<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/72">
    <dcterms:title><![CDATA[Odeon of Herodes Atticus]]></dcterms:title>
    <dcterms:description><![CDATA[A three story stage with a Greco-Roman classical facade, originally adorned with statues and other regalia, sits in front of a semi-circle of steppes that serve as its audience, the cavea. The theater seems to sink into the ground, leading all attention to the stage in front. While the whole building was at one point covered in a roof made out of Cedar from the Levant, it now serves as an open air venue. The purpose same as it is today, music,festivities, and poetry recitals. After restoration in the 1950s it has become a popular place for concerts, shows, and other live events. It is a testament to ancient understanding of the needs of the population, that being a desire for public spaces.]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: Herodes Atticus]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:Athen Odeon Herodes Atticus BW 2017-10-09 13-12-44.jpg <a href="https://commons.wikimedia.org/wiki/File:Athen_Odeon_Herodes_Atticus_BW_2017-10-09_13-12-44.jpg">(https://commons.wikimedia.org/wiki/File:Athen_Odeon_Herodes_Atticus_BW_2017-10-09_13-12-44.jpg)</a><br /><br />Image 2: <span class="mw-page-title-main">Puccini's Tosca at the Theater of Herodes Atticus in Athens, Greece (2012).jpg (<a href="https://commons.wikimedia.org/wiki/File:Puccini%27s_Tosca_at_the_Theater_of_Herodes_Atticus_in_Athens,_Greece_(2012).jpg">https://commons.wikimedia.org/wiki/File:Puccini%27s_Tosca_at_the_Theater_of_Herodes_Atticus_in_Athens,_Greece_(2012).jpg</a>)</span><br /><br /><br />Image 3:Atticus-AcropolisOdeonHerodes-Built between 160 and 170 AD.jpg (<a href="https://jstor.org/stable/community.15265114.">https://jstor.org/stable/community.15265114)</a>]]></dcterms:source>
    <dcterms:date><![CDATA[Constructed: 161 CE]]></dcterms:date>
    <dcterms:date><![CDATA[Destroyed: 267 CE]]></dcterms:date>
    <dcterms:date><![CDATA[Restored: 1950s]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative  Commons<br />
<br />
Image 2: Creative  Commons<br />
<br />
Image 3: Artstor Collection License ]]></dcterms:license>
    <dcterms:format><![CDATA[Classic Architecture ]]></dcterms:format>
    <dcterms:extent><![CDATA[Diameter Total: Around 80 M <br />
Diameter Orchestra: Around 20 M                       ]]></dcterms:extent>
    <dcterms:extent><![CDATA[Steps can seat around 5000-6000 People ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone Structure]]></dcterms:medium>
    <dcterms:medium><![CDATA[Marble Steps and Stage]]></dcterms:medium>
    <dcterms:medium><![CDATA[Cedar Wood (Original Roof, Now Gone)]]></dcterms:medium>
    <dcterms:medium><![CDATA[Pentelic Marble (Restoration) ]]></dcterms:medium>
    <dcterms:language><![CDATA[Dionysiou Areopagitou Street, Athens, Greece]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:spatial><![CDATA[37.97083235264885, 23.724735953329304]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Antonine Period, Roman Empire]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/168">
    <dcterms:title><![CDATA[Basilica Cistern]]></dcterms:title>
    <dcterms:creator><![CDATA[Patron: Justinian I]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://commons.wikimedia.org/wiki/File:Cisterna_Bas%C3%ADlica,_Estambul,_Turqu%C3%ADa,_2024-09-28,_DD_73-75_HDR.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Constructed: 6th century CE]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Diego Delso, CC BY-SA 4.0 &lt;https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons.]]></dcterms:license>
    <dcterms:extent><![CDATA[138 meters x 65 meters]]></dcterms:extent>
    <dcterms:extent><![CDATA[9,800 square meters in area]]></dcterms:extent>
    <dcterms:extent><![CDATA[Capable of holding 80,000 cubic meters of water]]></dcterms:extent>
    <dcterms:medium><![CDATA[Marble]]></dcterms:medium>
    <dcterms:medium><![CDATA[Steel, concrete]]></dcterms:medium>
    <dcterms:language><![CDATA[Istanbul, Turkey]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:spatial><![CDATA[41.008821189307525, 28.9778887288357]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Byzantine]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/50">
    <dcterms:title><![CDATA[Angkor Wat]]></dcterms:title>
    <dcterms:description><![CDATA[ Angkor Wat is a very large temple complex that is primarily square in shape. Currently the stone walls are white with brown stains caused by weathering. The brown color tends to be more apparent on the roofs of the structure. The temple itself is surrounded by a large stone wall with pillars supporting a small overhang. There are two types of towers that protrude from the temple. Smaller flat topped cylindrical towers mark the corners of the temple&#039;s inner wall. While the temple itself has five taller pointed cylindrical towers at its four corners and a large one present in the center. Angkor Wat contains various bas reliefs of important religious figures of the region. The building and entire complex was and is still primarily used as a religious site for both Buddhist and Hindu religions. <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: King Suryavarman II]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: 20171126_Angkor_Wat_4712_DxO (https://upload.wikimedia.org/wikipedia/commons/d/d4/20171126_Angkor_Wat_4712_DxO.jpg)<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:  Angkor_Wat_M3 (https://upload.wikimedia.org/wikipedia/commons/a/ad/Angkor_Wat_M3.png)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Angkor_Wat_(12224460023) (https://upload.wikimedia.org/wikipedia/commons/b/ba/Angkor_Wat_%2812224460023%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Angkor_Wat_-_edificio_principale_2 (https://upload.wikimedia.org/wikipedia/commons/b/b2/Angkor_Wat_-_edificio_principale_2.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[12th century (estimated date of construction) ]]></dcterms:date>
    <dcterms:date><![CDATA[1177 (Sacking of Angkor by Cham people)]]></dcterms:date>
    <dcterms:date><![CDATA[15th Century (Angkor mostly abandoned)]]></dcterms:date>
    <dcterms:date><![CDATA[1863 (French explorer Henri Mouhot come across Angkor Wat)]]></dcterms:date>
    <dcterms:date><![CDATA[20th Century (Restoration projects begin)]]></dcterms:date>
    <dcterms:date><![CDATA[1970&#039;s (Restoration projects halt due to political turmoil)]]></dcterms:date>
    <dcterms:date><![CDATA[Mid 1980&#039;s (Restoration work resumes)]]></dcterms:date>
    <dcterms:date><![CDATA[1992 (Designated as a UNESCO World Heritage site in danger status)]]></dcterms:date>
    <dcterms:date><![CDATA[2004 (Danger status is removed)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Jayce Johnson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons Attribution-Share Alike 4.0 International license.<br />
]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2:  Creative Commons Attribution-Share Alike 3.0 Unported license.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons Attribution-Share Alike 2.0 Generic]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4:  Creative Commons Attribution-Share Alike 4.0 International]]></dcterms:license>
    <dcterms:format><![CDATA[Khmer Empire]]></dcterms:format>
    <dcterms:extent><![CDATA[162.6 Hectares (402 Acres)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone, Brick, and Laterite]]></dcterms:medium>
    <dcterms:language><![CDATA[Siem Reap, Cambodia]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://whc.unesco.org/en/list/668/<br />
<br />
2. https://www.britannica.com/topic/Angkor-Wat<br />
<br />
3.https://www.angkorenterprise.gov.kh/temple/65/angkor-wat#:~:text=Angkor%20Wat%20is%20a%20temple,1%2C626%2C000%20m2%3B%20402%20acres).<br />
<br />
4. https://www.researchgate.net/publication/247878036_The_stone_materials_of_the_Angkor_monuments_Cambodia_The_magnetic_susceptibility_and_the_orientation_of_the_bedding_plane_of_the_sandstone]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[13.41270933274133, 103.86697497116442]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[12th century, Khmer Empire, Cambodia]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/2">
    <dcterms:title><![CDATA[Cathedral of Notre Dame; Notre Dame de Paris; Temple of Reason/Temple of the Supreme Being]]></dcterms:title>
    <dcterms:creator><![CDATA[Patron: Maurice de Sully<br />
]]></dcterms:creator>
    <dcterms:creator><![CDATA[Master Mason/Architect: Jean De Chelles (1250-1260)<br />
]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Pierre de Montreuil (1270)]]></dcterms:creator>
    <dcterms:source><![CDATA[image 1:Paris_Notre-Dame_Southeast_View_01,jpg (https://upload.wikimedia.org/wikipedia/commons/7/77/Paris_Notre-Dame_Southeast_View_01.JPG)]]></dcterms:source>
    <dcterms:source><![CDATA[image 2:Notre-Dame_de_Paris_2013-07-24.jpg (https://upload.wikimedia.org/wikipedia/commons/a/af/Notre-Dame_de_Paris_2013-07-24.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[1163 – Bishop Maurice de Sully begins construction of new cathedral.]]></dcterms:date>
    <dcterms:date><![CDATA[1270 – South transept and rose window completed by Pierre de Montreuil.]]></dcterms:date>
    <dcterms:date><![CDATA[15 April 2019 – A fire destroys a large part of the roof and the spire. Reconstruction begins two years later in 2021.]]></dcterms:date>
    <dcterms:date><![CDATA[Fall 2024? - Notre Dame reopened after complete restoration.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Divya Kumar-Dumas &amp; Quint Gregory]]></dcterms:contributor>
    <dcterms:license><![CDATA[image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[image 2: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[French Gothic]]></dcterms:format>
    <dcterms:language><![CDATA[Île de la Cité, Paris, France]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[48.85289032686707, 2.3499450510626616]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/169">
    <dcterms:title><![CDATA[Grand Bazaar (Kapalı Çarşı)]]></dcterms:title>
    <dcterms:creator><![CDATA[Patron: Mehmed II (1432-1481)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Patron: Suleiman I (1494-1566)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://commons.wikimedia.org/wiki/File:Gran_Bazar,_Estambul,_Turqu%C3%ADa,_2024-09-29,_DD_04.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://commons.wikimedia.org/wiki/File:Istanbul_asv2021-11_img41_Grand_Bazaar.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Construction of Iç Bedesten begun: 1455<br />
Construction of Iç Bedesten ended: 1460/61]]></dcterms:date>
    <dcterms:date><![CDATA[Construction of Sandal Bedesten begun: 1545]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Diego Delso, CC BY-SA 4.0 &lt;https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: A.Savin, FAL, via Wikimedia Commons.]]></dcterms:license>
    <dcterms:extent><![CDATA[Iç Bedesten: 43.30 m x 29.50 m]]></dcterms:extent>
    <dcterms:extent><![CDATA[Sandal Bedesten: 40.20 m x 42.20 m]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Stone, brick]]></dcterms:medium>
    <dcterms:language><![CDATA[Istanbul, Turkey]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:spatial><![CDATA[41.011121974041366, 28.967992998151725]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Ottoman]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/11">
    <dcterms:title><![CDATA[Parson Barnard House]]></dcterms:title>
    <dcterms:description><![CDATA[The Parson Barnard House is a sturdy, symmetrical colonial structure made of weathered wood and framed with hand-hewn timber. Its steep gabled roof, covered in gray wooden shingles, reflects a practical design suited for New England winters. The front is balanced and orderly, with five evenly spaced windows—small-paned and framed with simple trim—and a central door framed by plain pilasters and a transom. A large brick chimney rises from the center of the roof, marking the heart of the home.<br />
<br />
The house rests low to the ground, with an ell extending from the back, suggesting later additions. The overall feel is modest and functional, with little ornamentation. It sits quietly in its surroundings, bordered by simple shrubs and a stone path, embodying the practical elegance of early American life.]]></dcterms:description>
    <dcterms:abstract><![CDATA[Building History - The Parson Barnard House was built in 1715 for Reverend Thomas Barnard, the town’s minister in North Andover, Massachusetts. It served not only as his residence but also as a place for religious study and community gatherings. Over the centuries, the house remained a private home before being preserved as a historic site, offering a rare glimpse into early 18th-century colonial life in New England.<br />
Notable Architectural Detail - One notable architectural feature is the large central chimney, a hallmark of First Period colonial design. This massive brick structure anchors the house both visually and functionally, originally serving multiple fireplaces throughout the home. Its placement in the center reflects the importance of the hearth for heating and cooking, and it showcases the practical, centralized planning typical of early colonial architecture.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Patron: Queen Anne (1665-1714)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:https://images.ctfassets.net/nonm77rtn1g8/GOyucsLWP9FH7R5RSvocy/e3e998e61f9ff05c549a7429f0025404/Sunny_Saltbox_Norwich_Connecticut__1670.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[late 17th and early 18th century.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Saltbox]]></dcterms:format>
    <dcterms:extent><![CDATA[18 feet wide by 42 feet long.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Mostly Wood and Timber]]></dcterms:medium>
    <dcterms:language><![CDATA[New England, Connecticut]]></dcterms:language>
    <dcterms:type><![CDATA[Domestic]]></dcterms:type>
    <dcterms:spatial><![CDATA[Latitude: 42.68926259108759, <br />
Longitude: -71.11694087477946]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[American colonial period]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/165">
    <dcterms:title><![CDATA[Topkapi Palace]]></dcterms:title>
    <dcterms:creator><![CDATA[Patron: Sultan Mehmed II]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Acem Ali]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Mimar Sinan (1488-1590)]]></dcterms:creator>
    <dcterms:date><![CDATA[Construction begun: 1459<br />
Construction completed: 1465]]></dcterms:date>
    <dcterms:date><![CDATA[Significant expansion during the reign of Suleiman I: 1520-1560]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:extent><![CDATA[Estimated from 592,600 m² (146.4 acres) to 700,000 m² (173 acres).]]></dcterms:extent>
    <dcterms:language><![CDATA[Istanbul, Turkey]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:spatial><![CDATA[41.01182710874718, 28.98337889668132]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Ottoman]]></dcterms:temporal>
    <dcterms:temporal><![CDATA[Baroque]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/34">
    <dcterms:title><![CDATA[Itsukushima Shinto Shrine]]></dcterms:title>
    <dcterms:description><![CDATA[<div class="IDuMPvxVjTp5J16Nkg0n">
<div class="glrgl1spBnvKhHG37X5A">
<div class="ypsXN7Rsl7CQ2k4yONP3">
<div class="SadN6SK4s1QXOlHbLcoU"></div>
</div>
</div>
</div>
<div class="WXrzJ3057jo1PQxe41tn">
<div class="R0vreXw1J9AzeORVb1oj">
<div>
<div class="QhOeTQUtWNxjqqM1Zk1X">
<div>
<div>
<div>
<div>
<div class="MuiTypography-root MuiTypography-body_large css-o9c9ay">
<p class="w7sjNrXZl6krNFFuZhqE"><em>Itsukushima Shinto Shrine is located on Miyajima Island, partially elevated over the water on wooden stilts. Its design is axial, comprising long, covered corridors which connect to the world-famous “floating” torii gate in the bay. The building is low and horizontal in design to convey harmony with the coastline. Constructed of wooden posts and beams painted bright vermilion, it has tiled roofs that curve upward at its edges. Everything is simple, but the surfaces are striking, columns repeat, and shadows are rhythmic, accentuating the corridors. The open sides of the halls shine with natural light, while the water below glints off them; the halls, for example, appear glowy at high tide. The primary materials used are cypress wood and stone footings to sustain tides and earthquakes. The constructed shrine incorporates elements of the sea and of the mountain surroundings. With the “floating” form, it becomes clear the sacred purity of one, harmony with nature, and the spiritual boundaries between human and divine worlds.</em></p>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>]]></dcterms:description>
    <dcterms:abstract><![CDATA[Itsukushima Shinto Shrine is one of Japan’s most iconic religious sites.]]></dcterms:abstract>
    <dcterms:abstract><![CDATA[The shrine is a masterpiece of Shinto design that shows purity, ritual, and the spirituality of natural landscapes.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Patron: Taira no Kiyomori]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architec: Unknow]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: hirotoridef copie-L.png <br />
https://photos.smugmug.com/Trips/Japan-2016/i-xHm2gZ3/0/L/hirotoridef%20copie-L.png]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Itsukushima-Shrine.png<br />
https://www.covingtontravel.com/wp-content/uploads/2023/11/Itsukushima-Shrine.png]]></dcterms:source>
    <dcterms:date><![CDATA[Started in 593 CE (traditionally attributed to Saeki no Kuramoto)]]></dcterms:date>
    <dcterms:date><![CDATA[reconstructed in 1168 CE (by Taira no Kiyomori)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Shinden-zukuri style]]></dcterms:format>
    <dcterms:extent><![CDATA[275 ft long corridor]]></dcterms:extent>
    <dcterms:extent><![CDATA[floating&quot; torii gate]]></dcterms:extent>
    <dcterms:medium><![CDATA[wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Set on pier-like stilts over the sea]]></dcterms:medium>
    <dcterms:language><![CDATA[Hatsukaichi, Hiroshima Prefecture, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[&quot;Itsukushima Shrine at high tide&quot; by Bernard Gagnon – Wikimedia Commons (https://commons.wikimedia.org/wiki/File:Itsukushima_Shrine_at_high_tide.jpg)]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[UNESCO World Heritage Centre. “Itsukushima Shinto Shrine.” https://whc.unesco.org/en/list/776/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Coaldrake, William H. Architecture and Authority in Japan. Routledge, 1996.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[UNESCO World Heritage Site (1996)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 34.2950° N<br />
Longitude: 132.3190° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Heian Period, Japan]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/195">
    <dcterms:title><![CDATA[Gur-e-Amir Mausoleum, Samarkand]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The dynastic mausoleum of Timur exists at Gur-e-Amir in Samarkand with its tall ribbed turquoise dome resting above a brick chamber which is accessed through a monumental iwan entrance. The interior design of the space features marble walls and muqarnas transitions and fine blue tile decorations which showcase Timurid artistic elements while leading viewers toward the dome. The building design leads visitors through its entrance portal to reach a single domed room which functions as a dedicated funeral area for Timur and his family members. The mausoleum served as a royal burial ground during the early 1400s to showcase political power and ceremonial functions while developing architectural elements which became central to Timurid and Central Asian sacred building design.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: Timur (Tamerlane)<br />
Builders/Architects: Unknown (Timurid court workshops)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:https://images.squarespace-cdn.com/content/v1/5e95d9b13e6b2f7f177b574b/1611598559510-C0U7DBK4HNOBWLIU5T6S/12.+Amir+Timur+Mausoleum.jpg?format=1500w]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:https://images.squarespace-cdn.com/content/v1/5e95d9b13e6b2f7f177b574b/1611598473712-92PPO9BCA7OWQI7F9D2A/8.+Amir+Timur+Mausoleum.jpg?format=1500w]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3:https://images.squarespace-cdn.com/content/v1/5e95d9b13e6b2f7f177b574b/1611598592585-QSCVK4TQOG9C78C0IQ6X/2.+Amir+Timur+Mausoleum.jpg?format=1500w]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4:https://images.squarespace-cdn.com/content/v1/5e95d9b13e6b2f7f177b574b/1611598639647-BE4Q2N4RGKFEWQNQIWUO/3.+Amir+Timur+Mausoleum.jpg?format=1000w]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 1404]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Architectural type: Mausoleum]]></dcterms:format>
    <dcterms:extent><![CDATA[Mausoleum complex with portal entrance, chamber, dome, and attached medrese remains]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, glazed tile, mosaic faience, marble]]></dcterms:medium>
    <dcterms:language><![CDATA[Samarkand, Uzbekistan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. (2004) Timurid Architecture and Its Decoration. Edinburgh: Edinburgh University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Golombek, L. and Wilber, D. (1988) The Timurid Architecture of Iran and Turan. Princeton: Princeton University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Gur-e-Amir Mausoleum, Samarkand. Available at: https://archnet.org/ (Accessed: December 4, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 39.6542 N<br />
Longitude: 66.9754 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Timurid architecture (early 15th century)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/197">
    <dcterms:title><![CDATA[Tilla-Kari Madrasa, Samarkand]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The Tilla-Kari Madrasa stands as a seventeenth-century educational complex situated on Samarkand's Registan square which features a central courtyard surrounded by vaulted arcades and an iwan that accesses a mosque with its interior surfaces adorned with luxurious gold decorations. The building exterior displays Central Asian decorative elements through its blue tile patterns and geometric and floral designs. The interior mosque area features gold leaf decorations which create a light-reflecting effect on the muqarnas and decorative paintings. The courtyard provides access to the domed sanctuary through which visitors experience a transition between educational areas and sacred areas. The construction of Tilla-Kari as part of a grand architectural complex demonstrates how Islamic education maintained its high status during the Bukharan era while enhancing the ceremonial value of the Registan area.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: Yalangtush Bakhodur<br />
Architects unknown (Bukharan court workshops)<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/f/ff/Registan_Tillya-Kari_madrasah2014.JPG]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://dwc.kg/wp-content/uploads/2023/08/09-photo-workshop-adventures-uzbekistan.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://dwc.kg/wp-content/uploads/2023/08/5e30abe02b808-6061-medrese-tillja-kari.jpeg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://dwc.kg/wp-content/uploads/2023/08/may-holidays-31.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 1646–1660 (mid-17th century)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[Madrasa with mosque, courtyard, and vaulted arcades]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, stucco, glazed tile, gold leaf interior decoration]]></dcterms:medium>
    <dcterms:language><![CDATA[Samarkand, Uzbekistan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. and Bloom, J. (1995) The Art and Architecture of Islam 1250–1800. New Haven: Yale University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Golombek, L. and Wilber, D. (1988) The Timurid Architecture of Iran and Turan. Princeton: Princeton University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Tilla-Kari Madrasa, Samarkand. Available at: https://archnet.org/ (Accessed: December 6, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 39.6541 N<br />
Longitude: 66.9750 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Late Timurid / Bukharan period]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
