<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/99">
    <dcterms:title><![CDATA[Japanese Foundation for Cancer Research]]></dcterms:title>
    <dcterms:creator><![CDATA[Founder - Katsusaburo Yamagiwa]]></dcterms:creator>
    <dcterms:creator><![CDATA[Founder - Shibasawa Eiichi]]></dcterms:creator>
    <dcterms:creator><![CDATA[Founder - Aoyama Tanemichi]]></dcterms:creator>
    <dcterms:creator><![CDATA[Founder - Katsura Taro]]></dcterms:creator>
    <dcterms:date><![CDATA[1908 - Founded]]></dcterms:date>
    <dcterms:date><![CDATA[1934 - Cancer Institute Hospital established]]></dcterms:date>
    <dcterms:date><![CDATA[1945 - Facilities destroyed  during World War II]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:language><![CDATA[Ariake, Koto City, Tokyo, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.jfcr.or.jp/about/history/index.html]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/98">
    <dcterms:title><![CDATA[Musashino University]]></dcterms:title>
    <dcterms:creator><![CDATA[Founder - Junjiro Takakusu]]></dcterms:creator>
    <dcterms:date><![CDATA[1924 - Musashino Women&#039;s Academy established]]></dcterms:date>
    <dcterms:date><![CDATA[1929 - Moved to Nishi-Tokyo]]></dcterms:date>
    <dcterms:date><![CDATA[1965 - Musashino Women&#039;s University established]]></dcterms:date>
    <dcterms:date><![CDATA[2012 - Ariake campus established]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:language><![CDATA[Original - Tsukiji, Chuo-ku, Tokyo, Japan]]></dcterms:language>
    <dcterms:language><![CDATA[Main Campus - Ariake, Koto City, Tokyo, Japan]]></dcterms:language>
    <dcterms:language><![CDATA[Second Campus - Nishi-tokyo, Tokyo, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://musashino-u.j-server.com/LUCAIMSSNU/ns/tl.cgi/https://www.musashino-u.ac.jp/guide/profile/history.html?SLANG=ja&amp;TLANG=en&amp;XMODE=0&amp;XPARAM=q,&amp;XCHARSET=utf-8&amp;XPORG=,&amp;XJSID=0#anchor01]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/92">
    <dcterms:title><![CDATA[The Kennedy Center]]></dcterms:title>
    <dcterms:description><![CDATA[The Kennedy Center’s layout is rectangular. On the outside of the building, there are tall, thin steel pillars in a golden shade. These pillars run along each side of the Kennedy Center, adding drama and dimension to its facade. The building itself is built of a white concrete, with walls that tower over the visitors and a large overhang that is supported by the pillars. Along the two longer sides of the building are windows that stretch floor to ceiling. On top of the basic structure, there is a slightly smaller, and much shorter, upper level of the building. This second level has windows evenly dispersed along each side. There are two different main entrances, one on each side of the building with windows. As one walks into the Kennedy Center, they are met with bright red carpet, dramatic chandeliers, and mirrors covering the walls opposite the entrance. The high ceilings in the structure add to its elegance and charm. There are three main performance rooms in the building, the Concert Hall, the Opera House, and the Eisenhower Theatre. Each of these rooms are decorated elegantly, with large stages and plenty of seating. There are two hallways separating these rooms and connecting one side of the building to the other. It is in these hallways that giant flags hang from the ceiling, representing different states and nations. The Kennedy Center stands as a place to appreciate the arts, acknowledge American history, and to enjoy a night out in Washington, D.C.. The materials chosen allow for an elegant theme and charming exterior. The Kennedy Center both harbors notes of political authority and social status with its architecture, all while touching on the sight and sound of the viewer. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Edward Durell Stone]]></dcterms:creator>
    <dcterms:creator><![CDATA[Structural Engineer: Severud Associates ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Kennedy Center - panoramio (cropped).jpg (https://upload.wikimedia.org/wikipedia/commons/8/8a/Kennedy_Center_-_panoramio_%28cropped%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Kennedy_Center_(46399777861).jpg https://upload.wikimedia.org/wikipedia/commons/2/28/Kennedy_Center_%2846399777861%29.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Kennedy_center_diagram.svg.png https://en.wikipedia.org/wiki/John_F._Kennedy_Center_for_the_Performing_Arts#/media/File:Kennedy_center_diagram.svg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: John_F._Kennedy_Center,_interior_000_0017.jpg https://upload.wikimedia.org/wikipedia/commons/c/c2/John_F._Kennedy_Center%2C_interior_000_0017.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Messiah_Sing-Along_at_Kennedy_Center_2023_01.jpg https://upload.wikimedia.org/wikipedia/commons/e/ee/Messiah_Sing-Along_at_Kennedy_Center_2023_01.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: Kennedy_Center_(53844537746).jpg https://upload.wikimedia.org/wikipedia/commons/b/b6/Kennedy_Center_%2853844537746%29.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Start of Fundraising: January 29, 1959]]></dcterms:date>
    <dcterms:date><![CDATA[Start of Construction: December 11, 1965]]></dcterms:date>
    <dcterms:date><![CDATA[Building Opened: September 8, 1971]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Public Domain]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Modern architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[60,000 square feet]]></dcterms:extent>
    <dcterms:medium><![CDATA[Concrete]]></dcterms:medium>
    <dcterms:medium><![CDATA[Steel]]></dcterms:medium>
    <dcterms:language><![CDATA[Washington, D.C.]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/John_F._Kennedy_Center_for_the_Performing_Arts]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[38°53&#039;45&quot;N 77°03&#039;20&quot;W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[20th Century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/91">
    <dcterms:title><![CDATA[Tegarayama Central Park Himeji]]></dcterms:title>
    <dcterms:date><![CDATA[1966]]></dcterms:date>
    <dcterms:language><![CDATA[Japan]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/90">
    <dcterms:title><![CDATA[Seiko Ji Temple]]></dcterms:title>
    <dcterms:description><![CDATA[Temple]]></dcterms:description>
    <dcterms:date><![CDATA[1665]]></dcterms:date>
    <dcterms:language><![CDATA[Japan]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/88">
    <dcterms:title><![CDATA[St. Ignatius Church N Calvert St, Baltimore, MD]]></dcterms:title>
    <dcterms:description><![CDATA[The building presents a symmetrical, classically composed façade with the base of the building rusticated, and the rest of the facade is brick with tall arched windows and a heavy modillioned cornice. The church is also adorned with a golden cross on top. The tall, frosted glass arched openings and blank brick arches alternating on the upper levels give the façade a rhythm and sense of verticality while maintaining elegant restraint. The interior is designed to be a late-Renaissance and Baroque style. The columns rise to support a richly ornamented entablature and gallery, and the overall volume conveys both grandeur and symmetry. There are no intrusive structural columns dividing the nave, allowing unobstructed views toward the high altar. The stained-glass windows installed in the 1870s and comprising some seventeen different colors bring vibrant light into the space, enhancing the layered ornamentation and inviting the visitor’s gaze upward. the church’s setting and architectural composition reflect broader civic and cultural ambitions of the Catholic community in Baltimore in the 1850s. Positioned along Calvert Street between Madison and Monument Streets, the building was conceived as a “palace” of the Italianate style that proclaimed the growing confidence of the Jesuit-administered parish.]]></dcterms:description>
    <dcterms:creator><![CDATA[Louis L. Long (Architect/Designer) and Henry Hamilton Pittar (Builder)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image Link 1<br />
https://www.hmdb.org/Photos/18/Photo18314.jpg?11252005<br />
Image Link 2<br />
https://ispretreats.org/wp-content/uploads/St-Ignatius-Baltimore-e1589484022397.jpg<br />
Image Link 3<br />
https://s3-media0.fl.yelpcdn.com/bphoto/Z80xEygDXl6kZwDfGtIRLw/o.jpg<br />
Image Link 4<br />
https://explore.baltimoreheritage.org/files/fullsize/67f87df88449646cfc99ef91389a8839.jpg<br />
Image Link 5<br />
https://live.staticflickr.com/656/31110716783_a65ce4155a_b.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Years built: 1853–1856]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image Links 1-5 Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: The building is primarily designed in the Italianate style. Interior: The interior showcases a late Renaissance/Baroque style.]]></dcterms:format>
    <dcterms:extent><![CDATA[No specific Information found. Limited resources said it to be 35&quot; x 50&quot; or Two stories tall.]]></dcterms:extent>
    <dcterms:medium><![CDATA[The building is primarily made of &quot;Brick.&quot; ]]></dcterms:medium>
    <dcterms:language><![CDATA[Baltimore, MD]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source 1<br />
https://www.hmdb.org/m.asp?m=6125<br />
Source 2<br />
https://explore.baltimoreheritage.org/items/show/563<br />
]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[Latitude and Longitude - 39.298506394838505, -76.61312266745563]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Late Renaissance/Baroque style]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/87">
    <dcterms:title><![CDATA[The Walter&#039;s Art Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is very quadratic in its form. Viewed from overhead, its form is just a simple rectangle. Though it is worth noting that this form is made up of essentially two buildings. Continuing from overhead the left side building top appears ordinary compared to the right side which features a green, almost tile-like texture that bounds a glass square on the roof where light proceeds to enter the structure. It features 2 distinct levels that feature several interior rooms and an interior courtyard in the middle where the building truly shows its grandeur. This middle interior courtyard features a full look-around from the middle of the structure where it appears you can then space out into the individual rooms that contain the historic art pieces on display. The exterior features this glass atrium entrance lobby, added later during the building’s existence, this entrance helped combine the two sides of the museum. Its patterns and construction method seem to be rather ordinary, at least for the exterior. For the interior, there is a significant use of archway patterns for what appears to be entrances of hallways that lead to the rooms. The rooms seem to be very quadratic in form as well, with all featuring variations of rectangular and squarish forms. The rooms have varying colors and the courtyard features a brighter yellow. Standing as one of the cultural anchors for Mt. Vernon&#039;s place, the historic district the building is a part of, the structure started as a personal collection of Henry Walters and his son William T. Walters. Eventually, Henry made his collection viewable for the public in 1874. Ultimately, he requested a redesign from several architectural firms and renovations began in 1905 for the collection to be transformed into a museum and subsequently, the museum officially opened in 1909. A little over two decades later, after his death, the museum officially was given to the city. <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Delano and Aldrich(firm)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Shepley, Bullfinch, Richardson and Abbott(firm)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Kallmann, McKinnell and Wood (firm)]]></dcterms:creator>
    <dcterms:source><![CDATA[image 1: File:Walters Art Museum, 600 N. Charles Street, Baltimore, MD 21201 (35452161645).jpg - Wikimedia Commons<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[image 2:<br />
https://commons.wikimedia.org/wiki/File:Walters_Art_Museum_ceiling_-_Stierch.jp]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 1905]]></dcterms:date>
    <dcterms:date><![CDATA[Addition: 1974]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Brutalist and Beaux-Arts (style)]]></dcterms:format>
    <dcterms:extent><![CDATA[90,000 sq ft.]]></dcterms:extent>
    <dcterms:medium><![CDATA[limestone, glass ]]></dcterms:medium>
    <dcterms:language><![CDATA[Baltimore, Maryland]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Lisa Pfueller Davidson and Catherine C. Lavoie, &quot;WALTERS ART MUSEUM&quot;, [Baltimore, Maryland], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MD-01-BC6.<br />
<br />
Last accessed: November 4, 2025.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[39.29652976572545, -76.61647300552309]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/83">
    <dcterms:title><![CDATA[Soldier Field ]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1: Soldier_Field_S (https://upload.wikimedia.org/wikipedia/commons/e/e5/Soldier_Field_S.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Opened (October 8th, 1924)]]></dcterms:date>
    <dcterms:date><![CDATA[Renovation completed (January 19th, 2002)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons Attribution-Share Alike 4.0 International ]]></dcterms:license>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://www.isfauthority.com/facilities/history-of-soldier-field/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.86272869464308, -87.6166884]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[End of Progressive Era, United states]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/82">
    <dcterms:title><![CDATA[Shedd Aquarium ]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1: Shedd_Aquarium_E (https://upload.wikimedia.org/wikipedia/commons/2/2d/Shedd_Aquarium_E.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1930 (Built)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons Attribution-Share Alike 4.0 International license]]></dcterms:license>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://www.sheddaquarium.org/about-shedd/vision/history]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/81">
    <dcterms:title><![CDATA[Urban plans (New York, Chicago, Paris, Tokyo, Beijing, Cairo, Istanbul, Athens, and Baltimore) ]]></dcterms:title>
    <dcterms:abstract><![CDATA[These urban plans are for using as a &quot;map&quot; for a Neatline exhibit]]></dcterms:abstract>
    <dcterms:source><![CDATA[To Scale: 100 Urban Plans by Eric J. Jenkins (Routledge, 2008)]]></dcterms:source>
    <dcterms:contributor><![CDATA[Quint Gregory]]></dcterms:contributor>
    <dcterms:bibliographicCitation><![CDATA[To Scale: 100 Urban Plans by Eric J. Jenkins (Routledge, 2008)]]></dcterms:bibliographicCitation>
</rdf:Description></rdf:RDF>