<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/250">
    <dcterms:title><![CDATA[Marshall Field Wholesale Store]]></dcterms:title>
    <dcterms:description><![CDATA[This building is completely quadratic in its form. It is a very basic box in its morphology. With this though, the structure is huge with it coming in at 500,00 sq ft, in addition it sports seven stories, from basement to top floor, making it easily one of Richardson’s most impressive works. Similar to the Cincinnati chamber of commerce, this building was also built on the corner of a block, though it appears the main entrance is placed along the left side of the building from this vantage point. Perhaps one of the things highlighted so far in these studies, is the placements of these structures in the Midwest. The materials used for the building make the same appearance found in other buildings of this style. Granite for the exterior, round arches(though here it is primarily on the window exterior where these are found) and the glass material for windows. The interior is very simplistic, with its shape being quadratic, the floors follow a simple pattern, which one can assume, the use of stairs made it so that one may go from one floor to the next. One thing interesting about this structure is that Richardson passed away during the construction of this building, and during the height of his movement, making way for other architects to continue carrying the torch for the architectural movement!<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Image 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Sketch 1: Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.<br />
<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1885]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1887]]></dcterms:date>
    <dcterms:date><![CDATA[Demolished 1930]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[500,000 square ft. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[stone, glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Chicago, Illinois]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Ochsner, J. K. (1982) H.H. Richardson, complete architectural works. Cambridge, MA: MIT Press.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.88365288135903, -87.62737120654867]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/249">
    <dcterms:title><![CDATA[Carnegie Library of Pittsburgh, Allegheny Branch]]></dcterms:title>
    <dcterms:description><![CDATA[The structure has a quadratic footprint, with morphed and rugged edges. It sports a clock tower near the bottom of the structure when viewed from above. It has several levels and rooms, with it housing around 1,100 individuals with just its auditorium alone. From this we get a greater understanding of the structure’s stature. It features several entrances throughout, including what appears to be one near the clock tower. Once more, the building materials that define the Richardsonian Romanesque style are prevalent. With that signature granite stone material as an exterior coat, it pairs with glass in the windows and arches around the structure to bring these prominent features to the forefront!! This building is also heavily inspired by the Allegheny courthouse, located a little ways away from it, and was the first Carnegie public library in the U.S. It has since been closed as a library and replaced with a different building but the structure is now reused mainly as a theater!<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Smithmeyer and Pelz]]></dcterms:creator>
    <dcterms:date><![CDATA[Created: 1889]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/0/00/Carnegie_Free_Library_of_Allegheny.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/3/36/Carnegie_Library_Allegheny_ReadingRoom_1900.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Drawing 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/a/af/US-PA%281891%29_p735_ALLEGHENY_CITY%2C_CARNEGIE_LIBRARY.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:medium><![CDATA[granite (rock), glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Pittsburgh, Pennsylvania]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Lu Donnelly et al., &quot;Carnegie Library of Pittsburgh, Allegheny Branch&quot;, [Pittsburgh, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-AL75.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.453273906810765, -80.0054183116302]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/248">
    <dcterms:title><![CDATA[Allegheny County Courthouse and Jail]]></dcterms:title>
    <dcterms:description><![CDATA[The Structure is very symmetrical, It is a simple rectangle viewed from above. In addition, it has a singular piece that extends beyond its standard quadratic form in what appears to be a clock tower. It does have an iconic element featuring a central courtyard in the middle of the structure. This courtyard is closed off from the outside, and one would reach it by going through the building. The building’s height reaches up to 250 ft. In addition it has 5 levels. You can enter through multiple entrances and exits. What appears to be the main entrance is off the left side of the courthouse, once more viewing the structure from above. From here you can eventually move into a main corridor where you can see the several levels above. There are also specified parts of the building for the jail and the courthouse respectively. The construction method and materials again help make the case for the Richardsonian Romanesque movement! Here with the large subjects with pointed pyramid, and coned roofs. In addition, the subject of arches rears its usage again. For the materials, once again using that granite material as its exterior and glass for the windows, exemplifies the Richardsonian style! This, in addition to the Trinity, helped define Richardson’s architectural style. The structure is also the second most “modeled after” building after Independence Hall.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Creative Commons]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1883]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1888]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/a/a1/Courtyard%2C_Allegheny_County_Courthouse%2C_Grant_Street%2C_Pittsburgh%2C_PA.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Drawing 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/d/d1/Allegheny_County_Buildings%2C_Pittsburgh_%28from_Henry_Hobson_Richardson_and_His_Works.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[5 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[granite (rock), glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Pittsburgh, Pennsylvania ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Lu Donnelly et al., &quot;Allegheny County Courthouse and Jail&quot;, [Pittsburgh, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-AL1.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.43891834558286, -79.99591541049709]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/247">
    <dcterms:title><![CDATA[Basilica of St. Michael the Archangel ]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is unique in its form! It is very vertical in its footprint when viewed from above, though it is not necessarily quadratic. In fact, it appears like there is a rectangle-like shape that is followed by a circle near the bottom of the form. It is still pretty grand, with it still having at least 3 or 4 levels. It appears to have several entrances, with what looks like a main one at the bottom of what appears to be the biggest piece of the structure. This subsection looks like a castle. The other entrance is along the right hash from the previous one. Its materials are similar to that found in the Richardsonian Romanesque style, with stone and glass. It differs though between the two in construction style. The basilica does not use as many arches compared to the usage in the Richardsonian Romanesque style. In addition, it appears, especially in the interior, that the basilica and the Romanesque Revival style leans more toward the elements found in the Gothic revival style. Especially with the pyramid roofing with details on the four corner bases of them.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Frederick J. Osterling]]></dcterms:creator>
    <dcterms:date><![CDATA[Constructed: 1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/e/e8/Basilica_of_St._Michael_the_Archangel_-_Loretto%2C_Pennsylvania_03.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Romanesque Revival]]></dcterms:format>
    <dcterms:extent><![CDATA[3 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[stone (worked rock), glass ]]></dcterms:medium>
    <dcterms:language><![CDATA[Loretto Pennsylvania]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Lu Donnelly et al., &quot;Basilica of St. Michael the Archangel&quot;, [Loretto, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-CA6.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.50275286792395, -78.6303976190862]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/246">
    <dcterms:title><![CDATA[Torre latino mirador ]]></dcterms:title>
    <dcterms:description><![CDATA[The tower stands 182 meters tall and was one of the first skyscrapers in the world built on highly seismic soil. its design follows the International Style, which means it has clean lines, a simple shape, and a modern appearance. The building, constructed from steel, glass, and reinforced concrete, boasts both strength and flexibility. Visitors can go up to the mirador on the top floors. They are rewarded with a breathtaking 360-degree view of the city. The tower has endured significant earthquakes, demonstrating the advanced engineering it possessed for the 1950s. Today, it stands as a testament to Mexico City’s growth and resilience.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leonardo Zeevaert ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:  https://commons.wikimedia.org/wiki/File:Mexico_df_-_Torre_Latinoamerica.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[- 1948: Construction begins.<br />
- 1965: Construction completed.<br />
- 2006: 50th anniversary renovations which included the observation deck.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Modernist ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The building is 182 meters tall and 31,000 square meters.<br />
- 44 floors above ground and 3 basement levels. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Steel<br />
- Concrete<br />
- Glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Ledl, T. (2015) Mexico df – Torre Latinoamerica. https://commons.wikimedia.org/wiki/File:Mexico_df_-_Torre_Latinoamerica.jpg ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.434119986408035, -99.14052808280495]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern 20th Century ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/245">
    <dcterms:title><![CDATA[Map of the U.S. ]]></dcterms:title>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/244">
    <dcterms:title><![CDATA[Trinty Church Boston]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is grand in its makeup. From above it creates an elongated rectangle with a semi circle atop, with a square on in the middle and two that are placed near the bottom of the rectangle. Accompanying the long rectangle are two squares near the middle. Together it makes a large “cross-like” shape in its footprint of the main piece of the building, perhaps appropriate for a religious building. Its side-piece from above creates a square with miniature overhangs. Near its middle of the side-piece has an opening creating a courtyard within that space. There are several levels for the church, with it estimating up to 4,000 “households” meaning its capacity. There are three main entrances from the front-side. From here, you begin into the  main auditorium. In the middle you can look up toward the top of the structure. You can also see the upper level from this vantage point. Mentioned previously, a signature of the building’s style, there are round arches in and around the windows on the exterior, where light comes into the church. The windows also feature stained glass, that you would find customarily at a church. Outside of this, the structure possesses several materials in addition to the stained glass like granite and masonry for the building structure, as well as regular glass throughout. This of course together, stands out as the first real piece of Richardsonian Romanesque architecture, that Richardson would then capitalize on going forward, and help define a style.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Hobson Richardson]]></dcterms:creator>
    <dcterms:creator><![CDATA[Shepley, Rutan and Coolidge]]></dcterms:creator>
    <dcterms:creator><![CDATA[Maginnis and Walsh]]></dcterms:creator>
    <dcterms:creator><![CDATA[Goody, Clancy and Associates]]></dcterms:creator>
    <dcterms:source><![CDATA[Keith N. Morgan, &quot;Trinity Church, Boston&quot;, [Boston, Massachusetts], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MA-01-BB37.]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1872]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1877]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/9/9b/Trinity_Church%2C_Boston_MA.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/e/ea/Trinity_Church_-_Boston_01.jpg]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[https://upload.wikimedia.org/wikipedia/commons/6/65/Boston_Trinity_Church_Copley_Square_04.jpg]]></dcterms:license>
    <dcterms:format><![CDATA[Richardsonian Romanesque]]></dcterms:format>
    <dcterms:extent><![CDATA[211 ft. tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[stained glass (material), granite (rock), glass (material), masonry (building materials)]]></dcterms:medium>
    <dcterms:language><![CDATA[Boston Massachusetts]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[42.350116779441144, -71.07545799311386]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/243">
    <dcterms:title><![CDATA[Winter Palace]]></dcterms:title>
    <dcterms:license><![CDATA[By Alex &#039;Florstein&#039; Fedorov, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=45167800]]></dcterms:license>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/242">
    <dcterms:title><![CDATA[Parham House Ha-Ha]]></dcterms:title>
    <dcterms:description><![CDATA[The ha-ha at the Parham House wraps around the main sections of the estate. It is made of stacked stone, and is about three feet high. The upper part of the ha-ha holds the manicured sections of the lawn, along with the house and other social parts of the garden. Beyond the ha-ha lies the rest of the landscape, including the overgrown parts and the cattle. This structure has more of a practical use to it, keeping the animals away from the main parts of the garden and home. This small wall acts as a barrier to keep the untouched sections of the land separate from the well cared for parts, signifying the social structure of the landowners and how they cared for their image. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Rebuilt Under: Sir Thomas Palmer]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: West Sussex - Parham House - 2025-09-26 03-13-50 001.JPG (https://upload.wikimedia.org/wikipedia/commons/e/e5/West_Sussex_-_Parham_House_-_2025-09-26_03-13-50_001.JPG)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Ha-ha and south face of Parham House, West Sussex, England.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f1/Ha-ha_and_south_face_of_Parham_House%2C_West_Sussex%2C_England.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Ha-ha at Parham House, West Sussex, England.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e6/Ha-ha_at_Parham_House%2C_West_Sussex%2C_England.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Construction started: 1577]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:language><![CDATA[Parham, West Sussex, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Parham_Park]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[50°55&#039;13&quot;N 0°28&#039;50&quot;W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Renaissance]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/241">
    <dcterms:title><![CDATA[Hestercombe Gardens]]></dcterms:title>
    <dcterms:description><![CDATA[The main part of the garden is square in shape. The garden is lined with a small stone wall, with steps on each corner leading into the center part. There is one large band of grass following the inside of the lawn, with benches along each wall. On the opposite side of the grass, the garden is then separated with more pathways, portioning it into  four triangular sections. In each of the sections, an abundance of plants grow, filling the garden with different colors and various textures.  In the center of the square is a small stone structure, similar in resemblance to a water fountain.  Outlining the various grass sections are small stone strips, which add dimension and aesthetic to the garden.  The role of this garden is to not only be a place of beauty and aesthetics, but also to be one of social interactions, evoking sight and movement. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Designed by: Coplestone Warre Bampfylde]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Hestercombe Gardens (6097257589).jpg (https://upload.wikimedia.org/wikipedia/commons/c/c0/Hestercombe_Gardens_%286097257589%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Hestercombe House and gardens.jpg (https://upload.wikimedia.org/wikipedia/commons/6/68/Hestercombe_House_and_gardens.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Hestercombe Gardens - formal gardens - geograph.org.uk - 3146305.jpg (https://upload.wikimedia.org/wikipedia/commons/1/12/Hestercombe_Gardens_-_formal_gardens_-_geograph.org.uk_-_3146305.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Garden Built: 18th century]]></dcterms:date>
    <dcterms:date><![CDATA[Changes to Garden: 1873]]></dcterms:date>
    <dcterms:date><![CDATA[Changes Finished: 1878]]></dcterms:date>
    <dcterms:date><![CDATA[Redesign started: 1904]]></dcterms:date>
    <dcterms:date><![CDATA[Redesign ended: 1909]]></dcterms:date>
    <dcterms:date><![CDATA[Restored to original design: 1992]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Georgian]]></dcterms:format>
    <dcterms:language><![CDATA[Cheddon Fitzpaine, Somerset, England]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Hestercombe_Gardens]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[51°03&#039;10&quot;N 3°05&#039;00&quot;W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Georgian]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
