<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/47">
    <dcterms:title><![CDATA[Sharm el Sheikh ]]></dcterms:title>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:language><![CDATA[Egypt]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/46">
    <dcterms:title><![CDATA[Hagia Sophia Grand Mosque]]></dcterms:title>
    <dcterms:description><![CDATA[The Hagia Sophia is a classic example of Byzantine architecture. The mosque stands at 182 feet (55.6 m) tall.  Its most prominent feature is its large central dome, surrounded and supported by four towering columns, known as minarets. Forty arched windows line the base of this large dome, but more than 200 windows light the structure overall, some of them fitted with stained glass. Smaller half-domes and a variety of columns also line the building’s facade, the latter of which were primarily recycled from older Roman structures. At its base, the structure takes a rectangular shape. Brick, mortar, wood, and metal comprise the outer and supportive structures, while marble, pumice stone, and glass were used for interior decorative features. Carved relief panels and mosaics depicting religious scenes can be found all along the interior. Other Byzantine-style motifs, such as acanthus leaves and palm fronds, can also be found carved into columns and marble panels.]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Anthemius of Tralles and Isidore of Miletus<br />
Patron: Emperor Justinian I]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Hagia_Sophia_Mars_2013.jpg/2560px-Hagia_Sophia_Mars_2013.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://upload.wikimedia.org/wikipedia/commons/thumb/0/00/Hagia_Sofia_%2814193941907%29.jpg/2560px-Hagia_Sofia_%2814193941907%29.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://www.jstor.org/stable/community.12084479]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://www.jstor.org/stable/community.18119327]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: https://www.jstor.org/stable/community.18127412]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: https://www.jstor.org/stable/community.12289773]]></dcterms:source>
    <dcterms:source><![CDATA[Image 7: https://commons.wikimedia.org/wiki/File:Deesis_mosaic_Hagia_Sophia.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[532 - Construction begins<br />
537 - Construction is completed<br />
1453 - Constantinople falls to Ottoman forces and is converted from an Orthodox Christian church to a mosque<br />
1919 - While under occupation during World War I by the British, French, Italian, and Greek forces, a Divine Liturgy is performed and the mosque is converted back into a church<br />
1935 - Mustafa Kemal Atatürk, Turkish President and founder of the Republic of Turkey, converts the building into a museum<br />
2020 - Hagia Sophia is reclassified as a mosque]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Anthemius of Tralles &amp; Isidorus of Miletus, Greek. Church of Hagia Sophia (Holy Wisdom), Constantinople Plan. 532-537. JSTOR, https://jstor.org/stable/community.12084479. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Anthemius of Tralles and Isidorus of Miletus. Hagia Sophia. 532-537. JSTOR, https://jstor.org/stable/community.18119327. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Antelami, Benedetto, Italian, ca. 1150-ca. 1230. Hagia Sophia. 532-537. JSTOR, https://jstor.org/stable/community.18127412. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Hagia Sophia. 532-37. JSTOR, https://jstor.org/stable/community.12289773. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 7: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Byzantine Architecture]]></dcterms:format>
    <dcterms:medium><![CDATA[Brick, mortar, wood, metal]]></dcterms:medium>
    <dcterms:medium><![CDATA[Marble, pumice stone, glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Fatih, Istanbul, Turkey]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[41.008663932307826, 28.98014281017376]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/45">
    <dcterms:title><![CDATA[Monastery of Saint Anthony]]></dcterms:title>
    <dcterms:description><![CDATA[The Monastery is designed in the Coptic style, with a tall fortress serving as a defense mechanism for the monks.  Inside the monastery, there are buildings where the monks live.]]></dcterms:description>
    <dcterms:creator><![CDATA[The creators of the building were the followers of Saint Anthony the Great.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/1/19/MonasteroAntonio2.jpg/960px-MonasteroAntonio2.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[356 AD]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stanley Ojibeka]]></dcterms:contributor>
    <dcterms:format><![CDATA[Coptic]]></dcterms:format>
    <dcterms:extent><![CDATA[The size of the Monastery of Saint Anthony is over 18 acres.]]></dcterms:extent>
    <dcterms:medium><![CDATA[The main structure of the building is made up of sandstone and mudbrick]]></dcterms:medium>
    <dcterms:medium><![CDATA[Wood was also used for doors and windows for the buildings inside the monastery.]]></dcterms:medium>
    <dcterms:language><![CDATA[The building was established in the Eastern Sahara near the Red Sea.]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[28°55′N 32°21′E﻿, ﻿28.92°N 32.35°E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[This building was built during the 4th century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/44">
    <dcterms:title><![CDATA[Temple of Kalabsha]]></dcterms:title>
    <dcterms:description><![CDATA[The Kalabsha Temple is a large, sandstone complex that was once located at Bab la-Kalabsha, but was relocated in the 1960s to Aswan, Egypt. The temple is built on elevated ground and surrounded by high walls near Lake Nasser. The main entry point is a pylon gateway that leads directly into an open courtyard surrounded by a row of columns and doorways that lead to other halls.  Movement in the temple is rather linear, as it features five interior spaces that proceed one after another. Smaller chambers can be found lining the inner passage and a chapel can be accessed using the outer one. Surfaces are decorated with carvings depicting deities, pharaohs, and other symbolic motifs which were colored with pigments that have now faded. The temple was dedicated to the Nubian god Mandulis and was commissioned by Augustus Caesar. Solidifying the monument not only as a place of religious devotion, but also as a sign of Roman authority with its massive scale and magnificence. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Augustus Caesar ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: The_Temple_of_Kalabsha_by_Dennis_G._Jarvis]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Kalabsha_temple]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: DSC07647_Kalabsha_Temple]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4:Temple of Gerf Hussein. stone, ca. 13th century BCE, portions of temple moved from original site to New Kalabsha ca. 1960s.]]></dcterms:source>
    <dcterms:source><![CDATA[Image5:DSC07669_Antient_egiptian_sculpture_close_to_Kalabsha_temple]]></dcterms:source>
    <dcterms:date><![CDATA[30 BC]]></dcterms:date>
    <dcterms:date><![CDATA[1962 to 1963 (relocated)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sultana Rahim]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Temple of Gerf Hussein. (ca. 13th century BCE, portions of temple moved from original site to New Kalabsha ca. 1960s). [Stone]. https://jstor.org/stable/community.8749678<br />
]]></dcterms:license>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Nubian architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[76m x 22 m]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:language><![CDATA[New Kalabsha Island, Egypt]]></dcterms:language>
    <dcterms:language><![CDATA[originally located at Bab al-Kalabsha (Gate of Kalabsha)]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.egypttoursportal.com/<br />
]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Temple_of_Kalabsha ]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[JSTOR, https://jstor.org/stable/community.8749678.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Museum Island, Berlin]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[23.96097229765745, 32.86777367629409]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Roman era]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/43">
    <dcterms:title><![CDATA[The Zacatecas Cathedral]]></dcterms:title>
    <dcterms:description><![CDATA[   The Zacatecas Cathedral has a Latin cross layout, with a long nave crossed by two transepts, and side aisles. It is not square, circular, or irregular but instead follows the common and traditional design of a Latin cross plan, which is an axial layout defined by its cross-like shape. The Zacatecas Cathedral has an octagonal dome with a lantern. The construction of the Zacatecas Cathedral used the Spanish Baroque style and involved building it in sections over a period of about 30 years, from 1730 to 1760, with its materials being mainly local pink colored stone. The detailed, ornate facade is a hallmark of the Baroque style, which the Spanish brought to the Americas during the colonial era.]]></dcterms:description>
    <dcterms:abstract><![CDATA[   The cathedral&#039;s exterior is covered in a dense and varied tapestry of ornamental patterns that reflect the &quot;ultra-baroque&quot; Churrigueresque style. The facade and altarpieces of the cathedral are adorned with numerous sculptures of religious figures, demonstrating the style&#039;s integration of sculpture and architecture. The overwhelming visual texture of the cathedral is created by the intricate, deeply carved stonework that covers nearly every surface of the facade. The cathedral&#039;s striking colors comes from the specific local materials used for its construction like pink sandstone, yellow-gold, and Bronze and Marble.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Financial/Construction Patrons: Spanish mine owners and wealthy elites of Zacatecas during the silver boom.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1<br />
https://whc.unesco.org/uploads/thumbs/site_0676_0001-750-750-20090928171726.webp<br />
Image 2<br />
https://www.thehistoryhub.com/wp-content/uploads/2015/03/Zacatecas-Cathedral-Inside-150x150.jpg<br />
Image 3<br />
https://lugares.inah.gob.mx/sites/default/files/2023-05/_DSC5236.JPG<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[1772]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Spanish Baroque style]]></dcterms:format>
    <dcterms:extent><![CDATA[   There is no single definitive height for the Cathedral from ground to top because of the city&#039;s location within the valley and on hillsides, different buildings will have different heights. Although, the city of Zacatecas is situated at an elevation of approximately 2,469 meters (8,100 feet) above sea level. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[   The Zacatecas Cathedral is made from different types of stone, specifically trachyte and sandstone, with some elements like sculptures and canopies fashioned from limestone. These materials, including the golden-pink hue of the native trachyte, are characteristic of the region and are prominently featured in the cathedral&#039;s architecture.]]></dcterms:medium>
    <dcterms:language><![CDATA[Historic Centre of Zacatecas, Mexico]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[Latitude: 22.775912217080126, <br />
Longitude: -102.57191645045556]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[New Spanish Baroque, 18 century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/41">
    <dcterms:title><![CDATA[Ta Prohm]]></dcterms:title>
    <dcterms:description><![CDATA[This Temple structure is an example of a Flat Temple, well known in the region. Consisting of a flat square base, walls surrounding it, a Gopura or entrance gate on each of the walls. These are stepped gates larger than the wall itself. Each facing the cardinal directions. The out facing surfaces of these entrances are decorated with Hindu and Buddhist imagery. Inside the walls are 5 more rectangular enclosures, one inside the next. At the center sits the main Temple, a rectangular main building with a stepped pyramid like tower raising from its center. Each enclosure has a similar smaller structure, including tower. <br />
The outstanding detail that makes this temple so unique is it&#039;s relationship with the surrounding jungle. Unlike similar temples of this style, conservation efforts focused on keeping this temple in a state of disrepair, as the jungle had reclaimed much of its surface. Now visitors can observe as its courtyards and structures are adorned with both manmade and natural designs. Such as trees growing from between the stone blocks. The entire stone structure is covered in a slight layer of earth and moss. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Khmer King Jayavarman VII]]></dcterms:creator>
    <dcterms:creator><![CDATA[Abandoned when the Khmer Dynasty fell ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Rediscovery and conservation efforts done by French archeologists  ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ta Prohm (III).jpg <a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_(III).jpg">(https://commons.wikimedia.org/wiki/File:Ta_Prohm_(III).jpg)</a><br /><br />Image 2: <span class="mw-page-title-main"><span class="mw-page-title-main">Ta Prohm reclaimed from forest.jpg (<a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed_from_forest.jpg">https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed_from_forest.jpg</a>)<br /><br />Image 3: </span></span><span class="mw-page-title-main">Ta Prohm reclaimed.jpg (<a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed.jpg">https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed.jpg</a>)</span>]]></dcterms:source>
    <dcterms:date><![CDATA[Construction: Founded in 1186 CE]]></dcterms:date>
    <dcterms:date><![CDATA[Abandonment: 15th Century ]]></dcterms:date>
    <dcterms:date><![CDATA[Rediscovery: Early 20th Century ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons <br />
<br />
Image 2: Creative Commons <br />
<br />
Image 3: Creative Commons ]]></dcterms:license>
    <dcterms:extent><![CDATA[The Entire Compound is 65 Hectares. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone ]]></dcterms:medium>
    <dcterms:language><![CDATA[Krong Siem Reap ,Cambodia]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[13.43488242203669, 103.8893645126216]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Bayan Period, Medieval South East Asia]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/40">
    <dcterms:title><![CDATA[Waco Texas Shotgun house]]></dcterms:title>
    <dcterms:description><![CDATA[The renovated structure has a primary long, rectangular, vertical form in its layout. There are minimal levels to the house. Including a second story with a balcony. Though it is worth noting that compared to other examples of this style of build, this structure presents bigger and more profound. There are 2 doors (front and back). It includes a simplistic walk route through the structure which includes a dropdown set of stairs to get to the next level. Its interior patterns are that of high-quality domestic ones, with each room through the walkway being stylized and standing out on its own. On the outside, the blue stands out as the main color. It blends well with the orange-ish accents on the entrance pillars and surrounding windows. Light enters through the windows and additional entrances of the sort. Stucco helps make up the exterior of the structure. In addition wood materials are used throughout. There is some gating placed left of the front of the house. While not necessarily historical or cultural. Its notoriety due to its involvement on television helps propel the attention and the importance of the building type and its style’s kind going forward.<br />
<br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[(renovators) Chip and Joanna Gaines]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:  The-Shotgun-House(Official)<br />
<br />
https://www.isoldmyhouse.com/what-happened-to-the-homes-from-fixer-upper-after-the-cameras-stopped/]]></dcterms:source>
    <dcterms:date><![CDATA[Originally built in 1920]]></dcterms:date>
    <dcterms:date><![CDATA[renovated in 2016]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:extent><![CDATA[1,050 square ft.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stucco and wood accents ]]></dcterms:medium>
    <dcterms:language><![CDATA[Waco, Texas, United States of America]]></dcterms:language>
    <dcterms:bibliographicCitation><![CDATA[https://www.realtor.com/news/unique-homes/fixer-upper-shotgun-house-still-for-sale/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://magnolia.com/blogs/article/shotgun-house?srsltid=AfmBOorxbpgvZhRNShiPjenSZZuI1DT34RTTCfdYX4-NViDzqtQfChMZ]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.expedia.com/Waco-Hotels-The-Shotgun-House.h107061245.Hotel-Information]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.isoldmyhouse.com/what-happened-to-the-homes-from-fixer-upper-after-the-cameras-stopped/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[31.55073544599107, -97.12780509217103]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/39">
    <dcterms:title><![CDATA[The Palace of Shaki Khans]]></dcterms:title>
    <dcterms:description><![CDATA[Building Description: Located in Shaki, northwestern Azerbaijan, the Palace of Shaki Khans is a two-story building, used as a summer residence for the Shaki khans. The exterior of the building has an area size of 300 square meters, and was primarily constructed using raw bricks, river stones, wood, which usually consist of plane and oak. The interior, however, was primarily constructed with shebeke, a type of color glass created by Azerbaijani craftspeople, wood, venetian glass.  <br />
<br />
...]]></dcterms:description>
    <dcterms:creator><![CDATA[Builder: Muhammed Hasan Khan]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 Palace_of_Shaki_Khans.jpg: (https://upload.wikimedia.org/wikipedia/commons/2/29/%C5%9E%C9%99ki_xan_saray%C4%B1.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Completed: 1797]]></dcterms:date>
    <dcterms:contributor><![CDATA[Markeita Durham-Brinkley]]></dcterms:contributor>
    <dcterms:format><![CDATA[Eastern/Iranian and Azerbaijani architecture  ]]></dcterms:format>
    <dcterms:extent><![CDATA[Area Size: 300 square meters ]]></dcterms:extent>
    <dcterms:extent><![CDATA[Two-story structure ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Exterior: Raw Bricks]]></dcterms:medium>
    <dcterms:medium><![CDATA[Exterior: River Stones]]></dcterms:medium>
    <dcterms:medium><![CDATA[Exterior: Wood (Plane &amp; Oak)]]></dcterms:medium>
    <dcterms:medium><![CDATA[Interior: Shebeke]]></dcterms:medium>
    <dcterms:medium><![CDATA[Interior: Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Interior: Venetian Glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Shaki, northwestern Azerbaijan]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:spatial><![CDATA[Latitude: 41.2044° N<br />
Longitude: 47.1976° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[18th Century, Azerbaijan]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/38">
    <dcterms:title><![CDATA[The Great Ziggurat of Ur]]></dcterms:title>
    <dcterms:abstract><![CDATA[In progress]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Ur-Nammu - Builder &amp; Ruler of the Sumerian Third Dynasty of Ur]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Geena_Truman: (https://www.bbc.com/travel/article/20220822-the-ziggurat-of-ur-iraqs-answer-to-the-pyramids)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Drawing_of_the_Ziggurat_of_Ur,_Iraq,_by_Marjorie_V._Duffell_for_C._L._Woolley,_1937: (https://upload.wikimedia.org/wikipedia/commons/1/18/Drawing_of_the_Ziggurat_of_Ur%2C_Iraq%2C_by_Marjorie_V._Duffell_for_C._L._Woolley%2C_1937.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Leonard Woolley, photo with excavation workers, c. 1923–24, featuring the ziggurat of Ur, c. 2100 B.C.E., Tell el-Mukayyar, Iraq (photo: Penn Museum, Philadelphia): (https://smarthistory.org/ziggurat-of-ur/)]]></dcterms:source>
    <dcterms:date><![CDATA[c. 2040 BCE - Construction Started]]></dcterms:date>
    <dcterms:date><![CDATA[c. 2000 BCE - Completed]]></dcterms:date>
    <dcterms:contributor><![CDATA[Markeita Durham-Brinkley]]></dcterms:contributor>
    <dcterms:format><![CDATA[Neo-Sumerian ziggurat architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[Length: 64 meters (210 ft)]]></dcterms:extent>
    <dcterms:extent><![CDATA[Width: 46 meters (150 ft)]]></dcterms:extent>
    <dcterms:extent><![CDATA[Original Height (speculative): Over 30 meters (98 ft)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Mudbrick]]></dcterms:medium>
    <dcterms:language><![CDATA[Nasiriyah, Iraq]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://smarthistory.org/ziggurat-of-ur/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[2. https://en.wikipedia.org/wiki/Ziggurat_of_Ur]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[Latitude: 30.9628° N <br />
Longitude: 46.1032° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Third Dynasty of Ur / Early 21st Century BCE]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/37">
    <dcterms:title><![CDATA[Shōkōken Tea House, Kōkō-en Garden]]></dcterms:title>
    <dcterms:description><![CDATA[<p style="font-weight:400;"><em>The Shōkōken Tea House is a small rectangular building that has a single low level with a sloping tiled roof. It has a very simple frame. It’s surrounded by the garden. It is a single-story structure. The entrance is low and modest, it is requiring visitors to bow slightly as they step inside. The floor is covered with tatami mats. The Circulation is minimal, visitors enter directly into the tearoom, which opens visually to the garden through sliding doors. Movement is calm, controlled, and ceremonial, and it’s divided into a 4.5-mat layout. Sliding shōji screens open toward the garden, letting in soft, diffused light. The structure is simple, and the materials used in this tea house are wooden posts, plaster walls, and bamboo details. Inside the house, there are ornaments, and only natural textures of wood and paper, with shadows shifting gently across the space.</em></p>]]></dcterms:description>
    <dcterms:description><![CDATA[<em>Interpretive reading: This tea house was built for quiet gatherings and the ritual of the tea ceremony. Its small scale creates intimacy, while the natural materials encourage harmony with nature. The humble entrance and minimal decoration reflect the values of wabi-sabi, finding beauty in simplicity. Unlike nearby castles or temples, the tea house is not about power but about refinement, reflection, and calm. It serves as a cultural balance, offering a place for stillness and connection.</em>]]></dcterms:description>
    <dcterms:abstract><![CDATA[<em>The Shōkōken Tea House was built in 1992 and was a part of Kōkō-en Garden to celebrate Himeji City’s 100th anniversary.</em>]]></dcterms:abstract>
    <dcterms:abstract><![CDATA[<em>The visitors will experience the aesthetics of Japanese tea ceremony culture in close proximity to Himeji Castle, that balances the monumental military architecture with domestic cultural refinement.</em>]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Builder: Himeji City and local craftsmen specializing in traditional Japanese tea houses]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Unknown (constructed in traditional style by preservation teams)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: kokoengarden3.jpg<br />
https://www.japan-experience.com/sites/default/files/images/content_images/kokoengarden3.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Koko-en-Garden05-640x400.jpg<br />
https://visit-himeji.com/wp/wp-content/uploads/2022/12/Koko-en-Garden05-640x400.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Koko-en-Garden04-640x400.jpg<br />
https://visit-himeji.com/wp/wp-content/uploads/2022/12/Koko-en-Garden04-640x400.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Completed: 1992]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Traditional Japanese]]></dcterms:format>
    <dcterms:extent><![CDATA[Tea room interior:  73 square feet<br />
]]></dcterms:extent>
    <dcterms:extent><![CDATA[Landscaped garden: 3.5 hectares  (376,700 square feet)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Plaster]]></dcterms:medium>
    <dcterms:medium><![CDATA[Bamboo]]></dcterms:medium>
    <dcterms:medium><![CDATA[Tile]]></dcterms:medium>
    <dcterms:language><![CDATA[Himeji, Hyōgo Prefecture, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Domestic]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Coaldrake, William H. Architecture and Authority in Japan. Routledge, 1996.<br />
https://archive.org/details/architectureauth0000coal ]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Japan National Tourism Organization. “Himeji’s Other Star – Kōkō-en Garden.” Travel Japan Blog, May 31, 2007<br />
https://www.japan.travel/en/us/blog/himeji-koko-en-garden/ ]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Located within Kōkō-en Garden, adjacent to Himeji Castle (UNESCO World Heritage Site).]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 34.8337° N<br />
Longitude: 134.6928° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Heisei Period, Japan (1992)]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
