3 10 235 https://worldarchitecture.artinterp2.org/files/original/70940597703d586388f1dafbb9abc22a.jpg 23dc245b23f9d7508b8df578928c51e6 https://worldarchitecture.artinterp2.org/files/original/8a47680622c415fd3b94079d6c57bbf8.jpg c57f674176819879441a76367bb97258 https://worldarchitecture.artinterp2.org/files/original/6a2524b1c4d7d165bdd0595b12b6e838.jpg 31b635ed99a46c23bdb247b039b91725 https://worldarchitecture.artinterp2.org/files/original/b9035f606cb81efff9a0a2bf549af3dd.jpg 271d7829f2e5f27cf16dee14c9e028e8 https://worldarchitecture.artinterp2.org/files/original/45fc12f43acb888469cfaa6d682fabfa.jpg 7b7aec515bd139d21b586a28dd0ae363 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iron Pagoda Language A language of the resource Kaifeng City, China Date A point or period of time associated with an event in the lifecycle of the resource 1049 - Constructed Type The nature or genre of the resource Religious Source A related resource from which the described resource is derived Image 1 - 1049_AD_Iron_Pagoda,_Northern_Song_Dynasty,_Kaifeng_03, https://upload.wikimedia.org/wikipedia/commons/c/c1/1049_AD_Iron_Pagoda%2C_Northern_Song_Dynasty%2C_Kaifeng_03.jpg Image 2 - 1963-05_1963年_开封祐国寺塔 (https://upload.wikimedia.org/wikipedia/commons/0/0d/1963-05_1963%E5%B9%B4_%E5%BC%80%E5%B0%81%E7%A5%90%E5%9B%BD%E5%AF%BA%E5%A1%94.jpg) Image 3 - 1049 AD Iron Pagoda, Northern Song Dynasty, Kaifeng 04.jpg (https://upload.wikimedia.org/wikipedia/commons/4/45/1049_AD_Iron_Pagoda%2C_Northern_Song_Dynasty%2C_Kaifeng_04.jpg) Image 4 - 1049_AD_Iron_Pagoda,_Northern_Song_Dynasty,_Kaifeng_09 (https://upload.wikimedia.org/wikipedia/commons/d/df/1049_AD_Iron_Pagoda%2C_Northern_Song_Dynasty%2C_Kaifeng_09.jpg) Image 5 - 049 AD Iron Pagoda, Northern Song Dynasty, Kaifeng 02.jpg (https://upload.wikimedia.org/wikipedia/commons/a/aa/1049_AD_Iron_Pagoda%2C_Northern_Song_Dynasty%2C_Kaifeng_02.jpg) Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://en.chinaculture.org/library/2003-09/24/content_36209.htm https://www.visitourchina.com/kaifeng/attraction/iron-pagoda.html http://www.china.org.cn/english/TR-e/43300.htm Spatial Coverage Spatial characteristics of the resource. 35.25000797591483, 114.42701208581097 License A legal document giving official permission to do something with the resource. Image 1 - Creative Commons Image 2 - Creative Commons Image 3 - Creative Commons Image 4 - Creative Commons Image 5 - Creative Commons Contributor An entity responsible for making contributions to the resource Moanna Dixson Creator An entity primarily responsible for making the resource Architect - Yu Hao Patron - Emperor Renzong Temporal Coverage Temporal characteristics of the resource. Song Dynasty Medium The material or physical carrier of the resource. brick Extent The size or duration of the resource. Height - 55.8 meters, 13 stories Format The file format, physical medium, or dimensions of the resource Pagoda Description An account of the resource The Iron Pagoda is an eleventh-century structure located in Youguo, a Song Dynasty Buddhist temple complex. The complex originally included a large wooden pagoda, the predecessor to the Iron Pagoda. Built by Yu Hao, the wooden pagoda would perish in a fire in 1044. It was replaced by the Iron Pagoda five years later, commissioned by the ruling emperor, Renzong. Despite its name, the building is not made of iron. It instead gets its name from the multicolored bricks mimicking the appearance of iron. The pagoda is one of China's oldest brick pagodas. Standing at thirteen stories tall, the structure has lasted 900+ years. It continues to stand tall after numerous man-made and natural disasters. https://worldarchitecture.artinterp2.org/files/original/2e3c1bac0906a2df3058ffda663a25a4.jpeg 1371f23912cdf2ac89fc132df5e5c340 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spice Bazaar (Mısır Çarşışı) Contributor An entity responsible for making contributions to the resource Brittany Lumanlan Martin Language A language of the resource Istanbul, Turkey Date A point or period of time associated with an event in the lifecycle of the resource Construction begun: 1660 Creator An entity primarily responsible for making the resource Architect: Koca Kasım Ağa (1570-1659) Architect: Mustafa Ağa Patron: Sultana Turhan Hatice (1651-1656) Temporal Coverage Temporal characteristics of the resource. Ottoman Spatial Coverage Spatial characteristics of the resource. 41.01692104530264, 28.970594501849952 Medium The material or physical carrier of the resource. Stone, brick, wood Type The nature or genre of the resource Commercial Source A related resource from which the described resource is derived Image 1: https://commons.wikimedia.org/wiki/File:Istanbul_Misir_carsisi.JPG License A legal document giving official permission to do something with the resource. Image 1: Creative Commons https://worldarchitecture.artinterp2.org/files/original/1754b018299908f28a0ef878931033f1.jpg 3270e48c010fb4ea606ab843b4d8471f https://worldarchitecture.artinterp2.org/files/original/98441ed4a0c89b7439fead3f4030c4b3.jpg c61407488f60ba581c1bc55ce1c08ede https://worldarchitecture.artinterp2.org/files/original/ee1af69f51fc2d6cfd31e14d030ae1b4.jpg b6c94b8a3b02e2c62d0bbfe15349b4ac https://worldarchitecture.artinterp2.org/files/original/4def0bce5f93c2addfc49c3ef10dbf9c.jpg b8bebe365d86954fa2c8c2b520296d75 https://worldarchitecture.artinterp2.org/files/original/e0b8134a7bba394b52e937024323dd59.jpg 228995da2f75791f2fdcbd212f38cc9f https://worldarchitecture.artinterp2.org/files/original/7badcc4c6f4cdce4f1c2bc35b9ebbb7f.jpg 7ae80fb6306e2f59e4f75c85a4f2732a https://worldarchitecture.artinterp2.org/files/original/d4980ce24b3bce62435140cceeb76e0f.jpg e3aa93a4af8eab79d391e013f10590e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hagia Sophia Grand Mosque Contributor An entity responsible for making contributions to the resource Brittany Lumanlan Martin Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Byzantine Architecture Source A related resource from which the described resource is derived Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Hagia_Sophia_Mars_2013.jpg/2560px-Hagia_Sophia_Mars_2013.jpg Image 2: https://upload.wikimedia.org/wikipedia/commons/thumb/0/00/Hagia_Sofia_%2814193941907%29.jpg/2560px-Hagia_Sofia_%2814193941907%29.jpg Image 3: https://www.jstor.org/stable/community.12084479 Image 4: https://www.jstor.org/stable/community.18119327 Image 5: https://www.jstor.org/stable/community.18127412 Image 6: https://www.jstor.org/stable/community.12289773 Image 7: https://commons.wikimedia.org/wiki/File:Deesis_mosaic_Hagia_Sophia.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Anthemius of Tralles & Isidorus of Miletus, Greek. Church of Hagia Sophia (Holy Wisdom), Constantinople Plan. 532-537. JSTOR, https://jstor.org/stable/community.12084479. Accessed 9 Oct. 2025. Image 4: Anthemius of Tralles and Isidorus of Miletus. Hagia Sophia. 532-537. JSTOR, https://jstor.org/stable/community.18119327. Accessed 9 Oct. 2025. Image 5: Antelami, Benedetto, Italian, ca. 1150-ca. 1230. Hagia Sophia. 532-537. JSTOR, https://jstor.org/stable/community.18127412. Accessed 9 Oct. 2025. Image 6: Hagia Sophia. 532-37. JSTOR, https://jstor.org/stable/community.12289773. Accessed 9 Oct. 2025. Image 7: Creative Commons Spatial Coverage Spatial characteristics of the resource. 41.008663932307826, 28.98014281017376 Language A language of the resource Fatih, Istanbul, Turkey Date A point or period of time associated with an event in the lifecycle of the resource 532 - Construction begins 537 - Construction is completed 1453 - Constantinople falls to Ottoman forces and is converted from an Orthodox Christian church to a mosque 1919 - While under occupation during World War I by the British, French, Italian, and Greek forces, a Divine Liturgy is performed and the mosque is converted back into a church 1935 - Mustafa Kemal Atatürk, Turkish President and founder of the Republic of Turkey, converts the building into a museum 2020 - Hagia Sophia is reclassified as a mosque Creator An entity primarily responsible for making the resource Architect: Anthemius of Tralles and Isidore of Miletus Patron: Emperor Justinian I Medium The material or physical carrier of the resource. Brick, mortar, wood, metal Marble, pumice stone, glass Description An account of the resource The Hagia Sophia is a classic example of Byzantine architecture. The mosque stands at 182 feet (55.6 m) tall. Its most prominent feature is its large central dome, surrounded and supported by four towering columns, known as minarets. Forty arched windows line the base of this large dome, but more than 200 windows light the structure overall, some of them fitted with stained glass. Smaller half-domes and a variety of columns also line the building’s facade, the latter of which were primarily recycled from older Roman structures. At its base, the structure takes a rectangular shape. Brick, mortar, wood, and metal comprise the outer and supportive structures, while marble, pumice stone, and glass were used for interior decorative features. Carved relief panels and mosaics depicting religious scenes can be found all along the interior. Other Byzantine-style motifs, such as acanthus leaves and palm fronds, can also be found carved into columns and marble panels. midterm Mosque neatline assignment Religious Turkey https://worldarchitecture.artinterp2.org/files/original/c52c26ea6a123a7f06ad21484378ff19.jpg 8771c29c0cbe656bc59b7160268b4e6b https://worldarchitecture.artinterp2.org/files/original/974f96c6c011071ec66593c66a93ce6c.jpg 2147366f9ab57d68d0ae159e11e612db https://worldarchitecture.artinterp2.org/files/original/c5854bd6ba7fcd89c5b3ec194ffca38f.jpg 120889c746a0dedc1bb765211677eacb https://worldarchitecture.artinterp2.org/files/original/7a288da4df52f5bc34ff137c86966e21.jpg 35d44a9e2fe2acfd68a7fd8932fa9875 https://worldarchitecture.artinterp2.org/files/original/f2b22da57d5a8d034de460e35a3195fa.jpg b04e17bff42dcbc6975dab412bbf2529 https://worldarchitecture.artinterp2.org/files/original/50c53d3354b4954b8b93d1d1a7ba1ec5.jpg 9419bd5ed60d2270af08cbbcfcd20655 https://worldarchitecture.artinterp2.org/files/original/b41deef0b81d938566648462216eb88d.jpg a9d475a38d1f282f452260c5ac9b0795 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Taipei 101 Contributor An entity responsible for making contributions to the resource Moanna Dixson Language A language of the resource Xinyi District, Taipei. Taiwan Date A point or period of time associated with an event in the lifecycle of the resource July 1999: Construction begins. November 2003 : Mall is completed and opened December 2004: Tower completed, building opens. Creator An entity primarily responsible for making the resource Architect: C.Y. Lee Architect: C.P. Wang Temporal Coverage Temporal characteristics of the resource. Contemporary- 21st century Type The nature or genre of the resource Commercial Source A related resource from which the described resource is derived Image 1: Taipei Taiwan Taipei-City-Hall-01.jpg (https://upload.wikimedia.org/wikipedia/commons/f/f9/Taipei_Taiwan_Taipei-City-Hall-01.jpg) Image 2: Taipei 101 under construction 20031024 night.jpg (https://upload.wikimedia.org/wikipedia/commons/4/42/Taipei_101_under_construction_20031024_night.jpg) Image 3: Lobby of Taipei 101 01. 20241202.jpg (https://upload.wikimedia.org/wikipedia/commons/e/e9/Lobby_of_Taipei_101_01._20241202.jpg) Image 4 - Taipei 101 Food Court.jpg (https://upload.wikimedia.org/wikipedia/commons/7/70/Taipei_101_Food_Court.jpg) Image 5 - Taipei 101 Observatory 89F 2019.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1f/Taipei_101_Observatory_89F_2019.jpg) Image 6 - Taipei 101 Tuned Mass Damper 2010.jpg (https://upload.wikimedia.org/wikipedia/commons/7/7c/Taipei_101_Tuned_Mass_Damper_2010.jpg) Image 7 - Taipei 101 view from below amk.jpg (https://upload.wikimedia.org/wikipedia/commons/c/cf/Taipei_101_view_from_below_amk.jpg) Extent The size or duration of the resource. Height: 508.0 m Format The file format, physical medium, or dimensions of the resource Postmodern Skyscraper Description An account of the resource Taipei 101 is a skyscraper which serves both as a distribution center and a financial hub for various companies. Floors B1-6F are public areas with a shopping mall, gym, food court, etc. Floors 7-84F act as private office spaces for companies. There are observatories open to the public on floors 88-91, with an additional private observatory on the top floor, 101. The building's exterior is primarily glass, suited for energy control. LED lights and other electrical control measures are implemented throughout. It has a wind damper as support during inclement weather. Additionally, the building's base consists of eight steel pillars, further strengthening the structure. Taipei 101 was built with the climate in mind, both in withstanding weathering and promoting climate change initiatives. Drawing from traditional Chinese architecture, the structure resembles a strong bamboo stalk and a pagoda, a building for Buddhist practices. The number eight found in its base is said to be lucky in Chinese numerology. The building is modern in its design and function—sitting in the heart of the bustling city—but it does not erase the works of architects past, instead building on them. Taipei 101 is a major feat of contemporary architecture, implementing modern techniques to its advantage while remaining true to its Chinese background． License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4 - Creative Commons Image 5 - Creative Commons Image 6 - Creative Commons Image 7 - Creative Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.taipei-101.com.tw/en/concept 1: https://www.britannica.com/place/Taipei-101 https://www.viracon.com/projects/view/id/27/ https://www.taipei-101.com.tw/en/explore/floor 1: https://en.m.wikipedia.org/wiki/Taipei_101 Abstract A summary of the resource. 1: The building was originally named the Taipei World Financial Center, and from 2003 to 2007 was the world’s tallest building, succeeded by the Burj Khalifa in Dubai. (Moanna Dixson) Spatial Coverage Spatial characteristics of the resource. 25.033964, 121.564468. Medium The material or physical carrier of the resource. Steel Concrete Glass Commercial East Asian midterm Modern Skyscraper https://worldarchitecture.artinterp2.org/files/original/adaf807c294a60cea185402a8e4bab0c.jpg 1ea363dc6095b38090c3f777cf8f9bfc https://worldarchitecture.artinterp2.org/files/original/cbddcace17b9547d56418399070d43bb.jpg 80dab3ce061c2f047e20ca1a9695b586 https://worldarchitecture.artinterp2.org/files/original/51dad12a7a52ede81be6eb8d7b13ea94.jpg 7681e2744c7d023567ef77fa91090c42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource National Museum of Singapore Language A language of the resource Singapore, Singapore Date A point or period of time associated with an event in the lifecycle of the resource 1882- Henry Edward McCallum designed the building 1887-Opened as Raffles Library and Museum 2003-2006 Additions of glass and metal were added to the building Temporal Coverage Temporal characteristics of the resource. British colonial rule, Colony of Singapore Type The nature or genre of the resource Public Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Board, N. H. (n.d.). Our building. National Heritage Board - Pride in our Past, Legacy for our Future. https://www.nhb.gov.sg/nationalmuseum/about-us/our-building Wikimedia Foundation. (2025d, August 30). National Museum of Singapore. Wikipedia. https://en.wikipedia.org/wiki/National_Museum_of_Singapore Creator An entity primarily responsible for making the resource Architect: Colonel Sir H.E. McCallum Architect: W Architects (firm) Spatial Coverage Spatial characteristics of the resource. 1.2969294182885014, 103.849002621896 Medium The material or physical carrier of the resource. Stone Glass Metal Extent The size or duration of the resource. 18,400 square meters (198,000 square feet) Contributor An entity responsible for making contributions to the resource Sultana Rahim Source A related resource from which the described resource is derived Image 1:2016_Singapur,_Museum_Planning_Area,_Narodowe_Muzeum_Singapuru_(02) Image 2:SNM_Concourse Image 3: lossy-page1-1920px-KITLV_-_105738_-_Raffles_Museum_in_Singapore_-_circa_1900.tif (1) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Format The file format, physical medium, or dimensions of the resource neo-Palladian (British colonial rule of Singapore) Description An account of the resource The National Museum of Singapore is a neo-Palladian structure that over time has been renovated to have glass and steel elements. Its plan overall is relatively symmetrical, and the building features two main stories. A large center dome sits in the middle of the structure's roofing, very reminiscent of British government buildings. To enter the museum, there’s a grand portico with a sweeping staircase that guides into the central atrium before branching into other exhibition galleries. The opened interior spaces are primarily illuminated by the large arched windows or stained glass in the rotunda done. A very modern “glass passage” was built for the museum to connect the newly developed areas seamlessly to the historical structure without obvious style disruption. Architecturally, the building showcases a historical evolution throughout time, from colonial British rule to more independent Singaporean state and style. domed roof glass Public steel stone https://worldarchitecture.artinterp2.org/files/original/747a611b8708a1af5a753823920f72cc.jpg 58db785f34e5356f70d62b1e2a642801 https://worldarchitecture.artinterp2.org/files/original/c80e4a973555405a9c03e8fbcf477fe8.jpg 542892f0107d0ac4bafd08ffc521b200 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Walter's Art Museum Language A language of the resource Baltimore, Maryland Date A point or period of time associated with an event in the lifecycle of the resource Built: 1905 Addition: 1974 Creator An entity primarily responsible for making the resource Architect: Delano and Aldrich(firm) Architect: Shepley, Bullfinch, Richardson and Abbott(firm) Architect: Kallmann, McKinnell and Wood (firm) Spatial Coverage Spatial characteristics of the resource. 39.29652976572545, -76.61647300552309 Medium The material or physical carrier of the resource. limestone, glass Extent The size or duration of the resource. 90,000 sq ft. Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Brutalist and Beaux-Arts (style) Description An account of the resource The structure is very quadratic in its form. Viewed from overhead, its form is just a simple rectangle. Though it is worth noting that this form is made up of essentially two buildings. Continuing from overhead the left side building top appears ordinary compared to the right side which features a green, almost tile-like texture that bounds a glass square on the roof where light proceeds to enter the structure. It features 2 distinct levels that feature several interior rooms and an interior courtyard in the middle where the building truly shows its grandeur. This middle interior courtyard features a full look-around from the middle of the structure where it appears you can then space out into the individual rooms that contain the historic art pieces on display. The exterior features this glass atrium entrance lobby, added later during the building’s existence, this entrance helped combine the two sides of the museum. Its patterns and construction method seem to be rather ordinary, at least for the exterior. For the interior, there is a significant use of archway patterns for what appears to be entrances of hallways that lead to the rooms. The rooms seem to be very quadratic in form as well, with all featuring variations of rectangular and squarish forms. The rooms have varying colors and the courtyard features a brighter yellow. Standing as one of the cultural anchors for Mt. Vernon's place, the historic district the building is a part of, the structure started as a personal collection of Henry Walters and his son William T. Walters. Eventually, Henry made his collection viewable for the public in 1874. Ultimately, he requested a redesign from several architectural firms and renovations began in 1905 for the collection to be transformed into a museum and subsequently, the museum officially opened in 1909. A little over two decades later, after his death, the museum officially was given to the city. Source A related resource from which the described resource is derived image 1: File:Walters Art Museum, 600 N. Charles Street, Baltimore, MD 21201 (35452161645).jpg - Wikimedia Commons image 2: https://commons.wikimedia.org/wiki/File:Walters_Art_Museum_ceiling_-_Stierch.jp License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Contributor An entity responsible for making contributions to the resource Julian Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Lisa Pfueller Davidson and Catherine C. Lavoie, "WALTERS ART MUSEUM", [Baltimore, Maryland], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/MD-01-BC6. Last accessed: November 4, 2025. https://worldarchitecture.artinterp2.org/files/original/eee74549948b23d6670b801697abf5d1.jpg bc8a0e671ad253eee3c5b6c6107a8f06 https://worldarchitecture.artinterp2.org/files/original/2714f6bd0e7eceb38c7ef80fb5dc63a1.jpg a9f7e61180b94528bf6b1334568de12b https://worldarchitecture.artinterp2.org/files/original/521667a3fb3e118f86cb5e77d65cc20e.png 9c00f33bddbdbea179d72d60cbfe4e48 https://worldarchitecture.artinterp2.org/files/original/382170bc4835afab11c132d03f46d3e3.jpg 84b97382c3f0b3d55aef7ac11ec2cb05 https://worldarchitecture.artinterp2.org/files/original/d129c6656b5c6107d21766fff5c374dd.jpg ac2c1e153a666f290918ee130dfcd11b https://worldarchitecture.artinterp2.org/files/original/ca138713baba42544ef9065f2a4a9508.jpg 690c8894e8817f332ba15a97359b2843 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Kennedy Center Language A language of the resource Washington, D.C. Date A point or period of time associated with an event in the lifecycle of the resource Start of Fundraising: January 29, 1959 Start of Construction: December 11, 1965 Building Opened: September 8, 1971 Contributor An entity responsible for making contributions to the resource Hannah Demory Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://en.wikipedia.org/wiki/John_F._Kennedy_Center_for_the_Performing_Arts Creator An entity primarily responsible for making the resource Architect: Edward Durell Stone Structural Engineer: Severud Associates Spatial Coverage Spatial characteristics of the resource. 38°53'45"N 77°03'20"W Source A related resource from which the described resource is derived Image 1: Kennedy Center - panoramio (cropped).jpg (https://upload.wikimedia.org/wikipedia/commons/8/8a/Kennedy_Center_-_panoramio_%28cropped%29.jpg) Image 2: Kennedy_Center_(46399777861).jpg https://upload.wikimedia.org/wikipedia/commons/2/28/Kennedy_Center_%2846399777861%29.jpg Image 3: Kennedy_center_diagram.svg.png https://en.wikipedia.org/wiki/John_F._Kennedy_Center_for_the_Performing_Arts#/media/File:Kennedy_center_diagram.svg Image 4: John_F._Kennedy_Center,_interior_000_0017.jpg https://upload.wikimedia.org/wikipedia/commons/c/c2/John_F._Kennedy_Center%2C_interior_000_0017.jpg Image 5: Messiah_Sing-Along_at_Kennedy_Center_2023_01.jpg https://upload.wikimedia.org/wikipedia/commons/e/ee/Messiah_Sing-Along_at_Kennedy_Center_2023_01.jpg Image 6: Kennedy_Center_(53844537746).jpg https://upload.wikimedia.org/wikipedia/commons/b/b6/Kennedy_Center_%2853844537746%29.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Public Domain Image 5: Creative Commons Image 6: Creative Commons Temporal Coverage Temporal characteristics of the resource. 20th Century Medium The material or physical carrier of the resource. Concrete Steel Extent The size or duration of the resource. 60,000 square feet Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Modern architecture Description An account of the resource The Kennedy Center’s layout is rectangular. On the outside of the building, there are tall, thin steel pillars in a golden shade. These pillars run along each side of the Kennedy Center, adding drama and dimension to its facade. The building itself is built of a white concrete, with walls that tower over the visitors and a large overhang that is supported by the pillars. Along the two longer sides of the building are windows that stretch floor to ceiling. On top of the basic structure, there is a slightly smaller, and much shorter, upper level of the building. This second level has windows evenly dispersed along each side. There are two different main entrances, one on each side of the building with windows. As one walks into the Kennedy Center, they are met with bright red carpet, dramatic chandeliers, and mirrors covering the walls opposite the entrance. The high ceilings in the structure add to its elegance and charm. There are three main performance rooms in the building, the Concert Hall, the Opera House, and the Eisenhower Theatre. Each of these rooms are decorated elegantly, with large stages and plenty of seating. There are two hallways separating these rooms and connecting one side of the building to the other. It is in these hallways that giant flags hang from the ceiling, representing different states and nations. The Kennedy Center stands as a place to appreciate the arts, acknowledge American history, and to enjoy a night out in Washington, D.C.. The materials chosen allow for an elegant theme and charming exterior. The Kennedy Center both harbors notes of political authority and social status with its architecture, all while touching on the sight and sound of the viewer. https://worldarchitecture.artinterp2.org/files/original/157fd829bef9f8a78b9928aa864f50fa.jpg 96f5cad9ed96a89cbdf152d204919522 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marqués de Riscal Hotel Language A language of the resource Elciego, Rioja Alavesa, Spain Date A point or period of time associated with an event in the lifecycle of the resource 2003 - Construction begins 2006 - Construction is completed Creator An entity primarily responsible for making the resource Architect: Frank Gehry Builder: Ferrovial Spatial Coverage Spatial characteristics of the resource. 42.511793424858894, -2.617544826984642 Type The nature or genre of the resource Commercial Contributor An entity responsible for making contributions to the resource Brittany Lumanlan Martin Source A related resource from which the described resource is derived Image 1: https://www.marquesderiscal.com/public/Image/2020/6/El-hotel.jpg License A legal document giving official permission to do something with the resource. Image 1: Vinos de los Herederos del Marqués de Riscal. 2025, www.marquesderiscal.com/public/Image/2020/6/El-hotel.jpg. Medium The material or physical carrier of the resource. Titanium, stainless steel Reinforced concrete Bamboo Extent The size or duration of the resource. 2,000 sq. m. Format The file format, physical medium, or dimensions of the resource Avant-Garde Sculptural https://worldarchitecture.artinterp2.org/files/original/86ae27dc2f7a45e619c6db49ddb3a2fd.jpeg 0ef403f31f525834a0e9f818de1c7ea1 https://worldarchitecture.artinterp2.org/files/original/4bc70e5811dc96f6f23db7a4f58ea9cd.png 8ced9284d78f986332e6c5677b4dc7ac https://worldarchitecture.artinterp2.org/files/original/39705386e22ef9c7303a14228e6e7ca9.png 14e59aaffe84b015281080bdf6566397 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bethabara Moravian Church Type The nature or genre of the resource Religious Contributor An entity responsible for making contributions to the resource Julian Forster Language A language of the resource Winston-Salem North Carolina Date A point or period of time associated with an event in the lifecycle of the resource Begun: 1788 Completed: 1788 Creator An entity primarily responsible for making the resource Architect: Frederic William Marshall Architect: Abraham Loesch Temporal Coverage Temporal characteristics of the resource. 18th century German Colonial Spatial Coverage Spatial characteristics of the resource. 36.15270418805049, -80.29455856130483 Medium The material or physical carrier of the resource. Stone, brick and wood Extent The size or duration of the resource. Area: 8 acres Format The file format, physical medium, or dimensions of the resource German Colonial religious type Description An account of the resource The structure is considerably sound with a firm rectangular form, as it hails as one of the last structures to represent the German Colonial church structure. It includes two levels, two chimneys, and a belfry at the top. While it does feature a second level, it does appear that there is more space on the main lower level. It is also worth noting that it appears there were initial plans to have a basement level, however ultimately was not added. The structure presents a multitude of windows and doors. There are two front entrances on the North-East side of the structure that one may enter through. From there to the immediate left is the Structure’s auditorium. To the right of these entrances lies two bedrooms, a living room, and a kitchen toward the back right of the structure (facing from the front). There are similarly two exits through the back that leads directly to what appears to be a well. The second level also features a smaller auditorium, which is considered a part of the main one on the lower level, and another bedroom. The structure has an angled roof which does present in its interior design as well as the exterior design. Its patterns are quite simplistic in its exterior, with the majority of the building possessing a stone masonry wall into brick pattern. On its interior, its patterns are also simplistic, as they follow a simple white color into a more natural wood color on objects like window arches and doors. Its structural process and build deliver on the structure's signaling of religious context. It establishes an iconicity when we think of an old, colonial, well-established church in the United States. Source A related resource from which the described resource is derived Image1: Bethabara_Moravian_Church https://upload.wikimedia.org/wikipedia/commons/6/61/Bethabara_Moravian_Church.JPG Image 2: Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_1_of_6) https://upload.wikimedia.org/wikipedia/commons/2/2f/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_1_of_6%29.png Image 3: Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_2_of_6) https://upload.wikimedia.org/wikipedia/commons/4/47/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_2_of_6%29.png License A legal document giving official permission to do something with the resource. Image1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Abstract A summary of the resource. The church has been added to the Historic Bethabara Park. This may partly impacts its lack of documentation of its dimensions. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://historicbethabara.org/historic-building-grounds/the-gemeinhaus/ https://www.bethabara.org/ Worth Alexander Younts, "Bethabara Moravian Church", [Winston-Salem, North Carolina], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/NC-01-067-0077. midterm https://worldarchitecture.artinterp2.org/files/original/ce4e2e3a02b1020ac6ecee75128687dd.jpg 4d3dcfdce303175faeb4166c26ddd483 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louvre Pyramid Language A language of the resource Paris, France Date A point or period of time associated with an event in the lifecycle of the resource Project Announced: 1981 Structure completed: 1989 Creator An entity primarily responsible for making the resource Architect: I. M. Pei Temporal Coverage Temporal characteristics of the resource. 21st Century Spatial Coverage Spatial characteristics of the resource. 48°51'39"N 2°20'09"E Medium The material or physical carrier of the resource. Metal Glass Extent The size or duration of the resource. 71 feet tall, 11,000 square feet Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Modern Architecture Source A related resource from which the described resource is derived Image 1: Cour Napoléon at night - Louvre.jpg (https://upload.wikimedia.org/wikipedia/commons/2/28/Cour_Napoléon_at_night_-_Louvre.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Contributor An entity responsible for making contributions to the resource Hannah Demory Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://en.wikipedia.org/wiki/Louvre_Pyramid