<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/200">
    <dcterms:title><![CDATA[Quarry Garden At Belsay Castle]]></dcterms:title>
    <dcterms:description><![CDATA[The Quarry Garden is of a unique shape. As one walks through it, there are walls of stone stretching high above the visitor. Between these stone walls and the path are a variety of plants and greenery, giving life and color to the otherwise darker parts of the garden. Between two rock walls, a stone archway was constructed. This addition of artificial environment to the natural environment is a key factor of Georgian style gardens.  This garden is a place of quiet reflection and symbolic meaning, adding to the movement, sight, and sound that one might experience as they travel through its corridors. ]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1: The &#039;Quarry Garden&#039; at Belsay Castle (2) - geograph.org.uk - 1384670.jpg (https://upload.wikimedia.org/wikipedia/commons/c/cf/The_%27Quarry_Garden%27_at_Belsay_Castle_%282%29_-_geograph.org.uk_-_1384670.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Quarry Garden, Belsay Hall - geograph.org.uk - 7193418.jpg (https://upload.wikimedia.org/wikipedia/commons/9/9c/Quarry_Garden%2C_Belsay_Hall_-_geograph.org.uk_-_7193418.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Belsay Hall - Quarry Garden (2) - geograph.org.uk - 1479378.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e6/Belsay_Hall_-_Quarry_Garden_%282%29_-_geograph.org.uk_-_1479378.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Quarry Gardens at Belsay House - geograph.org.uk - 25184.jpg (https://upload.wikimedia.org/wikipedia/commons/2/2c/Quarry_Gardens_at_Belsay_House_-_geograph.org.uk_-_25184.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: The &#039;Quarry Garden&#039; at Belsay Castle (6) - geograph.org.uk - 1384681.jpg (https://upload.wikimedia.org/wikipedia/commons/6/63/The_%27Quarry_Garden%27_at_Belsay_Castle_%286%29_-_geograph.org.uk_-_1384681.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: The quarry garden at Belsay Hall - geograph.org.uk - 3661927.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1c/The_quarry_garden_at_Belsay_Hall_-_geograph.org.uk_-_3661927.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Built: c. 1370]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:language><![CDATA[Belsay, Northumberland, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Belsay_Castle]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[55°06′07″N 1°52′08″W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Medieval]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/211">
    <dcterms:title><![CDATA[Qusayr &#039;Amra]]></dcterms:title>
    <dcterms:contributor><![CDATA[Markeita Durham-Brinkley]]></dcterms:contributor>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/253">
    <dcterms:title><![CDATA[Ramsdell Building ]]></dcterms:title>
    <dcterms:description><![CDATA[This structure is quadratic in its form, its placement is intriguing to say the least. Similar to many Richardsonian buildings we’ve looked at thus far, it sits on the corner of a block. In addition, it is very slim viewed from its side. It appears as if it has 3 or 4 levels and operates to a typical hotel. The building materials are typically for a Richardsonian Romanesque structure. The rock-like material is there, with granite and sandstone in terra cotta coloring. Its construction method here takes a different spin on the typical Romanesque style. With more variation on its roofing (quadratic form, not as many conical toppings), but retaining the use of arches throughout. Overall, the building stands as one of the most unique examples of Richardsonian Romanesque architecture, in any part of the States.]]></dcterms:description>
    <dcterms:creator><![CDATA[Frederick W. Hollister]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Kathryn Bishop Eckert, &quot;Ramsdell Building&quot;, [Manistee, Michigan], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MI-01-MT8.]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1891]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: https://upload.wikimedia.org/wikipedia/commons/4/4d/Ramsdell_building_at_River_and_Maple.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[3 to 4 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[granite (rock), gray granite, sandstone, brick (clay material), terracotta (clay material)]]></dcterms:medium>
    <dcterms:language><![CDATA[Manistee, Michigan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Kathryn Bishop Eckert, &quot;Ramsdell Building&quot;, [Manistee, Michigan], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MI-01-MT8.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[44.24809573793308, -86.32347093055628]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/8">
    <dcterms:title><![CDATA[Reconstructed Scandinavian Viking Longhouse - <strong>Vikingekongehal</strong>]]></dcterms:title>
    <dcterms:description><![CDATA[Faithfully recreated biased on the largest royal hall known from the Viking Age in Denmark. Modernized with amenities such as air conditioning and heating. Vikingekongehal sits as Lejre Land of Legends greatest attraction, a large complex dedicated to preservation and historical life&#039;s of the Nordic people.<br />
<br />
Internally the building&#039;s massive hall spans multiple supports acting as a nature room divider. These supports hold important lighting which previous would be candles and torches now LED&#039;s for safety purposes. Along the sides built in seating, tables. and other misc items lay along the walls. Stepping down into the center a large stone hearth for cooking stands between two massive dinning tables ready for a feast. Weapons and shields hang on the walls.]]></dcterms:description>
    <dcterms:source><![CDATA[Kongehal 25. maj 2020 10.jpg - Visit Denmark - https://www.visitdenmark.com/press/latest-news/denmarks-largest-viking-longhouse-opens]]></dcterms:source>
    <dcterms:date><![CDATA[Part of the attraction Lejre Land of Legends established 1964. Reconstructed  after original findings of the hall by archeologists in Gl. Lejre back in 2009.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alyson Schruefer]]></dcterms:contributor>
    <dcterms:extent><![CDATA[Measuring 61-metres long and 10-metres high]]></dcterms:extent>
    <dcterms:medium><![CDATA[1000 tons of oak timber]]></dcterms:medium>
    <dcterms:language><![CDATA[Sagnlandet Lejre]]></dcterms:language>
    <dcterms:type><![CDATA[Tourist attraction]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://sagnlandet.dk/en/denmarks-largest-royal-hall/<br />
<br />
https://www.visitdenmark.com/press/latest-news/denmarks-largest-viking-longhouse-opens]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[55.615770317546804, 11.944792013212975]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/228">
    <dcterms:title><![CDATA[Registan of Samarkand]]></dcterms:title>
    <dcterms:license><![CDATA[Image 1: This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.]]></dcterms:license>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/60">
    <dcterms:title><![CDATA[Robāt-e Sharaf Caravanserai]]></dcterms:title>
    <dcterms:description><![CDATA[Located in Sarakhs, within the Khorasan-e Razavi Province of Iran and one of the fifty-four Caravanserais within The Persian Caravanserai, the Robāt-e Sharaf Caravanserai is a rectangular, fortified building, that resembles to the equivalent to a modern-day inn. This archeological site that resides on the Silk Road, was primarily used as a rest stop for travelers; a commercial hub for merchants to sell, trade, and purchase goods; a royal palace for the elite for special occasions; as well as a rest stop for pilgrims when traveling to Merv and Nishapur. Having an area of 4,863 square meters, incorporating Seljuk and Iranian architectures, and made entirely of baked brick, plaster, and stucco carvings, the Robāt-e Sharaf Caravanserai’s interior is comprised of a two-courtyard layout; guest rooms that were used for all social classes containing amenities; a four-iwan plan, which in Islamic architecture, usually consisted of a vaulted room with open sides; and decorated brickwork, which displayed Islamic art, and reflected the traditions of the Seljuk period. While there was a total of fifty-four Caravanserais throughout Iran, the Robāt-e Sharaf Caravanserai was the most well-known, and significant.  ]]></dcterms:description>
    <dcterms:abstract><![CDATA[The Robāt-e Sharaf Caravanserai is one of the fifty-four Caravanserais, that are located throughout Iran, and each archeological site falls under the primary title, The Persian Caravanserai.  ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Sharaf al-Din Qummi - Governor of Khorasan and Vizier to Sultan Sanjar]]></dcterms:creator>
    <dcterms:creator><![CDATA[Restored and Remodeled: Turkan Khatun - Daughter of the Khan and the Wife of Sultan Sanjar]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Hadidehghanpour (https://upload.wikimedia.org/wikipedia/commons/f/fd/%D9%86%D9%85%D8%A7%DB%8C_%D8%B3%D9%87_%D8%B1%D8%AE_%D8%B1%D8%A8%D8%A7%D8%B7_%D8%B4%D8%B1%D9%81.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Babak Sedighi (https://whc.unesco.org/en/documents/196538)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Babak Sedighi (https://whc.unesco.org/en/list/1668/gallery/&amp;index=1&amp;maxrows=12)]]></dcterms:source>
    <dcterms:date><![CDATA[1114-15 - Construction Started]]></dcterms:date>
    <dcterms:date><![CDATA[Early 12th Century - Completed]]></dcterms:date>
    <dcterms:date><![CDATA[1154 - Restored and Remodeled ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Markeita Durham-Brinkley]]></dcterms:contributor>
    <dcterms:format><![CDATA[Seljuk Architecture]]></dcterms:format>
    <dcterms:format><![CDATA[Iranian Architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[4,863 Square Meters (52,340 sq ft)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Baked Brick]]></dcterms:medium>
    <dcterms:medium><![CDATA[Plaster]]></dcterms:medium>
    <dcterms:medium><![CDATA[Stucco Carvings]]></dcterms:medium>
    <dcterms:language><![CDATA[Sarakhs, Khorasan-e Razavi Province, Iran]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://en.wikipedia.org/wiki/Ribat-i_Sharaf]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[2. https://whc.unesco.org/en/list/1668]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[3. https://en.wikipedia.org/wiki/Iwan]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Part of The Persian Caravanserai]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 36.2661° N<br />
Longitude: 60.6554° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Seljuk Era - Early 12th Century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/64">
    <dcterms:title><![CDATA[Roskilde Cathedral ]]></dcterms:title>
    <dcterms:description><![CDATA[Rosklide Cathedral, a striking monumental structure renowned for its twin spires. It stands as a testament to the earliest displays of Gothic architecture. Constructed with red brick, the building’s tall, narrow windows feature high, symmetrical pointed twin arches. At the rear an extension connects the church to a series of chapels and royal mausoleums. Adjacent to the church is a smaller, connected building with an oval-shaped roof. The roofline of the back section is adorned with copper, while the aged copper displays a green hue. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Bishop Absalon ]]></dcterms:creator>
    <dcterms:source><![CDATA[image 1,2, &amp; 3: https://whc.unesco.org/en/list/695<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[- 1170: initiated by Bishop Absalon<br />
- 14th - 15th century: chapels were added<br />
-17th century: Christian IVs Chapel added a Renaissance style burial chapel<br />
-18th - 19th century: Frederick Vs chapel added a neoclassical style<br />
-1995: Designated a UNESCO world heritage site<br />
- 20th century: restoration and preservation initiated]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2 &amp; 3 : creative comments ]]></dcterms:license>
    <dcterms:format><![CDATA[Gothic Architectural]]></dcterms:format>
    <dcterms:extent><![CDATA[- humungous and expansive structure. 86 meters in length and 33 meters in width. <br />
- Tallest point reaches 43 meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Red brick.<br />
- Granite.<br />
- Wood.<br />
- Copper.<br />
- Limestone.<br />
- Sandstone.<br />
]]></dcterms:medium>
    <dcterms:language><![CDATA[Roskilde, Zealand, Denmark ]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- UNESCO World Heritage Centre. “Temple of Apollo Epicurius at Bassae. https://whc.unesco.org/en/list/392/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[55.64268867635344, 12.079600626572956]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Renaissance &amp; neoclassical, Denmark ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/22">
    <dcterms:title><![CDATA[Royal Exhibition Building and Carlton Gardens]]></dcterms:title>
    <dcterms:description><![CDATA[ <br />
 The Royal Exhibition Building is large and primarily rectangular. The anterior side of the building is the most compressed. A large vault towers above the entrance doors. Two dome-like structures jut out from the top of the vault, giving it a castle-like appearance. The large dome stands proudly on the building.  Two massive wings stretch both sides of the building, housing massive corridors. Inside the corridors are various pillars, designs, and works of art. Most of the building’s design language takes inspiration from Roman, Byzantine, and Italian structures. The posterior side of the building houses a smaller, shorter corridor that faces out toward another building. The primary color of the building is white with blueish-green domes and roofing, giving it a striking look. <br />
<br />
 This building&#039;s primary purpose is to exhibit the various scientific, artistic, and educational displays during the two primary international exhibitions held there. Though the building itself was also designed to be displayed. It was made to show off Australia on the world stage. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Joseph Reed (1823-1890) (Architect) ]]></dcterms:creator>
    <dcterms:creator><![CDATA[David Mitchell (1829-1916) (Builder)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Royal_Exhibition_Building_Aerial_View (https://upload.wikimedia.org/wikipedia/commons/4/47/Royal_Exhibition_Building_Aerial_View.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:  Melb_Royal_Exhibition_-_East_Side(https://upload.wikimedia.org/wikipedia/commons/2/25/Melb_Royal_Exhibition_-_East_Side.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1880 (Date of Construction) <br />
<br />
1880 (Melbourne International Exhibition)<br />
<br />
Between 1880-1888 (Steel pipe was tied to bottom arches to prevent column spreading.)<br />
<br />
1888 (Melbourne Centennial International Exhibition) <br />
<br />
2004 (Date of inscription into becoming a UNESCO heritage site.)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Roman/ Byzantine/ Italian]]></dcterms:format>
    <dcterms:extent><![CDATA[Ground floor as a space of 6,400 m^2.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Timber, Slate, Brick, and Steel.]]></dcterms:medium>
    <dcterms:language><![CDATA[Carlton, Melbourne, Victoria, Australia]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://whc.unesco.org/en/list/1131/<br />
<br />
2. https://www.utas.edu.au/__data/assets/pdf_file/0005/446684/MelbExhibitionBuilding.pdf<br />
<br />
3. https://adb.anu.edu.au/biography/reed-joseph-4459<br />
<br />
4. https://adb.anu.edu.au/biography/mitchell-david-4209<br />
<br />
5. https://museumspaces.com.au/media/7551/museum_spaces_reb_operations_manual_august_2018.pdf]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[-37.804643061009244, 144.97163808607027]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial era, Australia]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/161">
    <dcterms:title><![CDATA[Sancaklar Mosque]]></dcterms:title>
    <dcterms:description><![CDATA[Sancaklar Mosque is a modern-day mosque created for the Sancaklar family. The building&#039;s interior is characterized by its simplicity. It, instead of following tradition, takes the shape of a cave . In a similar manner, the exterior melts into the building&#039;slandscape. The building is a naturalistic approach to the mosque.]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect - Emre Arolat]]></dcterms:creator>
    <dcterms:creator><![CDATA[Patron - Sancaklar Family]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 - Sancaklar-Mosque-by-Emre-Arolat-Architects_1, https://upload.wikimedia.org/wikipedia/commons/1/18/Sancaklar-Mosque-by-Emre-Arolat-Architects_1.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2 - 096-sancaklar-mosque (https://upload.wikimedia.org/wikipedia/commons/3/32/096-sancaklar-mosque.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[2011- Construction begins]]></dcterms:date>
    <dcterms:date><![CDATA[2013 - Construction finished]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1 - Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2 - Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Mosque]]></dcterms:format>
    <dcterms:extent><![CDATA[Area - 1300 sqr meters.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:medium><![CDATA[Concrete]]></dcterms:medium>
    <dcterms:language><![CDATA[Istanbul, Turkey]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://emrearolat.com/project/sancaklar-mosque/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.archdaily.com/516205/sancaklar-mosque-emre-arolat-architects]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.08920287117727, 28.601852161096396]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[2010s]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/31">
    <dcterms:title><![CDATA[Sannai-Maruyama Longhouse]]></dcterms:title>
    <dcterms:description><![CDATA[The largest of its kind, the building is a longhouse measured to be 32 meters in length and 9.8 meters in width, with a floor area of approximately 250 square meters. It takes an oval shape on a pitted floor. Its internal structure or skeleton consists of wood pillars, likely made from chestnut, a feature that can be found in surrounding buildings within the community. By modern standards, the longhouse&#039;s aesthetics could be described as primitive. The exterior is naturalistic, showcasing the raw materials used in its construction. Specifically, supported by the pillars is a thatched roof. As the building is slightly underground, there are stair entrances on each length of the structure; for modern accessibility, a ramped entrance is also provided. The entrances are defined by their doors, propped open from bottom to top, made of a similar material to the exterior. The building is a modern model of prehistoric, Jomon-era architecture and culture.<br />
<br />
Since the building’s recreation and opening in 1995,  it has been primarily used for public education, with the site&#039;s connections to the Jomon Jiyukan (a nearby museum).  In its time period, however, the original building was likely a communal space. As Jomon society became increasingly sedentary, communities such as those surrounding the structure developed. Its large size allowed these communities to gather.]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron - Aomori Prefecture Government (Acting Governor Masaya Kitamura)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 - 140913_Sannai-Maruyama_site_Aomori_Japan02bs5<br />
(https://upload.wikimedia.org/wikipedia/commons/3/31/140913_Sannai-Maruyama_site_Aomori_Japan02bs5.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2 - 140913 Sannai-Maruyama site Aomori Japan03s.jpg<br />
(https://upload.wikimedia.org/wikipedia/commons/b/be/140913_Sannai-Maruyama_site_Aomori_Japan03s.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3 - Sannai IMG 20161009 135532.jpg (https://upload.wikimedia.org/wikipedia/commons/2/29/Sannai_IMG_20161009_135532.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Middle Jomon (3900-2200 BC) - Longhouse initially constructed ]]></dcterms:date>
    <dcterms:date><![CDATA[1992 - Existence of large Jomon community discovered]]></dcterms:date>
    <dcterms:date><![CDATA[1994 - Conservation efforts and reconstruction begins]]></dcterms:date>
    <dcterms:date><![CDATA[1995 - Archeological park opens with model of Jomon village]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1 - Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2 - Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3 - Creative Commons ]]></dcterms:license>
    <dcterms:format><![CDATA[Jōmon Pit Dwelling]]></dcterms:format>
    <dcterms:extent><![CDATA[Floor Area - 32 meters x 9.8 meters ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood, thatch]]></dcterms:medium>
    <dcterms:language><![CDATA[Aomori, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[“Sannai Maruyama Site: Remains and Reconstructed Models of Large Pit‑Dwellings.” Sannai Maruyama: World Heritage Jōmon Prehistoric Sites in Northern Japan. Aomori Prefecture. https://sannaimaruyama.pref.aomori.jp/english/about/remains-dwellings/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[UNESCO. “Jōmon Prehistoric Sites in Northern Japan.” UNESCO World Heritage Centre. https://whc.unesco.org/en/list/1632/.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[“Sannai Maruyama Site — Information.” Sannai Maruyama: World Heritage Jōmon Prehistoric Sites in Northern Japan. Aomori Prefecture.  https://sannaimaruyama.pref.aomori.jp/english/information/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[“Japan: Heads of State / Heads of Government and Major Officials.” Rulers.org. http://rulers.org/jappref.html]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.810648177449984, 140.69669281125968]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Jomon Period (14,000 and 300 BCE)]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
