<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/62">
    <dcterms:title><![CDATA[Marqués de Riscal Hotel]]></dcterms:title>
    <dcterms:creator><![CDATA[Architect: Frank Gehry<br />
Builder: Ferrovial]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://www.marquesderiscal.com/public/Image/2020/6/El-hotel.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[2003 - Construction begins<br />
2006 - Construction is completed]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Vinos de los Herederos del Marqués de Riscal. 2025, www.marquesderiscal.com/public/Image/2020/6/El-hotel.jpg.<br />
]]></dcterms:license>
    <dcterms:format><![CDATA[Avant-Garde]]></dcterms:format>
    <dcterms:format><![CDATA[Sculptural]]></dcterms:format>
    <dcterms:extent><![CDATA[2,000 sq. m.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Titanium, stainless steel]]></dcterms:medium>
    <dcterms:medium><![CDATA[Reinforced concrete]]></dcterms:medium>
    <dcterms:medium><![CDATA[Bamboo]]></dcterms:medium>
    <dcterms:language><![CDATA[Elciego, Rioja Alavesa, Spain]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:spatial><![CDATA[42.511793424858894, -2.617544826984642]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/250">
    <dcterms:title><![CDATA[Marshall Field Wholesale Store]]></dcterms:title>
    <dcterms:description><![CDATA[This building is completely quadratic in its form. It is a very basic box in its morphology. With this though, the structure is huge with it coming in at 500,00 sq ft, in addition it sports seven stories, from basement to top floor, making it easily one of Richardson’s most impressive works. Similar to the Cincinnati chamber of commerce, this building was also built on the corner of a block, though it appears the main entrance is placed along the left side of the building from this vantage point. Perhaps one of the things highlighted so far in these studies, is the placements of these structures in the Midwest. The materials used for the building make the same appearance found in other buildings of this style. Granite for the exterior, round arches(though here it is primarily on the window exterior where these are found) and the glass material for windows. The interior is very simplistic, with its shape being quadratic, the floors follow a simple pattern, which one can assume, the use of stairs made it so that one may go from one floor to the next. One thing interesting about this structure is that Richardson passed away during the construction of this building, and during the height of his movement, making way for other architects to continue carrying the torch for the architectural movement!<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Sketch 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1885]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1887]]></dcterms:date>
    <dcterms:date><![CDATA[Demolished 1930]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[500,000 square ft. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[stone, glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Chicago, Illinois]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.88365288135903, -87.62737120654867]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/184">
    <dcterms:title><![CDATA[Masjid-i Jameh, Isfahan]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The Masjid-i Jameh in Isfahan exists as a large congregational mosque which developed through various architectural stages to create its current design with four monumental iwans surrounding a central courtyard and extensive domed prayer halls that show the expansion of time. The structure uses brick as its fundamental material while decorative elements made from stucco and glazed tile and carved stone create intricate geometric patterns and pointed arches and muqarnas vaulting throughout the building. The building connects its domed rooms to the outdoor courtyard through pathways which show the transition between Seljuk brickwork and Safavid decorative elements. The mosque served as Isfahan's central prayer area which united religious activities with educational functions and community representation throughout history. The mosque shows how Islamic architecture in Iran developed through time by uniting original spatial designs with advanced decorative elements. The building exists as a historical architectural record which displays Iran's Islamic and dynastic past through its architectural design and materials.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Multiple dynasties (Abbasid, Seljuk, Ilkhanid, Timurid, Safavid)<br />
Architects and builders unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:https://smarthistory.org/wp-content/uploads/2022/09/8610407451_5291a54c4a_4k-scaled.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://cdn.elebase.io/173fe953-8a63-4a8a-8ca3-1bacb56d78a5/cfde4589-fdde-4374-9f64-a180699ae38d-isfahan1.jpg?q=75]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://images.pexels.com/photos/12941958/pexels-photo-12941958.jpeg?_gl=1*rlo5e7*_ga*MjA0MzQ2MDQxNi4xNzY1MTY3NjI0*_ga_8JE65Q40S6*czE3NjUxNzQ5NjckbzMkZzEkdDE3NjUxNzQ5OTckajMwJGwwJGgw]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://cdn.elebase.io/173fe953-8a63-4a8a-8ca3-1bacb56d78a5/4f8cafd3-66d1-43e1-970b-6d11e49079a4-isfahan2.jpg?q=75]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: https://cdn.elebase.io/173fe953-8a63-4a8a-8ca3-1bacb56d78a5/3ca0d686-72cc-4da0-8ff0-407dcbcc6b96-isfahan3.jpg?q=75]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: https://irannegintravel.com/uploads/Highlights/Isfahan%20Jameh%20Mosque/Jameh1.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Original construction: 8th century (Abbasid period)<br />
Major reconstructions: Seljuk (11th–12th c.), Ilkhanid, Timurid, Safavid]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons<br />
Image 5: Creative Commons<br />
Image 6: Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[Large congregational mosque with courtyards, domes, iwans, and multiple expansion phases]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick<br />
stucco<br />
glazed tile<br />
carved stone]]></dcterms:medium>
    <dcterms:language><![CDATA[Isfahan, Iran]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. and Bloom, J. (1995) The Art and Architecture of Islam 1250–1800. New Haven: Yale University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Ettinghausen, R., Grabar, O. and Jenkins-Madina, J. (2001) Islamic Art and Architecture 650–1250. New Haven: Yale University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Masjid-i Jameh, Isfahan. Available at: https://archnet.org/ (Accessed: December 3, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 32.6613 N<br />
Longitude: 51.6838 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Abbasid; Seljuk; Ilkhanid; Timurid; Safavid]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/7">
    <dcterms:title><![CDATA[Mātaatua Wharenui]]></dcterms:title>
    <dcterms:description><![CDATA[The building has a rectangular layout with a gable roof. At the front of the structure, there is a roofed porch-like area, with walls at the back and on the side, but only a small fence at the front. At the back of the porch, there is a door on the viewer’s left side, and a window on the right. Coming from the small fence in the front of the porch is a red beam that supports the roof, connecting to the roof at its peak. There are two sets of twin statues at opposing sides of the front facade, resembling somewhat of a totem pole with a large face below each statue. There are another two carvings that sit at either end of the supporting beam, one of a man (which is on the bottom) and one of a face (which sits at the top). The building is made of wood, with lots of brown colors, plenty of red accents along the borders and statues, and smaller details painted with white, black, and green. On the inside of the roof, there are squared off sections with raised beams decorated with white motifs. The outside of the roof is black in color. Along the inner side walls of the porch there also stands another four carved statues along each side and situated at the end of each of the raised beams from the roof.<br />
<br />
The building had played a religious purpose as a meeting ground for the Ngāti Awa tribe. The large roof provides shade for the porch, and the wood in which this structure was made was easily accessible. This building provokes a ritual movement as a sensory experience. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Builder: Ngāti Awa (tribe)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: mataatua-wharenui-5.jpg (https://wanderlusters.com/mataatua-wharenui-the-house-that-came-home/)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: British Empire Exhibition, Wembley Stadium, 23 April 1924 (16963240130).jpg (https://upload.wikimedia.org/wikipedia/commons/8/87/British_Empire_Exhibition%2C_Wembley_Stadium%2C_23_April_1924_%2816963240130%29.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1875: Mātaatua Wharenui was built]]></dcterms:date>
    <dcterms:date><![CDATA[1879: Relocated to display the building in multiple locations]]></dcterms:date>
    <dcterms:date><![CDATA[2011: Returned to the place of its origin]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: N/A]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[79 ft long, 41 ft wide, and 24 ft high]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Whakatāne, New Zealand]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://wanderlusters.com/mataatua-wharenui-the-house-that-came-home/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.tripadvisor.com/Attraction_Review-g652408-d2724411-Reviews-Mataatua_The_House_That_Came_Home-Whakatane_Bay_of_Plenty_Region_North_Island.html]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[http://maorilifestyles.blogspot.com/2011/08/house-that-came-home.html]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[37°56&#039;59&quot;S 177°00&#039;11&quot;E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Late Victorian Period]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/256">
    <dcterms:title><![CDATA[Memorial Hall (Whitman College)]]></dcterms:title>
    <dcterms:description><![CDATA[This structure is unique in its footprint. It almost makes a deformed, sideways “I” in its makeup. It features a 5-story clock tower and what appears to be at least 2 levels. In addition, the structure heads as the main point at Whitman college. Today, the structure operates exclusively as the college’s administrative headquarters, but back then, it was utilized for a multitude of things like classrooms and housing, as well as a chapel, administrative offices. Its materials once again, are typical for a Richardsonian Romanesque building, with it being a beautiful tan granite, with red roofing, and glass for windows. The building method also shows its usual status with the uses of arches. The building has a rich history with the college, but the style supposedly stood for stability, which also stands out as a fantastic example of Richardsonian Romanesque architecture. In addition, it is one of the finest examples of the ending “boom” period of the style. With the building starting in 1899, and finishing in the first year of the 20th century]]></dcterms:description>
    <dcterms:creator><![CDATA[George W. Babcock]]></dcterms:creator>
    <dcterms:date><![CDATA[begun: 1899]]></dcterms:date>
    <dcterms:date><![CDATA[Completed 1900]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/9/97/Whitman_Memorial_Hall%2C_Whitman_College%2C_Walla_Walla%2C_Washington%2C_ca_1899_%28WASTATE_1204%29.jpeg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[Two and a half stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[sandstone, brick (clay material), wood (plant material), glass (material),, roofing tile]]></dcterms:medium>
    <dcterms:language><![CDATA[Walla Walla County, Washington]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Robert R. Franklin, &quot;Memorial Hall&quot;, [Walla Walla, Washington], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/WA-01-071-0014.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[46.071042282251156, -118.32953848813304]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/267">
    <dcterms:title><![CDATA[Mirror Lake]]></dcterms:title>
    <dcterms:description><![CDATA[A manmade lake built in the Todai-ji complex to offer the people a place to reflect and ponder life. A green island with a shrine and greenery floats in the middle. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Emperor Shōmu]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Todaiji island.jpg <a href="https://commons.wikimedia.org/wiki/File:Todaiji_island.jpg">(https://commons.wikimedia.org/wiki/File:Todaiji_island.jpg)</a>]]></dcterms:source>
    <dcterms:date><![CDATA[752]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:medium><![CDATA[Manmade Lake]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:spatial><![CDATA[34.687487728060816, 135.84065615504898]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/155">
    <dcterms:title><![CDATA[Mogamaa Building ]]></dcterms:title>
    <dcterms:contributor><![CDATA[Stanley Ojibeka]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/45">
    <dcterms:title><![CDATA[Monastery of Saint Anthony]]></dcterms:title>
    <dcterms:description><![CDATA[The Monastery is designed in the Coptic style, with a tall fortress serving as a defense mechanism for the monks.  Inside the monastery, there are buildings where the monks live.]]></dcterms:description>
    <dcterms:creator><![CDATA[The creators of the building were the followers of Saint Anthony the Great.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/1/19/MonasteroAntonio2.jpg/960px-MonasteroAntonio2.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[356 AD]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stanley Ojibeka]]></dcterms:contributor>
    <dcterms:format><![CDATA[Coptic]]></dcterms:format>
    <dcterms:extent><![CDATA[The size of the Monastery of Saint Anthony is over 18 acres.]]></dcterms:extent>
    <dcterms:medium><![CDATA[The main structure of the building is made up of sandstone and mudbrick]]></dcterms:medium>
    <dcterms:medium><![CDATA[Wood was also used for doors and windows for the buildings inside the monastery.]]></dcterms:medium>
    <dcterms:language><![CDATA[The building was established in the Eastern Sahara near the Red Sea.]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[28°55′N 32°21′E﻿, ﻿28.92°N 32.35°E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[This building was built during the 4th century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/18">
    <dcterms:title><![CDATA[Monastery of St Catherine]]></dcterms:title>
    <dcterms:description><![CDATA[Formal description:<br />
<br />
The Sacred Autonomous Royal Monastery of Saint Catherine of the Holy and God-Trodden Mount Sinai, more commonly known as Saint Catherine’s Monastery, stands at the foot of Mount Sinai in Egypt. Dating back to the mid-500s AD, it is one of the oldest and still occupied monasteries in the world. Harboring the aesthetics of most Byzantine and early Christian style structures, its plan is rather irregular and has a fortress-like format with its high, thick granite stone walls to house a collection of buildings. It is rather compacted and the various structures primarly range between 33 and 66 feet. The natural earth colored exterior blends in with the desert surroundings, as the granite was excavated from the surrounding mountain environment. A fortified gate named after Emperor Justinian, who ordered the building of the monastery (Justinian’s Gate or Gate of the emperor), was no longer used as the main entry point to preserve its condition. One of the main basilica-style churches has a timber roof, wooden doors, and decorative beams that contain intricate mosaics and depictions of important Byzantine icons. Next to it is the notable belfry, which is three stories but divided into 4 tiers, has open archways, and large bells that are still in use today. It is a much later addition to the monastery and was built in a style similar to 12th-century Syrian churches.<br />
<br />
The monastery&#039;s overall structure flexes its dual role as an elaborate sanctuary and fortress, as it was meant to protect monks and pilgrims within its massive granite walls that are practically impenetrable. Housing manuscripts, relics, and even a library of volumes in various languages, the monastery, for many, is a holy place and sacred. It is believed to be built where Moses witnessed the burning bush, which still lives on the premises. It was then that the building of all the surrounding structures became almost an act of worship in itself, and certainly a way for people to preserve the divinity of the area. Then, the body of Catherine of Alexandria (after which the monastery was later named) was also said to have been discovered there. This only further cements the status of it being spiritual, which has stretched across all three major Abrahamic religions. Each faith has its own tie to the area, such as the discovery of Christian Palestinian Aramaic, Arabic, and Hebrew texts. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Justinian I]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Katharinenkloster_Sinai_BW_2<br />
(https://en.wikipedia.org/wiki/Saint_Catherine%27s_Monastery#/media/File:Katharinenkloster_Sinai_BW_2.jpg)<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:1920px-Monastery_of_Saint_Catherine_at_Mount_Sinai-_drawing_from_the_Description_de_l&#039;Égypte_(1809)<br />
(https://en.wikipedia.org/wiki/Saint_Catherine%27s_Monastery#/media/File:Monastery_of_Saint_Catherine_at_Mount_Sinai-_drawing_from_the_Description_de_l&#039;%C3%89gypte_(1809).jpeg)]]></dcterms:source>
    <dcterms:date><![CDATA[AD 565]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sultana Rahim]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Byzantine architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[ 76 by 90 meters (249 by 295 feet)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:medium><![CDATA[Metal]]></dcterms:medium>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:language><![CDATA[South Sinai Governorate, Egypt]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Saint_Catherine%27s_Monastery# <br />
https://orthodoxwiki.org/St._Catherine%27s_Monastery_(Sinai)<br />
https://www.sinaimonastery.com/index.php/en/<br />
https://whc.unesco.org/en/list/954/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[28.55604261247535, 33.97612309807164]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[6th century CE, Byzantine ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/130">
    <dcterms:title><![CDATA[Monterey Bay Aquarium]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1.  Monterey_Bay_Aquarium_exterior_August_2016 (https://upload.wikimedia.org/wikipedia/commons/2/26/Monterey_Bay_Aquarium_exterior_August_2016.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[November 1977 (Plans began for construction of the aquarium) ]]></dcterms:date>
    <dcterms:date><![CDATA[October 20th, 1984 (Aquarium opening day)]]></dcterms:date>
    <dcterms:date><![CDATA[October 1986 (The aquarium got accredited by the the Association of Zoos and Aquariums) ]]></dcterms:date>
    <dcterms:date><![CDATA[1989 (Starts sea otter rescue)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons Attribution-Share Alike 4.0 International ]]></dcterms:license>
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