<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/235">
    <dcterms:title><![CDATA[The Professed: Temple of San Felipe Neri]]></dcterms:title>
    <dcterms:description><![CDATA[Today the Church La Profesa stands as an elegant example of Mexican baroque architecture in the hearth of Mexico city. The front has twin bell towers and intricate stonework flanking a central entrance. The main entrance draws you in with a beautiful carved portal framed by floral motifs and religious figured. At the top there is a curved pediment that adds a sense of movement and elegance all around the building. The windows that the top are arched that each reveal a glimpse of the interior. The textured stone and carefully places pilasters create a pattern that gaze upward towards the towers in the sky. The exterior combines elegance, symmetry and rich patterns to stand out in the streets of Mexico City. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Pedro De Arrieta lead reconstruction]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 &amp; 2: https://profesa.oratorio.mx/profesa/<br />
Image 3: https://bibliotecadigital.ilce.edu.mx/sites/1847/patria/textos/sec_12.html#ID1563<br />
Image 4: https://web.archive.org/web/20110719071627/http://www.palaciomineria.unam.mx/arquitectura/obra_arquitectonica_4.php]]></dcterms:source>
    <dcterms:date><![CDATA[1585 : Church began construction.<br />
1629: Church was damaged by flood. <br />
1714: Reconstruction begins. <br />
1720: Reconstruction has finished.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2,3 &amp; 4 : Public Domain. ]]></dcterms:license>
    <dcterms:format><![CDATA[Mexican Baroque]]></dcterms:format>
    <dcterms:extent><![CDATA[- A medium size church with the length of 55 meters and width of 55 meters. <br />
- The tallest point reachers 67 meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Stone.<br />
- Brick.<br />
- Marble.<br />
-Wood.]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Templo de San Felipe Neri – La Profesa (n.d.) La Profesa – Oratorio de San Felipe Neri de México. <br />
<br />
- En defensa de la patria: México en armas 1846‑1848 – Sec. 12 (n.d.) Biblioteca Digital ILCE. <br />
<br />
- Obra arquitectónica – Palacio de Minería (n.d.) Palacio de Minería, F.I., UNAM. ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.433619074698605, -99.1363670268441]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial Period]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/237">
    <dcterms:title><![CDATA[Angel of independence]]></dcterms:title>
    <dcterms:description><![CDATA[This towering monument is commemorating 100 years of  Mexico’s independence. The statue is a tall with a figure outstretching their wings forming a with curved arc behind it. The body is elegant and upright while slightly leaning forward. One arm extends upward holding a small circular object while the other hand is angled downward. The head is a small oval shaped at the top of the body. The base of the statue is rounded and symmetrical with the statue. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Antonio Rivas Mercado ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1,3, &amp; 4: https://historicalmx.org/items/show/37<br />
Image 2: https://sacyr.com/en/-/la-modelo-que-inspiro-el-angel-de-la-independencia]]></dcterms:source>
    <dcterms:date><![CDATA[- 1902: Start of construction.<br />
- 1910: Construction completed.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2, 3, &amp; 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Neoclassical ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The height Is 45 meters]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Steel.<br />
- Stone.<br />
- Bronze.<br />
- Marble.]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Miller, J. (no date) The Angel of Independence. HistoricalMX. https://historicalmx.org/items/show/37<br />
<br />
- Rubio Arroyo, I. (2023) The model who inspired the Angel of Independence. Sacyr. https://sacyr.com/en/-/la-modelo-que-inspiro-el-angel-de-la-independencia ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.427030717998996, -99.16766640522445]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early Modern Era]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/238">
    <dcterms:title><![CDATA[Alameda central]]></dcterms:title>
    <dcterms:description><![CDATA[The park features a rectangular layout with geometric pathways, fountains, and plazas, reflecting Spanish Colonial design influences. It spans approximately 9.2 hectares and contains over 500 trees, lawns, flowerbeds, and ornamental shrubs, providing a lush urban green space. It contains numerous statues and fountains that serve as both decorative and cultural landmarks. The park’s paved marble and stone pathways are complemented by iron fences, benches, and lamp posts, enhancing its historic character. Alameda Central continues to function as a lively hub for recreation, social gatherings, and heritage preservation.]]></dcterms:description>
    <dcterms:creator><![CDATA[- Viceroy Luis de Velasco ll.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 &amp; 2: https://commons.wikimedia.org/wiki/User:ProtoplasmaKid#Galleries<br />
Image 3: https://www.nypl.org/research/collections/online-resources-databases]]></dcterms:source>
    <dcterms:date><![CDATA[- 1592: Official creation of the first formal public park in the Americas.<br />
- 1770: Expansion and redesign.<br />
- 1791: Expansion with wooden fence.<br />
- 19th century: Major additions like statues, fountains, and gas lighting.<br />
- 2012: New marble paving, improved vegetation, and pedestrian enhancements. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2, &amp;3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Spanish Colonial ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The park is medium size with the length being 450 meters and width being 250 meters.<br />
- The park is rectangular located in the center of the city. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Marble.<br />
- Stone.<br />
- Concrete. <br />
- Bronze.<br />
- Metal. <br />
- Iron.<br />
- Soil, Grass, and Trees ]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico. ]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Wikimedia Commons (2025) User: ProtoplasmaKid – Galleries.<br />
<br />
- The New York Public Library (no date) Online Resources &amp; Databases. ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.436038574406798, -99.14397141534513]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial era. ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/239">
    <dcterms:title><![CDATA[Palacio de Bellas Artes]]></dcterms:title>
    <dcterms:description><![CDATA[The Palacio de Bellas Artes is an enormous and stunning structure located in Mexico City. Its exterior is clad in glossy white marble, giving it a majestic and sophisticated appearance. The roof features a prominent dome with vibrant tiles that are visible from a distance. Surrounding the building are elevated columns and intricate carvings that highlight its artistic design. Stained glass windows allow light to enter, casting colorful patterns on the exterior. Additionally, metal beams are used to ensure its stability due to the soft ground in Mexico City. Combining marble, metal, glass, and a colorful roof, the Palacio exudes both strength and elegance.]]></dcterms:description>
    <dcterms:creator><![CDATA[Adamo Boari]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://www.britannica.com/topic/Palacio-de-Bellas-Artes-Mexico-City<br />
<br />
Image 2:  https://commons.wikimedia.org/wiki/File:Palacio_de_Bellas_Artes_de_Noche.jpg<br />
<br />
Imagine 3: https://puntodincontro.mx/articoli2018/italianimessico25022018-2.htm]]></dcterms:source>
    <dcterms:date><![CDATA[1904: Construction begins.<br />
1934: Construction completed.<br />
1994: Renovations and underground parking constructed. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2 &amp; 3 : Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Neoclassical ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The footprint of the building is 120 meters while being 60 meters wide.<br />
- The height reaches 67 meters about street level. <br />
- The total area in which the building occupies is 40,000 square meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- White Italian Carrara marble<br />
- Iron<br />
- Steel<br />
- Glass<br />
- Copper<br />
- Bronze<br />
- Wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Britannica (n.d.) Palacio de Bellas Artes, Mexico City, Encyclopaedia Britannica. https://www.britannica.com/topic/Palacio-de-Bellas-Artes-Mexico-City<br />
<br />
- Palacio de Bellas Artes de Noche (n.d.) Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Palacio_de_Bellas_Artes_de_Noche.jpg <br />
<br />
- Puntodincontro (2018) Adamo Boari, l’architetto della cultura. https://puntodincontro.mx/articoli2018/italianimessico25022018-2.htm]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.435280939898053, -99.14123218650775]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early Modern Era.]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/240">
    <dcterms:title><![CDATA[Palacio Postal ]]></dcterms:title>
    <dcterms:description><![CDATA[The buildings is rich with ornaments and arches, columns, carved stone and symmetrical all around. The structure is supported by a steel and iron framework, creates expansive, open interior spaces beneath soaring ceilings. A central dome rises above the building, serving as a vertical focal point. The exterior showcases bronze doors, iron balconies, and decorative ceramic tiles. Inside, there is a  marble staircases, mezzanines, and vaulted ceilings that emphasizes the elegance.]]></dcterms:description>
    <dcterms:creator><![CDATA[Adamo Boari ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1,2,3 &amp; 4 : https://architectuul.com/architecture/postal-palace-of-mexico-city ]]></dcterms:source>
    <dcterms:date><![CDATA[- 1902: Construction begins.<br />
- 1907: Construction completed.<br />
]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2,3 &amp; 4 : creative comments]]></dcterms:license>
    <dcterms:format><![CDATA[- Neo-Renaissance]]></dcterms:format>
    <dcterms:extent><![CDATA[- The building covers a footprint of 7,200 meters and having 4 main floors plus a basement. <br />
- the maximum height is 30 meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Steel.<br />
- Iron.<br />
- Concrete.<br />
- Stone.<br />
- Marble.<br />
- Brick.]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico. ]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Architectuul, 2016. Postal Palace of Mexico City.  https://architectuul.com/architecture/postal-palace-of-mexico-city <br />
]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.435629822256416, -99.14026938650888]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early Modern era.]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/241">
    <dcterms:title><![CDATA[Hestercombe Gardens]]></dcterms:title>
    <dcterms:description><![CDATA[The main part of the garden is square in shape. The garden is lined with a small stone wall, with steps on each corner leading into the center part. There is one large band of grass following the inside of the lawn, with benches along each wall. On the opposite side of the grass, the garden is then separated with more pathways, portioning it into  four triangular sections. In each of the sections, an abundance of plants grow, filling the garden with different colors and various textures.  In the center of the square is a small stone structure, similar in resemblance to a water fountain.  Outlining the various grass sections are small stone strips, which add dimension and aesthetic to the garden.  The role of this garden is to not only be a place of beauty and aesthetics, but also to be one of social interactions, evoking sight and movement. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Designed by: Coplestone Warre Bampfylde]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Hestercombe Gardens (6097257589).jpg (https://upload.wikimedia.org/wikipedia/commons/c/c0/Hestercombe_Gardens_%286097257589%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Hestercombe House and gardens.jpg (https://upload.wikimedia.org/wikipedia/commons/6/68/Hestercombe_House_and_gardens.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Hestercombe Gardens - formal gardens - geograph.org.uk - 3146305.jpg (https://upload.wikimedia.org/wikipedia/commons/1/12/Hestercombe_Gardens_-_formal_gardens_-_geograph.org.uk_-_3146305.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Garden Built: 18th century]]></dcterms:date>
    <dcterms:date><![CDATA[Changes to Garden: 1873]]></dcterms:date>
    <dcterms:date><![CDATA[Changes Finished: 1878]]></dcterms:date>
    <dcterms:date><![CDATA[Redesign started: 1904]]></dcterms:date>
    <dcterms:date><![CDATA[Redesign ended: 1909]]></dcterms:date>
    <dcterms:date><![CDATA[Restored to original design: 1992]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:language><![CDATA[Cheddon Fitzpaine, Somerset, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Hestercombe_Gardens]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[51°03&#039;10&quot;N 3°05&#039;00&quot;W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Georgian]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/242">
    <dcterms:title><![CDATA[Parham House Ha-Ha]]></dcterms:title>
    <dcterms:description><![CDATA[The ha-ha at the Parham House wraps around the main sections of the estate. It is made of stacked stone, and is about three feet high. The upper part of the ha-ha holds the manicured sections of the lawn, along with the house and other social parts of the garden. Beyond the ha-ha lies the rest of the landscape, including the overgrown parts and the cattle. This structure has more of a practical use to it, keeping the animals away from the main parts of the garden and home. This small wall acts as a barrier to keep the untouched sections of the land separate from the well cared for parts, signifying the social structure of the landowners and how they cared for their image. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Rebuilt Under: Sir Thomas Palmer]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: West Sussex - Parham House - 2025-09-26 03-13-50 001.JPG (https://upload.wikimedia.org/wikipedia/commons/e/e5/West_Sussex_-_Parham_House_-_2025-09-26_03-13-50_001.JPG)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ha-ha and south face of Parham House, West Sussex, England.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f1/Ha-ha_and_south_face_of_Parham_House%2C_West_Sussex%2C_England.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ha-ha at Parham House, West Sussex, England.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e6/Ha-ha_at_Parham_House%2C_West_Sussex%2C_England.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Construction started: 1577]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:language><![CDATA[Parham, West Sussex, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Parham_Park]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[50°55&#039;13&quot;N 0°28&#039;50&quot;W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Renaissance]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/243">
    <dcterms:title><![CDATA[Winter Palace]]></dcterms:title>
    <dcterms:license><![CDATA[By Alex &#039;Florstein&#039; Fedorov, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=45167800]]></dcterms:license>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/244">
    <dcterms:title><![CDATA[Trinty Church Boston]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is grand in its makeup. From above it creates an elongated rectangle with a semi circle atop, with a square on in the middle and two that are placed near the bottom of the rectangle. Accompanying the long rectangle are two squares near the middle. Together it makes a large “cross-like” shape in its footprint of the main piece of the building, perhaps appropriate for a religious building. Its side-piece from above creates a square with miniature overhangs. Near its middle of the side-piece has an opening creating a courtyard within that space. There are several levels for the church, with it estimating up to 4,000 “households” meaning its capacity. There are three main entrances from the front-side. From here, you begin into the  main auditorium. In the middle you can look up toward the top of the structure. You can also see the upper level from this vantage point. Mentioned previously, a signature of the building’s style, there are round arches in and around the windows on the exterior, where light comes into the church. The windows also feature stained glass, that you would find customarily at a church. Outside of this, the structure possesses several materials in addition to the stained glass like granite and masonry for the building structure, as well as regular glass throughout. This of course together, stands out as the first real piece of Richardsonian Romanesque architecture, that Richardson would then capitalize on going forward, and help define a style.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:creator><![CDATA[Shepley, Rutan and Coolidge]]></dcterms:creator>
    <dcterms:creator><![CDATA[Maginnis and Walsh]]></dcterms:creator>
    <dcterms:creator><![CDATA[Goody, Clancy and Associates]]></dcterms:creator>
    <dcterms:source><![CDATA[Keith N. Morgan, &quot;Trinity Church, Boston&quot;, [Boston, Massachusetts], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MA-01-BB37.]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1872]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1877]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/9/9b/Trinity_Church%2C_Boston_MA.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/e/ea/Trinity_Church_-_Boston_01.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/6/65/Boston_Trinity_Church_Copley_Square_04.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[211 ft. tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[stained glass (material), granite (rock), glass (material), masonry (building materials)]]></dcterms:medium>
    <dcterms:language><![CDATA[Boston Massachusetts]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[42.350116779441144, -71.07545799311386]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/245">
    <dcterms:title><![CDATA[Map of the U.S. ]]></dcterms:title>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
</rdf:Description></rdf:RDF>
