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                <text>The Professed: Temple of San Felipe Neri</text>
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                <text>- Stone.&#13;
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                <text>Mexican Baroque</text>
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                <text>Today the Church La Profesa stands as an elegant example of Mexican baroque architecture in the hearth of Mexico city. The front has twin bell towers and intricate stonework flanking a central entrance. The main entrance draws you in with a beautiful carved portal framed by floral motifs and religious figured. At the top there is a curved pediment that adds a sense of movement and elegance all around the building. The windows that the top are arched that each reveal a glimpse of the interior. The textured stone and carefully places pilasters create a pattern that gaze upward towards the towers in the sky. The exterior combines elegance, symmetry and rich patterns to stand out in the streets of Mexico City. </text>
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                <text>Image 1 &amp; 2: https://profesa.oratorio.mx/profesa/&#13;
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                <text>- Templo de San Felipe Neri – La Profesa (n.d.) La Profesa – Oratorio de San Felipe Neri de México. &#13;
&#13;
- En defensa de la patria: México en armas 1846‑1848 – Sec. 12 (n.d.) Biblioteca Digital ILCE. &#13;
&#13;
- Obra arquitectónica – Palacio de Minería (n.d.) Palacio de Minería, F.I., UNAM. </text>
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                <text>- 1902: Start of construction.&#13;
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                <text>- Steel.&#13;
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                <text>- The height Is 45 meters</text>
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                <text>This towering monument is commemorating 100 years of  Mexico’s independence. The statue is a tall with a figure outstretching their wings forming a with curved arc behind it. The body is elegant and upright while slightly leaning forward. One arm extends upward holding a small circular object while the other hand is angled downward. The head is a small oval shaped at the top of the body. The base of the statue is rounded and symmetrical with the statue. </text>
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                <text>- Miller, J. (no date) The Angel of Independence. HistoricalMX. https://historicalmx.org/items/show/37&#13;
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                <text>- 1592: Official creation of the first formal public park in the Americas.&#13;
- 1770: Expansion and redesign.&#13;
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                <text>- Viceroy Luis de Velasco ll.</text>
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                <text>- Marble.&#13;
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                <text>- The park is medium size with the length being 450 meters and width being 250 meters.&#13;
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                <text>- Wikimedia Commons (2025) User: ProtoplasmaKid – Galleries.&#13;
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                <text>The park features a rectangular layout with geometric pathways, fountains, and plazas, reflecting Spanish Colonial design influences. It spans approximately 9.2 hectares and contains over 500 trees, lawns, flowerbeds, and ornamental shrubs, providing a lush urban green space. It contains numerous statues and fountains that serve as both decorative and cultural landmarks. The park’s paved marble and stone pathways are complemented by iron fences, benches, and lamp posts, enhancing its historic character. Alameda Central continues to function as a lively hub for recreation, social gatherings, and heritage preservation.</text>
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                <text>By Alex 'Florstein' Fedorov, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=45167800</text>
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                <text>The structure is grand in its makeup. From above it creates an elongated rectangle with a semi circle atop, with a square on in the middle and two that are placed near the bottom of the rectangle. Accompanying the long rectangle are two squares near the middle. Together it makes a large “cross-like” shape in its footprint of the main piece of the building, perhaps appropriate for a religious building. Its side-piece from above creates a square with miniature overhangs. Near its middle of the side-piece has an opening creating a courtyard within that space. There are several levels for the church, with it estimating up to 4,000 “households” meaning its capacity. There are three main entrances from the front-side. From here, you begin into the  main auditorium. In the middle you can look up toward the top of the structure. You can also see the upper level from this vantage point. Mentioned previously, a signature of the building’s style, there are round arches in and around the windows on the exterior, where light comes into the church. The windows also feature stained glass, that you would find customarily at a church. Outside of this, the structure possesses several materials in addition to the stained glass like granite and masonry for the building structure, as well as regular glass throughout. This of course together, stands out as the first real piece of Richardsonian Romanesque architecture, that Richardson would then capitalize on going forward, and help define a style.&#13;
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                <text>Keith N. Morgan, "Trinity Church, Boston", [Boston, Massachusetts], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MA-01-BB37.</text>
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                <text>Julian Forster</text>
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