<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/240">
    <dcterms:title><![CDATA[Palacio Postal ]]></dcterms:title>
    <dcterms:description><![CDATA[The buildings is rich with ornaments and arches, columns, carved stone and symmetrical all around. The structure is supported by a steel and iron framework, creates expansive, open interior spaces beneath soaring ceilings. A central dome rises above the building, serving as a vertical focal point. The exterior showcases bronze doors, iron balconies, and decorative ceramic tiles. Inside, there is a  marble staircases, mezzanines, and vaulted ceilings that emphasizes the elegance.]]></dcterms:description>
    <dcterms:creator><![CDATA[Adamo Boari ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1,2,3 &amp; 4 : https://architectuul.com/architecture/postal-palace-of-mexico-city ]]></dcterms:source>
    <dcterms:date><![CDATA[- 1902: Construction begins.<br />
- 1907: Construction completed.<br />
]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2,3 &amp; 4 : creative comments]]></dcterms:license>
    <dcterms:format><![CDATA[- Neo-Renaissance]]></dcterms:format>
    <dcterms:extent><![CDATA[- The building covers a footprint of 7,200 meters and having 4 main floors plus a basement. <br />
- the maximum height is 30 meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Steel.<br />
- Iron.<br />
- Concrete.<br />
- Stone.<br />
- Marble.<br />
- Brick.]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico. ]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Architectuul, 2016. Postal Palace of Mexico City.  https://architectuul.com/architecture/postal-palace-of-mexico-city <br />
]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.435629822256416, -99.14026938650888]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early Modern era.]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/239">
    <dcterms:title><![CDATA[Palacio de Bellas Artes]]></dcterms:title>
    <dcterms:description><![CDATA[The Palacio de Bellas Artes is an enormous and stunning structure located in Mexico City. Its exterior is clad in glossy white marble, giving it a majestic and sophisticated appearance. The roof features a prominent dome with vibrant tiles that are visible from a distance. Surrounding the building are elevated columns and intricate carvings that highlight its artistic design. Stained glass windows allow light to enter, casting colorful patterns on the exterior. Additionally, metal beams are used to ensure its stability due to the soft ground in Mexico City. Combining marble, metal, glass, and a colorful roof, the Palacio exudes both strength and elegance.]]></dcterms:description>
    <dcterms:creator><![CDATA[Adamo Boari]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://www.britannica.com/topic/Palacio-de-Bellas-Artes-Mexico-City<br />
<br />
Image 2:  https://commons.wikimedia.org/wiki/File:Palacio_de_Bellas_Artes_de_Noche.jpg<br />
<br />
Imagine 3: https://puntodincontro.mx/articoli2018/italianimessico25022018-2.htm]]></dcterms:source>
    <dcterms:date><![CDATA[1904: Construction begins.<br />
1934: Construction completed.<br />
1994: Renovations and underground parking constructed. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2 &amp; 3 : Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Neoclassical ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The footprint of the building is 120 meters while being 60 meters wide.<br />
- The height reaches 67 meters about street level. <br />
- The total area in which the building occupies is 40,000 square meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- White Italian Carrara marble<br />
- Iron<br />
- Steel<br />
- Glass<br />
- Copper<br />
- Bronze<br />
- Wood]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Britannica (n.d.) Palacio de Bellas Artes, Mexico City, Encyclopaedia Britannica. https://www.britannica.com/topic/Palacio-de-Bellas-Artes-Mexico-City<br />
<br />
- Palacio de Bellas Artes de Noche (n.d.) Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Palacio_de_Bellas_Artes_de_Noche.jpg <br />
<br />
- Puntodincontro (2018) Adamo Boari, l’architetto della cultura. https://puntodincontro.mx/articoli2018/italianimessico25022018-2.htm]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.435280939898053, -99.14123218650775]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early Modern Era.]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/238">
    <dcterms:title><![CDATA[Alameda central]]></dcterms:title>
    <dcterms:description><![CDATA[The park features a rectangular layout with geometric pathways, fountains, and plazas, reflecting Spanish Colonial design influences. It spans approximately 9.2 hectares and contains over 500 trees, lawns, flowerbeds, and ornamental shrubs, providing a lush urban green space. It contains numerous statues and fountains that serve as both decorative and cultural landmarks. The park’s paved marble and stone pathways are complemented by iron fences, benches, and lamp posts, enhancing its historic character. Alameda Central continues to function as a lively hub for recreation, social gatherings, and heritage preservation.]]></dcterms:description>
    <dcterms:creator><![CDATA[- Viceroy Luis de Velasco ll.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 &amp; 2: https://commons.wikimedia.org/wiki/User:ProtoplasmaKid#Galleries<br />
Image 3: https://www.nypl.org/research/collections/online-resources-databases]]></dcterms:source>
    <dcterms:date><![CDATA[- 1592: Official creation of the first formal public park in the Americas.<br />
- 1770: Expansion and redesign.<br />
- 1791: Expansion with wooden fence.<br />
- 19th century: Major additions like statues, fountains, and gas lighting.<br />
- 2012: New marble paving, improved vegetation, and pedestrian enhancements. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2, &amp;3: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Spanish Colonial ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The park is medium size with the length being 450 meters and width being 250 meters.<br />
- The park is rectangular located in the center of the city. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Marble.<br />
- Stone.<br />
- Concrete. <br />
- Bronze.<br />
- Metal. <br />
- Iron.<br />
- Soil, Grass, and Trees ]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico. ]]></dcterms:language>
    <dcterms:type><![CDATA[Garden]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Wikimedia Commons (2025) User: ProtoplasmaKid – Galleries.<br />
<br />
- The New York Public Library (no date) Online Resources &amp; Databases. ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.436038574406798, -99.14397141534513]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial era. ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/237">
    <dcterms:title><![CDATA[Angel of independence]]></dcterms:title>
    <dcterms:description><![CDATA[This towering monument is commemorating 100 years of  Mexico’s independence. The statue is a tall with a figure outstretching their wings forming a with curved arc behind it. The body is elegant and upright while slightly leaning forward. One arm extends upward holding a small circular object while the other hand is angled downward. The head is a small oval shaped at the top of the body. The base of the statue is rounded and symmetrical with the statue. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Antonio Rivas Mercado ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1,3, &amp; 4: https://historicalmx.org/items/show/37<br />
Image 2: https://sacyr.com/en/-/la-modelo-que-inspiro-el-angel-de-la-independencia]]></dcterms:source>
    <dcterms:date><![CDATA[- 1902: Start of construction.<br />
- 1910: Construction completed.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2, 3, &amp; 4: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Neoclassical ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The height Is 45 meters]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Steel.<br />
- Stone.<br />
- Bronze.<br />
- Marble.]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Miller, J. (no date) The Angel of Independence. HistoricalMX. https://historicalmx.org/items/show/37<br />
<br />
- Rubio Arroyo, I. (2023) The model who inspired the Angel of Independence. Sacyr. https://sacyr.com/en/-/la-modelo-que-inspiro-el-angel-de-la-independencia ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.427030717998996, -99.16766640522445]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Early Modern Era]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/235">
    <dcterms:title><![CDATA[The Professed: Temple of San Felipe Neri]]></dcterms:title>
    <dcterms:description><![CDATA[Today the Church La Profesa stands as an elegant example of Mexican baroque architecture in the hearth of Mexico city. The front has twin bell towers and intricate stonework flanking a central entrance. The main entrance draws you in with a beautiful carved portal framed by floral motifs and religious figured. At the top there is a curved pediment that adds a sense of movement and elegance all around the building. The windows that the top are arched that each reveal a glimpse of the interior. The textured stone and carefully places pilasters create a pattern that gaze upward towards the towers in the sky. The exterior combines elegance, symmetry and rich patterns to stand out in the streets of Mexico City. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Pedro De Arrieta lead reconstruction]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 &amp; 2: https://profesa.oratorio.mx/profesa/<br />
Image 3: https://bibliotecadigital.ilce.edu.mx/sites/1847/patria/textos/sec_12.html#ID1563<br />
Image 4: https://web.archive.org/web/20110719071627/http://www.palaciomineria.unam.mx/arquitectura/obra_arquitectonica_4.php]]></dcterms:source>
    <dcterms:date><![CDATA[1585 : Church began construction.<br />
1629: Church was damaged by flood. <br />
1714: Reconstruction begins. <br />
1720: Reconstruction has finished.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2,3 &amp; 4 : Public Domain. ]]></dcterms:license>
    <dcterms:format><![CDATA[Mexican Baroque]]></dcterms:format>
    <dcterms:extent><![CDATA[- A medium size church with the length of 55 meters and width of 55 meters. <br />
- The tallest point reachers 67 meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Stone.<br />
- Brick.<br />
- Marble.<br />
-Wood.]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Templo de San Felipe Neri – La Profesa (n.d.) La Profesa – Oratorio de San Felipe Neri de México. <br />
<br />
- En defensa de la patria: México en armas 1846‑1848 – Sec. 12 (n.d.) Biblioteca Digital ILCE. <br />
<br />
- Obra arquitectónica – Palacio de Minería (n.d.) Palacio de Minería, F.I., UNAM. ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.433619074698605, -99.1363670268441]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial Period]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/234">
    <dcterms:title><![CDATA[Palacio National]]></dcterms:title>
    <dcterms:description><![CDATA[The Palacio National stretches along the east side of Mexico city zocalo. Its long facade and striking red stones, contrasting white accents around the windows, doors, and columns make it vibrant and noticeable. The structure is mainly rectangular with a consistent symmetrical arches running all around the ground floor. The building is two stories  along most of its length with an additional third floor. The central balcony is iconic for the independence bell. Its tall rectangular windows are evenly spaced, each framed in white stone that emphasized the palaces horizontal scale. Additionally there are four interior courtyards that are hinted through the symmetry and spacing of the doors. There are decorative iron balconies around the central section. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Hernån cortés.<br />
Diego Rivera.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 &amp; 2: https://www.lonelyplanet.com/mexico/mexico-city/centro-historico/attractions/palacio-nacional/a/poi-sig/1146705/1342806<br />
Image 3: https://www.storiesbysoumya.com/national-palace-mexico-city/<br />
Image 4 &amp; 5: https://www.flickr.com/photos/teufelgt/4155776620<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[1522: Palace finished construction.<br />
1682: Reconstruction due to a fire.<br />
1821: Renamed Palacio National after Mexican independence. <br />
1850: assoditions of Mariana door and interior modifications.<br />
1926: Third floor added to the palace.<br />
1935: Diego revers famous mural painting.<br />
2018: Became once again the presidential residence. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1, 2 , &amp; 3: Creative Comments. <br />
Image 4 &amp; 5: Public Domain. <br />
]]></dcterms:license>
    <dcterms:format><![CDATA[Mexican Baroque. ]]></dcterms:format>
    <dcterms:extent><![CDATA[- The palace is humungous and expansive with 200 meters of length and 80 meters of width.<br />
-The tallest point reaches 35 meters.]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Stone.<br />
- Wood.<br />
- Ceramic Tiles.<br />
- Metal.<br />
- Pigments and Plaster.<br />
<br />
]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico. ]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Lonely Planet (no date) Palacio Nacional | Centro Histórico, Mexico City | Attractions.<br />
<br />
- Stories by Soumya (2023) Mexico City National Palace: The Best Visitor’s Guide For 2024.<br />
<br />
- teufelgt (no date) P1070342. Flickr. ]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.433008211561386, -99.13131018465484]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial era]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/233">
    <dcterms:title><![CDATA[Casa de los Azulejos.]]></dcterms:title>
    <dcterms:description><![CDATA[Casa de los Azulejos rises from the streets of Mexico City like a jewel of colonial elegance. Its upper floors shines with thousands of blue and white Talavera tiles, arranged in i geometric and floral patterns that catch the sunlight.  The solid gray volcanic stone of the ground floor anchors the building, providing a stark contrast to the airy brilliance above. Corners and edges are finely carved stone details, framing the vibrant mosaics and infusing the structure with a sense of opulence. All the patterns following to the top of the building crowns the building gracefully, completing its harmonious proportions. From every angle, Casa de los Azulejos captivates the eye by seamlessly blending Baroque architectural precision with the lively colors and textures of traditional Mexican craftsmanship.]]></dcterms:description>
    <dcterms:creator><![CDATA[- Condes del Valle de Orizaba.<br />
- Luis de vivero.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image: 1,2,3, &amp; 4: https://mexicocity.cdmx.gob.mx/venues/la-casa-de-los-azulejos/<br />
Image 5:https://archive.org/details/moonhandbooksmex00chri/page/34/mod            e/2up]]></dcterms:source>
    <dcterms:date><![CDATA[- 1600: Original  building on the site constructed.<br />
- 1720: Early renovations and expansions made by noble families. <br />
- 1793: Reconstruction and remodeling.<br />
- 18th century: Application of blue and white Puebla talavera tiles. <br />
- 20th century: Minor modifications and adaptive reuse. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2,3,&amp; 4: Public Domain.<br />
Image 5: Creative comments.]]></dcterms:license>
    <dcterms:format><![CDATA[Mexican Baroque.]]></dcterms:format>
    <dcterms:extent><![CDATA[-Two story massive building. <br />
-  The tallest point of this building is 9.3 meters.]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Stone.<br />
- Wood.<br />
- Ceramic Tiles. <br />
- Iron.]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico.]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Humphrey, C. (2005) Moon Handbook Mexico City. 3rd edn. Emeryville, Calif.: Avalon Travel. <br />
<br />
- Ciudad de México (n.d.) La Casa de los Azulejos. Available at]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.434196106121156, -99.14020295767119]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial era]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/232">
    <dcterms:title><![CDATA[Chapultepec Castle]]></dcterms:title>
    <dcterms:description><![CDATA[The castle sits majestically at the top of Chapultepec hill. The light colored stone with sturdy columns support the castle terraces. This enhances the structural stability and visually.  The columns stretches horizontally across the hill creating huge courtyards and terraces. The towers are vertically emphasized and thick. Arched windows of varying sizes and decorative balconies break the mass of the walls, creating a rhythmic and elegant pattern. Wide stone staircases connect the terraces, emphasizing the castle’s layered, stepped form. Roofs are covered in traditional clay tiles, complementing the castles historic and timeless aesthetic. <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[- Miguel Constanzo.<br />
- Anotonio Gonzalez De Velasco.<br />
- Adolfo Campillo.<br />
- Carl Gangolf.]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1,2,3, &amp; 4: https://www.themagazineantiques.com/article/museum-visit-chapultepec-castle-in-mexico-city/]]></dcterms:source>
    <dcterms:date><![CDATA[1785: Construction begins under Juan Vicente De Guemes<br />
1791: Expansion and remodeling<br />
1864: Renovations begin adding gardens, terraces and European style interior.<br />
1914: Adapted as the Mexican military academy.<br />
1940: Converted into the national museum of history with restoration and preservation work. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2,3, &amp; 4: Public domain.]]></dcterms:license>
    <dcterms:format><![CDATA[Neoclassical]]></dcterms:format>
    <dcterms:extent><![CDATA[- The elevation from the sea is 7,628 feet and 200 meters sitting on a hill above terrain. <br />
- The castle is 10,000 square meters while including terraces, gardens and courtyards. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Stone.<br />
- Masonry.<br />
- Wood.<br />
- Iron.<br />
- Stucco and plaster.<br />
- Tiles.<br />
 - Volcanic Stone. ]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico ]]></dcterms:language>
    <dcterms:type><![CDATA[Palace-Castle]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Dalati, S., 2023. Museum visit: Chapultepec Castle in Mexico City. The Magazine Antiques, 3 May. \/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.42055086996949, -99.18189009182335]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Colonial Era ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/231">
    <dcterms:title><![CDATA[Templo Mayor ]]></dcterms:title>
    <dcterms:description><![CDATA[<p>The Templo Mayor in Mexico City stands as the excavated remains of the principal sacred pyramid of ancient Tenochtitlan, once the spiritual and ceremonial heart of the Aztec Empire. Initially, it was a towering stepped pyramid adorned with twin temples dedicated to the gods Huitzilopochtli and Tlaloc. Its construction involved successive layers that progressively ascended in height with each reconstruction. Today, the site reveals exposed stone platforms, staircases, shrines, and offerings that showcase centuries of religious activity. It stands as an open air archaeological site in the historic center of mexico city. Its surrounding museum displays many of the extraordinary objects uncovered during excavation, allowing visitors to understand the temple’s importance as the heart of Aztec ritual life and a defining symbol of pre-Hispanic Mexico. Walkways and elevated platforms help the visitors over the ruins, offering close views of the ancient staircase, stone remains, sculpted heads of serpents, and ceremonial platforms that wreak havoc all associated with the original temple and altars. The ground is uneven with reddish and gray volcanic stone.<span class="Apple-converted-space"> </span></p>]]></dcterms:description>
    <dcterms:creator><![CDATA[The Mexican Aztec community]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 &amp; 5: <a href="https://museoscdmx.com/museo-del-templo-mayor-en-cdmx/">https://museoscdmx.com/museo-del-templo-mayor-en-cdmx/</a><br />Image 3: <a href="https://www.expedia.com/Templo-Mayor-Museum-Historic-Center.d501757.Vacation-Attraction">https://www.expedia.com/Templo-Mayor-Museum-Historic-Center.d501757.Vacation-Attraction</a><br />Image 2 &amp; 4: <a href="https://smarthistory.org/templo-mayor-at-tenochtitlan-the-coyolxauhqui-stone-and-an-olmec-mask/">https://smarthistory.org/templo-mayor-at-tenochtitlan-the-coyolxauhqui-stone-and-an-olmec-mask/</a>]]></dcterms:source>
    <dcterms:date><![CDATA[1325: First version built.<br />
1487: Final version built.<br />
1521: Destroyed during the Spanish conquest of Tenochtitlan.<br />
1978: Rediscovered when workers found the Coyolxauhqui stone.<br />
1987: Templo Mayor Museum opened.<br />
<br />
]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2,3,4 &amp; 5: Creative comments]]></dcterms:license>
    <dcterms:format><![CDATA[Mesoamerican architecture]]></dcterms:format>
    <dcterms:extent><![CDATA[- 60 meters of height.<br />- The base is around 100 by 80 meters. <br />- 3 acres of land.]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Volcanic stone<br />
- Wooden Beams <br />
- Stone<br />
- Color pigments ]]></dcterms:medium>
    <dcterms:language><![CDATA[Mexico City, Mexico]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- MuseosCDMX.com (2025) “Museo del Templo Mayor en CDMX”. https://museoscdmx.com/museo-del-templo-mayor-en-cdmx/<br />
<br />
- Templo Mayor Museum (Historic Center)”. https://www.expedia.com/Templo‑Mayor‑Museum‑Historic‑Center.d501757.Vacation‑Attraction (Accessed: 10 December 2025).<br />
<br />
- Dr. Lauren Kilroy‑Ewbank &amp; Dr. Steven Zucker (2015) “Templo Mayor at Tenochtitlan: the Coyolxauhqui Stone and an Olmec mask”, Smarthistory. https://smarthistory.org/templo-mayor-at-tenochtitlan-the-coyolxauhqui-stone-and-an-olmec-mask/<br />
]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[19.434729307351652, -99.13188114871957]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Postclassic period ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/229">
    <dcterms:title><![CDATA[Great Zimbabwe]]></dcterms:title>
    <dcterms:license><![CDATA[Image 1: By Andrew Moore from Johannesburg, South Africa - Conical Tower - Great Enclosure III, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=82748017]]></dcterms:license>
</rdf:Description></rdf:RDF>
