17 10 235 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Japanese Foundation for Cancer Research Language A language of the resource Ariake, Koto City, Tokyo, Japan Date A point or period of time associated with an event in the lifecycle of the resource 1908 - Founded 1934 - Cancer Institute Hospital established 1945 - Facilities destroyed during World War II Creator An entity primarily responsible for making the resource Founder - Katsusaburo Yamagiwa Founder - Shibasawa Eiichi Founder - Aoyama Tanemichi Founder - Katsura Taro Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Moanna Dixson Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.jfcr.or.jp/about/history/index.html East Asian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musashino University Language A language of the resource Original - Tsukiji, Chuo-ku, Tokyo, Japan Main Campus - Ariake, Koto City, Tokyo, Japan Second Campus - Nishi-tokyo, Tokyo, Japan Date A point or period of time associated with an event in the lifecycle of the resource 1924 - Musashino Women's Academy established 1929 - Moved to Nishi-Tokyo 1965 - Musashino Women's University established 2012 - Ariake campus established Creator An entity primarily responsible for making the resource Founder - Junjiro Takakusu Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Moanna Dixson Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://musashino-u.j-server.com/LUCAIMSSNU/ns/tl.cgi/https://www.musashino-u.ac.jp/guide/profile/history.html?SLANG=ja&TLANG=en&XMODE=0&XPARAM=q,&XCHARSET=utf-8&XPORG=,&XJSID=0#anchor01 East Asian https://worldarchitecture.artinterp2.org/files/original/eee74549948b23d6670b801697abf5d1.jpg bc8a0e671ad253eee3c5b6c6107a8f06 https://worldarchitecture.artinterp2.org/files/original/2714f6bd0e7eceb38c7ef80fb5dc63a1.jpg a9f7e61180b94528bf6b1334568de12b https://worldarchitecture.artinterp2.org/files/original/521667a3fb3e118f86cb5e77d65cc20e.png 9c00f33bddbdbea179d72d60cbfe4e48 https://worldarchitecture.artinterp2.org/files/original/382170bc4835afab11c132d03f46d3e3.jpg 84b97382c3f0b3d55aef7ac11ec2cb05 https://worldarchitecture.artinterp2.org/files/original/d129c6656b5c6107d21766fff5c374dd.jpg ac2c1e153a666f290918ee130dfcd11b https://worldarchitecture.artinterp2.org/files/original/ca138713baba42544ef9065f2a4a9508.jpg 690c8894e8817f332ba15a97359b2843 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Kennedy Center Language A language of the resource Washington, D.C. Date A point or period of time associated with an event in the lifecycle of the resource Start of Fundraising: January 29, 1959 Start of Construction: December 11, 1965 Building Opened: September 8, 1971 Contributor An entity responsible for making contributions to the resource Hannah Demory Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://en.wikipedia.org/wiki/John_F._Kennedy_Center_for_the_Performing_Arts Creator An entity primarily responsible for making the resource Architect: Edward Durell Stone Structural Engineer: Severud Associates Spatial Coverage Spatial characteristics of the resource. 38°53'45"N 77°03'20"W Source A related resource from which the described resource is derived Image 1: Kennedy Center - panoramio (cropped).jpg (https://upload.wikimedia.org/wikipedia/commons/8/8a/Kennedy_Center_-_panoramio_%28cropped%29.jpg) Image 2: Kennedy_Center_(46399777861).jpg https://upload.wikimedia.org/wikipedia/commons/2/28/Kennedy_Center_%2846399777861%29.jpg Image 3: Kennedy_center_diagram.svg.png https://en.wikipedia.org/wiki/John_F._Kennedy_Center_for_the_Performing_Arts#/media/File:Kennedy_center_diagram.svg Image 4: John_F._Kennedy_Center,_interior_000_0017.jpg https://upload.wikimedia.org/wikipedia/commons/c/c2/John_F._Kennedy_Center%2C_interior_000_0017.jpg Image 5: Messiah_Sing-Along_at_Kennedy_Center_2023_01.jpg https://upload.wikimedia.org/wikipedia/commons/e/ee/Messiah_Sing-Along_at_Kennedy_Center_2023_01.jpg Image 6: Kennedy_Center_(53844537746).jpg https://upload.wikimedia.org/wikipedia/commons/b/b6/Kennedy_Center_%2853844537746%29.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Public Domain Image 5: Creative Commons Image 6: Creative Commons Temporal Coverage Temporal characteristics of the resource. 20th Century Medium The material or physical carrier of the resource. Concrete Steel Extent The size or duration of the resource. 60,000 square feet Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Modern architecture Description An account of the resource The Kennedy Center’s layout is rectangular. On the outside of the building, there are tall, thin steel pillars in a golden shade. These pillars run along each side of the Kennedy Center, adding drama and dimension to its facade. The building itself is built of a white concrete, with walls that tower over the visitors and a large overhang that is supported by the pillars. Along the two longer sides of the building are windows that stretch floor to ceiling. On top of the basic structure, there is a slightly smaller, and much shorter, upper level of the building. This second level has windows evenly dispersed along each side. There are two different main entrances, one on each side of the building with windows. As one walks into the Kennedy Center, they are met with bright red carpet, dramatic chandeliers, and mirrors covering the walls opposite the entrance. The high ceilings in the structure add to its elegance and charm. There are three main performance rooms in the building, the Concert Hall, the Opera House, and the Eisenhower Theatre. Each of these rooms are decorated elegantly, with large stages and plenty of seating. There are two hallways separating these rooms and connecting one side of the building to the other. It is in these hallways that giant flags hang from the ceiling, representing different states and nations. The Kennedy Center stands as a place to appreciate the arts, acknowledge American history, and to enjoy a night out in Washington, D.C.. The materials chosen allow for an elegant theme and charming exterior. The Kennedy Center both harbors notes of political authority and social status with its architecture, all while touching on the sight and sound of the viewer. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tegarayama Central Park Himeji Language A language of the resource Japan Date A point or period of time associated with an event in the lifecycle of the resource 1966 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seiko Ji Temple Language A language of the resource Japan Date A point or period of time associated with an event in the lifecycle of the resource 1665 Description An account of the resource Temple https://worldarchitecture.artinterp2.org/files/original/e63ed02ae5623f8e8726bc79be0dbc67.jpg b1940a09eff296e69555d82ddadc79f4 https://worldarchitecture.artinterp2.org/files/original/ea0612aea1731e31351201f49724d7a0.jpg dd36eb5c09dcdbe705c49e1352ba2671 https://worldarchitecture.artinterp2.org/files/original/6395eb758d0cba1b288294c8c6e30f74.jpg 144f6ae6a6c71ac080b53fa5e70cfdb3 https://worldarchitecture.artinterp2.org/files/original/6abf66d8507be11bfd07c06a40eba1d3.jpg e07fb463a5de7f7ce470ef694ed35b2b https://worldarchitecture.artinterp2.org/files/original/1bdb8c48f71d3aff8f16912af4a5af1a.jpg dd0c8be9da85b7e1e83197edddfbee49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Ignatius Church N Calvert St, Baltimore, MD Language A language of the resource Baltimore, MD Date A point or period of time associated with an event in the lifecycle of the resource Years built: 1853–1856 Type The nature or genre of the resource Religious Creator An entity primarily responsible for making the resource Louis L. Long (Architect/Designer) and Henry Hamilton Pittar (Builder) Temporal Coverage Temporal characteristics of the resource. Late Renaissance/Baroque style Spatial Coverage Spatial characteristics of the resource. Latitude and Longitude - 39.298506394838505, -76.61312266745563 Medium The material or physical carrier of the resource. The building is primarily made of "Brick." Extent The size or duration of the resource. No specific Information found. Limited resources said it to be 35" x 50" or Two stories tall. Format The file format, physical medium, or dimensions of the resource Exterior: The building is primarily designed in the Italianate style. Interior: The interior showcases a late Renaissance/Baroque style. Description An account of the resource The building presents a symmetrical, classically composed façade with the base of the building rusticated, and the rest of the facade is brick with tall arched windows and a heavy modillioned cornice. The church is also adorned with a golden cross on top. The tall, frosted glass arched openings and blank brick arches alternating on the upper levels give the façade a rhythm and sense of verticality while maintaining elegant restraint. The interior is designed to be a late-Renaissance and Baroque style. The columns rise to support a richly ornamented entablature and gallery, and the overall volume conveys both grandeur and symmetry. There are no intrusive structural columns dividing the nave, allowing unobstructed views toward the high altar. The stained-glass windows installed in the 1870s and comprising some seventeen different colors bring vibrant light into the space, enhancing the layered ornamentation and inviting the visitor’s gaze upward. the church’s setting and architectural composition reflect broader civic and cultural ambitions of the Catholic community in Baltimore in the 1850s. Positioned along Calvert Street between Madison and Monument Streets, the building was conceived as a “palace” of the Italianate style that proclaimed the growing confidence of the Jesuit-administered parish. Source A related resource from which the described resource is derived Image Link 1 https://www.hmdb.org/Photos/18/Photo18314.jpg?11252005 Image Link 2 https://ispretreats.org/wp-content/uploads/St-Ignatius-Baltimore-e1589484022397.jpg Image Link 3 https://s3-media0.fl.yelpcdn.com/bphoto/Z80xEygDXl6kZwDfGtIRLw/o.jpg Image Link 4 https://explore.baltimoreheritage.org/files/fullsize/67f87df88449646cfc99ef91389a8839.jpg Image Link 5 https://live.staticflickr.com/656/31110716783_a65ce4155a_b.jpg License A legal document giving official permission to do something with the resource. Image Links 1-5 Creative Commons Contributor An entity responsible for making contributions to the resource Justin Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Source 1 https://www.hmdb.org/m.asp?m=6125 Source 2 https://explore.baltimoreheritage.org/items/show/563 https://worldarchitecture.artinterp2.org/files/original/747a611b8708a1af5a753823920f72cc.jpg 58db785f34e5356f70d62b1e2a642801 https://worldarchitecture.artinterp2.org/files/original/c80e4a973555405a9c03e8fbcf477fe8.jpg 542892f0107d0ac4bafd08ffc521b200 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Walter's Art Museum Language A language of the resource Baltimore, Maryland Date A point or period of time associated with an event in the lifecycle of the resource Built: 1905 Addition: 1974 Creator An entity primarily responsible for making the resource Architect: Delano and Aldrich(firm) Architect: Shepley, Bullfinch, Richardson and Abbott(firm) Architect: Kallmann, McKinnell and Wood (firm) Spatial Coverage Spatial characteristics of the resource. 39.29652976572545, -76.61647300552309 Medium The material or physical carrier of the resource. limestone, glass Extent The size or duration of the resource. 90,000 sq ft. Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Brutalist and Beaux-Arts (style) Description An account of the resource The structure is very quadratic in its form. Viewed from overhead, its form is just a simple rectangle. Though it is worth noting that this form is made up of essentially two buildings. Continuing from overhead the left side building top appears ordinary compared to the right side which features a green, almost tile-like texture that bounds a glass square on the roof where light proceeds to enter the structure. It features 2 distinct levels that feature several interior rooms and an interior courtyard in the middle where the building truly shows its grandeur. This middle interior courtyard features a full look-around from the middle of the structure where it appears you can then space out into the individual rooms that contain the historic art pieces on display. The exterior features this glass atrium entrance lobby, added later during the building’s existence, this entrance helped combine the two sides of the museum. Its patterns and construction method seem to be rather ordinary, at least for the exterior. For the interior, there is a significant use of archway patterns for what appears to be entrances of hallways that lead to the rooms. The rooms seem to be very quadratic in form as well, with all featuring variations of rectangular and squarish forms. The rooms have varying colors and the courtyard features a brighter yellow. Standing as one of the cultural anchors for Mt. Vernon's place, the historic district the building is a part of, the structure started as a personal collection of Henry Walters and his son William T. Walters. Eventually, Henry made his collection viewable for the public in 1874. Ultimately, he requested a redesign from several architectural firms and renovations began in 1905 for the collection to be transformed into a museum and subsequently, the museum officially opened in 1909. A little over two decades later, after his death, the museum officially was given to the city. Source A related resource from which the described resource is derived image 1: File:Walters Art Museum, 600 N. Charles Street, Baltimore, MD 21201 (35452161645).jpg - Wikimedia Commons image 2: https://commons.wikimedia.org/wiki/File:Walters_Art_Museum_ceiling_-_Stierch.jp License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Contributor An entity responsible for making contributions to the resource Julian Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Lisa Pfueller Davidson and Catherine C. Lavoie, "WALTERS ART MUSEUM", [Baltimore, Maryland], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MD-01-BC6. Last accessed: November 4, 2025. https://worldarchitecture.artinterp2.org/files/original/c1b9534ca7d1be90aa65eadf0d3402f1.jpg 5d1a351e9d2c8ff8e8216693021f1085 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soldier Field Date A point or period of time associated with an event in the lifecycle of the resource Opened (October 8th, 1924) Renovation completed (January 19th, 2002) Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Jayce Johnson Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. 1. https://www.isfauthority.com/facilities/history-of-soldier-field/ Temporal Coverage Temporal characteristics of the resource. End of Progressive Era, United states Spatial Coverage Spatial characteristics of the resource. 41.86272869464308, -87.6166884 Source A related resource from which the described resource is derived Image 1: Soldier_Field_S (https://upload.wikimedia.org/wikipedia/commons/e/e5/Soldier_Field_S.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Attribution-Share Alike 4.0 International Chicago USA https://worldarchitecture.artinterp2.org/files/original/573af7131a847b8fb05922937396e705.jpg 36be60293ccab8c2a6d4775ffc027066 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shedd Aquarium Date A point or period of time associated with an event in the lifecycle of the resource 1930 (Built) Type The nature or genre of the resource Public Contributor An entity responsible for making contributions to the resource Jayce Johnson Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. 1. https://www.sheddaquarium.org/about-shedd/vision/history Source A related resource from which the described resource is derived Image 1: Shedd_Aquarium_E (https://upload.wikimedia.org/wikipedia/commons/2/2d/Shedd_Aquarium_E.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Attribution-Share Alike 4.0 International license Aquarium United States https://worldarchitecture.artinterp2.org/files/original/6d7b11a21ef8df98c35e6949dd39d492.jpg a7263b605d8a334ec8a73c8b875960b6 https://worldarchitecture.artinterp2.org/files/original/c12a6f0ce8934e6be1d69a389cff17a1.jpg dbdfb678286fecd97a46404a5b660bc9 https://worldarchitecture.artinterp2.org/files/original/405cd09d21f04d4828624dcdb2de3945.jpg 658b790ed03815129a7e351cc6c4f105 https://worldarchitecture.artinterp2.org/files/original/d4726d504b7bdb7ca8ca015a7ae60107.jpg 1892311a1515b0b9211727d23634cd1b https://worldarchitecture.artinterp2.org/files/original/61ca39ccf87ede0dbf8558552a5425a2.jpg 4b7af051844951c58646f4584f0042d4 https://worldarchitecture.artinterp2.org/files/original/602fd128297f34eab1176514b8d9b413.jpg 2d594ef76865dab4bb763d03f58673b2 https://worldarchitecture.artinterp2.org/files/original/6e8c256708ad5be25b174570eac78e11.jpg 2429ff4079b34966a7d49afcd96e9d2a https://worldarchitecture.artinterp2.org/files/original/926cc87592840bc8615737a92e9080ca.jpg 3e86b0f493bcae24beb56867c2990ab2 https://worldarchitecture.artinterp2.org/files/original/59775993805fae124075e52f2d941d36.jpg b6377371091c0a95b7082a9e68beb13e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Urban plans (New York, Chicago, Paris, Tokyo, Beijing, Cairo, Istanbul, Athens, and Baltimore) Source A related resource from which the described resource is derived To Scale: 100 Urban Plans by Eric J. Jenkins (Routledge, 2008) Contributor An entity responsible for making contributions to the resource Quint Gregory Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. To Scale: 100 Urban Plans by Eric J. Jenkins (Routledge, 2008) Abstract A summary of the resource. These urban plans are for using as a "map" for a Neatline exhibit