<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/184">
    <dcterms:title><![CDATA[Masjid-i Jameh, Isfahan]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The Masjid-i Jameh in Isfahan exists as a large congregational mosque which developed through various architectural stages to create its current design with four monumental iwans surrounding a central courtyard and extensive domed prayer halls that show the expansion of time. The structure uses brick as its fundamental material while decorative elements made from stucco and glazed tile and carved stone create intricate geometric patterns and pointed arches and muqarnas vaulting throughout the building. The building connects its domed rooms to the outdoor courtyard through pathways which show the transition between Seljuk brickwork and Safavid decorative elements. The mosque served as Isfahan's central prayer area which united religious activities with educational functions and community representation throughout history. The mosque shows how Islamic architecture in Iran developed through time by uniting original spatial designs with advanced decorative elements. The building exists as a historical architectural record which displays Iran's Islamic and dynastic past through its architectural design and materials.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Multiple dynasties (Abbasid, Seljuk, Ilkhanid, Timurid, Safavid)<br />
Architects and builders unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:https://smarthistory.org/wp-content/uploads/2022/09/8610407451_5291a54c4a_4k-scaled.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://cdn.elebase.io/173fe953-8a63-4a8a-8ca3-1bacb56d78a5/cfde4589-fdde-4374-9f64-a180699ae38d-isfahan1.jpg?q=75]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://images.pexels.com/photos/12941958/pexels-photo-12941958.jpeg?_gl=1*rlo5e7*_ga*MjA0MzQ2MDQxNi4xNzY1MTY3NjI0*_ga_8JE65Q40S6*czE3NjUxNzQ5NjckbzMkZzEkdDE3NjUxNzQ5OTckajMwJGwwJGgw]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://cdn.elebase.io/173fe953-8a63-4a8a-8ca3-1bacb56d78a5/4f8cafd3-66d1-43e1-970b-6d11e49079a4-isfahan2.jpg?q=75]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: https://cdn.elebase.io/173fe953-8a63-4a8a-8ca3-1bacb56d78a5/3ca0d686-72cc-4da0-8ff0-407dcbcc6b96-isfahan3.jpg?q=75]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: https://irannegintravel.com/uploads/Highlights/Isfahan%20Jameh%20Mosque/Jameh1.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Original construction: 8th century (Abbasid period)<br />
Major reconstructions: Seljuk (11th–12th c.), Ilkhanid, Timurid, Safavid]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons<br />
Image 5: Creative Commons<br />
Image 6: Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[Large congregational mosque with courtyards, domes, iwans, and multiple expansion phases]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick<br />
stucco<br />
glazed tile<br />
carved stone]]></dcterms:medium>
    <dcterms:language><![CDATA[Isfahan, Iran]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. and Bloom, J. (1995) The Art and Architecture of Islam 1250–1800. New Haven: Yale University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Ettinghausen, R., Grabar, O. and Jenkins-Madina, J. (2001) Islamic Art and Architecture 650–1250. New Haven: Yale University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Masjid-i Jameh, Isfahan. Available at: https://archnet.org/ (Accessed: December 3, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 32.6613 N<br />
Longitude: 51.6838 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Abbasid; Seljuk; Ilkhanid; Timurid; Safavid]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/185">
    <dcterms:title><![CDATA[Great South Gate<br />
]]></dcterms:title>
    <dcterms:title><![CDATA[Nandai-mon<br />
]]></dcterms:title>
    <dcterms:title><![CDATA[南大門]]></dcterms:title>
    <dcterms:description><![CDATA[A colossal wooden gate, one of the biggest in all Japan, that functions as the southern threshold into the todai-ji complex. Ancient wooden pillars form three gates into the complex, these entrances are flanked by the guardian kings. Two statues in the alcoves on either side of the temple facing the entrance. Above is the double tiered slopped roof in a style inspired by Chinese Song Dynasty architecture. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Edict: Emperor Shoumu (741 -752)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Rebuilt: Chougen (1203)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Statues: Unkei and Kaikei (1203)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: IMG_17168.PNG<br />
Image 2: IMG_1771.PNG<br />
Image 3: IMG_1773.JPG]]></dcterms:source>
    <dcterms:date><![CDATA[Original Built: 752 ]]></dcterms:date>
    <dcterms:date><![CDATA[Destroyed: 962]]></dcterms:date>
    <dcterms:date><![CDATA[Rebuilt: 1203]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Me<br />
Image 2: Me<br />
Image 3: Me]]></dcterms:license>
    <dcterms:format><![CDATA[25.46 meters tall]]></dcterms:format>
    <dcterms:extent><![CDATA[25 Meters High. eighteen 21 meter tall wooden pillars.<br />
Statues: 8.4 meters in height, wood. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood, Metal (Copper,Iron) , Stone,]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara,Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[34.68584401252429, 135.83987549020492]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Nara Period (710 to 794)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/186">
    <dcterms:title><![CDATA[The Central Gate<br />
<br />
]]></dcterms:title>
    <dcterms:title><![CDATA[Chumon ]]></dcterms:title>
    <dcterms:title><![CDATA[中門]]></dcterms:title>
    <dcterms:description><![CDATA[A wooden 5 bay gate, like the Great South Gate, but smaller in size. The wood is painted red and white. A newer reconstruction. The gates remain close for most of the year, visitors have to use corridors to the sides of the gate to enter and exit. This southern gate serves as the main entrance into the Great Buddha Hall inner sanctuary. ]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1: Chumon_of_Todaiji_Temple.JPG <a href="https://commons.wikimedia.org/wiki/File:Chumon_of_Todaiji_Temple.JPG">(https://commons.wikimedia.org/wiki/File:Chumon_of_Todaiji_Temple.JPG)</a>]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 747-752]]></dcterms:date>
    <dcterms:date><![CDATA[Rebuilt: 1714 (Current)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons ]]></dcterms:license>
    <dcterms:format><![CDATA[Edo Period Architecture ]]></dcterms:format>
    <dcterms:medium><![CDATA[Painted wood, metal]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[34.68798069633401, 135.83987453407747]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Nara Period (710 to 794)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/187">
    <dcterms:title><![CDATA[Great Buddha Hall]]></dcterms:title>
    <dcterms:title><![CDATA[Todai-ji Daibutsuden]]></dcterms:title>
    <dcterms:title><![CDATA[東大寺大仏殿]]></dcterms:title>
    <dcterms:description><![CDATA[The Great Buddha Hall is one of the largest wooden buildings in the world, that serves as the heart of Todai-ji complex. It houses the largest bronze depiction of the Vairocana Buddha. Slightly smaller than its original form. Two layers of hip and gable roof covered in ceramic roof tile, separated by a floor of ornate brown wooden rafters and white plaster walls. The top most roof ridge is decorated with two gilded bronze fish ornaments. The bottom floor is larger, with massive wooden doors, white plaster walls, and lattices that open up to reveal the great buddha&#039;s face. A monument to the endurance of the Japanese spirit. This complex has been rebuilt from fires, earthquakes, war, abandonment, etc. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Edict/Commission: Emperor Shoumu (752)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Reconstruction: Monk Chougen (1195)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Reconstruction: Monk Koukei [公慶] (1709)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:<span class="mw-page-title-main">Todai-ji Daibutsu-den Hall National Treasure 国宝東大寺大仏殿60.JPG</span> (<a href="https://commons.wikimedia.org/wiki/File:Todai-ji_Daibutsu-den_Hall_National_Treasure_%E5%9B%BD%E5%AE%9D%E6%9D%B1%E5%A4%A7%E5%AF%BA%E5%A4%A7%E4%BB%8F%E6%AE%BF60.JPG">https://commons.wikimedia.org/wiki/File:Todai-ji_Daibutsu-den_Hall_National_Treasure_%E5%9B%BD%E5%AE%9D%E6%9D%B1%E5%A4%A7%E5%AF%BA%E5%A4%A7%E4%BB%8F%E6%AE%BF60.JPG)</a><br />Image 2:IMG_1794.JPG<br />Image 3:IMG_1783.JPG]]></dcterms:source>
    <dcterms:date><![CDATA[Built: 752]]></dcterms:date>
    <dcterms:date><![CDATA[Reconstruction: 1195]]></dcterms:date>
    <dcterms:date><![CDATA[Reconstruction: 1709 (Current)]]></dcterms:date>
    <dcterms:date><![CDATA[Modern Renovations: 1904–1913, 1974–1980 (Steel framing added)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Me<br />
Image 3: Me]]></dcterms:license>
    <dcterms:format><![CDATA[Original: Tang Dynasty (Chinese Architecture) ]]></dcterms:format>
    <dcterms:format><![CDATA[Reconstruction: Song Dynasty Inspired (Chinese Architecture) ]]></dcterms:format>
    <dcterms:format><![CDATA[Reconstruction: Edo Architecture (Japanese Style) (Current) Daibutsuyou]]></dcterms:format>
    <dcterms:extent><![CDATA[Building: 48.74 meters tall, 57 meters wide, 50 meters deep.]]></dcterms:extent>
    <dcterms:extent><![CDATA[Buddha Statue: 15 Meters tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[Timber (Japanese Cypress, Japanese Cedar, Red Pine) ]]></dcterms:medium>
    <dcterms:medium><![CDATA[Ceramic Roof Tiles and ornaments]]></dcterms:medium>
    <dcterms:medium><![CDATA[Stone for base, platforms, base]]></dcterms:medium>
    <dcterms:medium><![CDATA[Metals (Bronze and Gold) for Great Buddha Statue]]></dcterms:medium>
    <dcterms:medium><![CDATA[Steel and Iron Reinforcements ]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[34.689024899226105, 135.8398911132032]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Nara Period (710 to 794)<br />
]]></dcterms:temporal>
    <dcterms:temporal><![CDATA[Edo Period (1603 to 1868)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/188">
    <dcterms:title><![CDATA[Todai-ji Plan]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1: Plan_of_Todaiji.png (<a href="https://commons.wikimedia.org/wiki/File:Plan_of_Todaiji.png">https://commons.wikimedia.org/wiki/File:Plan_of_Todaiji.png</a>)]]></dcterms:source>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:language><![CDATA[Nara,Japan]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/189">
    <dcterms:title><![CDATA[Todai-ji Model]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1: 200730 Model of the garan of Todaiji seen from north side.jpg (https://commons.wikimedia.org/wiki/File:200730_Model_of_the_garan_of_Todaiji_seen_from_north_side.jpg)]]></dcterms:source>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons ]]></dcterms:license>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/190">
    <dcterms:title><![CDATA[Todai-ji Museum]]></dcterms:title>
    <dcterms:title><![CDATA[東大寺ミュージアム<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[A modern museum building with climate control, built in seismic isolation systems to protect the cultural artifacts in its collection. All the ammenities of a modern building. Built in a way that can blend in with the Daibutsuden buildings surrounding it, yet showcasing its contemporary nature. A low profile building with a large hip and gable roof. Glass doors and windows adorn the outside allowing for a view of the facilities inside. ]]></dcterms:description>
    <dcterms:creator><![CDATA[The Todai-ji complex authority ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Todaiji Culture Center.JPG (<a href="https://commons.wikimedia.org/wiki/File:Todaiji_Culture_Center.JPG">https://commons.wikimedia.org/wiki/File:Todaiji_Culture_Center.JPG</a>)]]></dcterms:source>
    <dcterms:date><![CDATA[Opened: October 2011]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Blends in with the surrounding Daibutsuden style]]></dcterms:format>
    <dcterms:extent><![CDATA[5,300 square meters (Including the Entire Cultural Center)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Concrete and Steel]]></dcterms:medium>
    <dcterms:medium><![CDATA[Glass]]></dcterms:medium>
    <dcterms:medium><![CDATA[layered rubber and steel bearings]]></dcterms:medium>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:spatial><![CDATA[34.68629767296094, 135.83960011014324]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Contemporary Japan]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/191">
    <dcterms:title><![CDATA[Ponce City Market]]></dcterms:title>
    <dcterms:description><![CDATA[Ponce City Market is a vast early-20th-century industrial complex that merges the architectural language of American warehouse construction with subtle Art Deco flourishes, most prominently displayed in its central clock tower. Built in 1926 as a Sears distribution hub, the complex features long expanses of red-brick masonry, steel factory windows, and a powerful horizontal massing punctuated by functional rail-side loading areas. The structure’s original materiality brick, concrete, and steel remains central to its identity.<br />
Inside, the redevelopment preserved the building’s monumental warehouse volumes: large open floors supported by repetitive concrete columns, exposed mechanical systems, and raw industrial textures. The 2014 transformation carved this structure into a mixed-use urban center anchored by the Central Food Hall, where new wood, steel, and glass interventions respect and highlight the original factory character. Offices and residential lofts occupy the upper floors, while the building’s rooftop has become a civic attraction featuring leisure amenities and panoramic views of Atlanta.<br />
Over time, Ponce City Market has transitioned from a bustling Sears logistics hub to a nearly abandoned industrial shell to one of the most ambitious adaptive-reuse projects in the United States. Its restoration reactivated historic windows, repaired brickwork, reintroduced daylight, and created a multimodal connection to the Atlanta BeltLine, all while preserving the site’s architectural integrity. Today, Ponce City Market stands as a model for revitalizing industrial heritage into vibrant contemporary urban life.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Original Architect – Nimmons &amp; Co. (Chicago-based industrial architects). <br />
<br />
Redevelopment – Jamestown Properties with design input from S9 Architecture and Surber Barber Choate + Hertlein Architects<br />
Builder - (Original): Sears, Roebuck &amp; Co. construction division<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[Source 1<br />
https://poncecitymarket.com/wp-content/uploads/2024/08/photo_1-1728x972.jpg<br />
Source 2<br />
https://poncecitymarket.com/wp-content/uploads/2024/12/Citizen-Supply-at-Ponce-City-Market_Courtesy-of-Jamestown.jpg<br />
Source 3<br />
https://cdn2.atlantamagazine.com/wp-content/uploads/sites/4/2012/07/0812_Feature_PonceCityMarket.jpg<br />
Source 4<br />
https://www.jamestownlp.com/uploads/images/_2250x1266_crop_center_75_none/PCM-04.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Original Built – 1926. Redevelopment – 2011–2014 (opening in 2014)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Images 1 - 6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Industrial Warehouse Architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[Overall length (from east to west): approximately 720 feet. Varies from 4–8 stories depending on section]]></dcterms:extent>
    <dcterms:medium><![CDATA[Red brick, Concrete, and Steel.]]></dcterms:medium>
    <dcterms:language><![CDATA[Atlanta, Georgia]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[-	Ponce City Market, 2025. History [online]. Available at: https://poncecitymarket.com/history/<br />
 [Accessed 8 December 2025].<br />
Source<br />
-	Jamestown LP (no date). https://www.jamestownlp.com/properties/ponce-city-market.<br />
Source<br />
-	Burns, R. (2016) Ponce City Market - Atlanta Magazine. https://www.atlantamagazine.com/2012/ponce-city-market/.<br />
Source<br />
-	Clark, T. (2017) Ponce City Market - The Georgia Trust. https://www.georgiatrust.org/preservation-awards/ponce-city-market/.<br />
]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Originally use for Sears, Roebuck &amp; Co. warehouse, regional office, and retail store (1926 – ~1979). Now revised for Mixed-use: food hall, retail shops, offices, loft apartments, public rooftop / communal spaces]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[33.77290204813369, -84.36563961892244]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early 20th-Century American Industrial / Art Deco-Influenced]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/192">
    <dcterms:title><![CDATA[Ben&#039;s Chili Bowl]]></dcterms:title>
    <dcterms:description><![CDATA[Ben’s Chili Bowl occupies a once-modest early-20th-century theater building whose architecture has evolved into one of Washington, D.C.’s most recognizable cultural symbols. Built in 1910 as the Minnehaha Theater, the structure’s brick commercial façade was adapted in 1958 when Ben and Virginia Ali converted the space into a neighborhood chili parlor. Over time, the building’s most distinctive architectural element became its vivid storefront signage, blending the proportions of the old theater façade with the bold graphic sensibility of a mid-century dinner. The shallow curved parapet and red-yellow color palette anchor the building visually on U Street’s historic corridor.<br />
Inside, Ben’s Chili Bowl preserves a rare authentic mid-20th-century dinner interior. The long counter, classic stools, narrow circulation path, and textured wall surfaces remain largely intact, accompanied by new layers of cultural memory: photographs of civil rights leaders, musicians, and presidents who have visited the restaurant. Renovations in 2008 strengthened the building’s structure and systems while keeping its historic materials and language design intact.<br />
Over time, the building transitioned from a silent movie theater to a family-run dinner that withstood the 1968 riots, economic decline, and urban renewal. Today, Ben’s Chili Bowl stands not only as a beloved local landmark but also as an architectural marker of continuity in a rapidly changing city, its preserved storefront and dinner interior embodying the cultural and social history of Washington, D.C.’s U Street corridor.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Building Architect – Arthur B. Heaton (originally designed as the Minnehaha Theater). Restaurant Founders – Ben Ali and Virginia Ali<br />
<br />
Builder - Early 20th-century construction commissioned for the Minnehaha Theater (specific contractor not widely documented)]]></dcterms:creator>
    <dcterms:source><![CDATA[Source <br />
https://photos.cinematreasures.org/production/photos/292680/1575353793/small.jpg?1575353793<br />
Source <br />
https://wtop.com/wp-content/uploads/2023/08/AP5378600343143507-benschilibowl-1560.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Original Building Constructed – 1910. Restaurant Founded – 1958.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1-4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Early Commercial / Theater Storefront Style. Mid-Century American Diner Signage.]]></dcterms:format>
    <dcterms:extent><![CDATA[Two stories, though the restaurant primarily occupies the ground floor.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, Stucco and painted signage panels, added during later commercial adaptations. Wood framing and plaster interior elements. Glass storefront windows with metal framing]]></dcterms:medium>
    <dcterms:language><![CDATA[Washington, D.C. ]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source<br />
-	Wilson, K., 2020. Why Ben’s Chili Bowl, Home of the Half-Smoke, Is Hallowed Ground in D.C. AFAR [online]. 17 February. Available at: https://www.afar.com/magazine/why-bens-chili-bowl-in-washington-dc-is-a-dining-destination<br />
 [Accessed 8 December 2025].<br />
Source<br />
-	Minnehaha Theater in Washington, DC - Cinema treasures (no date). https://cinematreasures.org/theaters/18967.<br />
Source <br />
-	Robinson, E. (2025) &#039;A Washington landmark: Ben’s Chili Bowl,&#039; Boundary Stones [Preprint]. https://boundarystones.weta.org/2017/12/07/washington-landmark-bens-chili-bowl.<br />
Source<br />
-	Andrews, D. (2023) &#039;Ben’s Chili Bowl offering free Half Smokes to celebrate 65th anniversary,&#039; WTOP News, 22 August. https://wtop.com/dc/2023/08/bens-chili-bowl-offering-free-half-smokes-to-celebrate-65th-anniversary/.<br />
]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[The building that was originally a silent movie theater now Renovated into this landmark restaurant.]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[38.91938919543913, -77.02258769236296]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early 20th-Century American Commercial Architecture]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/193">
    <dcterms:title><![CDATA[Sheikh Lotfollah Mosque, Isfahan]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The Sheikh Lotfollah Mosque stands as a royal mosque which occupies a small space on Naqsh-e Jahan Square through its single cream-colored dome and its lack of minarets. The bent corridor leads visitors toward a domed sanctuary which receives its light through filtered daylight. The interior tilework features complex arabesque designs and calligraphic elements and the famous peacock design which becomes visible under the dome when sunlight hits the tiles at specific times. The mosque was constructed by Shah Abbas I for royal court activities instead of public worship purposes to showcase Safavid artistic values through its precise design and controlled illumination and ornate tilework.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Mohammad Reza Isfahani<br />
Patron: Shah Abbas]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/4/43/Sheikh_Lotfallah_Esfahan.JPG]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://upload.wikimedia.org/wikipedia/commons/e/ef/Lotfollah_mosque%2C_isfahan_%281%29.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://upload.wikimedia.org/wikipedia/commons/b/b5/Lotfollah_mosque%2C_isfahan.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://upload.wikimedia.org/wikipedia/commons/b/b9/Sheikh_Lotf_Allah_3D_aa.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: https://upload.wikimedia.org/wikipedia/commons/4/40/Iranian_Tiles_1.JPG]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6:https://upload.wikimedia.org/wikipedia/commons/3/36/Sheikh_Lotf_Allah_mosque_entry_gateway.jpeg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 7:https://itto.org/iran/image-bin/sheikh-lotfollah-mosque.jpg?fillit=450x330]]></dcterms:source>
    <dcterms:source><![CDATA[Image 8:https://www.iraniantours.com/wp-content/uploads/2020/05/Lotf-03.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 9:https://upload.wikimedia.org/wikipedia/commons/6/6e/Sheikh_Lotfollah_Mosque%2C_Isfahan%2CIran.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[1603–1619 (Safavid period)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons<br />
Image 3: Creative Commons<br />
Image 4: Creative Commons<br />
Image 5: Creative Commons<br />
Image 6: Creative Commons<br />
Image 7: Creative Commons<br />
Image 8: Creative Commons<br />
Image 9: Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[Single dome mosque without minarets, entrance corridor, domed sanctuary<br />
]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, ceramic mosaic, glazed tile, marble]]></dcterms:medium>
    <dcterms:language><![CDATA[Isfahan, Iran]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Blair, S. and Bloom, J. (1995) The Art and Architecture of Islam 1250–1800. New Haven: Yale University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Canby, S. (2009) Shah ‘Abbas: The Remaking of Iran. London: British Museum Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Sheikh Lotfollah Mosque, Isfahan. Available at: https://archnet.org/ (Accessed: December 4, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 32.6576 N<br />
Longitude: 51.6760 E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Safavid architecture (17th century)]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
