<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/30">
    <dcterms:title><![CDATA[- Temple of Apollo Epicurius at Bassae]]></dcterms:title>
    <dcterms:description><![CDATA[The Temple of Apollo Epicurius at Bassae is a striking enormous and elegant stone structure in a high-altitude mountain of Arkadia. It is formed in a rectangular shape isolated in a rugged slope. Around the structure there are rocky hills and mid-size trees spreaded throughout the mountain. The capital of the central column is the most ancient, conserved Corinthian capital. It contains 15 columns and 6 columns on the longer side. The temple is rested on a three stepped platform with thick doric columns holding the building.  The building is grey and over centuries old with the roof currently nonexistent. The temple has a main chamber made by marble.]]></dcterms:description>
    <dcterms:creator><![CDATA[- Artichitect Iktinos (Ictinus) ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://www.thecollector.com/the-temple-of-apollo-epicurius-of-bassae-the-odd-temple/<br />
Image 2: https://whc.unesco.org/en/list/978<br />
image 3: https://apollotemple.ilia-olympia.org/en/home-2/]]></dcterms:source>
    <dcterms:date><![CDATA[- Starts construction 450 BCE <br />
- Column and Wall construction 430 BCE<br />
- Roof construction 420 BCE<br />
- Construction completed 400 BCE]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative comments<br />
Image 2: Creative comments<br />
Image 3: Creative comments]]></dcterms:license>
    <dcterms:format><![CDATA[- Corinthian style<br />
]]></dcterms:format>
    <dcterms:extent><![CDATA[- Rectangular layout measuring approximately:<br />
    - 38.5 meters in length.<br />
    - 14.5 meters in width. <br />
    - 10.4 meters from the floor to roof. <br />
- 1,200 meters above sea level. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Grey Limestone used primarily for columns and walls.<br />
- Parian Marble  used for roof tiles.<br />
- Iron &amp; bronze. <br />
- Wood for roof beams or maintenance. ]]></dcterms:medium>
    <dcterms:language><![CDATA[-  Western Peloponese , Mountains of Arkardia, Greece]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Dragatakis, Michail. “Discover the Temple of Apollo Epicurius at Bassae: The Odd Temple.” TheCollector, January 17, 2020. https://www.thecollector.com/the-temple-of-apollo-epicurius-of-bassae-the-odd-temple/.<br />
<br />
- “Old Town of Corfu.” UNESCO World Heritage Centre. https://whc.unesco.org/en/list/978<br />
<br />
- Ephorate of Antiquities of Ilia. “Temple of Apollo Epicurius. https://apollotemple.ilia-olympia.org/en/home-2/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[d37.430057725313745, 21.899942293194407]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[- Classical Period, Ancient Greece ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/31">
    <dcterms:title><![CDATA[Sannai-Maruyama Longhouse]]></dcterms:title>
    <dcterms:description><![CDATA[The largest of its kind, the building is a longhouse measured to be 32 meters in length and 9.8 meters in width, with a floor area of approximately 250 square meters. It takes an oval shape on a pitted floor. Its internal structure or skeleton consists of wood pillars, likely made from chestnut, a feature that can be found in surrounding buildings within the community. By modern standards, the longhouse&#039;s aesthetics could be described as primitive. The exterior is naturalistic, showcasing the raw materials used in its construction. Specifically, supported by the pillars is a thatched roof. As the building is slightly underground, there are stair entrances on each length of the structure; for modern accessibility, a ramped entrance is also provided. The entrances are defined by their doors, propped open from bottom to top, made of a similar material to the exterior. The building is a modern model of prehistoric, Jomon-era architecture and culture.<br />
<br />
Since the building’s recreation and opening in 1995,  it has been primarily used for public education, with the site&#039;s connections to the Jomon Jiyukan (a nearby museum).  In its time period, however, the original building was likely a communal space. As Jomon society became increasingly sedentary, communities such as those surrounding the structure developed. Its large size allowed these communities to gather.]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron - Aomori Prefecture Government (Acting Governor Masaya Kitamura)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 - 140913_Sannai-Maruyama_site_Aomori_Japan02bs5<br />
(https://upload.wikimedia.org/wikipedia/commons/3/31/140913_Sannai-Maruyama_site_Aomori_Japan02bs5.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2 - 140913 Sannai-Maruyama site Aomori Japan03s.jpg<br />
(https://upload.wikimedia.org/wikipedia/commons/b/be/140913_Sannai-Maruyama_site_Aomori_Japan03s.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3 - Sannai IMG 20161009 135532.jpg (https://upload.wikimedia.org/wikipedia/commons/2/29/Sannai_IMG_20161009_135532.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Middle Jomon (3900-2200 BC) - Longhouse initially constructed ]]></dcterms:date>
    <dcterms:date><![CDATA[1992 - Existence of large Jomon community discovered]]></dcterms:date>
    <dcterms:date><![CDATA[1994 - Conservation efforts and reconstruction begins]]></dcterms:date>
    <dcterms:date><![CDATA[1995 - Archeological park opens with model of Jomon village]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1 - Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2 - Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3 - Creative Commons ]]></dcterms:license>
    <dcterms:format><![CDATA[Jōmon Pit Dwelling]]></dcterms:format>
    <dcterms:extent><![CDATA[Floor Area - 32 meters x 9.8 meters ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood, thatch]]></dcterms:medium>
    <dcterms:language><![CDATA[Aomori, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[“Sannai Maruyama Site: Remains and Reconstructed Models of Large Pit‑Dwellings.” Sannai Maruyama: World Heritage Jōmon Prehistoric Sites in Northern Japan. Aomori Prefecture. https://sannaimaruyama.pref.aomori.jp/english/about/remains-dwellings/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[UNESCO. “Jōmon Prehistoric Sites in Northern Japan.” UNESCO World Heritage Centre. https://whc.unesco.org/en/list/1632/.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[“Sannai Maruyama Site — Information.” Sannai Maruyama: World Heritage Jōmon Prehistoric Sites in Northern Japan. Aomori Prefecture.  https://sannaimaruyama.pref.aomori.jp/english/information/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[“Japan: Heads of State / Heads of Government and Major Officials.” Rulers.org. http://rulers.org/jappref.html]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.810648177449984, 140.69669281125968]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Jomon Period (14,000 and 300 BCE)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/33">
    <dcterms:title><![CDATA[Fuego Escobar Cafe]]></dcterms:title>
    <dcterms:source><![CDATA[Image 1: https://gr.polomap.com/en/αγρίνιο/10580#google_vignette]]></dcterms:source>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1:  Creative Comments]]></dcterms:license>
    <dcterms:spatial><![CDATA[38.6269336583683, 21.4085341926049]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/34">
    <dcterms:title><![CDATA[Itsukushima Shinto Shrine]]></dcterms:title>
    <dcterms:description><![CDATA[<div class="IDuMPvxVjTp5J16Nkg0n">
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<div class="WXrzJ3057jo1PQxe41tn">
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<p class="w7sjNrXZl6krNFFuZhqE"><em>Itsukushima Shinto Shrine is located on Miyajima Island, partially elevated over the water on wooden stilts. Its design is axial, comprising long, covered corridors which connect to the world-famous “floating” torii gate in the bay. The building is low and horizontal in design to convey harmony with the coastline. Constructed of wooden posts and beams painted bright vermilion, it has tiled roofs that curve upward at its edges. Everything is simple, but the surfaces are striking, columns repeat, and shadows are rhythmic, accentuating the corridors. The open sides of the halls shine with natural light, while the water below glints off them; the halls, for example, appear glowy at high tide. The primary materials used are cypress wood and stone footings to sustain tides and earthquakes. The constructed shrine incorporates elements of the sea and of the mountain surroundings. With the “floating” form, it becomes clear the sacred purity of one, harmony with nature, and the spiritual boundaries between human and divine worlds.</em></p>
</div>
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</div>]]></dcterms:description>
    <dcterms:abstract><![CDATA[Itsukushima Shinto Shrine is one of Japan’s most iconic religious sites.]]></dcterms:abstract>
    <dcterms:abstract><![CDATA[The shrine is a masterpiece of Shinto design that shows purity, ritual, and the spirituality of natural landscapes.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Patron: Taira no Kiyomori]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architec: Unknow]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: hirotoridef copie-L.png <br />
https://photos.smugmug.com/Trips/Japan-2016/i-xHm2gZ3/0/L/hirotoridef%20copie-L.png]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Itsukushima-Shrine.png<br />
https://www.covingtontravel.com/wp-content/uploads/2023/11/Itsukushima-Shrine.png]]></dcterms:source>
    <dcterms:date><![CDATA[Started in 593 CE (traditionally attributed to Saeki no Kuramoto)]]></dcterms:date>
    <dcterms:date><![CDATA[reconstructed in 1168 CE (by Taira no Kiyomori)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Shinden-zukuri style]]></dcterms:format>
    <dcterms:extent><![CDATA[275 ft long corridor]]></dcterms:extent>
    <dcterms:extent><![CDATA[floating&quot; torii gate]]></dcterms:extent>
    <dcterms:medium><![CDATA[wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Set on pier-like stilts over the sea]]></dcterms:medium>
    <dcterms:language><![CDATA[Hatsukaichi, Hiroshima Prefecture, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[&quot;Itsukushima Shrine at high tide&quot; by Bernard Gagnon – Wikimedia Commons (https://commons.wikimedia.org/wiki/File:Itsukushima_Shrine_at_high_tide.jpg)]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[UNESCO World Heritage Centre. “Itsukushima Shinto Shrine.” https://whc.unesco.org/en/list/776/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Coaldrake, William H. Architecture and Authority in Japan. Routledge, 1996.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[UNESCO World Heritage Site (1996)]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 34.2950° N<br />
Longitude: 132.3190° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Heian Period, Japan]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/35">
    <dcterms:title><![CDATA[Karnak Temple]]></dcterms:title>
    <dcterms:date><![CDATA[2055 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stanley Ojibeka]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Sandstone, limestone, and granite]]></dcterms:medium>
    <dcterms:language><![CDATA[ Karnak, Luxor, Luxor Governorate, Egypt]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[25° 43&#039; 10.5420&#039;&#039; N and 32° 39&#039; 20.9052&#039;&#039; E.<br />
People also ask]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Middle Kingdom (1971 BC) ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/37">
    <dcterms:title><![CDATA[Shōkōken Tea House, Kōkō-en Garden]]></dcterms:title>
    <dcterms:description><![CDATA[<p style="font-weight:400;"><em>The Shōkōken Tea House is a small rectangular building that has a single low level with a sloping tiled roof. It has a very simple frame. It’s surrounded by the garden. It is a single-story structure. The entrance is low and modest, it is requiring visitors to bow slightly as they step inside. The floor is covered with tatami mats. The Circulation is minimal, visitors enter directly into the tearoom, which opens visually to the garden through sliding doors. Movement is calm, controlled, and ceremonial, and it’s divided into a 4.5-mat layout. Sliding shōji screens open toward the garden, letting in soft, diffused light. The structure is simple, and the materials used in this tea house are wooden posts, plaster walls, and bamboo details. Inside the house, there are ornaments, and only natural textures of wood and paper, with shadows shifting gently across the space.</em></p>]]></dcterms:description>
    <dcterms:description><![CDATA[<em>Interpretive reading: This tea house was built for quiet gatherings and the ritual of the tea ceremony. Its small scale creates intimacy, while the natural materials encourage harmony with nature. The humble entrance and minimal decoration reflect the values of wabi-sabi, finding beauty in simplicity. Unlike nearby castles or temples, the tea house is not about power but about refinement, reflection, and calm. It serves as a cultural balance, offering a place for stillness and connection.</em>]]></dcterms:description>
    <dcterms:abstract><![CDATA[<em>The Shōkōken Tea House was built in 1992 and was a part of Kōkō-en Garden to celebrate Himeji City’s 100th anniversary.</em>]]></dcterms:abstract>
    <dcterms:abstract><![CDATA[<em>The visitors will experience the aesthetics of Japanese tea ceremony culture in close proximity to Himeji Castle, that balances the monumental military architecture with domestic cultural refinement.</em>]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Builder: Himeji City and local craftsmen specializing in traditional Japanese tea houses]]></dcterms:creator>
    <dcterms:creator><![CDATA[Architect: Unknown (constructed in traditional style by preservation teams)]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: kokoengarden3.jpg<br />
https://www.japan-experience.com/sites/default/files/images/content_images/kokoengarden3.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Koko-en-Garden05-640x400.jpg<br />
https://visit-himeji.com/wp/wp-content/uploads/2022/12/Koko-en-Garden05-640x400.jpg]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Koko-en-Garden04-640x400.jpg<br />
https://visit-himeji.com/wp/wp-content/uploads/2022/12/Koko-en-Garden04-640x400.jpg]]></dcterms:source>
    <dcterms:date><![CDATA[Completed: 1992]]></dcterms:date>
    <dcterms:contributor><![CDATA[Mursal Abdullah]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Traditional Japanese]]></dcterms:format>
    <dcterms:extent><![CDATA[Tea room interior:  73 square feet<br />
]]></dcterms:extent>
    <dcterms:extent><![CDATA[Landscaped garden: 3.5 hectares  (376,700 square feet)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Plaster]]></dcterms:medium>
    <dcterms:medium><![CDATA[Bamboo]]></dcterms:medium>
    <dcterms:medium><![CDATA[Tile]]></dcterms:medium>
    <dcterms:language><![CDATA[Himeji, Hyōgo Prefecture, Japan]]></dcterms:language>
    <dcterms:type><![CDATA[Domestic]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Coaldrake, William H. Architecture and Authority in Japan. Routledge, 1996.<br />
https://archive.org/details/architectureauth0000coal ]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[Japan National Tourism Organization. “Himeji’s Other Star – Kōkō-en Garden.” Travel Japan Blog, May 31, 2007<br />
https://www.japan.travel/en/us/blog/himeji-koko-en-garden/ ]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Located within Kōkō-en Garden, adjacent to Himeji Castle (UNESCO World Heritage Site).]]></dcterms:coverage>
    <dcterms:spatial><![CDATA[Latitude: 34.8337° N<br />
Longitude: 134.6928° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Heisei Period, Japan (1992)]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/38">
    <dcterms:title><![CDATA[The Great Ziggurat of Ur]]></dcterms:title>
    <dcterms:abstract><![CDATA[In progress]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Ur-Nammu - Builder &amp; Ruler of the Sumerian Third Dynasty of Ur]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Geena_Truman: (https://www.bbc.com/travel/article/20220822-the-ziggurat-of-ur-iraqs-answer-to-the-pyramids)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: Drawing_of_the_Ziggurat_of_Ur,_Iraq,_by_Marjorie_V._Duffell_for_C._L._Woolley,_1937: (https://upload.wikimedia.org/wikipedia/commons/1/18/Drawing_of_the_Ziggurat_of_Ur%2C_Iraq%2C_by_Marjorie_V._Duffell_for_C._L._Woolley%2C_1937.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: Leonard Woolley, photo with excavation workers, c. 1923–24, featuring the ziggurat of Ur, c. 2100 B.C.E., Tell el-Mukayyar, Iraq (photo: Penn Museum, Philadelphia): (https://smarthistory.org/ziggurat-of-ur/)]]></dcterms:source>
    <dcterms:date><![CDATA[c. 2040 BCE - Construction Started]]></dcterms:date>
    <dcterms:date><![CDATA[c. 2000 BCE - Completed]]></dcterms:date>
    <dcterms:contributor><![CDATA[Markeita Durham-Brinkley]]></dcterms:contributor>
    <dcterms:format><![CDATA[Neo-Sumerian ziggurat architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[Length: 64 meters (210 ft)]]></dcterms:extent>
    <dcterms:extent><![CDATA[Width: 46 meters (150 ft)]]></dcterms:extent>
    <dcterms:extent><![CDATA[Original Height (speculative): Over 30 meters (98 ft)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Mudbrick]]></dcterms:medium>
    <dcterms:language><![CDATA[Nasiriyah, Iraq]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[1. https://smarthistory.org/ziggurat-of-ur/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[2. https://en.wikipedia.org/wiki/Ziggurat_of_Ur]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[Latitude: 30.9628° N <br />
Longitude: 46.1032° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Third Dynasty of Ur / Early 21st Century BCE]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/39">
    <dcterms:title><![CDATA[The Palace of Shaki Khans]]></dcterms:title>
    <dcterms:description><![CDATA[Building Description: Located in Shaki, northwestern Azerbaijan, the Palace of Shaki Khans is a two-story building, used as a summer residence for the Shaki khans. The exterior of the building has an area size of 300 square meters, and was primarily constructed using raw bricks, river stones, wood, which usually consist of plane and oak. The interior, however, was primarily constructed with shebeke, a type of color glass created by Azerbaijani craftspeople, wood, venetian glass.  <br />
<br />
...]]></dcterms:description>
    <dcterms:creator><![CDATA[Builder: Muhammed Hasan Khan]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 Palace_of_Shaki_Khans.jpg: (https://upload.wikimedia.org/wikipedia/commons/2/29/%C5%9E%C9%99ki_xan_saray%C4%B1.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[Completed: 1797]]></dcterms:date>
    <dcterms:contributor><![CDATA[Markeita Durham-Brinkley]]></dcterms:contributor>
    <dcterms:format><![CDATA[Eastern/Iranian and Azerbaijani architecture  ]]></dcterms:format>
    <dcterms:extent><![CDATA[Area Size: 300 square meters ]]></dcterms:extent>
    <dcterms:extent><![CDATA[Two-story structure ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Exterior: Raw Bricks]]></dcterms:medium>
    <dcterms:medium><![CDATA[Exterior: River Stones]]></dcterms:medium>
    <dcterms:medium><![CDATA[Exterior: Wood (Plane &amp; Oak)]]></dcterms:medium>
    <dcterms:medium><![CDATA[Interior: Shebeke]]></dcterms:medium>
    <dcterms:medium><![CDATA[Interior: Wood]]></dcterms:medium>
    <dcterms:medium><![CDATA[Interior: Venetian Glass]]></dcterms:medium>
    <dcterms:language><![CDATA[Shaki, northwestern Azerbaijan]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:spatial><![CDATA[Latitude: 41.2044° N<br />
Longitude: 47.1976° E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[18th Century, Azerbaijan]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/40">
    <dcterms:title><![CDATA[Waco Texas Shotgun house]]></dcterms:title>
    <dcterms:description><![CDATA[The renovated structure has a primary long, rectangular, vertical form in its layout. There are minimal levels to the house. Including a second story with a balcony. Though it is worth noting that compared to other examples of this style of build, this structure presents bigger and more profound. There are 2 doors (front and back). It includes a simplistic walk route through the structure which includes a dropdown set of stairs to get to the next level. Its interior patterns are that of high-quality domestic ones, with each room through the walkway being stylized and standing out on its own. On the outside, the blue stands out as the main color. It blends well with the orange-ish accents on the entrance pillars and surrounding windows. Light enters through the windows and additional entrances of the sort. Stucco helps make up the exterior of the structure. In addition wood materials are used throughout. There is some gating placed left of the front of the house. While not necessarily historical or cultural. Its notoriety due to its involvement on television helps propel the attention and the importance of the building type and its style’s kind going forward.<br />
<br />
<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[(renovators) Chip and Joanna Gaines]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:  The-Shotgun-House(Official)<br />
<br />
https://www.isoldmyhouse.com/what-happened-to-the-homes-from-fixer-upper-after-the-cameras-stopped/]]></dcterms:source>
    <dcterms:date><![CDATA[Originally built in 1920]]></dcterms:date>
    <dcterms:date><![CDATA[renovated in 2016]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:extent><![CDATA[1,050 square ft.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stucco and wood accents ]]></dcterms:medium>
    <dcterms:language><![CDATA[Waco, Texas, United States of America]]></dcterms:language>
    <dcterms:bibliographicCitation><![CDATA[https://www.realtor.com/news/unique-homes/fixer-upper-shotgun-house-still-for-sale/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://magnolia.com/blogs/article/shotgun-house?srsltid=AfmBOorxbpgvZhRNShiPjenSZZuI1DT34RTTCfdYX4-NViDzqtQfChMZ]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.expedia.com/Waco-Hotels-The-Shotgun-House.h107061245.Hotel-Information]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.isoldmyhouse.com/what-happened-to-the-homes-from-fixer-upper-after-the-cameras-stopped/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[31.55073544599107, -97.12780509217103]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/41">
    <dcterms:title><![CDATA[Ta Prohm]]></dcterms:title>
    <dcterms:description><![CDATA[This Temple structure is an example of a Flat Temple, well known in the region. Consisting of a flat square base, walls surrounding it, a Gopura or entrance gate on each of the walls. These are stepped gates larger than the wall itself. Each facing the cardinal directions. The out facing surfaces of these entrances are decorated with Hindu and Buddhist imagery. Inside the walls are 5 more rectangular enclosures, one inside the next. At the center sits the main Temple, a rectangular main building with a stepped pyramid like tower raising from its center. Each enclosure has a similar smaller structure, including tower. <br />
The outstanding detail that makes this temple so unique is it&#039;s relationship with the surrounding jungle. Unlike similar temples of this style, conservation efforts focused on keeping this temple in a state of disrepair, as the jungle had reclaimed much of its surface. Now visitors can observe as its courtyards and structures are adorned with both manmade and natural designs. Such as trees growing from between the stone blocks. The entire stone structure is covered in a slight layer of earth and moss. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Khmer King Jayavarman VII]]></dcterms:creator>
    <dcterms:creator><![CDATA[Abandoned when the Khmer Dynasty fell ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Rediscovery and conservation efforts done by French archeologists  ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Ta Prohm (III).jpg <a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_(III).jpg">(https://commons.wikimedia.org/wiki/File:Ta_Prohm_(III).jpg)</a><br /><br />Image 2: <span class="mw-page-title-main"><span class="mw-page-title-main">Ta Prohm reclaimed from forest.jpg (<a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed_from_forest.jpg">https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed_from_forest.jpg</a>)<br /><br />Image 3: </span></span><span class="mw-page-title-main">Ta Prohm reclaimed.jpg (<a href="https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed.jpg">https://commons.wikimedia.org/wiki/File:Ta_Prohm_reclaimed.jpg</a>)</span>]]></dcterms:source>
    <dcterms:date><![CDATA[Construction: Founded in 1186 CE]]></dcterms:date>
    <dcterms:date><![CDATA[Abandonment: 15th Century ]]></dcterms:date>
    <dcterms:date><![CDATA[Rediscovery: Early 20th Century ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons <br />
<br />
Image 2: Creative Commons <br />
<br />
Image 3: Creative Commons ]]></dcterms:license>
    <dcterms:extent><![CDATA[The Entire Compound is 65 Hectares. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sandstone ]]></dcterms:medium>
    <dcterms:language><![CDATA[Krong Siem Reap ,Cambodia]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:spatial><![CDATA[13.43488242203669, 103.8893645126216]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Bayan Period, Medieval South East Asia]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
