15 10 235 https://worldarchitecture.artinterp2.org/files/original/a45321bdeaa035e995bfd04b6160e19d.jpg 2fab24b53ceaac36e9a5fb63099ee569 https://worldarchitecture.artinterp2.org/files/original/b7f2c8f016a0bd11c10c3ed58efab68a.jpg 66948e6acbbcc474d6db8cd9606e1e70 https://worldarchitecture.artinterp2.org/files/original/f057b32cbe436e5ec43c155c648391aa.jpg 19f7c9c9c1555ca3c0a1e381ae5aeb43 https://worldarchitecture.artinterp2.org/files/original/06d1c2f4847ae602bad4e8f2ee3db86b.jpg a5b8b7a92384dd69bec8dd5455c50ffe https://worldarchitecture.artinterp2.org/files/original/50671e10ce7d1a9270486c06282b61cd.JPG 7dea04fe9622649ab258315659adbcd5 https://worldarchitecture.artinterp2.org/files/original/bf19bd68c82d58a193ff9e904f0c5aeb.jpeg bc4b14ef1b8ccdcbc898e42f768076ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Canglang Pavilion Type The nature or genre of the resource Public Source A related resource from which the described resource is derived Image 1: 沧浪亭·苏州·全景 Image 2:Canglang_Pavilion_2 Image 3:Great_Wave_Pavilion1 Image 4:Outside_Great_Wave_Pavilion Image 5:A_Moon_gate_in_Great_Wave_Pavilion_2012-03 Image 6: 2560px-CNJS-512-006 License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Image 5: Creative Commons Image 6: Creative Commons Contributor An entity responsible for making contributions to the resource Sultana Rahim Spatial Coverage Spatial characteristics of the resource. 31.29509374164759, 120.62520903835308 Language A language of the resource Suzhou, Jiangsu, China Date A point or period of time associated with an event in the lifecycle of the resource 1044 CE - Built 1696 CE - Restored 1955 - Opened to the public Creator An entity primarily responsible for making the resource Su Shunqin Temporal Coverage Temporal characteristics of the resource. Song Dynasty, China Medium The material or physical carrier of the resource. Wood Brick Tile Extent The size or duration of the resource. 2.9 acres, (1.17 hectares ) Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://en.wikipedia.org/wiki/Canglang_Pavilion https://www.islamichinatravel.com/destination-guide/suzhou/suzhou-attractions/blue-wave-pavilion/#:~:text=On%20the%20western%20side%2C%20exquisite,(1644%2D1911)%20style.&text=Take%20bus%20No.,get%20off%20at%20Sanyuanfang%20Station.&text=%E2%80%A2-,Take%20bus%20No.,off%20at%20Gongren%20Wenhuagong%20Station.&text=Please%20book%20the%20entrance%20ticket,com)%20with%20your%20passport%20details.&text=Keep%20your%20passport%20on%20you%20to%20claim%20the%20ticket. https://www.travelchinaguide.com/attraction/jiangsu/suzhou/canglang.htm Format The file format, physical medium, or dimensions of the resource Traditional Northern Song Dynasty garden Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Washington Square Park Creator An entity primarily responsible for making the resource Sultaana Spatial Coverage Spatial characteristics of the resource. 40.7310341785613, -73.99738564764952 https://worldarchitecture.artinterp2.org/files/original/ba5605d82a234b0c8d973772dd618afc.jpg 6f66790639f17404c420b75906c321ad https://worldarchitecture.artinterp2.org/files/original/6cdac172ebd071b20e3c983ac0a7e417.jpg a37bd4a9985cd6ef707c20100d7d22b9 https://worldarchitecture.artinterp2.org/files/original/d831eb32ae53ff9510255882a9974127.jpg 6569769e854526b0a1f6e60d282dcc45 https://worldarchitecture.artinterp2.org/files/original/37ac1a840a60513ee5d5cf878e5efc06.jpg 56aeef4516c4a04f8aa7945be2411855 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Finance City Tower Language A language of the resource Casablanca, Morocco Date A point or period of time associated with an event in the lifecycle of the resource Construction started 2013 and first phase finished 2015. The second phase started 2015 and the building was completed 2019. Creator An entity primarily responsible for making the resource The building was built by the Morphosis team Temporal Coverage Temporal characteristics of the resource. Modern Spatial Coverage Spatial characteristics of the resource. 33.5635°, 7.661° Medium The material or physical carrier of the resource. Steel Extent The size or duration of the resource. Building's size is 226,042 ft² / 21,000 m² Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Building height is 398 feet / 121 meters Description An account of the resource The Casablanca Finance City (CFC) Tower is the fourth-tallest building in Morocco, and the building is used for various businesses in Morocco and global companies around the world. The building is 398 feet tall with a tapered design on top and at the bottom, which gives it a unique look as a city landmark. The building is also wrapped in brise-soleil due to the desert sun in the area. Brise-soleil, which means "sun breaker" in French, is an architectural feature that uses horizontal or vertical louvers, which are low-angle slats, screens, or patterned walls that protect the building from the sun. When you enter the building, the interior features a modern design, with colored walls and geometric forms throughout. The windows inside prevent glare from the sun and provide a nice view of the area. On each floor, there are office rooms for businesses to hold meetings. The unique shape of this building makes it hard not to recognize it on the street. Source A related resource from which the described resource is derived Image 1:https://www.morphosis.com/architecture/226/ Image 2: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Image 3: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Image 4: https://worldarchitecture.org/architecture-news/egmme/morphosis-casablanca-finance-tower-featuring-patterned-mosaics-addresses-to-moroccan-architecture.html?utm_source=chatgpt.com Contributor An entity responsible for making contributions to the resource Stanley Ojibeka https://worldarchitecture.artinterp2.org/files/original/f709c2d4590f018dc7c765e96761925e.jpg a9f278fd0d62f259007f209e40a5ebe3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monastery of Saint Anthony Date A point or period of time associated with an event in the lifecycle of the resource 356 AD Creator An entity primarily responsible for making the resource The creators of the building were the followers of Saint Anthony the Great. Contributor An entity responsible for making contributions to the resource Stanley Ojibeka Type The nature or genre of the resource Religious Language A language of the resource The building was established in the Eastern Sahara near the Red Sea. Temporal Coverage Temporal characteristics of the resource. This building was built during the 4th century Spatial Coverage Spatial characteristics of the resource. 28°55′N 32°21′E, 28.92°N 32.35°E Description An account of the resource The Monastery is designed in the Coptic style, with a tall fortress serving as a defense mechanism for the monks. Inside the monastery, there are buildings where the monks live. Medium The material or physical carrier of the resource. The main structure of the building is made up of sandstone and mudbrick Wood was also used for doors and windows for the buildings inside the monastery. Extent The size or duration of the resource. The size of the Monastery of Saint Anthony is over 18 acres. Format The file format, physical medium, or dimensions of the resource Coptic Source A related resource from which the described resource is derived Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/1/19/MonasteroAntonio2.jpg/960px-MonasteroAntonio2.jpg midterm https://worldarchitecture.artinterp2.org/files/original/8b6937f7c2bbcc0a70606e925024ab15.jpg 2f1b5e844db8f73cfbe27f0cd911c07e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New lab At Brooklyn Navy Yard Contributor An entity responsible for making contributions to the resource Justin Forster Type The nature or genre of the resource Commercial Language A language of the resource Brooklyn Navy Yard, New York Date A point or period of time associated with an event in the lifecycle of the resource The building was completed in 2016 and began operations in the fall of that year. The project involved repurposing the historic 1899 hangar into a modern research and manufacturing center, according to ArchDaily and Urban Design Forum. Creator An entity primarily responsible for making the resource The lab was founded by David Belt and Scott Cohen. They co-founded the tech hub in June 2016. Conceptual and Interior Design: Macro Sea. construction managed by DBI Projects. Temporal Coverage Temporal characteristics of the resource. The old building that houses New Lab at the Brooklyn Navy Yard was built during the late 19th to early 20th century era, as Building 128 was originally constructed in 1899 Spatial Coverage Spatial characteristics of the resource. 40.69899747850495, -73.97436231956607 Medium The material or physical carrier of the resource. Steel and Glass Extent The size or duration of the resource. The New Lab at the Brooklyn Navy Yard has a total interior space of 84,000 square feet within a historic 161,000-square-foot building, which features a 70-foot-tall main space with new mezzanines and bridges that create a second level. The new buildouts, including the second level and connecting bridges, add 32,000 square feet to the original layout. Format The file format, physical medium, or dimensions of the resource High-Tech Modernism, a style that pays homage to the building's industrial past while creating a modern, collaborative workspace. Description An account of the resource In the mid-2010s, developer Macro Sea and Marvel Architects undertook an ambitious restoration: they stripped the exterior back to its original steel frame and reclad it with insulated metal panels and historically accurate windows, restoring the building’s industrial character while improving performance and resilience. Inside, New Lab’s design leverages the building’s generous 70-foot-high roof structure and its original steel trusses and overhead gantry cranes, which remain visually exposed as a kind of “cathedral” structure. A long central circulation spine runs the full 350-foot length of the hall, with daylight filtering in from clerestory windows above and perimeter glazing. New mezzanines were inserted on both sides, suspended from the existing gantries, linked by grated steel catwalks, and supported by some 370 tons of new steel. The mezzanine accommodates private offices, studios, meeting rooms, and event spaces; below, on the ground floor, are open work areas, a fabrication lab (with wood and metal shops), 3D-printing facilities, communal gathering plazas, and lounge areas that encourage collaboration. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The New Lab building at the Brooklyn Navy Yard was originally a U.S. Navy machine shop built in 1899 and 1902 for shipbuilding and manufacturing warships. It was later converted into a high-tech design and prototyping center for advanced technologies and innovation. License A legal document giving official permission to do something with the resource. Image 1 Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Source 1 Caballero, P. (2024) New Lab, Research and Manufacturing Center / Marvel Architects. https://www.archdaily.com/922614/new-lab-marvel-architects. Source 2 https://medium.com/ruki-founder-s-journal/newlab-cab35fee1172 Source 3 NewLab | Brooklyn | Venture platform for critical technology (no date). https://www.newlab.com/locations/brooklyn#:~:text=Newlab%20Brooklyn%20is%20an%2084%2C000%20square%20foot,*%20**Community%20events**%20*%20**Global%20digital%20platform**. Source 4 https://www.archpaper.com/2017/10/archtober-building-of-the-day-12-new-lab-brooklyn-navy-yard/? https://worldarchitecture.artinterp2.org/files/original/8f230f0d32fe63a549f228fcef0425aa.png a0950786361ae0610ba980a61d272178 https://worldarchitecture.artinterp2.org/files/original/08f2d2d3009b1b63d1c30945a4846e51.png 9c95c0a954aca74422c8bb02ebc3be88 https://worldarchitecture.artinterp2.org/files/original/e20b2f58d2eb2f324a8abd1532a7517d.png 770867de0af8874b8c273304afb1dc6a https://worldarchitecture.artinterp2.org/files/original/c9a6c5351315ca70c2b4556cc101c66f.png fc938f42f125d782e38ee3d82a26e435 https://worldarchitecture.artinterp2.org/files/original/175f6e8d16d54bf75ef015d2961ecf03.png c9b274718031e1cf9503e62ae9609310 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Templo Mayor Contributor An entity responsible for making contributions to the resource Kevin Ruiz Language A language of the resource Mexico City, Mexico Date A point or period of time associated with an event in the lifecycle of the resource 1325: First version built. 1487: Final version built. 1521: Destroyed during the Spanish conquest of Tenochtitlan. 1978: Rediscovered when workers found the Coyolxauhqui stone. 1987: Templo Mayor Museum opened. Creator An entity primarily responsible for making the resource The Mexican Aztec community Temporal Coverage Temporal characteristics of the resource. Postclassic period Spatial Coverage Spatial characteristics of the resource. 19.434729307351652, -99.13188114871957 Medium The material or physical carrier of the resource. - Volcanic stone - Wooden Beams - Stone - Color pigments Extent The size or duration of the resource. - 60 meters of height. - The base is around 100 by 80 meters. - 3 acres of land. Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Mesoamerican architecture Source A related resource from which the described resource is derived Image 1 & 5: <a href="https://museoscdmx.com/museo-del-templo-mayor-en-cdmx/">https://museoscdmx.com/museo-del-templo-mayor-en-cdmx/</a> Image 3: <a href="https://www.expedia.com/Templo-Mayor-Museum-Historic-Center.d501757.Vacation-Attraction">https://www.expedia.com/Templo-Mayor-Museum-Historic-Center.d501757.Vacation-Attraction</a> Image 2 & 4: <a href="https://smarthistory.org/templo-mayor-at-tenochtitlan-the-coyolxauhqui-stone-and-an-olmec-mask/">https://smarthistory.org/templo-mayor-at-tenochtitlan-the-coyolxauhqui-stone-and-an-olmec-mask/</a> License A legal document giving official permission to do something with the resource. Image 1,2,3,4 & 5: Creative comments Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - MuseosCDMX.com (2025) “Museo del Templo Mayor en CDMX”. https://museoscdmx.com/museo-del-templo-mayor-en-cdmx/ - Templo Mayor Museum (Historic Center)”. https://www.expedia.com/Templo‑Mayor‑Museum‑Historic‑Center.d501757.Vacation‑Attraction (Accessed: 10 December 2025). - Dr. Lauren Kilroy‑Ewbank & Dr. Steven Zucker (2015) “Templo Mayor at Tenochtitlan: the Coyolxauhqui Stone and an Olmec mask”, Smarthistory. https://smarthistory.org/templo-mayor-at-tenochtitlan-the-coyolxauhqui-stone-and-an-olmec-mask/ Description An account of the resource The Templo Mayor in Mexico City stands as the excavated remains of the principal sacred pyramid of ancient Tenochtitlan, once the spiritual and ceremonial heart of the Aztec Empire. Initially, it was a towering stepped pyramid adorned with twin temples dedicated to the gods Huitzilopochtli and Tlaloc. Its construction involved successive layers that progressively ascended in height with each reconstruction. Today, the site reveals exposed stone platforms, staircases, shrines, and offerings that showcase centuries of religious activity. It stands as an open air archaeological site in the historic center of mexico city. Its surrounding museum displays many of the extraordinary objects uncovered during excavation, allowing visitors to understand the temple’s importance as the heart of Aztec ritual life and a defining symbol of pre-Hispanic Mexico. Walkways and elevated platforms help the visitors over the ruins, offering close views of the ancient staircase, stone remains, sculpted heads of serpents, and ceremonial platforms that wreak havoc all associated with the original temple and altars. The ground is uneven with reddish and gray volcanic stone. https://worldarchitecture.artinterp2.org/files/original/8e472515abd6bdf383fd948f69d01058.JPG 3ebb370295226fab000cd98bb957913c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Todai-ji Museum 東大寺ミュージアム Language A language of the resource Nara, Japan Date A point or period of time associated with an event in the lifecycle of the resource Opened: October 2011 Creator An entity primarily responsible for making the resource The Todai-ji complex authority Temporal Coverage Temporal characteristics of the resource. Contemporary Japan Spatial Coverage Spatial characteristics of the resource. 34.68629767296094, 135.83960011014324 Medium The material or physical carrier of the resource. Concrete and Steel Glass layered rubber and steel bearings Extent The size or duration of the resource. 5,300 square meters (Including the Entire Cultural Center) Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Blends in with the surrounding Daibutsuden style Description An account of the resource A modern museum building with climate control, built in seismic isolation systems to protect the cultural artifacts in its collection. All the ammenities of a modern building. Built in a way that can blend in with the Daibutsuden buildings surrounding it, yet showcasing its contemporary nature. A low profile building with a large hip and gable roof. Glass doors and windows adorn the outside allowing for a view of the facilities inside. Source A related resource from which the described resource is derived Image 1: Todaiji Culture Center.JPG (<a href="https://commons.wikimedia.org/wiki/File:Todaiji_Culture_Center.JPG">https://commons.wikimedia.org/wiki/File:Todaiji_Culture_Center.JPG</a>) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Contributor An entity responsible for making contributions to the resource Waldemar Barrios https://worldarchitecture.artinterp2.org/files/original/3ea838ad5eff152eb13528c42a7fb911.jpg e0564ff85b7df7970017da80aa13174e https://worldarchitecture.artinterp2.org/files/original/5d23568d29a075c0d7a81711d45a275e.jpg 7602ccd167b21e87d5faae5fa5787acf https://worldarchitecture.artinterp2.org/files/original/e7b4c6c6f531e57b79503b02e0b07050.jpg c6db8e11a00fb956c633ac3c5a45ebb8 https://worldarchitecture.artinterp2.org/files/original/569e5260d1e285952747b045326f003f.jpg a45840ee2a52a24c3eb71f3eb97bdf5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bazaar of Tabriz Contributor An entity responsible for making contributions to the resource Sultana Rahim Language A language of the resource Tabriz, Iran Date A point or period of time associated with an event in the lifecycle of the resource 12th century Temporal Coverage Temporal characteristics of the resource. Silk Road, Iran Spatial Coverage Spatial characteristics of the resource. 38.08526171767943, 46.29331473635505 Medium The material or physical carrier of the resource. Brick Extent The size or duration of the resource. 27 hectares (approximately 70 acres) Type The nature or genre of the resource Commercial Format The file format, physical medium, or dimensions of the resource Persian bazaar Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived Image 1: 2880px-Bazaar_of_Tabriz,_carvaansray Image 2:Gan-Dallazan_Bazar,_Tabriz,_Iran Image 3:Tabriz_Grand_Bazar Image 4:default License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: https://uwm.edu/libraries/digital-collections/copyright-digcoll/ Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://visitworldheritage.com https://en.m.wikipedia.org/wiki/Bazaar_of_Tabriz https://www.irannegintravel.com/iran-highlight/tabriz-bazaar https://packtoiran.com/blogs/detail/37/Wandering-through-the-historical-bazaars-of-Iran Description An account of the resource The Bazaar of Tabriz is a historic trading site in Iran and is considered one of the oldest markets still in use and in addition to being the largest covered bazaar in the world. Although no one knows who made the space, the structure dates back to the Silk Road and has been documented throughout history by explorers and scholars alike. Located at the heart of the city of Tabriz, the bazaar is built like a labyrinth with a very irregular footprint, completely shaped by the organic growth of society throughout centuries of trade. However, the structure has a very formulaic interior, with each of its very long vaulted corridors that intersect or extend in different directions to more open spaces. These larger, typically domed chambers function as market squares that specialize in a particular good, like jewelry or textiles. The Tabriz only extends about two levels in height, and the majority of the bazaar is only on a single story. It has numerous entries that connect to the surrounding streets around the structure. This allows a very controlled flow through narrow alleys that widen back onto the street or into the vaulted rooms with merchants. The bazaar is primarily built of interlocking bricks which are locally sourced to make the walls, arches, barrel vaults, and the rib details across the structure. The more decorative aspects of the space utilize glazed tiles, painted plaster, and more patterned bricks to create the earthy and inviting atmosphere that unifies the sprawling complex. The Bazaar of Tabriz is both a functional and symbolic structure of Iranian trade and cultural traditions. More than just a commercial hub, it also houses caravanserais, places of worship, and schools for learning, blending the social commerce space with religion, boarding, and education. midterm https://worldarchitecture.artinterp2.org/files/original/6851bbf386a420e0d98734d613beb840.jpg b9311bd9865af02bb01ca185e2e67a44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plan of Villa Brunel showing phase 3 Rights Holder A person or organization owning or managing rights over the resource. Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Villa Bruñel Contributor An entity responsible for making contributions to the resource Sultana Rahim Language A language of the resource Hispania Baetica, Quesada Date A point or period of time associated with an event in the lifecycle of the resource Unspecified Type The nature or genre of the resource Garden Format The file format, physical medium, or dimensions of the resource Peristyle Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://roman-gardens.github.io/place/ Creator An entity primarily responsible for making the resource Unknown https://worldarchitecture.artinterp2.org/files/original/29d54723b3747f18d52487de94e297ed.JPG 368fb3fb52ee748905a12fda103840fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plan of House R2 (Tang R2) End of the First Century BC (Fig. 1) License A legal document giving official permission to do something with the resource. Adapted from Mar and Ruiiz de Arbulo Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Mar, R. & Ruiz de Arbulo, J., 1993. Ampurias Romana: Historia, Arquitectura y Arqueología. Sabadell: Editorial Ausa https://worldarchitecture.artinterp2.org/files/original/55e367ab0aa89ba7401f431a15780369.png 2039dc83687b9d00fb384261ed953e04 https://worldarchitecture.artinterp2.org/files/original/eeef4a16b86944314d4517dae44ea868.png 9a10c1f1ed8f620cfef11309cb3d31ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource House R2 (Tang R2) Language A language of the resource Empúries (L’Escala), Catalonia, Spain Date A point or period of time associated with an event in the lifecycle of the resource First phase: 1st quarter of the 1st century BC (begun) Second phase: 2nd third of the 1st century BC (expansion) Third phase: 1st century AD (peristyle addition) Fourth phase: Late 1st – early 2nd century AD (eastern reworking) Contributor An entity responsible for making contributions to the resource Mursal Abdullah Type The nature or genre of the resource Garden Creator An entity primarily responsible for making the resource Unknown Temporal Coverage Temporal characteristics of the resource. Roman Republic Early Roman Empire (1st c. BC – 2nd c. AD) Spatial Coverage Spatial characteristics of the resource. Latitude: 42.1307° N Longitude: 3.1185° E Medium The material or physical carrier of the resource. Stone masonry Stucco Marble architectural elements Mortar Painted plaster Tile roofing Extent The size or duration of the resource. Large elite Roman domus with multiple construction phases; Two horti Two peristyle gardens Extended eastern wings. Approx. 400 m² main peristyle garden in Phase 2 Format The file format, physical medium, or dimensions of the resource Roman domus with atrium(s) and peristyles Domestic / Elite residential Source A related resource from which the described resource is derived Adapted images and plans from Mar and Ruiz de Arbulo, Ampurias Romana (1993). Adapted from Tang, Delos, Carthage, Ampurias (2005 License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Tang, B. Delos, Carthage, Ampurias: The Housing of Three Mediterranean Trading Centers. Bretschneider, Rome, 2005. Ripio Perelló, E. Ampurias: Itinerary-Guide. Instituto de Prehistoria y Arqueología, Barcelona, 1972. Mar, R., and J. Ruíz de Arbulo. Ampurias Romana. Editorial Ausa, Sabadell, 1993. Balil Iliana, A. "Casa y urbanismo en la España antigua. Casa familiar y vivienda colectiva en la España romana." Boletín del Seminario de Estudios de Arte y Arqueología XXXVIII, 1973, 101–102. Aquilué, X., and J. Ruíz de Arbulo. La jardinería en la época antigua. Historia de los Parques y Jardines en España. Madrid, 2001. Abstract A summary of the resource. House R2 is a richly layered Roman residence shaped by four major construction phases that expanded its footprint and transformed its gardens from simple horti into elaborate peristyle landscapes. The house demonstrates how domestic architecture in Emporiae adapted to shifting social needs, urban boundaries, and elite display culture. Notes include building evolution, garden features, porticoes, and eastern expansions, based on Tang’s phasing and archaeological plans. Description An account of the resource House R2 (Tang R2) is an elite Roman domus in the Roman City of Emporiae, located near the forum. The building shows four major construction phases, which can be clearly understood through its plan and surviving architectural features. By comparing the archaeological drawings with the 3D reconstructions and excavation photographs, the transformation from two smaller atrium houses into one large, luxurious residence becomes visible. In the earliest phase (early 1st century BC), the property consisted of two separate houses, each with a central atrium opening to the western cardo and a simple rear garden (hortus). The layout at this stage is compact and symmetrical, following the typical Italic atrium-house model. In the second phase, one house (R2A) expanded dramatically by consuming both original gardens, extending eastward beyond the city wall, and adding a spacious 400 m² peristyle garden surrounded by porticoes. The rooms along this garden show a shift toward openness, natural light, and elite display culture. The later phases reveal further architectural refinement. The former hortus of the second house (R2B) was converted into another peristyle garden (35a) with porticoes on three sides and a curved wall with window openings toward the garden, an unusual and elegant feature visible in Tang’s reconstruction. The addition of a bath suite on the west and a monumental eastern hall (room 46) in the final phase demonstrates increasing wealth and a move toward villa-like comfort. The plans show extended porticoes forming wind protection, and the small painted altar with a serpent and cock suggests domestic cult activity tied to the garden spaces. From visual study of the plans, images, and garden reconstructions, House R2 can be understood as a residence that gradually evolved into a highly designed architectural environment where gardens, porticoes, and interior suites were integrated into a unified elite lifestyle.