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                <text>The Voya Financial building (also known historically as the Northwestern National Life Insurance Building) is a six‑story office structure located at 20 Washington Avenue South in downtown Minneapolis. It was designed by architect Minoru Yamasaki and completed in 1965. The building is known for its striking white‑quartz concrete columns about 63 slender columns that support an eighty‑foot high portico at one entrance. The design mixes modern architecture with formal, classical touches. Between the columns are thin marble panels (Verde‑antique marble) and dark tinted glass, which give the facade a refined appearance. There are reflecting pools and landscaped areas around the building, plus a grand porch/entrance that frames views down Nicollet Mall.</text>
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                <text>Visual Termination / City Planning: The building is purposely placed so that its portico serves as a visual terminus for Nicollet Mall. In other words, the sightline down Nicollet Mall ends at the building’s portico towards the direction of the Mississippi River.&#13;
&#13;
Interior features: Originally, the top floor housed the company president’s office, decorated richly (rosewood, teak, large doors, etc.), and the cafeteria was on that level with arched windows and bright colors. There was also a large sculpture “Sunlit Straw” by Bertoia in the lobby.</text>
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&#13;
Entering through the buildings main elevator or stairwell you are greeted with two square sections on either side housing amities such as toiletries and janitorial storage. Ahead lays a "T" shaped hallway embodying the heart of creativity. In these main halls chairs, tables, and recreational furniture are set and able to be rearranged at will. Fundamentally embodying NOA's drive for creativity. This flexible area allows instant modification for any business related meetings or employee leisure. At the tip of the "T" hallway is a glass long window viewing the porch. On either side enters into private meeting rooms holding statues and colorful furniture. Further down NOA's own art library sits holding minified models of past projects and other decorations. </text>
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                <text>June 14th, 1989 (Groundbreaking/ first day of construction)</text>
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                <text>The Mall of America in Bloomington, Minnesota is a large and expansive commercial structure. Externally it is primarily grey in color with many large reflective windows that can look blue due to the sky. It is rectangular in shape with four smaller square shaped buildings attached to each corner. Each building on the edge is at a diagonal angle that gives the overall mall less sharp corners. Many elongated pyramidal skylights cover the center ceiling of the mall, allowing plenty of natural light to seep in. They are quite noticeable when looking up on the highest level.. Two regular buildings attach the northern and southern sections of the mall. there are also two large parking garages on the eastern and western sides of the complex. More than 520 stores are contained in the mall. In the center is a Nickelodeon based theme park. There are a total of four levels to the mall. On level one there is a Sea Life aquarium. There are a total of ten entrances into the mall. One for each corner of the building and each cardinal direction.</text>
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                    <text>Julian Forster </text>
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                    <text>David Sachs, George Erlich, "Ness County Bank Building", [Ness City, Kansas], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/KS-01-135-0028.</text>
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                <text>The layout of the structure is seemingly quadratic in its form. Its seemingly rectangular base connects to a smaller square, looking from the front angle of the bank. The structure is a three-level building, with an additional raised basement level. It is also worth noting that the structure is considered to be towering due to the context of its location. In Ness, the buildings are typically one-story. It appears that there are a few entrance ways into the structure. There is a two-way pillar that meets at the edge of the front-side of the structure. In addition to these main entrances, there are a barrage of windows. On the side that connects to the smaller square of the structure, there are only two large windows. The structure does have notable additions to its form near the top of the structure. On the side of the two-way opening, there is a brown triangular pyramid topped with the flag of the U.S. There are also cylindrical posts on the top that are seen over the top of the structure. Its patterns are quite interesting given that its style is that of Richardsonian Romanesque. Here we get these arch patterns on multiple sets or standalone windows throughout the mostly tan structure. Indoors we have several spaces for rental spaces for small businesses, firms and to house the bank itself as intended from the designs from the architect. It is the first building that the style used, as the area designed most of the courtly buildings, following the structure, in the Richardsonian Romanesque style. Its main material is Limestone as its outside walls are greatly made up of this medium. There was renovation done on the structure, with the exception of the roof, over the years as its usage has changed. Ultimately, the structure still stands as one of the most important buildings of the early settlement of the midwest in the U.S. Though it has seen its share of change, its legacy is still prominent. &#13;
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                <text>researching any photographic sources (plans in particular) for this building is quite difficult</text>
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                <text>Image 1: 20030727 27 July 2003 Tokyo International Exhibition Center Big Sight Odaiba Tokyo Japan.jpg (&lt;a href="https://commons.wikimedia.org/wiki/File:20030727_27_July_2003_Tokyo_International_Exhibition_Center_Big_Sight_Odaiba_Tokyo_Japan.jpg"&gt;https://commons.wikimedia.org/wiki/File:20030727_27_July_2003_Tokyo_International_Exhibition_Center_Big_Sight_Odaiba_Tokyo_Japan.jpg&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Image 2:&lt;span class="mw-page-title-main"&gt;Tokyo Big Sight at Night.jpg&lt;/span&gt; (&lt;a href="https://commons.wikimedia.org/wiki/File:Tokyo_Big_Sight_at_Night.jpg"&gt;https://commons.wikimedia.org/wiki/File:Tokyo_Big_Sight_at_Night.jpg&lt;/a&gt;)</text>
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                <text>A massive convention center along Tokyo Bay. The convention center is made up of three main buildings, with the main tower being the center of attention, and what most people refer to when talking about this site. The main tower is a 58metre tall structure. It consists of 4 upside down pyramids, in a 2x2 square, taking up 102,887 square metres. The pointed sides down to the ground connected to steel towers that provide support and elevator access. In the center, between the pyramids, is a reception hall and four halls, this is considered the first floor. The second floor is the main entrance hall where the main exhibition plaza is found. This area reveals the glass covered roof. The remaining space is convention halls and offices.  Surrounding the main tower is the West Hall. This is a series of 4 halls, connected by an atrium. To the east, across a street, and not directly linked to the main tower, is the East Hall. The entire hall is one Galleria flanked by two halls on each side. The structures are mainly steel, reinforced concrete, and glass.  All of them have modular and movable sections to control the use of space. </text>
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                <text>Independent content creators use this convention center to sell and promote their works. It has been the starting point for many trends and has a huge cultural impact. </text>
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                <text>68.2400° N, 13.7531° E.</text>
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                <text>External length	144.58 m (474.3 ft)&#13;
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&#13;
Adoring the cathedral's grand entrance  intricately designed roofing dwarfs the viewer. On either side sculptures of religious figures stand proud. Pushing through the grand archway a rectangular floor plan holds the structural curvature of the walls and window sills. Extraordinarily open and grand the roofs utilize this to enhance acoustics boosting the faithful voices of the priest of the past.  Stained glass windows adored with religious iconography line each rectangular wing. In the center a stage with a grandiose pipe organ hangs high a few stories upwards.&#13;
&#13;
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&#13;
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&#13;
3.https://www.angkorenterprise.gov.kh/temple/65/angkor-wat#:~:text=Angkor%20Wat%20is%20a%20temple,1%2C626%2C000%20m2%3B%20402%20acres).&#13;
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                <text>Julian Forster</text>
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                <text>Begun: 1788</text>
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                <text>Architect: Frederic William Marshall </text>
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                <text>Architect: Abraham Loesch</text>
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                <text>The structure is considerably sound with a firm rectangular form, as it hails as one of the last structures to represent the German Colonial church structure. It includes two levels, two chimneys, and a belfry at the top. While it does feature a second level, it does appear that there is more space on the main lower level. It is also worth noting that it appears there were initial plans to have a basement level, however ultimately was not added. The structure presents a multitude of windows and doors. There are two front entrances on the North-East side of the structure that one may enter through. From there to the immediate left is the Structure’s auditorium. To the right of these entrances lies two bedrooms, a living room, and a kitchen toward the back right of the structure (facing from the front). There are similarly two exits through the back that leads directly to what appears to be a well. The second level also features a smaller auditorium, which is considered a part of the main one on the lower level, and another bedroom. The structure has an angled roof which does present in its interior design as well as the exterior design. Its patterns are quite simplistic in its exterior, with the majority of the building possessing a stone masonry wall into brick pattern. On its interior, its patterns are also simplistic, as they follow a simple white color into a more natural wood color on objects like window arches and doors. Its structural process and build deliver on the structure's signaling of religious context. It establishes an iconicity when we think of an old, colonial, well-established church in the United States. &#13;
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                <text>Image1: &#13;
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&#13;
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&#13;
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&#13;
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                <text>Image1: Creative Commons</text>
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                <text>Image 2: Creative Commons</text>
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                <text>Image 3: Creative Commons</text>
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                <text>The church has been added to the Historic Bethabara Park. This may partly impacts its lack of documentation of its dimensions.</text>
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                <text>https://historicbethabara.org/historic-building-grounds/the-gemeinhaus/</text>
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                <text>https://www.bethabara.org/</text>
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                <text>Worth Alexander Younts, "Bethabara Moravian Church", [Winston-Salem, North Carolina], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/NC-01-067-0077.</text>
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                  <text>midterm possibilities</text>
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                <text>Overseer: Abbot Simeon</text>
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                <text>Ely, Cambridgeshire, England, U.K</text>
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                <text>1081: Construction on current cathedral began</text>
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                <text>1109: Achieved status of cathedral</text>
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                <text>1189: Basic construction complete</text>
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                <text>1322: Octagon tower construction begins</text>
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                <text>537 ft in length, 217 ft in height</text>
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                <text>Romanesque</text>
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                <text>Image 1: Ely Cathedral from Quanea Drove F.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1d/Ely_Cathedral_from_Quanea_Drove_F.jpg)</text>
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                <text>Image 2: Ely Cathedral Choir, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/4/47/Ely_Cathedral_Choir%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)</text>
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                <text>Image 3: Ely Cathedral Lady Chapel, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/63/Ely_Cathedral_Lady_Chapel%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)</text>
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                <text>Image 4: Ely Cathedral High Altar, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/62/Ely_Cathedral_High_Altar%2C_Cambridgeshire%2C_UK_-_Diliff.jpg)</text>
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                <text>Image 5: Ely Cathedral February 2018 021.jpg (https://upload.wikimedia.org/wikipedia/commons/f/fd/Ely_Cathedral_February_2018_021.jpg)</text>
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                <text>Image 6: Ely Cathedral - Google Art Project.jpg (https://upload.wikimedia.org/wikipedia/commons/7/75/Ely_Cathedral_-_Google_Art_Project.jpg)</text>
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                <text>Image 7: Ely Cathedral From Air.jpg (https://upload.wikimedia.org/wikipedia/commons/2/25/Ely_Cathedral_From_Air.jpg)</text>
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                <text>Image 1: Creative Commons</text>
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                <text>Image 3: Creative Commons</text>
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                <text>Image 6: Creative Commons</text>
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