<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/235">
    <dcterms:title><![CDATA[The Professed: Temple of San Felipe Neri]]></dcterms:title>
    <dcterms:description><![CDATA[Today the Church La Profesa stands as an elegant example of Mexican baroque architecture in the hearth of Mexico city. The front has twin bell towers and intricate stonework flanking a central entrance. The main entrance draws you in with a beautiful carved portal framed by floral motifs and religious figured. At the top there is a curved pediment that adds a sense of movement and elegance all around the building. The windows that the top are arched that each reveal a glimpse of the interior. The textured stone and carefully places pilasters create a pattern that gaze upward towards the towers in the sky. The exterior combines elegance, symmetry and rich patterns to stand out in the streets of Mexico City. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Pedro De Arrieta lead reconstruction]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 &amp; 2: https://profesa.oratorio.mx/profesa/<br />
Image 3: https://bibliotecadigital.ilce.edu.mx/sites/1847/patria/textos/sec_12.html#ID1563<br />
Image 4: https://web.archive.org/web/20110719071627/http://www.palaciomineria.unam.mx/arquitectura/obra_arquitectonica_4.php]]></dcterms:source>
    <dcterms:date><![CDATA[1585 : Church began construction.<br />
1629: Church was damaged by flood. <br />
1714: Reconstruction begins. <br />
1720: Reconstruction has finished.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2,3 &amp; 4 : Public Domain. ]]></dcterms:license>
    <dcterms:format><![CDATA[Mexican Baroque]]></dcterms:format>
    <dcterms:extent><![CDATA[- A medium size church with the length of 55 meters and width of 55 meters. <br />
- The tallest point reachers 67 meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Stone.<br />
- Brick.<br />
- Marble.<br />
-Wood.]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Templo de San Felipe Neri – La Profesa (n.d.) La Profesa – Oratorio de San Felipe Neri de México. <br />
<br />
- En defensa de la patria: México en armas 1846‑1848 – Sec. 12 (n.d.) Biblioteca Digital ILCE. <br />
<br />
- Obra arquitectónica – Palacio de Minería (n.d.) Palacio de Minería, F.I., UNAM. ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.433619074698605, -99.1363670268441]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial Period]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/126">
    <dcterms:title><![CDATA[Baltimore National Aquarium ]]></dcterms:title>
    <dcterms:description><![CDATA[ The National Aquarium in Baltimore is made up of a series of square, rectangular, oval and pyramidal shapes. The building&#039;s exterior is mainly stone grey and navy blue. There are also decolored rectangles above the aquarium&#039;s entrance that bear resemblance to a few different types of naval flags. <br />
<br />
 Upon entering vistors are greeted with a small waterfall leading into a freshwater tank containing salmonids. As you go through the building you eventually reach an open area with a open water filled enclosure below and five levels above and a small sub-floor below for viewing the blacktip reef enclosure.  Each floor focuses on a specific environment or theme. The floor at the very top is a contained by the pyramid glass roof mentioned earlier and houses a greenhouse-like rainforest section. Afterwards visitors would pass down a spiraling slope that displays an Atlantic coral reef exhibit on the upper levels and a shark tank on the lower levels. This leads the vistor back to the starting part near the blacktip reef.]]></dcterms:description>
    <dcterms:creator><![CDATA[Peter Chermayeff (Architect)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Bobby Poole (Architect)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: National_Aquarium_in_Baltimore (https://upload.wikimedia.org/wikipedia/commons/d/d1/National_Aquarium_in_Baltimore.JPG)<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: BaltimoreNationalAquarium (https://upload.wikimedia.org/wikipedia/commons/9/9c/BaltimoreNationalAquarium.JPG)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: National_Aquarium_Baltimore_2024b (https://upload.wikimedia.org/wikipedia/commons/f/f8/National_Aquarium_Baltimore_2024b.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Opened (August 8th, 1981)]]></dcterms:date>
    <dcterms:license><![CDATA[Image 1:  Creative Commons Attribution-Share Alike 4.0 International ]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Public Domain]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons Attribution-Share Alike 4.0 International license]]></dcterms:license>
    <dcterms:language><![CDATA[Baltimore City, Maryland, United States]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://aqua.org/assets/documents/National-Aquarium-Guide-Map.pdf<br />
2. https://web.archive.org/web/20160305080328/http://articles.baltimoresun.com/2001-08-12/entertainment/0108120321_1_pier-3-glass-aquarium <br />
3. https://aqua.org/about]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[39.285428846133584, -76.60839234807789]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/131">
    <dcterms:title><![CDATA[Tennessee Aquarium]]></dcterms:title>
    <dcterms:description><![CDATA[The Tennessee aquarium is a an aquarium that focuses primarily on freshwater habitats. The exterior of the building has four prominent glass pyramids protruding from the top of the structure. The color of the building is comprised of alternating reddish-brown and sandy colored lines that are reminiscent of a wooden house. <br /> The interior of the building is designed in way that takes the visitor from beginning to end of the Tennessee River. It starts off with exhibits that focus on local mountainous wildlife all the way to species found in the Gulf of Mexico. The aquarium itself eventually exits out into the riverfront of the Tennessee River.  Connecting the journey inside to the place outside.]]></dcterms:description>
    <dcterms:creator><![CDATA[Peter Chermayeff (Architect) ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1. TN_Aquarium_01 (https://upload.wikimedia.org/wikipedia/commons/f/f9/TN_Aquarium_01.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1992 (Opening year)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:language><![CDATA[Chattanooga, Tennesse, United States]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://tnaqua.org/about-us/<br />
2. https://www.pbs.org/video/tennessee-life-812-architecture-371dl9/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[35.055861643894694, -85.31107081942399]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/128">
    <dcterms:title><![CDATA[Georgia Aquarium ]]></dcterms:title>
    <dcterms:description><![CDATA[  The overall layout of the Georgia Aquarium is mostly rectangular, with more irregular shapes implemented in the southern portion of the structure. The southern portion is also where the entrance and exit are. The entrance of the building from street view is of a curved building with a pointed glass and metal structure pointed towards the sky like the bow of a boat. A blue &#039;G&#039; with a simplified fish tail is prominently placed towards the top.  Closer to the ground a stylized arch-way supported my smooth cylindrical pillars supports a curved swooping flat roof.  The overall color of the outside of the aquarium is a silvery-white color with glass reflecting a light blue. <br />
<br />
 From the main entrance to the interior of the building leads the visitors to a wide open room. This central hub connects via halls to other rooms housing exhibits, dining areas, and places of retail.  A series of escalators is also present to take visitors to the lower floor.]]></dcterms:description>
    <dcterms:creator><![CDATA[PGAV Architects (Architecture firm/ architect)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Georgia_Aquarium_Jan_2006 (https://upload.wikimedia.org/wikipedia/commons/0/00/Georgia_Aquarium_Jan_2006.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Groundbreaking (2003)]]></dcterms:date>
    <dcterms:date><![CDATA[Opening (November 23rd, 2005)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:format><![CDATA[Modern]]></dcterms:format>
    <dcterms:medium><![CDATA[Metal and glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Atlanta, Georgia, United States]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://www.georgiaaquarium.org/expansion-2020/<br />
2.https://www.georgiaaquarium.org/aquarium-map/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[33.763774448678966, -84.3951956306868]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modem, United States]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/138">
    <dcterms:title><![CDATA[ShanTang Street]]></dcterms:title>
    <dcterms:creator><![CDATA[Poet and Governor Bai Juyi (directed the development)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: The_Tonggui_bridge_at_Shentang_Street,_Suzhou.tif]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Shantang_Street9]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Shantang_Street1]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: tabe_a_1781647_f0001_b]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Shantang_Street_Canal ]]></dcterms:source>
    <dcterms:date><![CDATA[Building starts 825 AD]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sultana Rahim]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Zhang, Zhehan, Kai Fang, Xinpeng Wang, Lin Chen, Wenda Zhang, and Nobuaki Furuya. 2021. “Characteristics, Correlations of Traditional Street Space Elements and Tourist Density Following Spontaneous Renovation: A Case Study on Suzhou’s Shantang Street.” Journal of Asian Architecture and Building Engineering 20 (1): 29–43. doi:10.1080/13467581.2020.1781647.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Traditional Chinese style of the Yangtze River Delta]]></dcterms:format>
    <dcterms:extent><![CDATA[3,830 m (12,570 ft)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Northwestern Gusu District, Suzhou]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.chinadiscovery.com/jiangsu/suzhou/shantang-street.html]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Shantang_Street]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[31.315486709846116, 120.60383258997386]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Tang Dynasty]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/242">
    <dcterms:title><![CDATA[Parham House Ha-Ha]]></dcterms:title>
    <dcterms:description><![CDATA[The ha-ha at the Parham House wraps around the main sections of the estate. It is made of stacked stone, and is about three feet high. The upper part of the ha-ha holds the manicured sections of the lawn, along with the house and other social parts of the garden. Beyond the ha-ha lies the rest of the landscape, including the overgrown parts and the cattle. This structure has more of a practical use to it, keeping the animals away from the main parts of the garden and home. This small wall acts as a barrier to keep the untouched sections of the land separate from the well cared for parts, signifying the social structure of the landowners and how they cared for their image. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Rebuilt Under: Sir Thomas Palmer]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: West Sussex - Parham House - 2025-09-26 03-13-50 001.JPG (https://upload.wikimedia.org/wikipedia/commons/e/e5/West_Sussex_-_Parham_House_-_2025-09-26_03-13-50_001.JPG)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ha-ha and south face of Parham House, West Sussex, England.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f1/Ha-ha_and_south_face_of_Parham_House%2C_West_Sussex%2C_England.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ha-ha at Parham House, West Sussex, England.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e6/Ha-ha_at_Parham_House%2C_West_Sussex%2C_England.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Construction started: 1577]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:language><![CDATA[Parham, West Sussex, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Parham_Park]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[50°55&#039;13&quot;N 0°28&#039;50&quot;W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Renaissance]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/74">
    <dcterms:title><![CDATA[Arabian Public Library]]></dcterms:title>
    <dcterms:description><![CDATA[This structure is unorthodox in its shape. Viewed from its top-down, it is made up of two “L” shapes that are situated opposite one another and forming a square in between them. This stands importantly as it queues us to the fact that the roof integrates the building into a grander geographical context. It brings us to a conceptual understanding of the library being a part of the desert itself, instead of being a structure placed in the desert. This becomes more articulated and evident as the visitor approaches the entrance. It comes in at 21,202 square feet and houses several different rooms and levels including, a 120,000-volume library collection, as well as a coffee bar and a number of bookstore elements. There’s seemingly a multitude of entrances and exits for the structure, highlighted by a huge opening where visitors can head in several different directions with the courtyard created in that square opening formed by the L’s. You enter along the parking lot which appears as this shaded grove that is defined as this slot of space, located between these steel-clad facades. Again these facades become an ode to the structures regional backdrop. We see this in materiality and the colors used with them. The irregular slanted construction mixed with this dirt or wood color helps out with the structure&#039;s goals of becoming one with its mountain and terrain area. Ultimately, the structure leads toward the inside of the structure, which is designed in a way where one enters into the cavernous interior, highlighted by visual continuity and program areas broken up by folds in the walls, varied ceiling heights, and internal clerestories that display similar to crevasses of glass, once again connecting the building and the outside. As you make your way to the main room, it is a hollow, cave-like, and elongated reading space and lounge with tilted walls, wrapped in that light brown colored wood paneling and illuminated with these large, adjustable hanging lamps. In addition to this, the visitor can get a full view of the Sonoran desert in this space. With this, light and shadow seem to move similarly here to standard structures. Obviously, the central courtyard would be received differently from the rest of the structure. Outside of this, it appears light and shadow move normally. <br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[This link &quot;https://www.rkarch.com/projects/arabian-public-library#content&quot;<br />
<br />
is where I got all my images from, haven&#039;t gone over how to cite these sources yet]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Richard and Bauer Architecture ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Norie Sato]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.rkarch.com/projects/arabian-public-library#content&quot;<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 2003]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 2007]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:extent><![CDATA[The structure covers 20,875-square-feet]]></dcterms:extent>
    <dcterms:medium><![CDATA[steel (alloy), glass (material), cotton (textile), wood (plant material), medium-density fiberboard, granite (rock)]]></dcterms:medium>
    <dcterms:language><![CDATA[Scottsdale, Arizona]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[José Bernardi, &quot;Arabian Public Library&quot;, [Scottsdale, Arizona], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/AZ-01-013-0004.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.rkarch.com/projects/arabian-public-library#content]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[33.627474865333745, -111.86283634256061]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/122">
    <dcterms:title><![CDATA[Gate to the East]]></dcterms:title>
    <dcterms:creator><![CDATA[Robert Matthew Johnson-Marshall &amp; Partners-Designed]]></dcterms:creator>
    <dcterms:creator><![CDATA[Shanghai Construction Group - Construction]]></dcterms:creator>
    <dcterms:creator><![CDATA[East China Architectural Design &amp; Research Institute - Engineered]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Own work, CC BY-SA 4.0]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:Gate_of_the_Orient_DJI_0347_(2)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Gate_of_the_Orient,_Suzhou_Jiangsu]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Gate_of_the_Orient1]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: 东方之门3]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: Gate_of_the_Orient_DJI_0386 ]]></dcterms:source>
    <dcterms:date><![CDATA[2004 - Construction began]]></dcterms:date>
    <dcterms:date><![CDATA[2016 - Completed]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sultana Rahim]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Postmodern architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[3,700,000 sq ft (340,000 square meters )]]></dcterms:extent>
    <dcterms:medium><![CDATA[Concrete]]></dcterms:medium>
    <dcterms:medium><![CDATA[Steel]]></dcterms:medium>
    <dcterms:language><![CDATA[Suzhou, Jiangsu, China]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.chinadaily.com.cn/china/2015-04/07/content_20012084.htm#:~:text=It%20is%20located%20in%20the,check%20in%20August%20or%20September.%22]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Gate_to_the_East]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.skyscrapercenter.com/suzhou/gate-to-the-east/499]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://aroundus.com/p/6449919-gate-to-the-east]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[31.316423392201436, 120.67958262486007]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Contemprary/Modern era, China]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/60">
    <dcterms:title><![CDATA[Robāt-e Sharaf Caravanserai]]></dcterms:title>
    <dcterms:description><![CDATA[Located in Sarakhs, within the Khorasan-e Razavi Province of Iran and one of the fifty-four Caravanserais within The Persian Caravanserai, the Robāt-e Sharaf Caravanserai is a rectangular, fortified building, that resembles to the equivalent to a modern-day inn. This archeological site that resides on the Silk Road, was primarily used as a rest stop for travelers; a commercial hub for merchants to sell, trade, and purchase goods; a royal palace for the elite for special occasions; as well as a rest stop for pilgrims when traveling to Merv and Nishapur. Having an area of 4,863 square meters, incorporating Seljuk and Iranian architectures, and made entirely of baked brick, plaster, and stucco carvings, the Robāt-e Sharaf Caravanserai’s interior is comprised of a two-courtyard layout; guest rooms that were used for all social classes containing amenities; a four-iwan plan, which in Islamic architecture, usually consisted of a vaulted room with open sides; and decorated brickwork, which displayed Islamic art, and reflected the traditions of the Seljuk period. While there was a total of fifty-four Caravanserais throughout Iran, the Robāt-e Sharaf Caravanserai was the most well-known, and significant.  ]]></dcterms:description>
    <dcterms:abstract><![CDATA[The Robāt-e Sharaf Caravanserai is one of the fifty-four Caravanserais, that are located throughout Iran, and each archeological site falls under the primary title, The Persian Caravanserai.  ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sharaf al-Din Qummi - Governor of Khorasan and Vizier to Sultan Sanjar]]></dcterms:creator>
    <dcterms:creator><![CDATA[Restored and Remodeled: Turkan Khatun - Daughter of the Khan and the Wife of Sultan Sanjar]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Hadidehghanpour (https://upload.wikimedia.org/wikipedia/commons/f/fd/%D9%86%D9%85%D8%A7%DB%8C_%D8%B3%D9%87_%D8%B1%D8%AE_%D8%B1%D8%A8%D8%A7%D8%B7_%D8%B4%D8%B1%D9%81.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Babak Sedighi (https://whc.unesco.org/en/documents/196538)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Babak Sedighi (https://whc.unesco.org/en/list/1668/gallery/&amp;index=1&amp;maxrows=12)]]></dcterms:source>
    <dcterms:date><![CDATA[1114-15 - Construction Started]]></dcterms:date>
    <dcterms:date><![CDATA[Early 12th Century - Completed]]></dcterms:date>
    <dcterms:date><![CDATA[1154 - Restored and Remodeled ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Markeita Durham-Brinkley]]></dcterms:contributor>
    <dcterms:format><![CDATA[Seljuk Architecture]]></dcterms:format>
    <dcterms:format><![CDATA[Iranian Architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[4,863 Square Meters (52,340 sq ft)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Baked Brick]]></dcterms:medium>
    <dcterms:medium><![CDATA[Plaster]]></dcterms:medium>
    <dcterms:medium><![CDATA[Stucco Carvings]]></dcterms:medium>
    <dcterms:language><![CDATA[Sarakhs, Khorasan-e Razavi Province, Iran]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://en.wikipedia.org/wiki/Ribat-i_Sharaf]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[2. https://whc.unesco.org/en/list/1668]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[3. https://en.wikipedia.org/wiki/Iwan]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Part of The Persian Caravanserai]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 36.2661° N<br />
Longitude: 60.6554° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Seljuk Era - Early 12th Century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/249">
    <dcterms:title><![CDATA[Carnegie Library of Pittsburgh, Allegheny Branch]]></dcterms:title>
    <dcterms:description><![CDATA[The structure has a quadratic footprint, with morphed and rugged edges. It sports a clock tower near the bottom of the structure when viewed from above. It has several levels and rooms, with it housing around 1,100 individuals with just its auditorium alone. From this we get a greater understanding of the structure’s stature. It features several entrances throughout, including what appears to be one near the clock tower. Once more, the building materials that define the Richardsonian Romanesque style are prevalent. With that signature granite stone material as an exterior coat, it pairs with glass in the windows and arches around the structure to bring these prominent features to the forefront!! This building is also heavily inspired by the Allegheny courthouse, located a little ways away from it, and was the first Carnegie public library in the U.S. It has since been closed as a library and replaced with a different building but the structure is now reused mainly as a theater!<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Smithmeyer and Pelz]]></dcterms:creator>
    <dcterms:date><![CDATA[Created: 1889]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/0/00/Carnegie_Free_Library_of_Allegheny.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/3/36/Carnegie_Library_Allegheny_ReadingRoom_1900.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Drawing 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/a/af/US-PA%281891%29_p735_ALLEGHENY_CITY%2C_CARNEGIE_LIBRARY.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:medium><![CDATA[granite (rock), glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Pittsburgh, Pennsylvania]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Lu Donnelly et al., &quot;Carnegie Library of Pittsburgh, Allegheny Branch&quot;, [Pittsburgh, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-AL75.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.453273906810765, -80.0054183116302]]></dcterms:spatial>
</rdf:Description></rdf:RDF>
