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Itsukushima Shinto Shrine is located on Miyajima Island, partially elevated over the water on wooden stilts. Its design is axial, comprising long, covered corridors which connect to the world-famous “floating” torii gate in the bay. The building is low and horizontal in design to convey harmony with the coastline. Constructed of wooden posts and beams painted bright vermilion, it has tiled roofs that curve upward at its edges. Everything is simple, but the surfaces are striking, columns repeat, and shadows are rhythmic, accentuating the corridors. The open sides of the halls shine with natural light, while the water below glints off them; the halls, for example, appear glowy at high tide. The primary materials used are cypress wood and stone footings to sustain tides and earthquakes. The constructed shrine incorporates elements of the sea and of the mountain surroundings. With the “floating” form, it becomes clear the sacred purity of one, harmony with nature, and the spiritual boundaries between human and divine worlds.

]]> https://photos.smugmug.com/Trips/Japan-2016/i-xHm2gZ3/0/L/hirotoridef%20copie-L.png]]> https://www.covingtontravel.com/wp-content/uploads/2023/11/Itsukushima-Shrine.png]]> Longitude: 132.3190° E]]>
Since the building’s recreation and opening in 1995, it has been primarily used for public education, with the site's connections to the Jomon Jiyukan (a nearby museum). In its time period, however, the original building was likely a communal space. As Jomon society became increasingly sedentary, communities such as those surrounding the structure developed. Its large size allowed these communities to gather.]]> (https://upload.wikimedia.org/wikipedia/commons/3/31/140913_Sannai-Maruyama_site_Aomori_Japan02bs5.jpg)]]> (https://upload.wikimedia.org/wikipedia/commons/b/be/140913_Sannai-Maruyama_site_Aomori_Japan03s.jpg)]]> Image 2: https://whc.unesco.org/en/list/978
image 3: https://apollotemple.ilia-olympia.org/en/home-2/]]> - Column and Wall construction 430 BCE
- Roof construction 420 BCE
- Construction completed 400 BCE]]> Image 2: Creative comments
Image 3: Creative comments]]> ]]> - 38.5 meters in length.
- 14.5 meters in width.
- 10.4 meters from the floor to roof.
- 1,200 meters above sea level. ]]> - Parian Marble used for roof tiles.
- Iron & bronze.
- Wood for roof beams or maintenance. ]]>
- “Old Town of Corfu.” UNESCO World Heritage Centre. https://whc.unesco.org/en/list/978

- Ephorate of Antiquities of Ilia. “Temple of Apollo Epicurius. https://apollotemple.ilia-olympia.org/en/home-2/]]>

This building played a large role in shaping the culture for which it comes from. It is an icon, and an image for the country in which it originates. As for the way it was built, it allows for much natural light to seep through as well as creating rather organic shapes while still maintaining a modern feel. The structure more so signals social status. The building evokes sound as a sensory experience.]]> (https://upload.wikimedia.org/wikipedia/commons/3/3c/Sydney_Opera_House-108681.jpg)]]> (https://upload.wikimedia.org/wikipedia/commons/3/3b/Sydney_%28AU%29%2C_Opera_House_--_2019_--_3061-4.jpg)]]> (https://upload.wikimedia.org/wikipedia/commons/4/4c/Sydney_%28AU%29%2C_Opera_House_--_2019_--_2980.jpg)]]>
Its patterns are simplistic ones that you would find common for not only this domestic type structure, but for the domestic types of the region. Light enters through those windows. With its simple and compact structure, the shadows cast on the inside may be similar to those found in that of an ordinary structure. It is a similar effect with the structure on the outside, simple cast shadows caused by simple shapes. Wood plays a big role in the structure’s build. The pillars that help make up the front of the structure as well as the base structure appear to be made up of this wood. In addition to the wood, there are stones underneath the structure that elevate it. The structure plays a role in the cultural aspect of raising one of the most pulverizing celebrities and its region’s styles. In addition, Its build signals a working class status of the region and the structure’s time period.

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Inside, the church reveals its most unique features. The sanctuary is an open, column-free space spanning approximately 90 by 60 feet—an impressive feat achieved through a system of large wooden trusses. This clear-span design supports communal worship, which was central to Moravian spiritual life. The interior is simple yet elegant: whitewashed walls, wooden pews arranged to foster unity and visibility, and restrained classical detailing such as cornices and flat arched window frames. Colonial Germanic architectural features—including herringbone-patterned doors and brick eyebrows over the windows—highlight the congregation’s cultural heritage.]]> Builder: Moravian settlers]]>
-Stucco: The exterior of the church's sanctuary is a prominent feature, covered in stucco, which is scored to give it a neat, cut-stone appearance.

-Iron: The roof trusses are reinforced with iron tension straps for additional support.]]> Longitude: -75.37588072197381]]>
Interpretive Reading: The purpose for the creation of the palace was to not only house the royal families that occupied the country, but also as a key aspect of royal events, which also may have included the scene for diplomatic events. Even for this purpose, this building has been the main staple in Iranian history, from its artistic style to its cultural style. This building also reveals the country’s openness towards combining artistic styles from different regions, allowing a mix of diversity and inclusion. ]]> Longitude: 51.4205° E]]>
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