<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/111">
    <dcterms:title><![CDATA[Bath Complex]]></dcterms:title>
    <dcterms:description><![CDATA[Monumental baths about 88 meters long and 40 meters wide were built in Flavian times in the north end of the city. Immediately after the entry came a large peristyle courtyard. Perhaps it was a garden but could also have been primarily a palestra. At the end away from the entrance and towards the baths proper was found the base of a statue.]]></dcterms:description>
    <dcterms:source><![CDATA[Image 1 - https://raw.githubusercontent.com/roman-gardens/gre-images/main/content/place/hispania_tarraconensis/segobriga/his_tar_seg_bath_fig1.jpg<br />
<br />
Image 2 - https://raw.githubusercontent.com/roman-gardens/gre-images/main/content/place/hispania_tarraconensis/segobriga/his_tar_seg_bath_fig2.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[179 BC.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1- Site Plans, Credit: From Spanisharts website.<br />
Image 2 -  Photo Juan Manuel Abascal or Rosario Cebrián. From Cervantesvirtual website.]]></dcterms:license>
    <dcterms:extent><![CDATA[N 39 53&#039; 10&quot; W 2° 48&#039; 45&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Rock, Stone, and Wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Segóbriga, Hispania Tarraconensis]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Añón Feliu, C. and Fomento de Construcciones y Contratas (2001) Historia de los parques y jardines en España. Madrid: Fomento de Construcciones y Contratas.]]></dcterms:bibliographicCitation>
    <dcterms:temporal><![CDATA[Flavian times（A.D 69-96）]]></dcterms:temporal>
    <dcterms:rightsHolder><![CDATA[Spanisharts website.]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/6">
    <dcterms:title><![CDATA[Bayt Al-Suhaymi]]></dcterms:title>
    <dcterms:description><![CDATA[The Bayt al-Subyami is a 17th-century Ottoman house located in Cairo, Egypt. The house is rather rectangular, with a courtyard at the center of its three-story foundation. Primarily made from stone, the upper levels are made of timber and brickwork. Latticed screens allow privacy and light into the main rooms, adding a rich elegance to the spaces. The rooms are also decorated with painted beams and tiled ceilings/walls utilizing geometric patterns and floral motifs.]]></dcterms:description>
    <dcterms:creator><![CDATA[Abdel Wahab el Tablawy]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Flickr_-_Gaspa_-_Cairo,_Bayt_es-Suhaimi<br />
(https://en.wikipedia.org/wiki/Bayt_al-Suhaymi#/media/File:Flickr_-_Gaspa_-_Cairo,_Bayt_es-Suhaimi.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image2: GD-EG-Caire-Suhaymi033<br />
(https://en.wikipedia.org/wiki/Bayt_al-Suhaymi#/media/File:GD-EG-Caire-Suhaymi033.JPG)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: GD-EG-Caire-Suhaymi008 (https://en.wikipedia.org/wiki/Bayt_al-Suhaymi#/media/File:GD-EG-Caire-Suhaymi008.JPG)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: GD-EG-Caire-Suhaymi023.JPG<br />
(https://commons.m.wikimedia.org/wiki/File:GD-EG-Caire-Suhaymi023.JPG#mw-jump-to-license)]]></dcterms:source>
    <dcterms:date><![CDATA[Construction started: 1648]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sultana Rahim]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Ottoman architecture ]]></dcterms:format>
    <dcterms:extent><![CDATA[ Approximately 2000 square meters]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone]]></dcterms:medium>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Cairo, Egypt]]></dcterms:language>
    <dcterms:type><![CDATA[Domestic]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://egymonuments.gov.eg/en/monuments/bayt-al-suhaymi-house-of-suhaymi/<br />
https://www.etbtoursegypt.com/Wiki/Egypt-Travel-Guide/bayt-al-suhaymi-house-of-suhaymi<br />
https://egypttimetravel.com/bayt-al-suhaymi-in-cairo<br />
https://en.wikipedia.org/wiki/Bayt_al-Suhaymi]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[30.05232415216862, 31.262479467437743]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Medieval Cairo, Egypt]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/58">
    <dcterms:title><![CDATA[Bazaar of Tabriz]]></dcterms:title>
    <dcterms:description><![CDATA[The Bazaar of Tabriz is a historic trading site in Iran and is considered one of the oldest markets still in use and in addition to being the largest covered bazaar in the world. Although no one knows who made the space, the structure dates back to the Silk Road and has been documented throughout history by explorers and scholars alike. Located at the heart of the city of Tabriz, the bazaar is built like a labyrinth with a very irregular footprint, completely shaped by the organic growth of society throughout centuries of trade. However, the structure has a very formulaic interior, with each of its very long vaulted corridors that intersect or extend in different directions to more open spaces. These larger, typically domed chambers function as market squares that specialize in a particular good, like jewelry or textiles. The Tabriz only extends about two levels in height, and the majority of the bazaar is only on a single story. It has numerous entries that connect to the surrounding streets around the structure. This allows a very controlled flow through narrow alleys that widen  back onto the street or into the vaulted rooms with merchants. The bazaar is primarily built of interlocking bricks which are locally sourced to make the walls, arches, barrel vaults, and the rib details across the structure. The more decorative aspects of the space utilize glazed tiles, painted plaster, and more patterned bricks to create the earthy and inviting atmosphere that unifies the sprawling complex.<br />
 The Bazaar of Tabriz is both a functional and symbolic structure of Iranian trade and cultural traditions. More than just a commercial hub, it also houses caravanserais, places of worship, and schools for learning, blending the social commerce space with religion, boarding, and education. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: 2880px-Bazaar_of_Tabriz,_carvaansray]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2:Gan-Dallazan_Bazar,_Tabriz,_Iran]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3:Tabriz_Grand_Bazar]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4:default]]></dcterms:source>
    <dcterms:date><![CDATA[12th century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Sultana Rahim]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4:	<br />
https://uwm.edu/libraries/digital-collections/copyright-digcoll/]]></dcterms:license>
    <dcterms:format><![CDATA[Persian bazaar]]></dcterms:format>
    <dcterms:extent><![CDATA[ 27 hectares (approximately 70 acres)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick]]></dcterms:medium>
    <dcterms:language><![CDATA[Tabriz, Iran]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://visitworldheritage.com]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.m.wikipedia.org/wiki/Bazaar_of_Tabriz]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.irannegintravel.com/iran-highlight/tabriz-bazaar]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://packtoiran.com/blogs/detail/37/Wandering-through-the-historical-bazaars-of-Iran]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[38.08526171767943, 46.29331473635505]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Silk Road, Iran]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/260">
    <dcterms:title><![CDATA[Belfry]]></dcterms:title>
    <dcterms:title><![CDATA[Bell Tower<br />
]]></dcterms:title>
    <dcterms:creator><![CDATA[Monk Yōsai ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Bell Tower of Todaiji.jpg (<a href="https://commons.wikimedia.org/wiki/File:Bell_Tower_of_Todaiji.jpg">https://commons.wikimedia.org/wiki/File:Bell_Tower_of_Todaiji.jpg</a>)<br /><br />Image 2:<span class="mw-page-title-main">The bronze bell of Tōdai-ji, Nara, Japan (NYPL Hades-2360351-4044150).jpg (<a href="https://commons.wikimedia.org/wiki/File:The_bronze_bell_of_T%C5%8Ddai-ji,_Nara,_Japan_(NYPL_Hades-2360351-4044150).jpg">https://commons.wikimedia.org/wiki/File:The_bronze_bell_of_T%C5%8Ddai-ji,_Nara,_Japan_(NYPL_Hades-2360351-4044150).jpg</a>)</span>]]></dcterms:source>
    <dcterms:date><![CDATA[Between 1207 and 1210 ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1 : Creative Commons<br />
<br />
Image 2: Creative Commons]]></dcterms:license>
    <dcterms:language><![CDATA[Nara, Japan]]></dcterms:language>
    <dcterms:spatial><![CDATA[34.68870921674176, 135.8420823444805]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/192">
    <dcterms:title><![CDATA[Ben&#039;s Chili Bowl]]></dcterms:title>
    <dcterms:description><![CDATA[Ben’s Chili Bowl occupies a once-modest early-20th-century theater building whose architecture has evolved into one of Washington, D.C.’s most recognizable cultural symbols. Built in 1910 as the Minnehaha Theater, the structure’s brick commercial façade was adapted in 1958 when Ben and Virginia Ali converted the space into a neighborhood chili parlor. Over time, the building’s most distinctive architectural element became its vivid storefront signage, blending the proportions of the old theater façade with the bold graphic sensibility of a mid-century dinner. The shallow curved parapet and red-yellow color palette anchor the building visually on U Street’s historic corridor.<br />
Inside, Ben’s Chili Bowl preserves a rare authentic mid-20th-century dinner interior. The long counter, classic stools, narrow circulation path, and textured wall surfaces remain largely intact, accompanied by new layers of cultural memory: photographs of civil rights leaders, musicians, and presidents who have visited the restaurant. Renovations in 2008 strengthened the building’s structure and systems while keeping its historic materials and language design intact.<br />
Over time, the building transitioned from a silent movie theater to a family-run dinner that withstood the 1968 riots, economic decline, and urban renewal. Today, Ben’s Chili Bowl stands not only as a beloved local landmark but also as an architectural marker of continuity in a rapidly changing city, its preserved storefront and dinner interior embodying the cultural and social history of Washington, D.C.’s U Street corridor.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Building Architect – Arthur B. Heaton (originally designed as the Minnehaha Theater). Restaurant Founders – Ben Ali and Virginia Ali<br />
<br />
Builder - Early 20th-century construction commissioned for the Minnehaha Theater (specific contractor not widely documented)]]></dcterms:creator>
    <dcterms:source><![CDATA[Source <br />
https://photos.cinematreasures.org/production/photos/292680/1575353793/small.jpg?1575353793<br />
Source <br />
https://wtop.com/wp-content/uploads/2023/08/AP5378600343143507-benschilibowl-1560.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Original Building Constructed – 1910. Restaurant Founded – 1958.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1-4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Early Commercial / Theater Storefront Style. Mid-Century American Diner Signage.]]></dcterms:format>
    <dcterms:extent><![CDATA[Two stories, though the restaurant primarily occupies the ground floor.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, Stucco and painted signage panels, added during later commercial adaptations. Wood framing and plaster interior elements. Glass storefront windows with metal framing]]></dcterms:medium>
    <dcterms:language><![CDATA[Washington, D.C. ]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source<br />
-	Wilson, K., 2020. Why Ben’s Chili Bowl, Home of the Half-Smoke, Is Hallowed Ground in D.C. AFAR [online]. 17 February. Available at: https://www.afar.com/magazine/why-bens-chili-bowl-in-washington-dc-is-a-dining-destination<br />
 [Accessed 8 December 2025].<br />
Source<br />
-	Minnehaha Theater in Washington, DC - Cinema treasures (no date). https://cinematreasures.org/theaters/18967.<br />
Source <br />
-	Robinson, E. (2025) &#039;A Washington landmark: Ben’s Chili Bowl,&#039; Boundary Stones [Preprint]. https://boundarystones.weta.org/2017/12/07/washington-landmark-bens-chili-bowl.<br />
Source<br />
-	Andrews, D. (2023) &#039;Ben’s Chili Bowl offering free Half Smokes to celebrate 65th anniversary,&#039; WTOP News, 22 August. https://wtop.com/dc/2023/08/bens-chili-bowl-offering-free-half-smokes-to-celebrate-65th-anniversary/.<br />
]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[The building that was originally a silent movie theater now Renovated into this landmark restaurant.]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[38.91938919543913, -77.02258769236296]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early 20th-Century American Commercial Architecture]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/49">
    <dcterms:title><![CDATA[Bethabara Moravian Church<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[The structure is considerably sound with a firm rectangular form, as it hails as one of the last structures to represent the German Colonial church structure. It includes two levels, two chimneys, and a belfry at the top. While it does feature a second level, it does appear that there is more space on the main lower level. It is also worth noting that it appears there were initial plans to have a basement level, however ultimately was not added. The structure presents a multitude of windows and doors. There are two front entrances on the North-East side of the structure that one may enter through. From there to the immediate left is the Structure’s auditorium. To the right of these entrances lies two bedrooms, a living room, and a kitchen toward the back right of the structure (facing from the front). There are similarly two exits through the back that leads directly to what appears to be a well. The second level also features a smaller auditorium, which is considered a part of the main one on the lower level, and another bedroom. The structure has an angled roof which does present in its interior design as well as the exterior design. Its patterns are quite simplistic in its exterior, with the majority of the building possessing a stone masonry wall into brick pattern. On its interior, its patterns are also simplistic, as they follow a simple white color into a more natural wood color on objects like window arches and doors. Its structural process and build deliver on the structure&#039;s signaling of religious context. It establishes an iconicity when we think of an old, colonial, well-established church in the United States. <br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[The church has been added to the Historic Bethabara Park. This may partly impacts its lack of documentation of its dimensions.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Architect: Frederic William Marshall ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Abraham Loesch]]></dcterms:creator>
    <dcterms:source><![CDATA[Image1: <br />
Bethabara_Moravian_Church<br />
https://upload.wikimedia.org/wikipedia/commons/6/61/Bethabara_Moravian_Church.JPG]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: <br />
<br />
Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_1_of_6)<br />
<br />
https://upload.wikimedia.org/wikipedia/commons/2/2f/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_1_of_6%29.png]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: <br />
<br />
Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_2_of_6)<br />
<br />
https://upload.wikimedia.org/wikipedia/commons/4/47/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_2_of_6%29.png]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 1788]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 1788]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[German Colonial religious type]]></dcterms:format>
    <dcterms:extent><![CDATA[Area: 8 acres]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone, brick and wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Winston-Salem North Carolina]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://historicbethabara.org/historic-building-grounds/the-gemeinhaus/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.bethabara.org/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Worth Alexander Younts, &quot;Bethabara Moravian Church&quot;, [Winston-Salem, North Carolina], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/NC-01-067-0077.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[36.15270418805049, -80.29455856130483]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[18th century German Colonial]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/19">
    <dcterms:title><![CDATA[Blenheim Palace]]></dcterms:title>
    <dcterms:description><![CDATA[The main building, or principal block, is rectangular in shape and flanked by two courtyards–the east and west courts, respectively. Together, all three blocks make up the “Great Court”. The structure is built in the English Baroque style. Guests may enter the building through the north facade found at the center of the principal block, which is fronted by both Corinthian and Doric columns. There are three primary floors. Approximately 1,000 windows line the walls of the building, which illuminate its 187 rooms. The structure was primarily built with Cotswold, Portland, and Plymouth stone, however timber and slate have also been used in roof restoration projects. The stone is primarily golden in color.]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect: Sir John Vanbrugh<br />
Patrons: Anne, Queen of Great Britain; John Churchill, 1st Duke of Marlborough]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Blenheim_Palace_-_geograph.org.uk_-_4753811 (https://upload.wikimedia.org/wikipedia/commons/8/8a/Blenheim_Palace_-_geograph.org.uk_-_4753811.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://www.jstor.org/stable/community.14928371]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://www.jstor.org/stable/community.14934913]]></dcterms:source>
    <dcterms:date><![CDATA[1705 - Construction begins<br />
1722 - Construction is completed<br />
1987 - Designated a UNESCO World Heritage Site]]></dcterms:date>
    <dcterms:contributor><![CDATA[Brittany Lumanlan Martin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Vanbrugh, John (1664 - 1726), British, architect, and Hawksmoor, Nicholas (1661 - 1736), British, architect. Blenheim Palace. 1705-1725. JSTOR, https://jstor.org/stable/community.14928371. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Vanbrugh, John (1664 - 1726), British, architect, and Hawksmoor, Nicholas (1661 - 1736), British, architect. Blenheim Palace. 1705-1725. JSTOR, https://jstor.org/stable/community.14934913. Accessed 9 Oct. 2025.]]></dcterms:license>
    <dcterms:format><![CDATA[English Baroque Country House]]></dcterms:format>
    <dcterms:extent><![CDATA[Width: 146m]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone, wood, iron]]></dcterms:medium>
    <dcterms:medium><![CDATA[Glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Woodstock, Oxfordshire, United Kingdom]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:spatial><![CDATA[51.841510803349614, -1.360993460398954]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/257">
    <dcterms:title><![CDATA[Blue Domes Cafe]]></dcterms:title>
    <dcterms:description><![CDATA[Blue Domes Cafe is a cafe created under Soviet Rule. It is a showcase of Islamic traditional, taking inspiration from mosque domes, and modernist architecture.]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect - Vil Muratov]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 - Blue domes cafe.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e4/Blue_domes_cafe.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Constructed - 1970]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1 - Creative Commons]]></dcterms:license>
    <dcterms:language><![CDATA[Tashkent, Uzbekistan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://whc.unesco.org/en/tentativelists/6708/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.31° N, 69.27]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/180">
    <dcterms:title><![CDATA[Blue Mosque (Shrine of Ali)]]></dcterms:title>
    <dcterms:description><![CDATA[<em>The Blue Mosque serves as Afghanistan's vital Islamic monument and stands as a prominent Timurid architectural feature throughout Central Asia. The mosque features thousands of blue tiles which create geometric and floral designs that represent Islamic artistic traditions of heaven and divine unity and paradise. The main courtyard of the mosque features pointed iwans and elevated arched entrances which display calligraphic writing and star-shaped tiles that repeat throughout the design. The geometric designs achieve harmony through their symmetrical arrangement and their repetitive patterns which follow mathematical rules. The building's lapis-blue glaze extends from local stone practices to establish its sacred position within Mazar-i-Sharif city. The site underwent multiple restoration phases to preserve its Timurid artistic heritage while maintaining its status as a sacred pilgrimage destination for Afghan people.</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Original patron: Timurid dynasty]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect/Builder: Unknown]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://mosqpedia.org/wp-content/uploads/2024/08/UHHp2ZzbkRe8xahZ88VkBI3vO1arFBkzBRGdKDWl.jpeg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://mosqpedia.org/wp-content/uploads/2024/08/WUVO5mXMXBrbOP24V9Hxs2j2eLj52mkxgHUoDzP2.jpeg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://mosqpedia.org/wp-content/uploads/2024/08/oil0llntozkaU3IrOXjpsleV9ABWPTWAabuSo00X.jpeg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://mosqpedia.org/wp-content/uploads/2024/08/PmumD50Hbh43XMII1yjGeJdIEUIKakJV3m06Ubzp.jpeg]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 15th century (Timurid period)<br />
Major reconstruction: 20th centur]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:extent><![CDATA[Large mosque complex surrounding central courtyard (exact dimensions vary by source)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Glazed tilework,<br />
]]></dcterms:medium>
    <dcterms:medium><![CDATA[Brick]]></dcterms:medium>
    <dcterms:medium><![CDATA[Ceramic mosaic]]></dcterms:medium>
    <dcterms:medium><![CDATA[Marble]]></dcterms:medium>
    <dcterms:language><![CDATA[Mazar-e-Sharif, Afghanistan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Golombek, L. and Wilber, D. (1988) The Timurid Architecture of Iran and Turan. Princeton: Princeton University Press.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Canby, S. (n.d.) ‘Timurid Art’. Heilbrunn Timeline of Art History, Metropolitan Museum of Art. Available at: https://www.metmuseum.org/toah/hd/timu/hd_timu.htm (Accessed: [December 1, 2025]).]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Archnet (n.d.) Blue Mosque, Mazar-i-Sharif. Available at: https://archnet.org/ (Accessed: [December 1, 2025).]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[N/A]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 36.7067 N<br />
Longitude: 67.1164 E<br />
]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Timurid architecture (Central Asia)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/203">
    <dcterms:title><![CDATA[Brooklyn Navy Yard Building 77]]></dcterms:title>
    <dcterms:description><![CDATA[Building 77 at the Brooklyn Navy Yard stands as one of the most significant adaptive-reuse transformations in New York City’s industrial landscape. Constructed during World War II as a secure, 16-story reinforced-concrete storage and supply building, it embodied the functional rigor and engineering logic of wartime design: massive floor plates, rigid structural grids, and minimal exterior ornament. Its original envelope, composed of heavy concrete panels and utilitarian windows, conveyed a sense of defense, efficiency, and durability a hallmark of U.S. Navy construction during this era.<br />
The 2017 redevelopment reimagined this once-closed military facility into a vibrant mixed-use center. Large sections of the façade were replaced by a sweeping glass curtain wall, opening the interior to daylight and views while signaling its new civic presence within the Navy Yard campus. The lobby was transformed into a public-access food hall and marketplace, establishing the building as a social anchor in the rapidly revitalizing district. Offices, creative studios, fabrication workshops, and light-industrial tenants now fill floors that once stored wartime materials.<br />
Over time, building 77 has evolved from a fortified military warehouse to a key component of a broader mixed-use innovation district that includes restaurants, shops, galleries, light manufacturing, and tech-focused workplaces. Its renewal reactivated historic industrial spaces, repaired the original concrete frame, improved circulation, and restored the Navy Yard’s role as a center of production now oriented toward 21st-century urban industry. Today, building 77 stands as a testament to the power of adaptive reuse, connecting Brooklyn’s manufacturing past to its innovation-centered future.]]></dcterms:description>
    <dcterms:creator><![CDATA[Founder(s): Original Architect – U.S. Navy Bureau of Yards and Docks. Redevelopment Architects – Beyer Blinder Belle and Marvel Architects<br />
Builder - Builder (Original): U.S. Navy / U.S. Government wartime construction contractors]]></dcterms:creator>
    <dcterms:source><![CDATA[Source 24<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_Building-77-Brooklyn-Navy-Yard_N52-scaled.jpg<br />
Source 25<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_B77_JoshuaSimpson_N22-768x568.jpg<br />
Source 26<br />
https://marveldesigns.com/wp-content/uploads/1508_1706_Building-77-at-The-Brooklyn-Navy-Yard_Daniel-Byrne_N16.jpg<br />
Source 27<br />
https://media.gettyimages.com/id/1464174372/vector/antique-photograph-of-new-york-brooklyn-navy-yard-east-river.jpg?s=612x612&amp;w=0&amp;k=20&amp;c=TRYHt22sA6dlnWttaIiG3J74BR4Bi7hW48yN63sZrPI=<br />
Source 28<br />
https://media.gettyimages.com/id/2171218003/photo/brooklyn-navy-yard-building-77-building-exterior-at-night-brooklyn-new-york-city-new-york-usa.jpg?s=612x612&amp;w=0&amp;k=20&amp;c=9MJ3I1LqJXBhDhRUCpRCrlZFRxOvedAHvFqBbAHg6sQ=<br />
Source 29<br />
https://www.nycrc.com/images/uploads/previousprojects/8-200123105926.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Original Construction – 1941–1942 (WWII-era). Redevelopment – 2014–2017 (major adaptive reuse completed in 2017)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Images 1-6: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Exterior: Wartime Industrial / Modernist Utilitarian (original). Contemporary Industrial (redevelopment)]]></dcterms:format>
    <dcterms:extent><![CDATA[Height: 16 stories (one of the tallest structures in the Brooklyn Navy Yard)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick, concrete, and steal]]></dcterms:medium>
    <dcterms:language><![CDATA[Brooklyn, New York]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source 26<br />
-	Marvel (2025) Building 77, Brooklyn Navy Yard | Marvel. https://marveldesigns.com/project/building-77-brooklyn-navy-yard-arch/.<br />
Source 27<br />
-	Colista, J. et al. (1942) Premium opportunities in the yard’s recently renovated, Multi-Tenant flagship property. report. https://www.brooklynnavyyard.org/wp-content/uploads/2023/07/BNY-BLDG-77_2023-Flyer-Final-507-Flyer.pdf.<br />
Source 28<br />
-	Impressive Click, Inc. (no date) Brooklyn Navy Yard Redevelopment Project IV :: NYCRC. https://www.nycrc.com/project.html?id=22.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[<p>Originally a Late 19th–early 20th-century brick warehouse district (50 acres). Now revised for Mixed-use district: restaurants, shops, galleries, offices, hotels, residential lofts</p>]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[40.69865901876408, -73.9708066516675]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[World War II–Era Military Industrial Architecture]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
