3 10 235 https://worldarchitecture.artinterp2.org/files/original/634de1a48d8c7f15f1ea5143880fb67c.JPG d236c509debbe72abdd94c10dce521a2 https://worldarchitecture.artinterp2.org/files/original/1709d19a6160415e986b526323c18a10.JPG cf3947491ebfad588798fd33b3418c77 https://worldarchitecture.artinterp2.org/files/original/41e8673b9ab5ccc63bbd91524f033c8b.JPG b8e3954378b93a1ed8af0edab4de4f13 https://worldarchitecture.artinterp2.org/files/original/83fa05191c71fbab0d985fb58bf9930c.JPG cdd1a379e1032a7a1653a89659471138 https://worldarchitecture.artinterp2.org/files/original/955131ee1d4543de013264952d94cff3.JPG e42e4c69e6c5dee0bc7b4ef0bd974430 https://worldarchitecture.artinterp2.org/files/original/e81e0d06329603b50883e5fd150c5ed2.JPG 8fef0ee2efb475a68c4b32f7f5b430fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall Field Wholesale Store Language A language of the resource Chicago, Illinois Date A point or period of time associated with an event in the lifecycle of the resource Begun: 1885 Completed: 1887 Demolished 1930 Description An account of the resource This building is completely quadratic in its form. It is a very basic box in its morphology. With this though, the structure is huge with it coming in at 500,00 sq ft, in addition it sports seven stories, from basement to top floor, making it easily one of Richardson’s most impressive works. Similar to the Cincinnati chamber of commerce, this building was also built on the corner of a block, though it appears the main entrance is placed along the left side of the building from this vantage point. Perhaps one of the things highlighted so far in these studies, is the placements of these structures in the Midwest. The materials used for the building make the same appearance found in other buildings of this style. Granite for the exterior, round arches(though here it is primarily on the window exterior where these are found) and the glass material for windows. The interior is very simplistic, with its shape being quadratic, the floors follow a simple pattern, which one can assume, the use of stairs made it so that one may go from one floor to the next. One thing interesting about this structure is that Richardson passed away during the construction of this building, and during the height of his movement, making way for other architects to continue carrying the torch for the architectural movement! Source A related resource from which the described resource is derived Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press. Image 2: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press. Image 3: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press. Image 4: Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press. Image 5: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press. Sketch 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press. Contributor An entity responsible for making contributions to the resource Julian Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press. Creator An entity primarily responsible for making the resource Henry Hobson Richardson Spatial Coverage Spatial characteristics of the resource. 41.88365288135903, -87.62737120654867 Medium The material or physical carrier of the resource. stone, glass Extent The size or duration of the resource. 500,000 square ft. Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Richardsonian Romanesque https://worldarchitecture.artinterp2.org/files/original/cec7343e21d760ce597b21710f0c84b7.jpg 121af5ac0ebeb37162e1d6c5dba9a545 https://worldarchitecture.artinterp2.org/files/original/58604e08e73d56faeda061d7ca485291.jpg e1b921e4428991ee6ced474cd3bcf166 https://worldarchitecture.artinterp2.org/files/original/8278d71b3f3dbca9613e8555e338ac79.jpg 93811eca40fbe1e3bda60a2cecafeb91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carnegie Library of Pittsburgh, Allegheny Branch Language A language of the resource Pittsburgh, Pennsylvania Description An account of the resource The structure has a quadratic footprint, with morphed and rugged edges. It sports a clock tower near the bottom of the structure when viewed from above. It has several levels and rooms, with it housing around 1,100 individuals with just its auditorium alone. From this we get a greater understanding of the structure’s stature. It features several entrances throughout, including what appears to be one near the clock tower. Once more, the building materials that define the Richardsonian Romanesque style are prevalent. With that signature granite stone material as an exterior coat, it pairs with glass in the windows and arches around the structure to bring these prominent features to the forefront!! This building is also heavily inspired by the Allegheny courthouse, located a little ways away from it, and was the first Carnegie public library in the U.S. It has since been closed as a library and replaced with a different building but the structure is now reused mainly as a theater! License A legal document giving official permission to do something with the resource. Image 1: Creative Commons https://upload.wikimedia.org/wikipedia/commons/0/00/Carnegie_Free_Library_of_Allegheny.jpg Image 2: Creative Commons https://upload.wikimedia.org/wikipedia/commons/3/36/Carnegie_Library_Allegheny_ReadingRoom_1900.jpg Drawing 1: Creative Commons https://upload.wikimedia.org/wikipedia/commons/a/af/US-PA%281891%29_p735_ALLEGHENY_CITY%2C_CARNEGIE_LIBRARY.jpg Contributor An entity responsible for making contributions to the resource Julian Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Lu Donnelly et al., "Carnegie Library of Pittsburgh, Allegheny Branch", [Pittsburgh, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-AL75. Date A point or period of time associated with an event in the lifecycle of the resource Created: 1889 Creator An entity primarily responsible for making the resource Smithmeyer and Pelz Spatial Coverage Spatial characteristics of the resource. 40.453273906810765, -80.0054183116302 Medium The material or physical carrier of the resource. granite (rock), glass Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Richardsonian Romanesque https://worldarchitecture.artinterp2.org/files/original/54770ad4962995aefcb1b91554d7275e.jpg 849c331006518d3d200e339a49fdd7ac https://worldarchitecture.artinterp2.org/files/original/04401e09b96147d9f1ffee38f1f05fdc.jpg 939c2f95124ce4fb885940d6e1c49e91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allegheny County Courthouse and Jail Language A language of the resource Pittsburgh, Pennsylvania Description An account of the resource The Structure is very symmetrical, It is a simple rectangle viewed from above. In addition, it has a singular piece that extends beyond its standard quadratic form in what appears to be a clock tower. It does have an iconic element featuring a central courtyard in the middle of the structure. This courtyard is closed off from the outside, and one would reach it by going through the building. The building’s height reaches up to 250 ft. In addition it has 5 levels. You can enter through multiple entrances and exits. What appears to be the main entrance is off the left side of the courthouse, once more viewing the structure from above. From here you can eventually move into a main corridor where you can see the several levels above. There are also specified parts of the building for the jail and the courthouse respectively. The construction method and materials again help make the case for the Richardsonian Romanesque movement! Here with the large subjects with pointed pyramid, and coned roofs. In addition, the subject of arches rears its usage again. For the materials, once again using that granite material as its exterior and glass for the windows, exemplifies the Richardsonian style! This, in addition to the Trinity, helped define Richardson’s architectural style. The structure is also the second most “modeled after” building after Independence Hall. Source A related resource from which the described resource is derived Image 1: Creative Commons License A legal document giving official permission to do something with the resource. https://upload.wikimedia.org/wikipedia/commons/a/a1/Courtyard%2C_Allegheny_County_Courthouse%2C_Grant_Street%2C_Pittsburgh%2C_PA.jpg Drawing 1: Creative Commons https://upload.wikimedia.org/wikipedia/commons/d/d1/Allegheny_County_Buildings%2C_Pittsburgh_%28from_Henry_Hobson_Richardson_and_His_Works.jpg Contributor An entity responsible for making contributions to the resource Julian Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Lu Donnelly et al., "Allegheny County Courthouse and Jail", [Pittsburgh, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-AL1. Date A point or period of time associated with an event in the lifecycle of the resource Begun: 1883 Completed: 1888 Creator An entity primarily responsible for making the resource Henry Hobson Richardson Spatial Coverage Spatial characteristics of the resource. 40.43891834558286, -79.99591541049709 Medium The material or physical carrier of the resource. granite (rock), glass Extent The size or duration of the resource. 5 stories tall Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Richardsonian Romanesque https://worldarchitecture.artinterp2.org/files/original/d0fa42add58001cee4915b374796b7f9.jpg d31e0d39a7902c1de34ec499c1a6ed24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basilica of St. Michael the Archangel Language A language of the resource Loretto Pennsylvania Description An account of the resource The structure is unique in its form! It is very vertical in its footprint when viewed from above, though it is not necessarily quadratic. In fact, it appears like there is a rectangle-like shape that is followed by a circle near the bottom of the form. It is still pretty grand, with it still having at least 3 or 4 levels. It appears to have several entrances, with what looks like a main one at the bottom of what appears to be the biggest piece of the structure. This subsection looks like a castle. The other entrance is along the right hash from the previous one. Its materials are similar to that found in the Richardsonian Romanesque style, with stone and glass. It differs though between the two in construction style. The basilica does not use as many arches compared to the usage in the Richardsonian Romanesque style. In addition, it appears, especially in the interior, that the basilica and the Romanesque Revival style leans more toward the elements found in the Gothic revival style. Especially with the pyramid roofing with details on the four corner bases of them. License A legal document giving official permission to do something with the resource. Image 1: Creative Commons https://upload.wikimedia.org/wikipedia/commons/e/e8/Basilica_of_St._Michael_the_Archangel_-_Loretto%2C_Pennsylvania_03.jpg Contributor An entity responsible for making contributions to the resource Julian Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Lu Donnelly et al., "Basilica of St. Michael the Archangel", [Loretto, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-CA6. Date A point or period of time associated with an event in the lifecycle of the resource Constructed: 1899 Creator An entity primarily responsible for making the resource Frederick J. Osterling Spatial Coverage Spatial characteristics of the resource. 40.50275286792395, -78.6303976190862 Medium The material or physical carrier of the resource. stone (worked rock), glass Extent The size or duration of the resource. 3 stories tall Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Romanesque Revival https://worldarchitecture.artinterp2.org/files/original/af8c5215a3958aa6bfe8cfd8e2d4c23b.jpg 3c568bc62453494f94786511da0a840a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Torre latino mirador Contributor An entity responsible for making contributions to the resource Kevin Ruiz Language A language of the resource Mexico City, Mexico Date A point or period of time associated with an event in the lifecycle of the resource - 1948: Construction begins. - 1965: Construction completed. - 2006: 50th anniversary renovations which included the observation deck. Creator An entity primarily responsible for making the resource Leonardo Zeevaert Temporal Coverage Temporal characteristics of the resource. Modern 20th Century Spatial Coverage Spatial characteristics of the resource. 19.434119986408035, -99.14052808280495 Medium The material or physical carrier of the resource. - Steel - Concrete - Glass Extent The size or duration of the resource. - The building is 182 meters tall and 31,000 square meters. - 44 floors above ground and 3 basement levels. Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Modernist Source A related resource from which the described resource is derived Image 1: https://commons.wikimedia.org/wiki/File:Mexico_df_-_Torre_Latinoamerica.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Ledl, T. (2015) Mexico df – Torre Latinoamerica. https://commons.wikimedia.org/wiki/File:Mexico_df_-_Torre_Latinoamerica.jpg Description An account of the resource The tower stands 182 meters tall and was one of the first skyscrapers in the world built on highly seismic soil. its design follows the International Style, which means it has clean lines, a simple shape, and a modern appearance. The building, constructed from steel, glass, and reinforced concrete, boasts both strength and flexibility. Visitors can go up to the mirador on the top floors. They are rewarded with a breathtaking 360-degree view of the city. The tower has endured significant earthquakes, demonstrating the advanced engineering it possessed for the 1950s. Today, it stands as a testament to Mexico City’s growth and resilience. https://worldarchitecture.artinterp2.org/files/original/9e107b722d6816a36494b331cb4fa932.jpeg fc550b4608733a349f7e25db2ce2f58b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Map of the U.S. Contributor An entity responsible for making contributions to the resource Julian Forster https://worldarchitecture.artinterp2.org/files/original/4b3de7078138f10df8980e7f25729559.jpg 1117b99fda2937c8ad29f066acf7ca97 https://worldarchitecture.artinterp2.org/files/original/8bdb537983a7df579d937f9fccb60283.jpg 7a589ffc2b5ae42d1916ffe27236d812 https://worldarchitecture.artinterp2.org/files/original/20e3f7eb01c9795ee79d10dbcbc0d232.jpg 65d31a00d7a474f985979d6c3c092e62 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trinty Church Boston Language A language of the resource Boston Massachusetts Description An account of the resource The structure is grand in its makeup. From above it creates an elongated rectangle with a semi circle atop, with a square on in the middle and two that are placed near the bottom of the rectangle. Accompanying the long rectangle are two squares near the middle. Together it makes a large “cross-like” shape in its footprint of the main piece of the building, perhaps appropriate for a religious building. Its side-piece from above creates a square with miniature overhangs. Near its middle of the side-piece has an opening creating a courtyard within that space. There are several levels for the church, with it estimating up to 4,000 “households” meaning its capacity. There are three main entrances from the front-side. From here, you begin into the main auditorium. In the middle you can look up toward the top of the structure. You can also see the upper level from this vantage point. Mentioned previously, a signature of the building’s style, there are round arches in and around the windows on the exterior, where light comes into the church. The windows also feature stained glass, that you would find customarily at a church. Outside of this, the structure possesses several materials in addition to the stained glass like granite and masonry for the building structure, as well as regular glass throughout. This of course together, stands out as the first real piece of Richardsonian Romanesque architecture, that Richardson would then capitalize on going forward, and help define a style. Source A related resource from which the described resource is derived Keith N. Morgan, "Trinity Church, Boston", [Boston, Massachusetts], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MA-01-BB37. License A legal document giving official permission to do something with the resource. Image 1: Creative Commons https://upload.wikimedia.org/wikipedia/commons/9/9b/Trinity_Church%2C_Boston_MA.jpg Image 2: Creative Commons https://upload.wikimedia.org/wikipedia/commons/e/ea/Trinity_Church_-_Boston_01.jpg Image 3: Creative Commons https://upload.wikimedia.org/wikipedia/commons/6/65/Boston_Trinity_Church_Copley_Square_04.jpg Contributor An entity responsible for making contributions to the resource Julian Forster Date A point or period of time associated with an event in the lifecycle of the resource Begun: 1872 Completed: 1877 Creator An entity primarily responsible for making the resource Henry Hobson Richardson Shepley, Rutan and Coolidge Maginnis and Walsh Goody, Clancy and Associates Spatial Coverage Spatial characteristics of the resource. 42.350116779441144, -71.07545799311386 Medium The material or physical carrier of the resource. stained glass (material), granite (rock), glass (material), masonry (building materials) Extent The size or duration of the resource. 211 ft. tall Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Richardsonian Romanesque https://worldarchitecture.artinterp2.org/files/original/91c5e327fada06ef3907aece6c416926.jpg 6fe03e3c5633daa1da60a5f64e1ead1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Winter Palace License A legal document giving official permission to do something with the resource. By Alex 'Florstein' Fedorov, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=45167800 https://worldarchitecture.artinterp2.org/files/original/7c0b09501e21be6143dbb3fdb9a90244.JPG 11b568079481e2f14454a0803b0e6297 https://worldarchitecture.artinterp2.org/files/original/2797d7945c1c7f6788fe8290bb81acd8.jpg 58d678e57318dc2e37a5bbe72de91177 https://worldarchitecture.artinterp2.org/files/original/766bf714fd891a7376742c4164ba4951.jpg cf6bafd130e1322c0cfa82100c8a60d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parham House Ha-Ha Language A language of the resource Parham, West Sussex, England Date A point or period of time associated with an event in the lifecycle of the resource Construction started: 1577 Creator An entity primarily responsible for making the resource Rebuilt Under: Sir Thomas Palmer Temporal Coverage Temporal characteristics of the resource. Renaissance Spatial Coverage Spatial characteristics of the resource. 50°55'13"N 0°28'50"W Medium The material or physical carrier of the resource. Stone Type The nature or genre of the resource Garden Format The file format, physical medium, or dimensions of the resource Georgian Source A related resource from which the described resource is derived Image 1: West Sussex - Parham House - 2025-09-26 03-13-50 001.JPG (https://upload.wikimedia.org/wikipedia/commons/e/e5/West_Sussex_-_Parham_House_-_2025-09-26_03-13-50_001.JPG) Image 2: Ha-ha and south face of Parham House, West Sussex, England.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f1/Ha-ha_and_south_face_of_Parham_House%2C_West_Sussex%2C_England.jpg) Image 3: Ha-ha at Parham House, West Sussex, England.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e6/Ha-ha_at_Parham_House%2C_West_Sussex%2C_England.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Contributor An entity responsible for making contributions to the resource Hannah Demory Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://en.wikipedia.org/wiki/Parham_Park Description An account of the resource The ha-ha at the Parham House wraps around the main sections of the estate. It is made of stacked stone, and is about three feet high. The upper part of the ha-ha holds the manicured sections of the lawn, along with the house and other social parts of the garden. Beyond the ha-ha lies the rest of the landscape, including the overgrown parts and the cattle. This structure has more of a practical use to it, keeping the animals away from the main parts of the garden and home. This small wall acts as a barrier to keep the untouched sections of the land separate from the well cared for parts, signifying the social structure of the landowners and how they cared for their image. https://worldarchitecture.artinterp2.org/files/original/d9a16aa702c9a98521e98df58393bf0f.jpg 601f5cb98915f5798f4ba585c16078ab https://worldarchitecture.artinterp2.org/files/original/b7e047a40d5289a28fac39fda76e6d65.jpg 0ad252d729b77a894d51cf0ffb3cb863 https://worldarchitecture.artinterp2.org/files/original/b3842fb2acdcb50209c781cc38e81517.jpg 82cdeb317957990cd4213a779af6c387 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hestercombe Gardens Language A language of the resource Cheddon Fitzpaine, Somerset, England Date A point or period of time associated with an event in the lifecycle of the resource Garden Built: 18th century Changes to Garden: 1873 Changes Finished: 1878 Redesign started: 1904 Redesign ended: 1909 Restored to original design: 1992 Creator An entity primarily responsible for making the resource Designed by: Coplestone Warre Bampfylde Temporal Coverage Temporal characteristics of the resource. Georgian Spatial Coverage Spatial characteristics of the resource. 51°03'10"N 3°05'00"W Type The nature or genre of the resource Garden Format The file format, physical medium, or dimensions of the resource Georgian Source A related resource from which the described resource is derived Image 1: Hestercombe Gardens (6097257589).jpg (https://upload.wikimedia.org/wikipedia/commons/c/c0/Hestercombe_Gardens_%286097257589%29.jpg) Image 2: Hestercombe House and gardens.jpg (https://upload.wikimedia.org/wikipedia/commons/6/68/Hestercombe_House_and_gardens.jpg) Image 3: Hestercombe Gardens - formal gardens - geograph.org.uk - 3146305.jpg (https://upload.wikimedia.org/wikipedia/commons/1/12/Hestercombe_Gardens_-_formal_gardens_-_geograph.org.uk_-_3146305.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Contributor An entity responsible for making contributions to the resource Hannah Demory Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://en.wikipedia.org/wiki/Hestercombe_Gardens Description An account of the resource The main part of the garden is square in shape. The garden is lined with a small stone wall, with steps on each corner leading into the center part. There is one large band of grass following the inside of the lawn, with benches along each wall. On the opposite side of the grass, the garden is then separated with more pathways, portioning it into four triangular sections. In each of the sections, an abundance of plants grow, filling the garden with different colors and various textures. In the center of the square is a small stone structure, similar in resemblance to a water fountain. Outlining the various grass sections are small stone strips, which add dimension and aesthetic to the garden. The role of this garden is to not only be a place of beauty and aesthetics, but also to be one of social interactions, evoking sight and movement.