]]> ]]> Conceptual and Interior Design: Macro Sea.
construction managed by DBI Projects.]]> Caballero, P. (2024) New Lab, Research and Manufacturing Center / Marvel Architects. https://www.archdaily.com/922614/new-lab-marvel-architects.
Source 2
https://medium.com/ruki-founder-s-journal/newlab-cab35fee1172
Source 3
NewLab | Brooklyn | Venture platform for critical technology (no date). https://www.newlab.com/locations/brooklyn#:~:text=Newlab%20Brooklyn%20is%20an%2084%2C000%20square%20foot,*%20**Community%20events**%20*%20**Global%20digital%20platform**.
Source 4
https://www.archpaper.com/2017/10/archtober-building-of-the-day-12-new-lab-brooklyn-navy-yard/?
]]> The Templo Mayor in Mexico City stands as the excavated remains of the principal sacred pyramid of ancient Tenochtitlan, once the spiritual and ceremonial heart of the Aztec Empire. Initially, it was a towering stepped pyramid adorned with twin temples dedicated to the gods Huitzilopochtli and Tlaloc. Its construction involved successive layers that progressively ascended in height with each reconstruction. Today, the site reveals exposed stone platforms, staircases, shrines, and offerings that showcase centuries of religious activity. It stands as an open air archaeological site in the historic center of mexico city. Its surrounding museum displays many of the extraordinary objects uncovered during excavation, allowing visitors to understand the temple’s importance as the heart of Aztec ritual life and a defining symbol of pre-Hispanic Mexico. Walkways and elevated platforms help the visitors over the ruins, offering close views of the ancient staircase, stone remains, sculpted heads of serpents, and ceremonial platforms that wreak havoc all associated with the original temple and altars. The ground is uneven with reddish and gray volcanic stone. 

]]> https://museoscdmx.com/museo-del-templo-mayor-en-cdmx/
Image 3: https://www.expedia.com/Templo-Mayor-Museum-Historic-Center.d501757.Vacation-Attraction
Image 2 & 4: https://smarthistory.org/templo-mayor-at-tenochtitlan-the-coyolxauhqui-stone-and-an-olmec-mask/]]> 1487: Final version built.
1521: Destroyed during the Spanish conquest of Tenochtitlan.
1978: Rediscovered when workers found the Coyolxauhqui stone.
1987: Templo Mayor Museum opened.

]]> - The base is around 100 by 80 meters. 
- 3 acres of land.]]> - Wooden Beams
- Stone
- Color pigments ]]>
- Templo Mayor Museum (Historic Center)”. https://www.expedia.com/Templo‑Mayor‑Museum‑Historic‑Center.d501757.Vacation‑Attraction (Accessed: 10 December 2025).

- Dr. Lauren Kilroy‑Ewbank & Dr. Steven Zucker (2015) “Templo Mayor at Tenochtitlan: the Coyolxauhqui Stone and an Olmec mask”, Smarthistory. https://smarthistory.org/templo-mayor-at-tenochtitlan-the-coyolxauhqui-stone-and-an-olmec-mask/
]]> ]]> https://commons.wikimedia.org/wiki/File:Todaiji_Culture_Center.JPG)]]>  The Bazaar of Tabriz is both a functional and symbolic structure of Iranian trade and cultural traditions. More than just a commercial hub, it also houses caravanserais, places of worship, and schools for learning, blending the social commerce space with religion, boarding, and education. ]]> https://uwm.edu/libraries/digital-collections/copyright-digcoll/]]> House R2 (Tang R2) is an elite Roman domus in the Roman City of Emporiae, located near the forum. The building shows four major construction phases, which can be clearly understood through its plan and surviving architectural features. By comparing the archaeological drawings with the 3D reconstructions and excavation photographs, the transformation from two smaller atrium houses into one large, luxurious residence becomes visible.

In the earliest phase (early 1st century BC), the property consisted of two separate houses, each with a central atrium opening to the western cardo and a simple rear garden (hortus). The layout at this stage is compact and symmetrical, following the typical Italic atrium-house model. In the second phase, one house (R2A) expanded dramatically by consuming both original gardens, extending eastward beyond the city wall, and adding a spacious 400 m² peristyle garden surrounded by porticoes. The rooms along this garden show a shift toward openness, natural light, and elite display culture.

The later phases reveal further architectural refinement. The former hortus of the second house (R2B) was converted into another peristyle garden (35a) with porticoes on three sides and a curved wall with window openings toward the garden, an unusual and elegant feature visible in Tang’s reconstruction. The addition of a bath suite on the west and a monumental eastern hall (room 46) in the final phase demonstrates increasing wealth and a move toward villa-like comfort. The plans show extended porticoes forming wind protection, and the small painted altar with a serpent and cock suggests domestic cult activity tied to the garden spaces.

From visual study of the plans, images, and garden reconstructions, House R2 can be understood as a residence that gradually evolved into a highly designed architectural environment where gardens, porticoes, and interior suites were integrated into a unified elite lifestyle.

]]> House R2 is a richly layered Roman residence shaped by four major construction phases that expanded its footprint and transformed its gardens from simple horti into elaborate peristyle landscapes.
The house demonstrates how domestic architecture in Emporiae adapted to shifting social needs, urban boundaries, and elite display culture. Notes include building evolution, garden features, porticoes, and eastern expansions, based on Tang’s phasing and archaeological plans.]]> Longitude: 3.1185° E]]>