<br />
https://s3-media0.fl.yelpcdn.com/bphoto/Z80xEygDXl6kZwDfGtIRLw/o.jpg<br />
Image Link 4<br />
https://explore.baltimoreheritage.org/files/fullsize/67f87df88449646cfc99ef91389a8839.jpg<br />
Image Link 5<br />
https://live.staticflickr.com/656/31110716783_a65ce4155a_b.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Years built: 1853–1856]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image Links 1-5 Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: The building is primarily designed in the Italianate style. Interior: The interior showcases a late Renaissance/Baroque style.]]></dcterms:format>
    <dcterms:extent><![CDATA[No specific Information found. Limited resources said it to be 35&quot; x 50&quot; or Two stories tall.]]></dcterms:extent>
    <dcterms:medium><![CDATA[The building is primarily made of &quot;Brick.&quot; ]]></dcterms:medium>
    <dcterms:language><![CDATA[Baltimore, MD]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source 1<br />
https://www.hmdb.org/m.asp?m=6125<br />
Source 2<br />
https://explore.baltimoreheritage.org/items/show/563<br />
]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[Latitude and Longitude - 39.298506394838505, -76.61312266745563]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Late Renaissance/Baroque style]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
