<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/57">
    <dcterms:title><![CDATA[Voya Financial Building, Original Name: Northwestern National Life Insurance Building.]]></dcterms:title>
    <dcterms:description><![CDATA[The Voya Financial building (also known historically as the Northwestern National Life Insurance Building) is a six‑story office structure located at 20 Washington Avenue South in downtown Minneapolis. It was designed by architect Minoru Yamasaki and completed in 1965. The building is known for its striking white‑quartz concrete columns about 63 slender columns that support an eighty‑foot high portico at one entrance. The design mixes modern architecture with formal, classical touches. Between the columns are thin marble panels (Verde‑antique marble) and dark tinted glass, which give the facade a refined appearance. There are reflecting pools and landscaped areas around the building, plus a grand porch/entrance that frames views down Nicollet Mall.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Visual Termination / City Planning: The building is purposely placed so that its portico serves as a visual terminus for Nicollet Mall. In other words, the sightline down Nicollet Mall ends at the building’s portico towards the direction of the Mississippi River.<br />
<br />
Interior features: Originally, the top floor housed the company president’s office, decorated richly (rosewood, teak, large doors, etc.), and the cafeteria was on that level with arched windows and bright colors. There was also a large sculpture “Sunlit Straw” by Bertoia in the lobby.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Architect: Minoru Yamasaki]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1<br />
https://cloudfront-us-east-1.images.arcpublishing.com/startribunemedia/KRBYBRUW6RAGDHCNKFVOAEFNHE.jpg<br />
<br />
Image 2<br />
https://media.bizj.us/view/img/12005409/broadwest-office-tower-10*xx6016-3384-0-316.jpg<br />
<br />
Image 3<br />
https://media.bizj.us/view/img/12253071/190426agesgthemarq004v2*900xx2500-1406-0-149.jpg<br />
<br />
Image 4<br />
https://media-cdn.tripadvisor.com/media/photo-s/01/38/13/f0/northwestern-national.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[completed in 1965]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[New Formalism]]></dcterms:format>
    <dcterms:extent><![CDATA[The building is six stories tall. The total floor area is 220,000 square feet of office space.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Marble and concrete]]></dcterms:medium>
    <dcterms:language><![CDATA[Minneapolis, Minnesota]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:spatial><![CDATA[Latitude: 44.98211804793023, <br />
Longitude: -93.26730335880224]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern Era of the 1960s.]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/56">
    <dcterms:title><![CDATA[NOA New Headquarters]]></dcterms:title>
    <dcterms:description><![CDATA[After initially forming in 2011 the architecture firm NOA moved between a hand full of small offices in Bolzano Italy. Over the next 13 years their growth would continue  eventually culminating in the renovation of what has now become the New NOA headquarters. <br />
<br />
Entering through the buildings main elevator or stairwell you are greeted with two square sections on either side housing amities such as toiletries and janitorial storage. Ahead lays a &quot;T&quot; shaped hallway embodying the heart of creativity. In these main halls chairs, tables, and recreational furniture are set and able to be rearranged at will. Fundamentally embodying NOA&#039;s drive for creativity. This flexible area allows instant modification for any business related meetings or employee leisure. At the tip of the &quot;T&quot; hallway is a glass long window viewing the porch. On either side enters into private meeting rooms holding statues and colorful furniture. Further down NOA&#039;s own art library sits holding minified models of past projects and other decorations. ]]></dcterms:description>
    <dcterms:creator><![CDATA[NOA interior renovation team  ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: NOA Internal (https://divisare.com/authors/2144806791-alex-filz)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: NOA Plan<br />
(https://divisare.com/authors/2144806791-alex-filz)]]></dcterms:source>
    <dcterms:date><![CDATA[November 2023: Renovation and competition of NOA headquarters]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alyson Schruefer]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Photographer: Alex Filz - Fair use<br />
]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Fair use]]></dcterms:license>
    <dcterms:format><![CDATA[Externally: Baroque<br />
Internally: Modern corporate]]></dcterms:format>
    <dcterms:extent><![CDATA[Approximately footprint of 1,000 m². ]]></dcterms:extent>
    <dcterms:language><![CDATA[Bolzano Italy ]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- https://www.noa.network/en/projects/noa-hq/<br />
- https://amazingarchitecture.com/office-buildings/new-noa-headquarters-a-chameleonic-space<br />
- https://archello.com/brand/noa-2]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[46.47328569019659, 11.32500949893623]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/55">
    <dcterms:title><![CDATA[Mall of America (Minnesota)]]></dcterms:title>
    <dcterms:description><![CDATA[The Mall of America in Bloomington, Minnesota is a large and expansive commercial structure. Externally it is primarily grey in color with many large reflective windows that can look blue due to the sky. It is rectangular in shape with four smaller square shaped buildings attached to each corner. Each building on the edge is at a diagonal angle that gives the overall mall less sharp corners. Many elongated pyramidal skylights cover the center ceiling of the mall, allowing plenty of natural light to seep in. They are quite noticeable when looking up on the highest level.. Two regular buildings attach the northern and southern sections of the mall. there are also two large parking garages on the eastern and western sides of the complex. More than 520 stores are contained in the mall. In the center is a Nickelodeon based theme park. There are a total of four levels to the mall. On level one there is a Sea Life aquarium. There are a total of ten entrances into the mall. One for each corner of the building and each cardinal direction.]]></dcterms:description>
    <dcterms:creator><![CDATA[Construction Company: Triple Five Group ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: 2018_Mall_of_America_01 (https://upload.wikimedia.org/wikipedia/commons/5/59/2018_Mall_of_America_01.jpg)<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Mall_of_America_Floors_&amp;_Escalators (https://upload.wikimedia.org/wikipedia/commons/b/b2/Mall_of_America_Floors_%26_Escalators.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3:  Mall_of_America_Aerial (https://upload.wikimedia.org/wikipedia/commons/a/aa/Mall_of_America_Aerial.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[June 14th, 1989 (Groundbreaking/ first day of construction)]]></dcterms:date>
    <dcterms:date><![CDATA[August 11th, 1992 (Opened)]]></dcterms:date>
    <dcterms:date><![CDATA[1996 (Addition of Aquarium) ]]></dcterms:date>
    <dcterms:date><![CDATA[2008 (Addition of Nickelodeon Universe) ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1:  Creative Commons Attribution-Share Alike 4.0 International]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons Attribution-Share Alike 4.0 International]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons Attribution-Share Alike 4.0 International]]></dcterms:license>
    <dcterms:format><![CDATA[Modern]]></dcterms:format>
    <dcterms:extent><![CDATA[520,000 m²]]></dcterms:extent>
    <dcterms:language><![CDATA[Bloomington, Minnesota, United States]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://www.mallofamerica.com/about#:~:text=Mall%20of%20America%20was%20chosen,their%20first%20day%20of%20work.<br />
2. https://www.britannica.com/place/Mall-of-America<br />
3. https://www.mallofamerica.com/upload/MOA_Directory_Spring2017.pdf]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[44.85501471534902, -93.24230630505298]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[90&#039;s, USA]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/54">
    <dcterms:title><![CDATA[Ness County Bank Building]]></dcterms:title>
    <dcterms:description><![CDATA[The layout of the structure is seemingly quadratic in its form. Its seemingly rectangular base connects to a smaller square, looking from the front angle of the bank. The structure is a three-level building, with an additional raised basement level. It is also worth noting that the structure is considered to be towering due to the context of its location. In Ness, the buildings are typically one-story. It appears that there are a few entrance ways into the structure. There is a two-way pillar that meets at the edge of the front-side of the structure. In addition to these main entrances, there are a barrage of windows. On the side that connects to the smaller square of the structure, there are only two large windows. The structure does have notable additions to its form near the top of the structure. On the side of the two-way opening, there is a brown triangular pyramid topped with the flag of the U.S. There are also cylindrical posts on the top that are seen over the top of the structure. Its patterns are quite interesting given that its style is that of Richardsonian Romanesque. Here we get these arch patterns on multiple sets or standalone windows throughout the mostly tan structure. Indoors we have several spaces for rental spaces for small businesses, firms and to house the bank itself as intended from the designs from the architect. It is the first building that the style used, as the area designed most of the courtly buildings, following the structure, in the Richardsonian Romanesque style. Its main material is Limestone as its outside walls are greatly made up of this medium. There was renovation done on the structure, with the exception of the roof, over the years as its usage has changed. Ultimately, the structure still stands as one of the most important buildings of the early settlement of the midwest in the U.S. Though it has seen its share of change, its legacy is still prominent. <br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[researching any photographic sources (plans in particular) for this building is quite difficult]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Architect: J. C. Holland]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:  Ness_County_Bank<br />
https://upload.wikimedia.org/wikipedia/commons/b/bc/Ness_County_Bank.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ness_County_Bank_Entrance<br />
https://upload.wikimedia.org/wikipedia/commons/d/d1/Ness_County_Bank_Entrance.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1888]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1890]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[85 x 55 feet ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Limestone]]></dcterms:medium>
    <dcterms:language><![CDATA[Ness City, Kansas, U.S.]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[David Sachs, George Erlich, &quot;Ness County Bank Building&quot;, [Ness City, Kansas], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/KS-01-135-0028.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[38.45420079362418, -99.90523563051852]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[The Victorian Era]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/53">
    <dcterms:title><![CDATA[Tokyo International Exhibition Center]]></dcterms:title>
    <dcterms:title><![CDATA[Tokyo Big Sight]]></dcterms:title>
    <dcterms:description><![CDATA[A massive convention center along Tokyo Bay. The convention center is made up of three main buildings, with the main tower being the center of attention, and what most people refer to when talking about this site. The main tower is a 58metre tall structure. It consists of 4 upside down pyramids, in a 2x2 square, taking up 102,887 square metres. The pointed sides down to the ground connected to steel towers that provide support and elevator access. In the center, between the pyramids, is a reception hall and four halls, this is considered the first floor. The second floor is the main entrance hall where the main exhibition plaza is found. This area reveals the glass covered roof. The remaining space is convention halls and offices.  Surrounding the main tower is the West Hall. This is a series of 4 halls, connected by an atrium. To the east, across a street, and not directly linked to the main tower, is the East Hall. The entire hall is one Galleria flanked by two halls on each side. The structures are mainly steel, reinforced concrete, and glass.  All of them have modular and movable sections to control the use of space. ]]></dcterms:description>
    <dcterms:description><![CDATA[Independent content creators use this convention center to sell and promote their works. It has been the starting point for many trends and has a huge cultural impact. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Contractor: Tokyo Metropolitan Government&#039;s Bureau of Finance<br />
]]></dcterms:creator>
    <dcterms:creator><![CDATA[Main Firm: AXS SATOW]]></dcterms:creator>
    <dcterms:creator><![CDATA[Main Contractors: Hazama JV<br />
                                          Shimizu Corporation]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: 20030727 27 July 2003 Tokyo International Exhibition Center Big Sight Odaiba Tokyo Japan.jpg (<a href="https://commons.wikimedia.org/wiki/File:20030727_27_July_2003_Tokyo_International_Exhibition_Center_Big_Sight_Odaiba_Tokyo_Japan.jpg">https://commons.wikimedia.org/wiki/File:20030727_27_July_2003_Tokyo_International_Exhibition_Center_Big_Sight_Odaiba_Tokyo_Japan.jpg</a>)<br /><br />Image 2:<span class="mw-page-title-main">Tokyo Big Sight at Night.jpg</span> (<a href="https://commons.wikimedia.org/wiki/File:Tokyo_Big_Sight_at_Night.jpg">https://commons.wikimedia.org/wiki/File:Tokyo_Big_Sight_at_Night.jpg</a>)]]></dcterms:source>
    <dcterms:date><![CDATA[Construction started: October 1992]]></dcterms:date>
    <dcterms:date><![CDATA[Opened: April 1996]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative  Commons<br />
Image 2: Creative  Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Convention Venue ]]></dcterms:format>
    <dcterms:format><![CDATA[High Tech Architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[Total: 230,873 square metres<br />
]]></dcterms:extent>
    <dcterms:extent><![CDATA[Convention Space: 115,420 square metres ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Steel]]></dcterms:medium>
    <dcterms:medium><![CDATA[Glass]]></dcterms:medium>
    <dcterms:medium><![CDATA[Concrete]]></dcterms:medium>
    <dcterms:language><![CDATA[Kotoku,Tokyo,Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:spatial><![CDATA[35.629283900747296, 139.79471993863845]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/52">
    <dcterms:title><![CDATA[Chieftain’s house, Lofotr Viking Museum]]></dcterms:title>
    <dcterms:description><![CDATA[The chieftain’s house at Lofotr Viking Museum is an overpowering recreation of Viking Age longhouses. Like many longhouses, both of Viking communities and around the world, it takes the shape of an oval with a convex  roof, and is constructed primarily of natural materials, wood and turf. The building has various entrances along its length and is separated into five sections: the living quarters, the trash heap, the feast hall, the storage room, and the farm (byre). The interior and roof are supported by wooden pillars with intricate carvings. The museum combines the assumed aesthetics of Viking living spaces with modern innovations—lighting, exit signs, etc. <br />
<br />
During the Viking Age, longhouses would often be used as both an abode for the chieftain, his family, and his workers (usually working at the farm) and as a communal space.  Most notable in this specific structure is the feast hall, where ceremonies were held and the chieftain displayed his power. ]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1: Chieftain’s house (reconstruction).jpg (https://upload.wikimedia.org/wikipedia/commons/5/53/Chieftains_house_%28reconstruction%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:  Viking museum Lofotr.jpg (https://upload.wikimedia.org/wikipedia/commons/6/6e/Viking_museum_Lofotr.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Senja 17 080.jpg (https://upload.wikimedia.org/wikipedia/commons/0/0d/Senja_17_080.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[500 AD - Original community is established ]]></dcterms:date>
    <dcterms:date><![CDATA[1986 - Archeological Excavation project begins]]></dcterms:date>
    <dcterms:date><![CDATA[1995 - Reconstruction completed, museum opens]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons ]]></dcterms:license>
    <dcterms:license><![CDATA[Image  2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Viking Age Longhouse]]></dcterms:format>
    <dcterms:extent><![CDATA[83 x 12 meters]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Turf]]></dcterms:medium>
    <dcterms:language><![CDATA[Borg, Vestvågøy, Norway]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.lofotr.no/en/chieftains-house/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.museumnord.no/en/stories/the-chieftains-house-at-borg/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://norse-mythology.org/viking-political-institutions/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.m.wikipedia.org/wiki/Lofotr_Viking_Museum]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[68.2400° N, 13.7531° E.]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Viking Age]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/51">
    <dcterms:title><![CDATA[Cologne Cathedral<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[Created during the medieval ages this grand cathedral&#039;s original architects desire to create a grand sculpture to house the Reliquary of the Three Kings. While left incomplete until centuries further the cathedral would endure the times and tribulations of history. Withstanding countless shelling by the allied powers in WW2 standing tall amongst the flattened city.<br />
<br />
Adoring the cathedral&#039;s grand entrance  intricately designed roofing dwarfs the viewer. On either side sculptures of religious figures stand proud. Pushing through the grand archway a rectangular floor plan holds the structural curvature of the walls and window sills. Extraordinarily open and grand the roofs utilize this to enhance acoustics boosting the faithful voices of the priest of the past.  Stained glass windows adored with religious iconography line each rectangular wing. In the center a stage with a grandiose pipe organ hangs high a few stories upwards.<br />
<br />
Externally the footprint is a kin to a cross with  a curved semi-circle northern wing.  The facade continues up the front to the duel spires that reach high into the sky. ]]></dcterms:description>
    <dcterms:source><![CDATA[ Creative Commons Attribution-ShareAlike 4.0 License; ]]></dcterms:source>
    <dcterms:date><![CDATA[1248 - Construction begins]]></dcterms:date>
    <dcterms:date><![CDATA[1560 - Construction halted]]></dcterms:date>
    <dcterms:date><![CDATA[1814 - Construction began again,  increasing funding by the late 40&#039;s]]></dcterms:date>
    <dcterms:date><![CDATA[1880 - Original Medieval plan is completed]]></dcterms:date>
    <dcterms:contributor><![CDATA[Alyson Schruefer<br />
]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1:© Raimond Spekking / CC BY-SA 4.0 (via Wikimedia Commons)<br />
Image 2: Theodor Verhas / Henry Winkles - Udo Mainzer: Köln in historischen Ansichten. Wuppertal 1977, S. 71<br />
Image 3: Johannes Franciscus Michiels - http://www.muenchner-stadtmuseum.de<br />
Image 4: Johann Franz Michiels - Uta Grefe: Köln in frühen Photographien 1847-1914, Schirmer/Mosel Verlag, München, 1988, ISBN 3-88814-294-6 Scan by Raimond Spekking<br />
Image 5:  File:Cologne Cathedral interior.JPG: Pascal Reusch derivative work: Georgfotoart - This file was derived from: Cologne Cathedral interior.JPG: <br />
Image 6: https://en.wikipedia.org/wiki/Cologne_Cathedral#/media/File:Plan.cathedrale.Cologne.png]]></dcterms:license>
    <dcterms:format><![CDATA[Gothic]]></dcterms:format>
    <dcterms:extent><![CDATA[External length	144.58 m (474.3 ft)<br />
External width	86.25 m (283.0 ft)<br />
Width of west façade	61.54 m (201.9 ft)<br />
Width of transept façade	39.95 m (131.1 ft)<br />
Width of nave (with aisles, interior)	45.19 m (148.3 ft)<br />
Height of southern tower	157.31 m (516.1 ft)<br />
Height of northern tower	157.38 m (516.3 ft)<br />
Height of ridge turret	109.00 m (357.61 ft)<br />
Height of transept façades	69.95 m (229.5 ft)<br />
Height of roof ridge	61.10 m (200.5 ft)<br />
Inner height of nave	43.35 m (142.2 ft)<br />
Height of side aisles	18 m (59 ft)<br />
Building area	7,914 m2 (85,185.59 sq ft)<br />
Window surface area	10,000 m2 (107,639.10 sq ft)<br />
Roof surface area	12,000 m2 (129,166.93 sq ft)<br />
Gross volume without buttresses	407,000 m3 (14,400,000 cu ft)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone and Limstone]]></dcterms:medium>
    <dcterms:language><![CDATA[Cologne, Germany]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[50.94137977783817, 6.95823848153271]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Middle Ages - Renaissance]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/50">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:description><![CDATA[ Angkor Wat is a very large temple complex that is primarily square in shape. Currently the stone walls are white with brown stains caused by weathering. The brown color tends to be more apparent on the roofs of the structure. The temple itself is surrounded by a large stone wall with pillars supporting a small overhang. There are two types of towers that protrude from the temple. Smaller flat topped cylindrical towers mark the corners of the temple&#039;s inner wall. While the temple itself has five taller pointed cylindrical towers at its four corners and a large one present in the center. Angkor Wat contains various bas reliefs of important religious figures of the region. The building and entire complex was and is still primarily used as a religious site for both Buddhist and Hindu religions. <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: King Suryavarman II]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: 20171126_Angkor_Wat_4712_DxO (https://upload.wikimedia.org/wikipedia/commons/d/d4/20171126_Angkor_Wat_4712_DxO.jpg)<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:  Angkor_Wat_M3 (https://upload.wikimedia.org/wikipedia/commons/a/ad/Angkor_Wat_M3.png)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Angkor_Wat_(12224460023) (https://upload.wikimedia.org/wikipedia/commons/b/ba/Angkor_Wat_%2812224460023%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Angkor_Wat_-_edificio_principale_2 (https://upload.wikimedia.org/wikipedia/commons/b/b2/Angkor_Wat_-_edificio_principale_2.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[12th century (estimated date of construction) ]]></dcterms:date>
    <dcterms:date><![CDATA[1177 (Sacking of Angkor by Cham people)]]></dcterms:date>
    <dcterms:date><![CDATA[15th Century (Angkor mostly abandoned)]]></dcterms:date>
    <dcterms:date><![CDATA[1863 (French explorer Henri Mouhot come across Angkor Wat)]]></dcterms:date>
    <dcterms:date><![CDATA[20th Century (Restoration projects begin)]]></dcterms:date>
    <dcterms:date><![CDATA[1970&#039;s (Restoration projects halt due to political turmoil)]]></dcterms:date>
    <dcterms:date><![CDATA[Mid 1980&#039;s (Restoration work resumes)]]></dcterms:date>
    <dcterms:date><![CDATA[1992 (Designated as a UNESCO World Heritage site in danger status)]]></dcterms:date>
    <dcterms:date><![CDATA[2004 (Danger status is removed)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons Attribution-Share Alike 4.0 International license.<br />
]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2:  Creative Commons Attribution-Share Alike 3.0 Unported license.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons Attribution-Share Alike 2.0 Generic]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4:  Creative Commons Attribution-Share Alike 4.0 International]]></dcterms:license>
    <dcterms:format><![CDATA[Khmer Empire]]></dcterms:format>
    <dcterms:extent><![CDATA[162.6 Hectares (402 Acres)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone, Brick, and Laterite]]></dcterms:medium>
    <dcterms:language><![CDATA[Siem Reap, Cambodia]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://whc.unesco.org/en/list/668/<br />
<br />
2. https://www.britannica.com/topic/Angkor-Wat<br />
<br />
3.https://www.angkorenterprise.gov.kh/temple/65/angkor-wat#:~:text=Angkor%20Wat%20is%20a%20temple,1%2C626%2C000%20m2%3B%20402%20acres).<br />
<br />
4. https://www.researchgate.net/publication/247878036_The_stone_materials_of_the_Angkor_monuments_Cambodia_The_magnetic_susceptibility_and_the_orientation_of_the_bedding_plane_of_the_sandstone]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[13.41270933274133, 103.86697497116442]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[12th century, Khmer Empire, Cambodia]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/49">
    <dcterms:title><![CDATA[Bethabara Moravian Church<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is considerably sound with a firm rectangular form, as it hails as one of the last structures to represent the German Colonial church structure. It includes two levels, two chimneys, and a belfry at the top. While it does feature a second level, it does appear that there is more space on the main lower level. It is also worth noting that it appears there were initial plans to have a basement level, however ultimately was not added. The structure presents a multitude of windows and doors. There are two front entrances on the North-East side of the structure that one may enter through. From there to the immediate left is the Structure’s auditorium. To the right of these entrances lies two bedrooms, a living room, and a kitchen toward the back right of the structure (facing from the front). There are similarly two exits through the back that leads directly to what appears to be a well. The second level also features a smaller auditorium, which is considered a part of the main one on the lower level, and another bedroom. The structure has an angled roof which does present in its interior design as well as the exterior design. Its patterns are quite simplistic in its exterior, with the majority of the building possessing a stone masonry wall into brick pattern. On its interior, its patterns are also simplistic, as they follow a simple white color into a more natural wood color on objects like window arches and doors. Its structural process and build deliver on the structure&#039;s signaling of religious context. It establishes an iconicity when we think of an old, colonial, well-established church in the United States. <br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[The church has been added to the Historic Bethabara Park. This may partly impacts its lack of documentation of its dimensions.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Architect: Frederic William Marshall ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Abraham Loesch]]></dcterms:creator>
    <dcterms:source><![CDATA[Image1: <br />
Bethabara_Moravian_Church<br />
https://upload.wikimedia.org/wikipedia/commons/6/61/Bethabara_Moravian_Church.JPG]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: <br />
<br />
Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_1_of_6)<br />
<br />
https://upload.wikimedia.org/wikipedia/commons/2/2f/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_1_of_6%29.png]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: <br />
<br />
Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_2_of_6)<br />
<br />
https://upload.wikimedia.org/wikipedia/commons/4/47/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_2_of_6%29.png]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1788]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1788]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[German Colonial religious type]]></dcterms:format>
    <dcterms:extent><![CDATA[Area: 8 acres]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone, brick and wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Winston-Salem North Carolina]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://historicbethabara.org/historic-building-grounds/the-gemeinhaus/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.bethabara.org/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Worth Alexander Younts, &quot;Bethabara Moravian Church&quot;, [Winston-Salem, North Carolina], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/NC-01-067-0077.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[36.15270418805049, -80.29455856130483]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[18th century German Colonial]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/48">
    <dcterms:title><![CDATA[Ely Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[The layout of the Ely Cathedral is that of a cross, with two large towers protruding into the sky at the cross&#039;s intersection and at its feet. The cathedral is about 21 stories tall, and the length of one and a half football fields. The main entrance is at the bottom of the cross layout. The structure itself is built out of stone, marble, and limestone. The exterior of the cathedral is ordinately decorated, showcasing various sizes in arches that are carved into the cathedrals walls, with scallops and crosses meticulously filling in each empty gap in the stone. The structure is a muddled gray color, showing faint signs of its survival through the centuries. On the tower where the entrance is, a large golden clock faces the visitors. Small turrets also reach to the sky in various places along the roof. Windows are generously carved into the cathedral, allowing much light to shine into the church. Many of the windows are made of stained glass, allowing for much color and life to be brought into the building. This building was used as a cathedral throughout history, allowing a place for people to come and worship. The religious building was created to encapsulate the sight of those who visit and for people to be in awe of its structure. As mentioned previously, the layout of the building is that of a cross. Seeing as this is a cathedral, the cross was a deliberate choice, invoking emotion of what Jesus Christ had gone through historically. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Overseer: Abbot Simeon]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ely Cathedral from Quanea Drove F.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1d/Ely_Cathedral_from_Quanea_Drove_F.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ely Cathedral Choir, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/4/47/Ely_Cathedral_Choir%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ely Cathedral Lady Chapel, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/63/Ely_Cathedral_Lady_Chapel%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Ely Cathedral High Altar, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/62/Ely_Cathedral_High_Altar%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Ely Cathedral February 2018 021.jpg (https://upload.wikimedia.org/wikipedia/commons/f/fd/Ely_Cathedral_February_2018_021.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: Ely Cathedral - Google Art Project.jpg (https://upload.wikimedia.org/wikipedia/commons/7/75/Ely_Cathedral_-_Google_Art_Project.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 7: Ely Cathedral From Air.jpg (https://upload.wikimedia.org/wikipedia/commons/2/25/Ely_Cathedral_From_Air.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1081: Construction on current cathedral began]]></dcterms:date>
    <dcterms:date><![CDATA[1109: Achieved status of cathedral]]></dcterms:date>
    <dcterms:date><![CDATA[1189: Basic construction complete]]></dcterms:date>
    <dcterms:date><![CDATA[1322: Octagon tower construction begins]]></dcterms:date>
    <dcterms:date><![CDATA[1349: Lady Chapel is finished]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 7: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[537 ft in length, 217 ft in height]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:medium><![CDATA[Marble]]></dcterms:medium>
    <dcterms:medium><![CDATA[Limestone]]></dcterms:medium>
    <dcterms:language><![CDATA[Ely, Cambridgeshire, England, U.K]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.britannica.com/place/Ely-cathedral]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.elycathedral.org/about/history-heritage/the-story-of-ely]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Ely_Cathedral]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[52°23&#039;55&quot;N 0°15&#039;49&quot;E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Middle Ages]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
