<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/63">
    <dcterms:title><![CDATA[Churches of Chiloé ]]></dcterms:title>
    <dcterms:description><![CDATA[The churches of Chiloé were constructed from wood and boasted a tall central bell tower that rose majestically in a symmetrical design. These churches showed a vibrant brown hue supported by white cylindrical pillars. The most iconic feature of the churches is the front courtyard. A covered entrance supported by a row of wooden columns with rounded edges. The roofs were steeply pitched to allow rain to slide off easily. Small windows punctuate the side walls, while decorative crosses  alongside the building showing religious significance of these buildings. Surrounding the church is a spacious courtyard, enclosed by a perimeter of trees. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Jesuits missionaries, Franciscans, Spaniards ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: https://whc.unesco.org/en/list/971<br />
Image 2, 3, &amp; 4: https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage]]></dcterms:source>
    <dcterms:date><![CDATA[- 1610-1767 the Jesuits began building the churches part of the &quot;circular missions&quot;.<br />
- 1767 Jesuits were expelled by Spanish territories. The Franciscans took over building and maintaining the church.<br />
-18th century wooden churches were constructed.<br />
-1991 restoration began to preserve historic buildings.<br />
-2000 16 of the churches were a UNESCO world heritage site.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1, 2, 3, &amp; 4: creative comments<br />
]]></dcterms:license>
    <dcterms:format><![CDATA[- Chilota Style. ( A blend of European Jesuit Baroque and local indigenous craft ). ]]></dcterms:format>
    <dcterms:extent><![CDATA[- medium sized wooden structures between 20 to 40 meters in length and 8-15 meters In height. <br />
- spacious inside designed to accommodate the community.]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Wood.<br />
- Stone.<br />
- Nails and Metal fasteners. <br />
- Wooden shingles. ]]></dcterms:medium>
    <dcterms:language><![CDATA[Chiloé archipelago, southern coast, Chile]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- UNESCO World Heritage Centre. “Churches of Chiloé.&quot; https://whc.unesco.org/en/list/971.<br />
<br />
- Jordan, Adrienne. “These Centuries-Old Nailless Churches Are Still Standing.” National Geographic, September 20, 2017. https://www.nationalgeographic.com/travel/article/churches-of-chiloe-unesco-world-heritage.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[-42.49975421219375, -73.78593508775275]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[17th century, 18th century, 19th century, early 20th century ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/64">
    <dcterms:title><![CDATA[Roskilde Cathedral ]]></dcterms:title>
    <dcterms:description><![CDATA[Rosklide Cathedral, a striking monumental structure renowned for its twin spires. It stands as a testament to the earliest displays of Gothic architecture. Constructed with red brick, the building’s tall, narrow windows feature high, symmetrical pointed twin arches. At the rear an extension connects the church to a series of chapels and royal mausoleums. Adjacent to the church is a smaller, connected building with an oval-shaped roof. The roofline of the back section is adorned with copper, while the aged copper displays a green hue. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Bishop Absalon ]]></dcterms:creator>
    <dcterms:source><![CDATA[image 1,2, &amp; 3: https://whc.unesco.org/en/list/695<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[- 1170: initiated by Bishop Absalon<br />
- 14th - 15th century: chapels were added<br />
-17th century: Christian IVs Chapel added a Renaissance style burial chapel<br />
-18th - 19th century: Frederick Vs chapel added a neoclassical style<br />
-1995: Designated a UNESCO world heritage site<br />
- 20th century: restoration and preservation initiated]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz ]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2 &amp; 3 : creative comments ]]></dcterms:license>
    <dcterms:format><![CDATA[Gothic Architectural]]></dcterms:format>
    <dcterms:extent><![CDATA[- humungous and expansive structure. 86 meters in length and 33 meters in width. <br />
- Tallest point reaches 43 meters. ]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Red brick.<br />
- Granite.<br />
- Wood.<br />
- Copper.<br />
- Limestone.<br />
- Sandstone.<br />
]]></dcterms:medium>
    <dcterms:language><![CDATA[Roskilde, Zealand, Denmark ]]></dcterms:language>
    <dcterms:type><![CDATA[Religious]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- UNESCO World Heritage Centre. “Temple of Apollo Epicurius at Bassae. https://whc.unesco.org/en/list/392/]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[55.64268867635344, 12.079600626572956]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Renaissance &amp; neoclassical, Denmark ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/65">
    <dcterms:title><![CDATA[Great Mosque and Hospital of Divrigi ]]></dcterms:title>
    <dcterms:creator><![CDATA[- 1229: Designed by architect Ahlatlı Hürremşah ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1,2 &amp; 3 : https://whc.unesco.org/en/list/358/]]></dcterms:source>
    <dcterms:date><![CDATA[- 1228: Ahmed Shah ruler of mengujekid dynasty started funding construction]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin ruiz<br />
]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1,2, &amp; 3 : creative comments]]></dcterms:license>
    <dcterms:language><![CDATA[Kemenkeş, Divriği, Sivas Province, Turkey ]]></dcterms:language>
    <dcterms:bibliographicCitation><![CDATA[Just a moment... (n.d.). UNESCO World Heritage Centre. https://whc.unesco.org/en/list/695]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[39.37109088738832, 38.121735844758376]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Seljuk period in Anatolia ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/68">
    <dcterms:title><![CDATA[Jewel Changi Airport]]></dcterms:title>
    <dcterms:description><![CDATA[The Jewel Changi Airport in Singapore appears to resemble a glass donut. With its circular layout, this glass structure spans 10 stories and covers 1.4 million square feet. The Jewel, from the outside, has a concave roof. Inside the building, the roof comes down slightly, allowing for a large waterfall to pierce the middle of the space. The glass of the building permits for natural light to seep through. This light compliments the luscious greenery inside of the structure, mimicking a large forest. Hidden among the foliage are concrete walkways, staircases, and stores, blending in so well as to not disturb the nature aspect. The structure has a strong use of triangular shapes, not just for reinforcement and strength, but also for geometrical aesthetics. The entrances are scattered all about the facility, with some more elaborate ones that one must enter through suspended, glass walkways that connect the Jewel with the rest of the airport. This structure signifies the cultural aspects that allows a space for people to connect with all their senses. The use of greenery and natural light throughout the facility encapsulates visitors, allowing for them to be immersed into nature while between flights. This building represents social status with its expensive build, pricey stores, and the fact it is attached to an airport, indicating that it will mainly be used by those with enough money to travel abroad. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Architectural Company: Safdie Architects]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1: Changi Airport tower and the Jewel.jpg (https://upload.wikimedia.org/wikipedia/commons/4/49/Changi_Airport_tower_and_the_Jewel.jpg) ]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: At Jewel Changi, Singapore 2023 36.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f7/At_Jewel_Changi%2C_Singapore_2023_36.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: JewelSingaporeVortex1.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e9/JewelSingaporeVortex1.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: Changi Airport, Singapore small forest.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1b/Changi_Airport%2C_Singapore_small_forest.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5: Jewel Changi Airport SIN.jpg (https://upload.wikimedia.org/wikipedia/commons/b/b2/Jewel_Changi_Airport_SIN.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6: Canopy Park in Jewel Changi Airport.jpg (https://upload.wikimedia.org/wikipedia/commons/8/8b/Canopy_Park_in_Jewel_Changi_Airport.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 7: Night Light Jewel Changi Singapore Feb23 R16 06864.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f1/Night_Light_Jewel_Changi_Singapore_Feb23_R16_06864.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 8: Jewel 18-05-2024(39).jpg (https://upload.wikimedia.org/wikipedia/commons/6/66/Jewel_18-05-2024%2839%29.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[2014: Construction began]]></dcterms:date>
    <dcterms:date><![CDATA[2019: Building opened to the public]]></dcterms:date>
    <dcterms:contributor><![CDATA[Hannah Demory]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 7: Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 8: Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Neofuturistic]]></dcterms:format>
    <dcterms:extent><![CDATA[1,474,656 square feet]]></dcterms:extent>
    <dcterms:extent><![CDATA[10 stories tall]]></dcterms:extent>
    <dcterms:medium><![CDATA[Steel]]></dcterms:medium>
    <dcterms:medium><![CDATA[Glass]]></dcterms:medium>
    <dcterms:medium><![CDATA[Concrete]]></dcterms:medium>
    <dcterms:language><![CDATA[Singapore]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.benoy.com/projects/jewel-changi-airport/]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://en.wikipedia.org/wiki/Jewel_Changi_Airport]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[1°21&#039;36&quot;N 103°59&#039;23&quot;E]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[21st Century]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/70">
    <dcterms:title><![CDATA[Finance City Tower]]></dcterms:title>
    <dcterms:description><![CDATA[The Casablanca Finance City (CFC) Tower is the fourth-tallest building in Morocco, and the building is used for various businesses in Morocco and global companies around the world. The building is 398 feet tall with a tapered design on top and at the bottom, which gives it a unique look as a city landmark. The building is also wrapped in brise-soleil due to the desert sun in the area. Brise-soleil, which means "sun breaker" in French, is an architectural feature that uses horizontal or vertical louvers, which are low-angle slats, screens, or patterned walls that protect the building from the sun. When you enter the building, the interior features a modern design, with colored walls and geometric forms throughout. The windows inside prevent glare from the sun and provide a nice view of the area. On each floor, there are office rooms for businesses to hold meetings. The unique shape of this building makes it hard not to recognize it on the street.]]></dcterms:description>
    <dcterms:creator><![CDATA[The building was built by the Morphosis team]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:https://www.morphosis.com/architecture/226/<br />
]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com]]></dcterms:source>
    <dcterms:date><![CDATA[Construction started 2013 and first phase finished 2015.<br />
]]></dcterms:date>
    <dcterms:date><![CDATA[The second phase started 2015 and the building was completed 2019.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Stanley Ojibeka]]></dcterms:contributor>
    <dcterms:format><![CDATA[Building height is 398 feet / 121 meters]]></dcterms:format>
    <dcterms:extent><![CDATA[Building&#039;s size is 226,042 ft² / 21,000 m²]]></dcterms:extent>
    <dcterms:medium><![CDATA[Steel]]></dcterms:medium>
    <dcterms:language><![CDATA[Casablanca, Morocco]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:spatial><![CDATA[33.5635°, 7.661° ]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern ]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/71">
    <dcterms:title><![CDATA[Carnegie Hall]]></dcterms:title>
    <dcterms:description><![CDATA[Terracotta ornaments line the sides with friezes placed above the fourth floor. Arched windows can be seen on the building’s facade. Stained glass and massive steps once adorned its exterior. Carnegie Hall is a building located in the heart of New York City.  Constructed at the end of the 19th century, the structure takes a neo-Renaissance style. The original building was made from reddish-brown brick and thick concrete walls utilizing the Guastavino process. Despite its builder, steel magnate and philanthropist Andrew Carnegie, little to no steel was present during its 1890 consturction. This allowed for resonating acoustics, enhancing the building’s use as a music venue. More than a place to listen to music, it was created to make music into art.<br />
<br />
Carnegie Hall’s interior is separated into three music halls and an education wing. The Judith and Burton Resnick Education Wing is the newest addition, constructed in 2011 during the Studio Tower renovation project, though the Rose Museum located within was built twenty years prior. Resnick Education Wing, taking an L-shaped form, is one of the few areas where Carnegie steel is utilized, paying homage to the hall’s builder. The structure serves as a teaching space for artists and is open to the general public, facilitating the development of music within surrounding communities.<br />
<br />
The oldest of the structures is the Issac Stern Hall, built by amateur architect William Tuthill. The hall is known for its world-class acoustics. When constructing it, Tuthill chose to make Stern Hall as simple as possible. The heavy curtains, extravagant chandeliers, and detailed frescoes, which are <br />
present in other venues, are not present in Stern Hall. Instead, the curvilinear walls are smooth, the roof is domed, and the stage slightly protrudes out. The elements within Stern Hall are simple but amplify each note played. <br />
<br />
Carnegie Hall as a whole is a gem of the music world, with Pyotr Illych Tchaikovsky, George Gershwin, Billie Holiday, etc. taking the stage while also being open for public education. Music travels through the halls because of the intentional simplicity ingrained in the original structure, and the education of said music travels through the wings as an extension of the said structure.]]></dcterms:description>
    <dcterms:creator><![CDATA[Architect - William Burnet Tuthill]]></dcterms:creator>
    <dcterms:creator><![CDATA[Builder - Andrew Carnegie]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1 - Carnegie Hall - Full (48155558466).jpg (https://upload.wikimedia.org/wikipedia/commons/2/26/Carnegie_Hall_-_Full_%2848155558466%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 2 - Carnegie Hall in 1895.jpg (https://upload.wikimedia.org/wikipedia/commons/c/c8/Carnegie_Hall_in_1895.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 3 - CH137449.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDFcZFw5XDRcQ0gxMzc0NDQ5LmpwZyIECAEQD0ABYglDSDEzNzQ0NDk-~/2RRM1TCR4E_2/U3pC3MH7XsVKxSeH/CH1374449.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 4 - CH1499698.jpg ) https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXGFcMVwzXDNcQ0gxNDk5Njk4LmpwZyIECAEQD0ABYglDSDE0OTk2OTg-~/2RRM1T7YX5AV/xAjwGdk0aAVXUQFl/CH1499698.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 5 - CH19585.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhhcVFIxXGRcMlw2XDhcQ0gxOTU4NS5qcGciBAgBEA9AAWIHQ0gxOTU4NQ--~/2RRM1T84U4U4/28kpk6lU376kULyM/CH19585.jpg))]]></dcterms:source>
    <dcterms:source><![CDATA[Image 6 - CH1499386.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDdcMFw3XDBcQ0gxNDk5Mzg2LmpwZyIECAEQD0ABYglDSDE0OTkzODY-~/2RRM1T7YNRPH/BlJAzzTugYLZpToS/CH1499386.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 7 - CH1499025.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXGRcMFw5XDhcQ0gxNDk5MDI1LmpwZyIECAEQD0ABYglDSDE0OTkwMjU-~/2RRM1T7YNC3M/HPNkLq5G76sPMILj/CH1499025.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 8 - CH1499733.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDVcM1xlXDZcQ0gxNDk5NzMzLmpwZyIECAEQD0ABYglDSDE0OTk3MzM-~/2RRM1T7Y5F8L/ljV1LIEO_kllodsG/CH1499733.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 9 -  Drawing, Design for Stained Glass Windows- Chamber Music Hall - Back of Stage, Carnegie Hall, New York, NY, late 19th century (CH 18733231).jpg (https://upload.wikimedia.org/wikipedia/commons/b/b2/Drawing%2C_Design_for_Stained_Glass_Windows-_Chamber_Music_Hall_-_Back_of_Stage%2C_Carnegie_Hall%2C_New_York%2C_NY%2C_late_19th_century_%28CH_18733231%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 10 - Carnegie_Hall_Decoration_(4683331152).jpg (https://upload.wikimedia.org/wikipedia/commons/a/a7/Carnegie_Hall_Decoration_%284683331152%29.jpg)]]></dcterms:source>
    <dcterms:source><![CDATA[Image 11 -  Isaac Stern Auditorium-Carnegie Hall-2.jpg (https://upload.wikimedia.org/wikipedia/commons/b/bb/Isaac_Stern_Auditorium-Carnegie_Hall-2.jpg)]]></dcterms:source>
    <dcterms:date><![CDATA[May 13, 1890 - Cornerstone cemented, construction begins]]></dcterms:date>
    <dcterms:date><![CDATA[May 5, 1891 - Opening night.]]></dcterms:date>
    <dcterms:date><![CDATA[1894 - Two artist studios added.]]></dcterms:date>
    <dcterms:date><![CDATA[1897 - Second round of additions made (Studio towers)]]></dcterms:date>
    <dcterms:date><![CDATA[1908 - First marquee added to front.]]></dcterms:date>
    <dcterms:date><![CDATA[1920s -  Exterior stairs removed, six storefronts carved．]]></dcterms:date>
    <dcterms:date><![CDATA[1947 - Renovations and improvements approved by acting president Robert Simon Jr.]]></dcterms:date>
    <dcterms:date><![CDATA[1966 - Main auditorium’s center aisle removed, seats replaced, stage extended, and new floors installed.]]></dcterms:date>
    <dcterms:date><![CDATA[1983 - Full interior renovation begins (includes the removal of storefronts).]]></dcterms:date>
    <dcterms:date><![CDATA[1986 - Renovation completed.]]></dcterms:date>
    <dcterms:date><![CDATA[January 1987 - Weill Recital Hall opens.]]></dcterms:date>
    <dcterms:date><![CDATA[2003 - Zankel Hall opens.]]></dcterms:date>
    <dcterms:date><![CDATA[2011 - Studio Towers renovation  begins.]]></dcterms:date>
    <dcterms:contributor><![CDATA[Moanna Dixson]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1 - Creative Commons ]]></dcterms:license>
    <dcterms:license><![CDATA[Image 2 - Creative Commons ]]></dcterms:license>
    <dcterms:license><![CDATA[Image 3 - Carnegie Hall Rose Archives]]></dcterms:license>
    <dcterms:license><![CDATA[Image 4 - Carnegie Hall Rose Archives ]]></dcterms:license>
    <dcterms:license><![CDATA[Image 5 - Carnegie Hall Rose Archives]]></dcterms:license>
    <dcterms:license><![CDATA[Image 6 - Carnegie Hall Rose Archives ]]></dcterms:license>
    <dcterms:license><![CDATA[Image 7 - Carnegie Hall Rose Archives]]></dcterms:license>
    <dcterms:license><![CDATA[Image 8 - Carnegie Hall Rose Archives]]></dcterms:license>
    <dcterms:license><![CDATA[Image 9 - Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 10 - Creative Commons]]></dcterms:license>
    <dcterms:license><![CDATA[Image 11 - Creative Commons]]></dcterms:license>
    <dcterms:format><![CDATA[Neo-Renaissance ]]></dcterms:format>
    <dcterms:extent><![CDATA[Issac Stern Auditorium - Seats 2790, Stage 42 ft deep. ]]></dcterms:extent>
    <dcterms:extent><![CDATA[Judy and Arthur Zankel Hall - Seats 599, Stage 44 ft wide x 25 ft deep.]]></dcterms:extent>
    <dcterms:extent><![CDATA[Joan and Sanford I. Weill Recital Hall - Seats 268, Stage 33 ft wide x 15 ft deep．]]></dcterms:extent>
    <dcterms:extent><![CDATA[Judith and Burton Resnick Education Wing - 61000 square ft.]]></dcterms:extent>
    <dcterms:extent><![CDATA[Rose Museum - 29 x 44 feet]]></dcterms:extent>
    <dcterms:medium><![CDATA[Brick]]></dcterms:medium>
    <dcterms:medium><![CDATA[Terracotta]]></dcterms:medium>
    <dcterms:medium><![CDATA[Glass]]></dcterms:medium>
    <dcterms:medium><![CDATA[Steel]]></dcterms:medium>
    <dcterms:language><![CDATA[New York, New York, United States of America ]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/About/Building-Overview/Stern-Auditorium-Perelman-Stage]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/About/History/Timeline#1800s]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/About/History]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/About/Rentals/Performance-Halls/Weill-Recital-Hall]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/About/Rentals/Performance-Halls/Zankel-Hall]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/About/Rentals/Performance-Halls/Stern-Auditorium-Perelman-Stage]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/About/Rentals/Event-Spaces/Rose-Museum]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/Explore/Articles/2020/07/21/Carnegie-Hall-Legendary-Acoustics]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.carnegiehall.org/Explore/Articles/2020/11/06/Carnegie-Halls-Stained-Glass-Windows]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[40.7648°N, 73.9797°W]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Gilded Age]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/72">
    <dcterms:title><![CDATA[Odeon of Herodes Atticus]]></dcterms:title>
    <dcterms:description><![CDATA[A three story stage with a Greco-Roman classical facade, originally adorned with statues and other regalia, sits in front of a semi-circle of steppes that serve as its audience, the cavea. The theater seems to sink into the ground, leading all attention to the stage in front. While the whole building was at one point covered in a roof made out of Cedar from the Levant, it now serves as an open air venue. The purpose same as it is today, music,festivities, and poetry recitals. After restoration in the 1950s it has become a popular place for concerts, shows, and other live events. It is a testament to ancient understanding of the needs of the population, that being a desire for public spaces.]]></dcterms:description>
    <dcterms:creator><![CDATA[Patron: Herodes Atticus]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1:Athen Odeon Herodes Atticus BW 2017-10-09 13-12-44.jpg <a href="https://commons.wikimedia.org/wiki/File:Athen_Odeon_Herodes_Atticus_BW_2017-10-09_13-12-44.jpg">(https://commons.wikimedia.org/wiki/File:Athen_Odeon_Herodes_Atticus_BW_2017-10-09_13-12-44.jpg)</a><br /><br />Image 2: <span class="mw-page-title-main">Puccini's Tosca at the Theater of Herodes Atticus in Athens, Greece (2012).jpg (<a href="https://commons.wikimedia.org/wiki/File:Puccini%27s_Tosca_at_the_Theater_of_Herodes_Atticus_in_Athens,_Greece_(2012).jpg">https://commons.wikimedia.org/wiki/File:Puccini%27s_Tosca_at_the_Theater_of_Herodes_Atticus_in_Athens,_Greece_(2012).jpg</a>)</span><br /><br /><br />Image 3:Atticus-AcropolisOdeonHerodes-Built between 160 and 170 AD.jpg (<a href="https://jstor.org/stable/community.15265114.">https://jstor.org/stable/community.15265114)</a>]]></dcterms:source>
    <dcterms:date><![CDATA[Constructed: 161 CE]]></dcterms:date>
    <dcterms:date><![CDATA[Destroyed: 267 CE]]></dcterms:date>
    <dcterms:date><![CDATA[Restored: 1950s]]></dcterms:date>
    <dcterms:contributor><![CDATA[Waldemar Barrios]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative  Commons<br />
<br />
Image 2: Creative  Commons<br />
<br />
Image 3: Artstor Collection License ]]></dcterms:license>
    <dcterms:format><![CDATA[Classic Architecture ]]></dcterms:format>
    <dcterms:extent><![CDATA[Diameter Total: Around 80 M <br />
Diameter Orchestra: Around 20 M                       ]]></dcterms:extent>
    <dcterms:extent><![CDATA[Steps can seat around 5000-6000 People ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Stone Structure]]></dcterms:medium>
    <dcterms:medium><![CDATA[Marble Steps and Stage]]></dcterms:medium>
    <dcterms:medium><![CDATA[Cedar Wood (Original Roof, Now Gone)]]></dcterms:medium>
    <dcterms:medium><![CDATA[Pentelic Marble (Restoration) ]]></dcterms:medium>
    <dcterms:language><![CDATA[Dionysiou Areopagitou Street, Athens, Greece]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:spatial><![CDATA[37.97083235264885, 23.724735953329304]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Antonine Period, Roman Empire]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/73">
    <dcterms:title><![CDATA[Willis Tower ]]></dcterms:title>
    <dcterms:description><![CDATA[The Willis Tower is a 110-story skyscraper that displays a striking black aluminum and bronze-tinted glass facade. This combination creates a reflective matte finish that enhances its visual appeal. The building’s unique bundled tube structure provides structural support, maintaining its iconic shape. The tower’s design emphasizes its height and bold elegance. At different heights, three main rectangular structures flank the building that leads up to the top. A prominent white tower at the pinnacle elevates the building’s landscape.]]></dcterms:description>
    <dcterms:creator><![CDATA[- Bruce Graham (Skidmore, Owings &amp; Merrill)<br />
- Structural engineer Fazlur Rahman Khan]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1, 2, 3, &amp; 5: https://www.architecture.org/online-resources/buildings-of-chicago/willis-tower<br />
Image 4: https://www.som.com/projects/the-ledge-at-skydeck-chicago/]]></dcterms:source>
    <dcterms:date><![CDATA[- 1970 Construction starts.<br />
- 1971 Excavation of cite starts.<br />
- 1972 steel frames start being implemented and put in place.<br />
- 1973 Mechanical, Electrical, interior work, &amp; windows are implemented.<br />
- May 3, 1973 construction finished.<br />
- Opened September 1973 to the public. ]]></dcterms:date>
    <dcterms:contributor><![CDATA[Kevin Ruiz]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1, 2, 3, &amp; 5: Creative comments<br />
Image 4: Creative comments]]></dcterms:license>
    <dcterms:format><![CDATA[- Modernist ]]></dcterms:format>
    <dcterms:extent><![CDATA[- Massive super tall structure at 1450 ft.<br />
- 110 floors with 45,000 sq ft average per floor. <br />
- Top 25 tallest buildings in the world.]]></dcterms:extent>
    <dcterms:medium><![CDATA[- Steel.<br />
-Concrete.<br />
-Glass.<br />
-Aluminum.<br />
-Marble.<br />
-Wood.]]></dcterms:medium>
    <dcterms:language><![CDATA[Chicago, Illinois, Unites States of America. ]]></dcterms:language>
    <dcterms:type><![CDATA[Commercial]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[- Chicago Architecture Center. “Willis Tower.” Buildings of Chicago, Chicago Architecture Center. https://www.architecture.org/online-resources/buildings-of-chicago/willis-tower.<br />
<br />
- Skidmore, Owings &amp; Merrill. “The Ledge at Skydeck Chicago.” Last modified 2009. https://www.som.com/projects/the-ledge-at-skydeck-chicago/.]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[41.878956253446376, -87.63585053008111]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Post-Vietnam War era]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/74">
    <dcterms:title><![CDATA[Arabian Public Library]]></dcterms:title>
    <dcterms:description><![CDATA[This structure is unorthodox in its shape. Viewed from its top-down, it is made up of two “L” shapes that are situated opposite one another and forming a square in between them. This stands importantly as it queues us to the fact that the roof integrates the building into a grander geographical context. It brings us to a conceptual understanding of the library being a part of the desert itself, instead of being a structure placed in the desert. This becomes more articulated and evident as the visitor approaches the entrance. It comes in at 21,202 square feet and houses several different rooms and levels including, a 120,000-volume library collection, as well as a coffee bar and a number of bookstore elements. There’s seemingly a multitude of entrances and exits for the structure, highlighted by a huge opening where visitors can head in several different directions with the courtyard created in that square opening formed by the L’s. You enter along the parking lot which appears as this shaded grove that is defined as this slot of space, located between these steel-clad facades. Again these facades become an ode to the structures regional backdrop. We see this in materiality and the colors used with them. The irregular slanted construction mixed with this dirt or wood color helps out with the structure&#039;s goals of becoming one with its mountain and terrain area. Ultimately, the structure leads toward the inside of the structure, which is designed in a way where one enters into the cavernous interior, highlighted by visual continuity and program areas broken up by folds in the walls, varied ceiling heights, and internal clerestories that display similar to crevasses of glass, once again connecting the building and the outside. As you make your way to the main room, it is a hollow, cave-like, and elongated reading space and lounge with tilted walls, wrapped in that light brown colored wood paneling and illuminated with these large, adjustable hanging lamps. In addition to this, the visitor can get a full view of the Sonoran desert in this space. With this, light and shadow seem to move similarly here to standard structures. Obviously, the central courtyard would be received differently from the rest of the structure. Outside of this, it appears light and shadow move normally. <br />
]]></dcterms:description>
    <dcterms:abstract><![CDATA[This link &quot;https://www.rkarch.com/projects/arabian-public-library#content&quot;<br />
<br />
is where I got all my images from, haven&#039;t gone over how to cite these sources yet]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Richard and Bauer Architecture ]]></dcterms:creator>
    <dcterms:creator><![CDATA[Norie Sato]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.rkarch.com/projects/arabian-public-library#content&quot;<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[Begun: 2003]]></dcterms:date>
    <dcterms:date><![CDATA[Completed: 2007]]></dcterms:date>
    <dcterms:contributor><![CDATA[Julian Forster]]></dcterms:contributor>
    <dcterms:extent><![CDATA[The structure covers 20,875-square-feet]]></dcterms:extent>
    <dcterms:medium><![CDATA[steel (alloy), glass (material), cotton (textile), wood (plant material), medium-density fiberboard, granite (rock)]]></dcterms:medium>
    <dcterms:language><![CDATA[Scottsdale, Arizona]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[José Bernardi, &quot;Arabian Public Library&quot;, [Scottsdale, Arizona], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/AZ-01-013-0004.]]></dcterms:bibliographicCitation>
    <dcterms:bibliographicCitation><![CDATA[https://www.rkarch.com/projects/arabian-public-library#content]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[33.627474865333745, -111.86283634256061]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[Modern]]></dcterms:temporal>
</rdf:Description><rdf:Description rdf:about="https://worldarchitecture.artinterp2.org/items/show/75">
    <dcterms:title><![CDATA[B&amp;O Railroad Station and Willard Hotel]]></dcterms:title>
    <dcterms:description><![CDATA[The Railroad station’s façade is richly framed: it faces Main Street at a lower elevation, to what looks like it shows two stories there, but on the trackside (where the land slopes) it rises to three stories. The front is arranged around a central block of five bays; the three middle bays form the main entrance and are flanked by substantial three‑quarter height columns. Above these, a strong entablature runs across, leading up to a parapet. In the center of it is a curved parapet cresting over the central bays, inside which is a large, decorative symbol bearing the B&amp;O logo. Inside, the station has a grand central lobby. The interior finishes are elegant: marble floors, tall classical columns, and large windows that allow natural light to flood the space. The ticketing and baggage offices occupy one wing, while the other wing was used for related railroad administrative functions and passenger facilities.<br />
The Willard Hotel, built immediately adjacent and slightly east of the station (finished in 1912), complements the station architecturally but with certain distinct stylistic features. It’s a 6-story building in a Second Empire manner mixed with Beaux‑Arts detailing. The hotel has a mansard roof with dormer windows, and its façade uses red brick combined with stone (or cut stone) trim, including quoins and corbeled brickwork. The hotel has large public rooms such as a ballroom, dining rooms, reading rooms, etc.]]></dcterms:description>
    <dcterms:abstract><![CDATA[First built in the early 1910s, the B&amp;O Railroad Station in Grafton served as a major transportation hub for passengers and freight, reflecting the city&#039;s importance in the Baltimore &amp; Ohio rail network, while the adjacent Willard Hotel provided upscale accommodations and social spaces for travelers and local events, including a ballroom, restaurant, and reading rooms. The hotel and station worked together as a gateway to the city, but over time, as passenger rail travel declined in the mid-20th century, the station fell into unemployment and the hotel deteriorated, eventually closing. Today, both buildings are vacant but still stand. Preservation efforts have been proposed or partially undertaken to rehabilitate them, though full restoration has not yet been realized. Although, research has said that the station now serves as offices for a unit of CSX Transportation.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Architect: M. A. Long<br />
Construction: The complex was built by J.J. Walsh and Son of Baltimore. ]]></dcterms:creator>
    <dcterms:source><![CDATA[Image 1, 4, 5, 6<br />
https://img.atlasobscura.com/lcd101JHqczAkEEKRAXtLzw0iuoU_qV8I-fIyzbLSho/rt:fit/h:400/q:81/sm:1/scp:1/ar:1/aHR0cHM6Ly9hdGxh/cy1kZXYuczMuYW1h/em9uYXdzLmNvbS91/cGxvYWRzL3BsYWNl/X2ltYWdlcy9hMjRl/ZWVjYy03YzhmLTRm/NzEtODAyMi05YzNj/ODVjZGFkZGIyYTc2/NzNkYTA3YjEwZTRm/ZTdfOTAwMTg5NkEt/OTRCQy00NTk4LUIz/QUMtRUU1NTIxNTFG/RTlFLmpwZWc.webp<br />
Image 2 - 3<br />
https://sah-archipedia.org/sites/default/files/pictures/full/WV-01-TA1-002.jpg<br />
Image 7<br />
https://thumbs.dreamstime.com/b/ticket-counter-marion-oh-train-depo-usa-321693167.jpg<br />
]]></dcterms:source>
    <dcterms:date><![CDATA[1911]]></dcterms:date>
    <dcterms:contributor><![CDATA[Justin Forster]]></dcterms:contributor>
    <dcterms:license><![CDATA[Image 1: Creative Commons<br />
Image 2: Creative Commons <br />
Image 3: Creative Commons <br />
Image 4: Creative Commons <br />
Image 5: Creative Commons <br />
Image 6: Creative Commons <br />
Image 7: Creative Commons ]]></dcterms:license>
    <dcterms:format><![CDATA[The B&amp;O Station is built in the Beaux Arts style<br />
The Willard Hotel is built in the Second Empire style]]></dcterms:format>
    <dcterms:extent><![CDATA[The Willard Hotel is 6.5 stories tall, but its exact height from the ground to the top was not found in the search results. The height of the B&amp;O Railroad Station was not given either. It changes because of the different elevations on each side of the building.]]></dcterms:extent>
    <dcterms:medium><![CDATA[The B&amp;O Railroad Station and Willard Hotel were constructed with <br />
Red brick, Granite, and Terra-cotta trim]]></dcterms:medium>
    <dcterms:language><![CDATA[Grafton West Virginia]]></dcterms:language>
    <dcterms:type><![CDATA[Public]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Source 1<br />
Pls4e. (2019, June 17). B&amp;O railroad station and hotel. SAH ARCHIPEDIA. https://sah-archipedia.org/buildings/WV-01-TA1<br />
Source 2<br />
The Willard Hotel, built in 1911 by the B&amp;O to house travelers and important railroad employees, and, to its left, the old B&amp;O terminal in Grafton, West Virginia. (n.d.). https://www.loc.gov/pictures/item/2015631664/#:~:text=The%20six%2Dand%2Da%2D,Grafton%20B&amp;O%20Railroading%20Heritage%20Center.<br />
Source 3<br />
<br />
https://www.atlasobscura.com/places/b-o-railroad-station-and-willard-hotel<br />
Image 1, 4, 5, 6<br />
https://img.atlasobscura.com/lcd101JHqczAkEEKRAXtLzw0iuoU_qV8I-fIyzbLSho/rt:fit/h:400/q:81/sm:1/scp:1/ar:1/aHR0cHM6Ly9hdGxh/cy1kZXYuczMuYW1h/em9uYXdzLmNvbS91/cGxvYWRzL3BsYWNl/X2ltYWdlcy9hMjRl/ZWVjYy03YzhmLTRm/NzEtODAyMi05YzNj/ODVjZGFkZGIyYTc2/NzNkYTA3YjEwZTRm/ZTdfOTAwMTg5NkEt/OTRCQy00NTk4LUIz/QUMtRUU1NTIxNTFG/RTlFLmpwZWc.webp<br />
Image 2 - 3<br />
https://sah-archipedia.org/sites/default/files/pictures/full/WV-01-TA1-002.jpg<br />
Image 7<br />
https://thumbs.dreamstime.com/b/ticket-counter-marion-oh-train-depo-usa-321693167.jpg]]></dcterms:bibliographicCitation>
    <dcterms:spatial><![CDATA[Latitude 39.3406731565377<br />
Longitude -80.01775364559525]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[built during the Progressive Era (c. 1890s–1920s)]]></dcterms:temporal>
</rdf:Description></rdf:RDF>
