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The Sacred Autonomous Royal Monastery of Saint Catherine of the Holy and God-Trodden Mount Sinai, more commonly known as Saint Catherine’s Monastery, stands at the foot of Mount Sinai in Egypt. Dating back to the mid-500s AD, it is one of the oldest and still occupied monasteries in the world. Harboring the aesthetics of most Byzantine and early Christian style structures, its plan is rather irregular and has a fortress-like format with its high, thick granite stone walls to house a collection of buildings. It is rather compacted and the various structures primarly range between 33 and 66 feet. The natural earth colored exterior blends in with the desert surroundings, as the granite was excavated from the surrounding mountain environment. A fortified gate named after Emperor Justinian, who ordered the building of the monastery (Justinian’s Gate or Gate of the emperor), was no longer used as the main entry point to preserve its condition. One of the main basilica-style churches has a timber roof, wooden doors, and decorative beams that contain intricate mosaics and depictions of important Byzantine icons. Next to it is the notable belfry, which is three stories but divided into 4 tiers, has open archways, and large bells that are still in use today. It is a much later addition to the monastery and was built in a style similar to 12th-century Syrian churches.&#13;
&#13;
The monastery's overall structure flexes its dual role as an elaborate sanctuary and fortress, as it was meant to protect monks and pilgrims within its massive granite walls that are practically impenetrable. Housing manuscripts, relics, and even a library of volumes in various languages, the monastery, for many, is a holy place and sacred. It is believed to be built where Moses witnessed the burning bush, which still lives on the premises. It was then that the building of all the surrounding structures became almost an act of worship in itself, and certainly a way for people to preserve the divinity of the area. Then, the body of Catherine of Alexandria (after which the monastery was later named) was also said to have been discovered there. This only further cements the status of it being spiritual, which has stretched across all three major Abrahamic religions. Each faith has its own tie to the area, such as the discovery of Christian Palestinian Aramaic, Arabic, and Hebrew texts. </text>
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&#13;
Interpretive Reading: The purpose for the creation of the palace was to not only house the royal families that occupied the country, but also as a key aspect of royal events, which also may have included the scene for diplomatic events. Even for this purpose, this building has been the main staple in Iranian history, from its artistic style to its cultural style. This building also reveals the country’s openness towards combining artistic styles from different regions, allowing a mix of diversity and inclusion. </text>
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&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The building is irregular in its plan. From the exterior, it looks like it is separated into three main areas. However, each of the sections sit upon the same lower levels of the structure, connecting all three together. Each main area is white in color and looks as if they are giant shells nestled inside one another. Each section varies in size, having one small shelled area, one medium, and one large. As for the lower level, it is tan in color, and provides steps for the visitors on one side of the structure, with some windows and entrances on the opposite side. The structure is rather tall, reaching 213 feet in height, which is about equal to 22 stories. Because of the unusual build of this structure, there is really no designation when it comes to how many levels it is. The building materials vary, but mainly it is made of concrete. The building itself is facing the ocean, and, hidden in the giant shells, are stretches of windows that allow light to enter. There are many different entrances sprinkled around the building, leading the visitor through hallways that branch into different rooms, but mainly lead to one giant area that is in the heart of the shells. &#13;
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This building played a large role in shaping the culture for which it comes from. It is an icon, and an image for the country in which it originates. As for the way it was built, it allows for much natural light to seep through as well as creating rather organic shapes while still maintaining a modern feel. The structure more so signals social status. The building evokes sound as a sensory experience.</text>
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            <name>Temporal Coverage</name>
            <description>Temporal characteristics of the resource.</description>
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                <text>Mid 20th Century</text>
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          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>600 ft long, 394 ft wide, 213 ft tall, and covers 4.4 acres.</text>
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            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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              <elementText elementTextId="429">
                <text>https://www.britannica.com/topic/Sydney-Opera-House</text>
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              <elementText elementTextId="430">
                <text>https://en.wikipedia.org/wiki/Sydney_Opera_House</text>
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              <elementText elementTextId="432">
                <text>https://whc.unesco.org/en/list/166/</text>
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            <name>Type</name>
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                <text>Public</text>
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        <name>Australia</name>
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        <name>midterm</name>
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        <name>Public</name>
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