6 10 235 https://worldarchitecture.artinterp2.org/files/original/3dd68ea521d8fc2c96ec5bd8ff8d3c5a.png 4917c42386855c84b1850bc915747e6e https://worldarchitecture.artinterp2.org/files/original/a1bc1f8aa78e986a79c7e8b5ece6825e.png 2f54d2413a002d0a090a2db91c41f9a4 https://worldarchitecture.artinterp2.org/files/original/52beca90fcb3c643207960b8f1275190.png 111d51a8dc684a7754deb295ce2e58be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roskilde Cathedral Contributor An entity responsible for making contributions to the resource Kevin Ruiz Language A language of the resource Roskilde, Zealand, Denmark Date A point or period of time associated with an event in the lifecycle of the resource - 1170: initiated by Bishop Absalon - 14th - 15th century: chapels were added -17th century: Christian IVs Chapel added a Renaissance style burial chapel -18th - 19th century: Frederick Vs chapel added a neoclassical style -1995: Designated a UNESCO world heritage site - 20th century: restoration and preservation initiated Creator An entity primarily responsible for making the resource Bishop Absalon Temporal Coverage Temporal characteristics of the resource. Renaissance & neoclassical, Denmark Spatial Coverage Spatial characteristics of the resource. 55.64268867635344, 12.079600626572956 Source A related resource from which the described resource is derived image 1,2, & 3: https://whc.unesco.org/en/list/695 License A legal document giving official permission to do something with the resource. Image 1,2 & 3 : creative comments Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - UNESCO World Heritage Centre. “Temple of Apollo Epicurius at Bassae. https://whc.unesco.org/en/list/392/ Description An account of the resource Rosklide Cathedral, a striking monumental structure renowned for its twin spires. It stands as a testament to the earliest displays of Gothic architecture. Constructed with red brick, the building’s tall, narrow windows feature high, symmetrical pointed twin arches. At the rear an extension connects the church to a series of chapels and royal mausoleums. Adjacent to the church is a smaller, connected building with an oval-shaped roof. The roofline of the back section is adorned with copper, while the aged copper displays a green hue. Medium The material or physical carrier of the resource. - Red brick. - Granite. - Wood. - Copper. - Limestone. - Sandstone. Extent The size or duration of the resource. - humungous and expansive structure. 86 meters in length and 33 meters in width. - Tallest point reaches 43 meters. Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Gothic Architectural midterm https://worldarchitecture.artinterp2.org/files/original/e281c689395169826727c9dee790af86.jpg 4323ea5f8351a75998096927653aebe7 https://worldarchitecture.artinterp2.org/files/original/6c345cac2f5b3fd256abea9276d82f06.jpg c99e2e0ccabc746a56e7b1950acd57c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chicago Field Museum of Natural History Language A language of the resource Chicago, Illinois, United States Temporal Coverage Temporal characteristics of the resource. Early 1900's United States Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Jayce Johnson Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. 1. https://www.britannica.com/biography/Daniel-Burnham/The-Worlds-Columbian-Exposition-of-1893 2. https://www.fieldmuseum.org/about/history/architecture 3. https://www.britannica.com/biography/Daniel-Burnham/The-Worlds-Columbian-Exposition-of-1893 4. https://map.fieldmuseum.org Source A related resource from which the described resource is derived 1. Field_Museum_N (https://upload.wikimedia.org/wikipedia/commons/8/89/Field_Museum_N.jpg) 2. 1200px-Field_Museum_(7398056420)(https://upload.wikimedia.org/wikipedia/commons/9/9b/Field_Museum_%287398056420%29.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Attribution-Share Alike 4.0 International Image 2: Creative Commons Attribution 2.0 Generic Date A point or period of time associated with an event in the lifecycle of the resource Construction begins (July 26th, 1915) Constructed (1920) Re-opened (May 2nd, 1921) Creator An entity primarily responsible for making the resource Builder: D.H. Burnham and Company Spatial Coverage Spatial characteristics of the resource. 41.86635104629851, -87.61697412659815 Medium The material or physical carrier of the resource. White Georgia Marble Limestone Steel Extent The size or duration of the resource. 480,000 square foot exhibition space on the three main levels. Format The file format, physical medium, or dimensions of the resource Neoclassical Description An account of the resource The Chicago field museum of natural history is largely rectangular in shape. The building is separated into two wings with a long open area in between. The outside of the museum is a yellowish-white limestone-like color. There are three entrances into the building. One on the ground level and two on the main level. The Ground entrance is to the east and the main level entrances are in the north and south. Upon entering the ground level the family PlayLab is to the right with underground adventure and bioacoustics being to the left. Further in is the Egypt exhibit and Siragusa center. Finally all the way in the western wing of the ground level is the 3D movie theatre and the Harris collection. Upon entering from the main level from the outside, visitors must pass under four tall sand-colored pillars at the entrance. The main architecture in the center of the building inside the main level is a bright white color. A long skylight allows for natural light to enter the area. Neoclassical pillars hold up the structure near the entrances to the different wings. Skeleton replicas of a titanosaur and a Spinosaurus are present in the main entrance areas of the building, along with some in-life replicas of two fighting elephants, some small pterosaurs, and a Quetzalcoatlus. The west wing on this floor is mostly dedicated to animals with two sections specifically focusing on birds and mammals. The east wing has two main focuses: indigenous American history and reptiles. The upper level is more varied than the other levels. The east wing contains a fossil section, Chinese history area, plants section, and a small room on the southern point of the building for jades. There is also a small room on the northern side of the east wing displaying Audubon’s bird illustrations. The west wing contains a restoring Earth exhibit, a room about women and people of color in science, and a pacific history section. There is also a small room on the southern end of this level for gems. There is also a statue of a life-size standing Quetzalcoatlus in the center northern section of this floor. Chicago neatline assignment USA https://worldarchitecture.artinterp2.org/files/original/ecef6e5876ba6a74bf504df9af8786aa.jpg bd8e74acdce7e28c0717e554fa423f57 https://worldarchitecture.artinterp2.org/files/original/d794cf3c0dcd2ed04fbe30505dda6265.jpg 681edf154bcbd17d2c6e5b0390279ef9 https://worldarchitecture.artinterp2.org/files/original/856737588e5beda1340d808a4ef485ae.jpg a6f85e43b2d0f7e62e356aa70723ad90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shōkōken Tea House, Kōkō-en Garden Language A language of the resource Himeji, Hyōgo Prefecture, Japan Date A point or period of time associated with an event in the lifecycle of the resource Completed: 1992 Creator An entity primarily responsible for making the resource Builder: Himeji City and local craftsmen specializing in traditional Japanese tea houses Architect: Unknown (constructed in traditional style by preservation teams) Temporal Coverage Temporal characteristics of the resource. Heisei Period, Japan (1992) Spatial Coverage Spatial characteristics of the resource. Latitude: 34.8337° N Longitude: 134.6928° E Medium The material or physical carrier of the resource. Wood Plaster Bamboo Tile Extent The size or duration of the resource. Tea room interior: 73 square feet Landscaped garden: 3.5 hectares (376,700 square feet) Type The nature or genre of the resource Domestic Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Located within Kōkō-en Garden, adjacent to Himeji Castle (UNESCO World Heritage Site). Source A related resource from which the described resource is derived Image 1: kokoengarden3.jpg https://www.japan-experience.com/sites/default/files/images/content_images/kokoengarden3.jpg Image 2: Koko-en-Garden05-640x400.jpg https://visit-himeji.com/wp/wp-content/uploads/2022/12/Koko-en-Garden05-640x400.jpg Image 3: Koko-en-Garden04-640x400.jpg https://visit-himeji.com/wp/wp-content/uploads/2022/12/Koko-en-Garden04-640x400.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Contributor An entity responsible for making contributions to the resource Mursal Abdullah Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Coaldrake, William H. Architecture and Authority in Japan. Routledge, 1996. https://archive.org/details/architectureauth0000coal Japan National Tourism Organization. “Himeji’s Other Star – Kōkō-en Garden.” Travel Japan Blog, May 31, 2007 https://www.japan.travel/en/us/blog/himeji-koko-en-garden/ Description An account of the resource <p style="font-weight:400;"><em>The Shōkōken Tea House is a small rectangular building that has a single low level with a sloping tiled roof. It has a very simple frame. It’s surrounded by the garden. It is a single-story structure. The entrance is low and modest, it is requiring visitors to bow slightly as they step inside. The floor is covered with tatami mats. The Circulation is minimal, visitors enter directly into the tearoom, which opens visually to the garden through sliding doors. Movement is calm, controlled, and ceremonial, and it’s divided into a 4.5-mat layout. Sliding shōji screens open toward the garden, letting in soft, diffused light. The structure is simple, and the materials used in this tea house are wooden posts, plaster walls, and bamboo details. Inside the house, there are ornaments, and only natural textures of wood and paper, with shadows shifting gently across the space.</em></p> <em>Interpretive reading: This tea house was built for quiet gatherings and the ritual of the tea ceremony. Its small scale creates intimacy, while the natural materials encourage harmony with nature. The humble entrance and minimal decoration reflect the values of wabi-sabi, finding beauty in simplicity. Unlike nearby castles or temples, the tea house is not about power but about refinement, reflection, and calm. It serves as a cultural balance, offering a place for stillness and connection.</em> Abstract A summary of the resource. <em>The Shōkōken Tea House was built in 1992 and was a part of Kōkō-en Garden to celebrate Himeji City’s 100th anniversary.</em> <em>The visitors will experience the aesthetics of Japanese tea ceremony culture in close proximity to Himeji Castle, that balances the monumental military architecture with domestic cultural refinement.</em> Format The file format, physical medium, or dimensions of the resource Traditional Japanese domestic Japanese/style midterm Tea house https://worldarchitecture.artinterp2.org/files/original/fd92e3322504631b4ba3178a7d50c6fd.jpg e62314b568320221f56c510486249bc9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Palace of Shaki Khans Language A language of the resource Shaki, northwestern Azerbaijan Date A point or period of time associated with an event in the lifecycle of the resource Completed: 1797 Creator An entity primarily responsible for making the resource Builder: Muhammed Hasan Khan Temporal Coverage Temporal characteristics of the resource. 18th Century, Azerbaijan Spatial Coverage Spatial characteristics of the resource. Latitude: 41.2044° N Longitude: 47.1976° E Medium The material or physical carrier of the resource. Exterior: Raw Bricks Exterior: River Stones Exterior: Wood (Plane & Oak) Interior: Shebeke Interior: Wood Interior: Venetian Glass Extent The size or duration of the resource. Area Size: 300 square meters Two-story structure Contributor An entity responsible for making contributions to the resource Markeita Durham-Brinkley Type The nature or genre of the resource Palace-Castle Source A related resource from which the described resource is derived Image 1 Palace_of_Shaki_Khans.jpg: (https://upload.wikimedia.org/wikipedia/commons/2/29/%C5%9E%C9%99ki_xan_saray%C4%B1.jpg) Description An account of the resource Building Description: Located in Shaki, northwestern Azerbaijan, the Palace of Shaki Khans is a two-story building, used as a summer residence for the Shaki khans. The exterior of the building has an area size of 300 square meters, and was primarily constructed using raw bricks, river stones, wood, which usually consist of plane and oak. The interior, however, was primarily constructed with shebeke, a type of color glass created by Azerbaijani craftspeople, wood, venetian glass. ... Format The file format, physical medium, or dimensions of the resource Eastern/Iranian and Azerbaijani architecture Middle Eastern midterm https://worldarchitecture.artinterp2.org/files/original/27c95c555a5e2e3329eb317907686e82.jpg f69e7c326de64f5d317593f005d6ee70 https://worldarchitecture.artinterp2.org/files/original/8cd94795524f3238dbc6539849e259fd.jpg 1e11229b1f265cd9dbb5026f7ff4d26b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mātaatua Wharenui Contributor An entity responsible for making contributions to the resource Hannah Demory Language A language of the resource Whakatāne, New Zealand Date A point or period of time associated with an event in the lifecycle of the resource 1875: Mātaatua Wharenui was built 1879: Relocated to display the building in multiple locations 2011: Returned to the place of its origin Creator An entity primarily responsible for making the resource Builder: Ngāti Awa (tribe) Spatial Coverage Spatial characteristics of the resource. 37°56'59"S 177°00'11"E Medium The material or physical carrier of the resource. Wood Extent The size or duration of the resource. 79 ft long, 41 ft wide, and 24 ft high Source A related resource from which the described resource is derived Image 1: mataatua-wharenui-5.jpg (https://wanderlusters.com/mataatua-wharenui-the-house-that-came-home/) Image 2: British Empire Exhibition, Wembley Stadium, 23 April 1924 (16963240130).jpg (https://upload.wikimedia.org/wikipedia/commons/8/87/British_Empire_Exhibition%2C_Wembley_Stadium%2C_23_April_1924_%2816963240130%29.jpg) License A legal document giving official permission to do something with the resource. Image 1: N/A Image 2: Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://wanderlusters.com/mataatua-wharenui-the-house-that-came-home/ https://www.tripadvisor.com/Attraction_Review-g652408-d2724411-Reviews-Mataatua_The_House_That_Came_Home-Whakatane_Bay_of_Plenty_Region_North_Island.html http://maorilifestyles.blogspot.com/2011/08/house-that-came-home.html Description An account of the resource The building has a rectangular layout with a gable roof. At the front of the structure, there is a roofed porch-like area, with walls at the back and on the side, but only a small fence at the front. At the back of the porch, there is a door on the viewer’s left side, and a window on the right. Coming from the small fence in the front of the porch is a red beam that supports the roof, connecting to the roof at its peak. There are two sets of twin statues at opposing sides of the front facade, resembling somewhat of a totem pole with a large face below each statue. There are another two carvings that sit at either end of the supporting beam, one of a man (which is on the bottom) and one of a face (which sits at the top). The building is made of wood, with lots of brown colors, plenty of red accents along the borders and statues, and smaller details painted with white, black, and green. On the inside of the roof, there are squared off sections with raised beams decorated with white motifs. The outside of the roof is black in color. Along the inner side walls of the porch there also stands another four carved statues along each side and situated at the end of each of the raised beams from the roof. The building had played a religious purpose as a meeting ground for the Ngāti Awa tribe. The large roof provides shade for the porch, and the wood in which this structure was made was easily accessible. This building provokes a ritual movement as a sensory experience. Temporal Coverage Temporal characteristics of the resource. Late Victorian Period Type The nature or genre of the resource Religious midterm New Zealand Religious https://worldarchitecture.artinterp2.org/files/original/248af386636b12d6e0df3895dd669ce7.jpeg d0ae737f5920a7168f044441f14895a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elvis birth home(USA southern Shotgun) Contributor An entity responsible for making contributions to the resource Julian Forster Source A related resource from which the described resource is derived Image 1: Elvis_Presley's_birth_home_in_Tupelo,_Mississippi_LCCN2011633697 (1) (https://upload.wikimedia.org/wikipedia/commons/4/46/Elvis_Presley%27s_birth_home_in_Tupelo%2C_Mississippi_LCCN2011633697.jpeg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Language A language of the resource Tupelo, Mississippi, United States of America Date A point or period of time associated with an event in the lifecycle of the resource Originally Built: Began and completed in 1934 Renovated: Began 1957 Creator An entity primarily responsible for making the resource Builder: Vernon Presley Renovation architects: Johnson and McCarty Temporal Coverage Temporal characteristics of the resource. Modern Spatial Coverage Spatial characteristics of the resource. 34.26010288240419, -88.68001531905293 Medium The material or physical carrier of the resource. Wood, Plant materials Extent The size or duration of the resource. 300 square ft. Type The nature or genre of the resource Domestic Description An account of the resource The structure has a long, rectangular, vertical form in its layout. It does not have many levels as there is a singular set of steps at the front that lead you to the single floor. There are 2 doors (front and back) and 6 windows in total. This domestic structure makes it easy to move through the area, with connected rooms for habitation and a signature of no hallways. Its structure seems to follow a “box” like method, again relating back to its rectangular form. Its front stands out with pillars creating a small porch highlighted particularly with a swing. Its patterns are simplistic ones that you would find common for not only this domestic type structure, but for the domestic types of the region. Light enters through those windows. With its simple and compact structure, the shadows cast on the inside may be similar to those found in that of an ordinary structure. It is a similar effect with the structure on the outside, simple cast shadows caused by simple shapes. Wood plays a big role in the structure’s build. The pillars that help make up the front of the structure as well as the base structure appear to be made up of this wood. In addition to the wood, there are stones underneath the structure that elevate it. The structure plays a role in the cultural aspect of raising one of the most pulverizing celebrities and its region’s styles. In addition, Its build signals a working class status of the region and the structure’s time period. Format The file format, physical medium, or dimensions of the resource Southern U.S. Domestic Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Michael Fazio, "Elvis Presley Birthplace", [, Mississippi], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MS-01-081-0001. midterm https://worldarchitecture.artinterp2.org/files/original/c0a9442cc647db111a7f474496665cb4.jpg 1d86f319417c7735b385ea25be5fa892 https://worldarchitecture.artinterp2.org/files/original/621d4708c67e5a8474be79b3a4dd5869.jpg 3b512f1227c588a23838197157166554 https://worldarchitecture.artinterp2.org/files/original/30fb2c1be0438c0cda5ed0125108c923.jpg c4ca6a6e1bfbaabbd7025f36c35e7773 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ben's Chili Bowl Language A language of the resource Washington, D.C. Date A point or period of time associated with an event in the lifecycle of the resource Original Building Constructed – 1910. Restaurant Founded – 1958. Creator An entity primarily responsible for making the resource Building Architect – Arthur B. Heaton (originally designed as the Minnehaha Theater). Restaurant Founders – Ben Ali and Virginia Ali Builder - Early 20th-century construction commissioned for the Minnehaha Theater (specific contractor not widely documented) Temporal Coverage Temporal characteristics of the resource. Early 20th-Century American Commercial Architecture Spatial Coverage Spatial characteristics of the resource. 38.91938919543913, -77.02258769236296 Medium The material or physical carrier of the resource. Brick, Stucco and painted signage panels, added during later commercial adaptations. Wood framing and plaster interior elements. Glass storefront windows with metal framing Extent The size or duration of the resource. Two stories, though the restaurant primarily occupies the ground floor. Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Exterior: Early Commercial / Theater Storefront Style. Mid-Century American Diner Signage. Description An account of the resource Ben’s Chili Bowl occupies a once-modest early-20th-century theater building whose architecture has evolved into one of Washington, D.C.’s most recognizable cultural symbols. Built in 1910 as the Minnehaha Theater, the structure’s brick commercial façade was adapted in 1958 when Ben and Virginia Ali converted the space into a neighborhood chili parlor. Over time, the building’s most distinctive architectural element became its vivid storefront signage, blending the proportions of the old theater façade with the bold graphic sensibility of a mid-century dinner. The shallow curved parapet and red-yellow color palette anchor the building visually on U Street’s historic corridor. Inside, Ben’s Chili Bowl preserves a rare authentic mid-20th-century dinner interior. The long counter, classic stools, narrow circulation path, and textured wall surfaces remain largely intact, accompanied by new layers of cultural memory: photographs of civil rights leaders, musicians, and presidents who have visited the restaurant. Renovations in 2008 strengthened the building’s structure and systems while keeping its historic materials and language design intact. Over time, the building transitioned from a silent movie theater to a family-run dinner that withstood the 1968 riots, economic decline, and urban renewal. Today, Ben’s Chili Bowl stands not only as a beloved local landmark but also as an architectural marker of continuity in a rapidly changing city, its preserved storefront and dinner interior embodying the cultural and social history of Washington, D.C.’s U Street corridor. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The building that was originally a silent movie theater now Renovated into this landmark restaurant. Source A related resource from which the described resource is derived Source https://photos.cinematreasures.org/production/photos/292680/1575353793/small.jpg?1575353793 Source https://wtop.com/wp-content/uploads/2023/08/AP5378600343143507-benschilibowl-1560.jpg License A legal document giving official permission to do something with the resource. Image 1-4: Creative Commons Contributor An entity responsible for making contributions to the resource Justin Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Source - Wilson, K., 2020. Why Ben’s Chili Bowl, Home of the Half-Smoke, Is Hallowed Ground in D.C. AFAR [online]. 17 February. Available at: https://www.afar.com/magazine/why-bens-chili-bowl-in-washington-dc-is-a-dining-destination [Accessed 8 December 2025]. Source - Minnehaha Theater in Washington, DC - Cinema treasures (no date). https://cinematreasures.org/theaters/18967. Source - Robinson, E. (2025) 'A Washington landmark: Ben’s Chili Bowl,' Boundary Stones [Preprint]. https://boundarystones.weta.org/2017/12/07/washington-landmark-bens-chili-bowl. Source - Andrews, D. (2023) 'Ben’s Chili Bowl offering free Half Smokes to celebrate 65th anniversary,' WTOP News, 22 August. https://wtop.com/dc/2023/08/bens-chili-bowl-offering-free-half-smokes-to-celebrate-65th-anniversary/. https://worldarchitecture.artinterp2.org/files/original/1f0ad52fc39b3f82323f37e129b2ab10.jpg 21cc26b046347ae9fc99991c5c47cfbc https://worldarchitecture.artinterp2.org/files/original/8c6e5c42874e3e17d73909c928a914c9.jpg c8061de05d5ba800c1f3907433e7c75d https://worldarchitecture.artinterp2.org/files/original/6f8bc5eb2dcc57e410367712a4932688.jpg c02354751448097a446139b4c981eb29 https://worldarchitecture.artinterp2.org/files/original/6a6344a232760f045bb0b6d4037910aa.jpg b2d140d0d49d5f7cc5d4ca6f474b92cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shah-i-Zinda, Samarkand Language A language of the resource Samarkand, Uzbekistan Date A point or period of time associated with an event in the lifecycle of the resource Main construction: 14th–15th centuries (restorations continued into the 19th–20th centuries) Creator An entity primarily responsible for making the resource Built under the Timurid dynasty Individual architects and patrons unknown Temporal Coverage Temporal characteristics of the resource. Timurid period Spatial Coverage Spatial characteristics of the resource. Latitude: 39.6665 N Longitude: 66.9989 E Medium The material or physical carrier of the resource. Brick, glazed tile, mosaic faience Extent The size or duration of the resource. Mausoleum complex containing corridors, tomb chambers, and multiple decorated facades Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Architectural type: Mausoleum complex Functional type: Funerary / Pilgrimage Description An account of the resource <em>The funerary complex of Shah-i-Zinda in Samarkand features a narrow processional corridor that contains mausoleums that display their exterior walls through intense turquoise and cobalt tilework. The complex follows a sequence of vaulted spaces and pointed arched portals, which produce a visual rhythm to lead visitors through the passage toward the tomb chambers of Central Asian nobles and religious leaders. The mosaic faience surfaces display Timurid decorative elements through geometric stars and floral motifs, and Quranic inscriptions, which create sacred identity through repetitive color patterns. The pilgrimage site of Shah-i-Zinda served a dual purpose to honor religious figures and display imperial power, which demonstrates how Timurid Samarkand used funerary architecture to create religious experiences and preserve imperial history.</em> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant N/A Source A related resource from which the described resource is derived Image 1: https://kalpak-travel.com/wp-content/uploads/2025/04/shah-i-zinda-samarkand.jpg Image 2: https://kalpak-travel.com/wp-content/uploads/2025/04/shahizinda-necropolis.jpg Image 3: https://kalpak-travel.com/wp-content/uploads/2025/04/timurid-gilded-tiles.jpg Image 4: https://kalpak-travel.com/wp-content/uploads/2025/04/shahizinda-stalactites.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Golombek, L. and Wilber, D. (1988) The Timurid Architecture of Iran and Turan. Princeton: Princeton University Press. Blair, S. (2004) Timurid Architecture and Its Decoration. Edinburgh: Edinburgh University Press. Archnet (n.d.) Shah-i-Zinda, Samarkand. Available at: https://archnet.org/ (Accessed: December 6, 2025). https://worldarchitecture.artinterp2.org/files/original/afff5768c43737844e0f844c4493c20d.jpg ef38d88cc5da3dd2bb326208683c010f https://worldarchitecture.artinterp2.org/files/original/7d738f78675bbe76fc98c171305618ac.jpg ef7670606b8c64567b16f201f48abd1e https://worldarchitecture.artinterp2.org/files/original/5d1fe1659c9d7eee83be386eb9965cc5.jpg 2626096d0840e631ab82a8672c542e69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mall of America (Minnesota) Language A language of the resource Bloomington, Minnesota, United States Date A point or period of time associated with an event in the lifecycle of the resource June 14th, 1989 (Groundbreaking/ first day of construction) August 11th, 1992 (Opened) 1996 (Addition of Aquarium) 2008 (Addition of Nickelodeon Universe) Contributor An entity responsible for making contributions to the resource Jayce Johnson Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. 1. https://www.mallofamerica.com/about#:~:text=Mall%20of%20America%20was%20chosen,their%20first%20day%20of%20work. 2. https://www.britannica.com/place/Mall-of-America 3. https://www.mallofamerica.com/upload/MOA_Directory_Spring2017.pdf Temporal Coverage Temporal characteristics of the resource. 90's, USA Source A related resource from which the described resource is derived Image 1: 2018_Mall_of_America_01 (https://upload.wikimedia.org/wikipedia/commons/5/59/2018_Mall_of_America_01.jpg) Image 2: Mall_of_America_Floors_&_Escalators (https://upload.wikimedia.org/wikipedia/commons/b/b2/Mall_of_America_Floors_%26_Escalators.jpg) Image 3: Mall_of_America_Aerial (https://upload.wikimedia.org/wikipedia/commons/a/aa/Mall_of_America_Aerial.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Attribution-Share Alike 4.0 International Image 2: Creative Commons Attribution-Share Alike 4.0 International Image 3: Creative Commons Attribution-Share Alike 4.0 International Type The nature or genre of the resource Commercial Creator An entity primarily responsible for making the resource Construction Company: Triple Five Group Spatial Coverage Spatial characteristics of the resource. 44.85501471534902, -93.24230630505298 Extent The size or duration of the resource. 520,000 m² Format The file format, physical medium, or dimensions of the resource Modern Description An account of the resource The Mall of America in Bloomington, Minnesota is a large and expansive commercial structure. Externally it is primarily grey in color with many large reflective windows that can look blue due to the sky. It is rectangular in shape with four smaller square shaped buildings attached to each corner. Each building on the edge is at a diagonal angle that gives the overall mall less sharp corners. Many elongated pyramidal skylights cover the center ceiling of the mall, allowing plenty of natural light to seep in. They are quite noticeable when looking up on the highest level.. Two regular buildings attach the northern and southern sections of the mall. there are also two large parking garages on the eastern and western sides of the complex. More than 520 stores are contained in the mall. In the center is a Nickelodeon based theme park. There are a total of four levels to the mall. On level one there is a Sea Life aquarium. There are a total of ten entrances into the mall. One for each corner of the building and each cardinal direction. midterm https://worldarchitecture.artinterp2.org/files/original/526d1da060696b9a3ecda3a51e7993ad.jpg df2e30d8969b2f96f2845f2df7823db9 https://worldarchitecture.artinterp2.org/files/original/0bb86ae7a3d9900823f6f669612ddf4f.jpg 40dbcc04fd521de19f3450cd081ef0fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tokyo International Exhibition Center Tokyo Big Sight Contributor An entity responsible for making contributions to the resource Waldemar Barrios Language A language of the resource Kotoku,Tokyo,Japan Date A point or period of time associated with an event in the lifecycle of the resource Construction started: October 1992 Opened: April 1996 Creator An entity primarily responsible for making the resource Contractor: Tokyo Metropolitan Government's Bureau of Finance Main Firm: AXS SATOW Main Contractors: Hazama JV Shimizu Corporation Source A related resource from which the described resource is derived Image 1: 20030727 27 July 2003 Tokyo International Exhibition Center Big Sight Odaiba Tokyo Japan.jpg (<a href="https://commons.wikimedia.org/wiki/File:20030727_27_July_2003_Tokyo_International_Exhibition_Center_Big_Sight_Odaiba_Tokyo_Japan.jpg">https://commons.wikimedia.org/wiki/File:20030727_27_July_2003_Tokyo_International_Exhibition_Center_Big_Sight_Odaiba_Tokyo_Japan.jpg</a>)<br /><br />Image 2:<span class="mw-page-title-main">Tokyo Big Sight at Night.jpg</span> (<a href="https://commons.wikimedia.org/wiki/File:Tokyo_Big_Sight_at_Night.jpg">https://commons.wikimedia.org/wiki/File:Tokyo_Big_Sight_at_Night.jpg</a>) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Spatial Coverage Spatial characteristics of the resource. 35.629283900747296, 139.79471993863845 Medium The material or physical carrier of the resource. Steel Glass Concrete Extent The size or duration of the resource. Total: 230,873 square metres Convention Space: 115,420 square metres Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Convention Venue High Tech Architecture Description An account of the resource A massive convention center along Tokyo Bay. The convention center is made up of three main buildings, with the main tower being the center of attention, and what most people refer to when talking about this site. The main tower is a 58metre tall structure. It consists of 4 upside down pyramids, in a 2x2 square, taking up 102,887 square metres. The pointed sides down to the ground connected to steel towers that provide support and elevator access. In the center, between the pyramids, is a reception hall and four halls, this is considered the first floor. The second floor is the main entrance hall where the main exhibition plaza is found. This area reveals the glass covered roof. The remaining space is convention halls and offices. Surrounding the main tower is the West Hall. This is a series of 4 halls, connected by an atrium. To the east, across a street, and not directly linked to the main tower, is the East Hall. The entire hall is one Galleria flanked by two halls on each side. The structures are mainly steel, reinforced concrete, and glass. All of them have modular and movable sections to control the use of space. Independent content creators use this convention center to sell and promote their works. It has been the starting point for many trends and has a huge cultural impact. Commercial midterm neatline assignment