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                <text>Segóbriga, Hispania Tarraconensis</text>
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                <text>Monumental baths about 88 meters long and 40 meters wide were built in Flavian times in the north end of the city. Immediately after the entry came a large peristyle courtyard. Perhaps it was a garden but could also have been primarily a palestra. At the end away from the entrance and towards the baths proper was found the base of a statue.</text>
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                <text>Añón Feliu, C. and Fomento de Construcciones y Contratas (2001) Historia de los parques y jardines en España. Madrid: Fomento de Construcciones y Contratas.</text>
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                <text>Image 1- Site Plans, Credit: From Spanisharts website.&#13;
Image 2 -  Photo Juan Manuel Abascal or Rosario Cebrián. From Cervantesvirtual website.</text>
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                <text>N 39 53' 10" W 2° 48' 45"</text>
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&#13;
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                <text>Persian bazaar</text>
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                <text>Image 2:Gan-Dallazan_Bazar,_Tabriz,_Iran</text>
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                <text>Image 1: Creative Commons</text>
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                <text>https://visitworldheritage.com</text>
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                <text>The Bazaar of Tabriz is a historic trading site in Iran and is considered one of the oldest markets still in use and in addition to being the largest covered bazaar in the world. Although no one knows who made the space, the structure dates back to the Silk Road and has been documented throughout history by explorers and scholars alike. Located at the heart of the city of Tabriz, the bazaar is built like a labyrinth with a very irregular footprint, completely shaped by the organic growth of society throughout centuries of trade. However, the structure has a very formulaic interior, with each of its very long vaulted corridors that intersect or extend in different directions to more open spaces. These larger, typically domed chambers function as market squares that specialize in a particular good, like jewelry or textiles. The Tabriz only extends about two levels in height, and the majority of the bazaar is only on a single story. It has numerous entries that connect to the surrounding streets around the structure. This allows a very controlled flow through narrow alleys that widen  back onto the street or into the vaulted rooms with merchants. The bazaar is primarily built of interlocking bricks which are locally sourced to make the walls, arches, barrel vaults, and the rib details across the structure. The more decorative aspects of the space utilize glazed tiles, painted plaster, and more patterned bricks to create the earthy and inviting atmosphere that unifies the sprawling complex.&#13;
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                <text>Ben’s Chili Bowl occupies a once-modest early-20th-century theater building whose architecture has evolved into one of Washington, D.C.’s most recognizable cultural symbols. Built in 1910 as the Minnehaha Theater, the structure’s brick commercial façade was adapted in 1958 when Ben and Virginia Ali converted the space into a neighborhood chili parlor. Over time, the building’s most distinctive architectural element became its vivid storefront signage, blending the proportions of the old theater façade with the bold graphic sensibility of a mid-century dinner. The shallow curved parapet and red-yellow color palette anchor the building visually on U Street’s historic corridor.&#13;
Inside, Ben’s Chili Bowl preserves a rare authentic mid-20th-century dinner interior. The long counter, classic stools, narrow circulation path, and textured wall surfaces remain largely intact, accompanied by new layers of cultural memory: photographs of civil rights leaders, musicians, and presidents who have visited the restaurant. Renovations in 2008 strengthened the building’s structure and systems while keeping its historic materials and language design intact.&#13;
Over time, the building transitioned from a silent movie theater to a family-run dinner that withstood the 1968 riots, economic decline, and urban renewal. Today, Ben’s Chili Bowl stands not only as a beloved local landmark but also as an architectural marker of continuity in a rapidly changing city, its preserved storefront and dinner interior embodying the cultural and social history of Washington, D.C.’s U Street corridor.&#13;
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 [Accessed 8 December 2025].&#13;
Source&#13;
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Source &#13;
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Source&#13;
-	Andrews, D. (2023) 'Ben’s Chili Bowl offering free Half Smokes to celebrate 65th anniversary,' WTOP News, 22 August. https://wtop.com/dc/2023/08/bens-chili-bowl-offering-free-half-smokes-to-celebrate-65th-anniversary/.&#13;
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                <text>The structure is considerably sound with a firm rectangular form, as it hails as one of the last structures to represent the German Colonial church structure. It includes two levels, two chimneys, and a belfry at the top. While it does feature a second level, it does appear that there is more space on the main lower level. It is also worth noting that it appears there were initial plans to have a basement level, however ultimately was not added. The structure presents a multitude of windows and doors. There are two front entrances on the North-East side of the structure that one may enter through. From there to the immediate left is the Structure’s auditorium. To the right of these entrances lies two bedrooms, a living room, and a kitchen toward the back right of the structure (facing from the front). There are similarly two exits through the back that leads directly to what appears to be a well. The second level also features a smaller auditorium, which is considered a part of the main one on the lower level, and another bedroom. The structure has an angled roof which does present in its interior design as well as the exterior design. Its patterns are quite simplistic in its exterior, with the majority of the building possessing a stone masonry wall into brick pattern. On its interior, its patterns are also simplistic, as they follow a simple white color into a more natural wood color on objects like window arches and doors. Its structural process and build deliver on the structure's signaling of religious context. It establishes an iconicity when we think of an old, colonial, well-established church in the United States. &#13;
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                <text>Blue Domes Cafe is a cafe created under Soviet Rule. It is a showcase of Islamic traditional, taking inspiration from mosque domes, and modernist architecture.</text>
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                <text>Mursal Abdullah</text>
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                <text>Golombek, L. and Wilber, D. (1988) The Timurid Architecture of Iran and Turan. Princeton: Princeton University Press.</text>
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                <text>Building 77 at the Brooklyn Navy Yard stands as one of the most significant adaptive-reuse transformations in New York City’s industrial landscape. Constructed during World War II as a secure, 16-story reinforced-concrete storage and supply building, it embodied the functional rigor and engineering logic of wartime design: massive floor plates, rigid structural grids, and minimal exterior ornament. Its original envelope, composed of heavy concrete panels and utilitarian windows, conveyed a sense of defense, efficiency, and durability a hallmark of U.S. Navy construction during this era.&#13;
The 2017 redevelopment reimagined this once-closed military facility into a vibrant mixed-use center. Large sections of the façade were replaced by a sweeping glass curtain wall, opening the interior to daylight and views while signaling its new civic presence within the Navy Yard campus. The lobby was transformed into a public-access food hall and marketplace, establishing the building as a social anchor in the rapidly revitalizing district. Offices, creative studios, fabrication workshops, and light-industrial tenants now fill floors that once stored wartime materials.&#13;
Over time, building 77 has evolved from a fortified military warehouse to a key component of a broader mixed-use innovation district that includes restaurants, shops, galleries, light manufacturing, and tech-focused workplaces. Its renewal reactivated historic industrial spaces, repaired the original concrete frame, improved circulation, and restored the Navy Yard’s role as a center of production now oriented toward 21st-century urban industry. Today, building 77 stands as a testament to the power of adaptive reuse, connecting Brooklyn’s manufacturing past to its innovation-centered future.</text>
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                <text>&lt;p&gt;Originally a Late 19th–early 20th-century brick warehouse district (50 acres). Now revised for Mixed-use district: restaurants, shops, galleries, offices, hotels, residential lofts&lt;/p&gt;</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Source 24&#13;
https://marveldesigns.com/wp-content/uploads/1508_1706_Building-77-Brooklyn-Navy-Yard_N52-scaled.jpg&#13;
Source 25&#13;
https://marveldesigns.com/wp-content/uploads/1508_1706_B77_JoshuaSimpson_N22-768x568.jpg&#13;
Source 26&#13;
https://marveldesigns.com/wp-content/uploads/1508_1706_Building-77-at-The-Brooklyn-Navy-Yard_Daniel-Byrne_N16.jpg&#13;
Source 27&#13;
https://media.gettyimages.com/id/1464174372/vector/antique-photograph-of-new-york-brooklyn-navy-yard-east-river.jpg?s=612x612&amp;w=0&amp;k=20&amp;c=TRYHt22sA6dlnWttaIiG3J74BR4Bi7hW48yN63sZrPI=&#13;
Source 28&#13;
https://media.gettyimages.com/id/2171218003/photo/brooklyn-navy-yard-building-77-building-exterior-at-night-brooklyn-new-york-city-new-york-usa.jpg?s=612x612&amp;w=0&amp;k=20&amp;c=9MJ3I1LqJXBhDhRUCpRCrlZFRxOvedAHvFqBbAHg6sQ=&#13;
Source 29&#13;
https://www.nycrc.com/images/uploads/previousprojects/8-200123105926.jpg</text>
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          <element elementId="64">
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            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="2815">
                <text>Images 1-6: Creative Commons</text>
              </elementText>
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          <element elementId="37">
            <name>Contributor</name>
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            <elementTextContainer>
              <elementText elementTextId="2816">
                <text>Justin Forster</text>
              </elementText>
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          <element elementId="80">
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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              <elementText elementTextId="2817">
                <text>Source 26&#13;
-	Marvel (2025) Building 77, Brooklyn Navy Yard | Marvel. https://marveldesigns.com/project/building-77-brooklyn-navy-yard-arch/.&#13;
Source 27&#13;
-	Colista, J. et al. (1942) Premium opportunities in the yard’s recently renovated, Multi-Tenant flagship property. report. https://www.brooklynnavyyard.org/wp-content/uploads/2023/07/BNY-BLDG-77_2023-Flyer-Final-507-Flyer.pdf.&#13;
Source 28&#13;
-	Impressive Click, Inc. (no date) Brooklyn Navy Yard Redevelopment Project IV :: NYCRC. https://www.nycrc.com/project.html?id=22.</text>
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