4 10 235 https://worldarchitecture.artinterp2.org/files/original/7a9bbea52ce951ba50004e1ee7e1971c.jpg e3aef921d250b0d2aae63829cfa0b6d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cairo Opera House Contributor An entity responsible for making contributions to the resource Stanley Ojibeka https://worldarchitecture.artinterp2.org/files/original/4b3104683309c1fd8f1c0b42fb3e582d.jpg 8949b0c97d423d9b4f421101ee9f96fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cairo Tower Contributor An entity responsible for making contributions to the resource Stanley Ojibeka https://worldarchitecture.artinterp2.org/files/original/a45321bdeaa035e995bfd04b6160e19d.jpg 2fab24b53ceaac36e9a5fb63099ee569 https://worldarchitecture.artinterp2.org/files/original/b7f2c8f016a0bd11c10c3ed58efab68a.jpg 66948e6acbbcc474d6db8cd9606e1e70 https://worldarchitecture.artinterp2.org/files/original/f057b32cbe436e5ec43c155c648391aa.jpg 19f7c9c9c1555ca3c0a1e381ae5aeb43 https://worldarchitecture.artinterp2.org/files/original/06d1c2f4847ae602bad4e8f2ee3db86b.jpg a5b8b7a92384dd69bec8dd5455c50ffe https://worldarchitecture.artinterp2.org/files/original/50671e10ce7d1a9270486c06282b61cd.JPG 7dea04fe9622649ab258315659adbcd5 https://worldarchitecture.artinterp2.org/files/original/bf19bd68c82d58a193ff9e904f0c5aeb.jpeg bc4b14ef1b8ccdcbc898e42f768076ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Canglang Pavilion Type The nature or genre of the resource Public Source A related resource from which the described resource is derived Image 1: 沧浪亭·苏州·全景 Image 2:Canglang_Pavilion_2 Image 3:Great_Wave_Pavilion1 Image 4:Outside_Great_Wave_Pavilion Image 5:A_Moon_gate_in_Great_Wave_Pavilion_2012-03 Image 6: 2560px-CNJS-512-006 License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Image 5: Creative Commons Image 6: Creative Commons Contributor An entity responsible for making contributions to the resource Sultana Rahim Spatial Coverage Spatial characteristics of the resource. 31.29509374164759, 120.62520903835308 Language A language of the resource Suzhou, Jiangsu, China Date A point or period of time associated with an event in the lifecycle of the resource 1044 CE - Built 1696 CE - Restored 1955 - Opened to the public Creator An entity primarily responsible for making the resource Su Shunqin Temporal Coverage Temporal characteristics of the resource. Song Dynasty, China Medium The material or physical carrier of the resource. Wood Brick Tile Extent The size or duration of the resource. 2.9 acres, (1.17 hectares ) Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://en.wikipedia.org/wiki/Canglang_Pavilion https://www.islamichinatravel.com/destination-guide/suzhou/suzhou-attractions/blue-wave-pavilion/#:~:text=On%20the%20western%20side%2C%20exquisite,(1644%2D1911)%20style.&text=Take%20bus%20No.,get%20off%20at%20Sanyuanfang%20Station.&text=%E2%80%A2-,Take%20bus%20No.,off%20at%20Gongren%20Wenhuagong%20Station.&text=Please%20book%20the%20entrance%20ticket,com)%20with%20your%20passport%20details.&text=Keep%20your%20passport%20on%20you%20to%20claim%20the%20ticket. https://www.travelchinaguide.com/attraction/jiangsu/suzhou/canglang.htm Format The file format, physical medium, or dimensions of the resource Traditional Northern Song Dynasty garden https://worldarchitecture.artinterp2.org/files/original/f7aa7820b9a598f0d771f060d4c977c1.jpg d06a8c2d91c96b947791f1edcf7a8e75 https://worldarchitecture.artinterp2.org/files/original/78f4d3c50d94d2070ddc675ecec89828.jpg 20e6387f8f19742642fe320be1969fc3 https://worldarchitecture.artinterp2.org/files/original/91471e82f2454ac51227ac6381dba3e8.jpg 0ba364fed8e3873ebec90faf2b56216f https://worldarchitecture.artinterp2.org/files/original/965bfe930f6ea34de41fed5e0a9e4c02.jpg 07e201e04ad4c4a406213ecd23f56321 https://worldarchitecture.artinterp2.org/files/original/4794c0b8f00a6f66c289e2f920a61a49.jpg b20845d5e247470fe22033706bb6847b https://worldarchitecture.artinterp2.org/files/original/6787c20565928f248ff61d6b20e0af96.jpg a4714a7376e6a2081c70d76a10844bf4 https://worldarchitecture.artinterp2.org/files/original/946de4a1a679c349a47122541d731131.jpg 02f80e0da5b2413f465f2049a3e43e5b https://worldarchitecture.artinterp2.org/files/original/335e0cc0a2588baea30f5628962315d2.jpg 0c0519f29f5b180830f504e98206ad0f https://worldarchitecture.artinterp2.org/files/original/08c4a77c648c70bfbd9151da201fd352.jpg 9c5dbfb5d5016b5aee3a7766462bf7fa https://worldarchitecture.artinterp2.org/files/original/d67cbe44dcfb09c007ab1eaa390a212f.jpg b40f99c4e13a92575024eb24ce2ac0fd https://worldarchitecture.artinterp2.org/files/original/4de7e06ec8f9766929db203478e735c1.jpg e02d75c1c2a3849d6ae5b07ebae39ad1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carnegie Hall Contributor An entity responsible for making contributions to the resource Moanna Dixson Language A language of the resource New York, New York, United States of America Date A point or period of time associated with an event in the lifecycle of the resource May 13, 1890 - Cornerstone cemented, construction begins May 5, 1891 - Opening night. 1894 - Two artist studios added. 1897 - Second round of additions made (Studio towers) 1908 - First marquee added to front. 1920s - Exterior stairs removed, six storefronts carved． 1947 - Renovations and improvements approved by acting president Robert Simon Jr. 1966 - Main auditorium’s center aisle removed, seats replaced, stage extended, and new floors installed. 1983 - Full interior renovation begins (includes the removal of storefronts). 1986 - Renovation completed. January 1987 - Weill Recital Hall opens. 2003 - Zankel Hall opens. 2011 - Studio Towers renovation begins. Creator An entity primarily responsible for making the resource Architect - William Burnet Tuthill Builder - Andrew Carnegie Type The nature or genre of the resource Public Source A related resource from which the described resource is derived Image 1 - Carnegie Hall - Full (48155558466).jpg (https://upload.wikimedia.org/wikipedia/commons/2/26/Carnegie_Hall_-_Full_%2848155558466%29.jpg) Image 2 - Carnegie Hall in 1895.jpg (https://upload.wikimedia.org/wikipedia/commons/c/c8/Carnegie_Hall_in_1895.jpg) Image 3 - CH137449.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDFcZFw5XDRcQ0gxMzc0NDQ5LmpwZyIECAEQD0ABYglDSDEzNzQ0NDk-~/2RRM1TCR4E_2/U3pC3MH7XsVKxSeH/CH1374449.jpg) Image 4 - CH1499698.jpg ) https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXGFcMVwzXDNcQ0gxNDk5Njk4LmpwZyIECAEQD0ABYglDSDE0OTk2OTg-~/2RRM1T7YX5AV/xAjwGdk0aAVXUQFl/CH1499698.jpg) Image 5 - CH19585.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhhcVFIxXGRcMlw2XDhcQ0gxOTU4NS5qcGciBAgBEA9AAWIHQ0gxOTU4NQ--~/2RRM1T84U4U4/28kpk6lU376kULyM/CH19585.jpg)) Image 6 - CH1499386.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDdcMFw3XDBcQ0gxNDk5Mzg2LmpwZyIECAEQD0ABYglDSDE0OTkzODY-~/2RRM1T7YNRPH/BlJAzzTugYLZpToS/CH1499386.jpg) Image 7 - CH1499025.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXGRcMFw5XDhcQ0gxNDk5MDI1LmpwZyIECAEQD0ABYglDSDE0OTkwMjU-~/2RRM1T7YNC3M/HPNkLq5G76sPMILj/CH1499025.jpg) Image 8 - CH1499733.jpg (https://collections.carnegiehall.org/Assets/V2/ChFDSDFTNTAwMDAwMDAwMDAwNRIDVFIxGhpcVFIxXDVcM1xlXDZcQ0gxNDk5NzMzLmpwZyIECAEQD0ABYglDSDE0OTk3MzM-~/2RRM1T7Y5F8L/ljV1LIEO_kllodsG/CH1499733.jpg) Image 9 - Drawing, Design for Stained Glass Windows- Chamber Music Hall - Back of Stage, Carnegie Hall, New York, NY, late 19th century (CH 18733231).jpg (https://upload.wikimedia.org/wikipedia/commons/b/b2/Drawing%2C_Design_for_Stained_Glass_Windows-_Chamber_Music_Hall_-_Back_of_Stage%2C_Carnegie_Hall%2C_New_York%2C_NY%2C_late_19th_century_%28CH_18733231%29.jpg) Image 10 - Carnegie_Hall_Decoration_(4683331152).jpg (https://upload.wikimedia.org/wikipedia/commons/a/a7/Carnegie_Hall_Decoration_%284683331152%29.jpg) Image 11 - Isaac Stern Auditorium-Carnegie Hall-2.jpg (https://upload.wikimedia.org/wikipedia/commons/b/bb/Isaac_Stern_Auditorium-Carnegie_Hall-2.jpg) License A legal document giving official permission to do something with the resource. Image 1 - Creative Commons Image 2 - Creative Commons Image 3 - Carnegie Hall Rose Archives Image 4 - Carnegie Hall Rose Archives Image 5 - Carnegie Hall Rose Archives Image 6 - Carnegie Hall Rose Archives Image 7 - Carnegie Hall Rose Archives Image 8 - Carnegie Hall Rose Archives Image 9 - Creative Commons Image 10 - Creative Commons Image 11 - Creative Commons Medium The material or physical carrier of the resource. Brick Terracotta Glass Steel Extent The size or duration of the resource. Issac Stern Auditorium - Seats 2790, Stage 42 ft deep. Judy and Arthur Zankel Hall - Seats 599, Stage 44 ft wide x 25 ft deep. Joan and Sanford I. Weill Recital Hall - Seats 268, Stage 33 ft wide x 15 ft deep． Judith and Burton Resnick Education Wing - 61000 square ft. Rose Museum - 29 x 44 feet Format The file format, physical medium, or dimensions of the resource Neo-Renaissance Temporal Coverage Temporal characteristics of the resource. Gilded Age Spatial Coverage Spatial characteristics of the resource. 40.7648°N, 73.9797°W Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.carnegiehall.org/About/Building-Overview/Stern-Auditorium-Perelman-Stage https://www.carnegiehall.org/About/History/Timeline#1800s https://www.carnegiehall.org/About/History https://www.carnegiehall.org/About/Rentals/Performance-Halls/Weill-Recital-Hall https://www.carnegiehall.org/About/Rentals/Performance-Halls/Zankel-Hall https://www.carnegiehall.org/About/Rentals/Performance-Halls/Stern-Auditorium-Perelman-Stage https://www.carnegiehall.org/About/Rentals/Event-Spaces/Rose-Museum https://www.carnegiehall.org/Explore/Articles/2020/07/21/Carnegie-Hall-Legendary-Acoustics https://www.carnegiehall.org/Explore/Articles/2020/11/06/Carnegie-Halls-Stained-Glass-Windows Description An account of the resource Terracotta ornaments line the sides with friezes placed above the fourth floor. Arched windows can be seen on the building’s facade. Stained glass and massive steps once adorned its exterior. Carnegie Hall is a building located in the heart of New York City.  Constructed at the end of the 19th century, the structure takes a neo-Renaissance style. The original building was made from reddish-brown brick and thick concrete walls utilizing the Guastavino process. Despite its builder, steel magnate and philanthropist Andrew Carnegie, little to no steel was present during its 1890 consturction. This allowed for resonating acoustics, enhancing the building’s use as a music venue. More than a place to listen to music, it was created to make music into art. Carnegie Hall’s interior is separated into three music halls and an education wing. The Judith and Burton Resnick Education Wing is the newest addition, constructed in 2011 during the Studio Tower renovation project, though the Rose Museum located within was built twenty years prior. Resnick Education Wing, taking an L-shaped form, is one of the few areas where Carnegie steel is utilized, paying homage to the hall’s builder. The structure serves as a teaching space for artists and is open to the general public, facilitating the development of music within surrounding communities. The oldest of the structures is the Issac Stern Hall, built by amateur architect William Tuthill. The hall is known for its world-class acoustics. When constructing it, Tuthill chose to make Stern Hall as simple as possible. The heavy curtains, extravagant chandeliers, and detailed frescoes, which are present in other venues, are not present in Stern Hall. Instead, the curvilinear walls are smooth, the roof is domed, and the stage slightly protrudes out. The elements within Stern Hall are simple but amplify each note played.  Carnegie Hall as a whole is a gem of the music world, with Pyotr Illych Tchaikovsky, George Gershwin, Billie Holiday, etc. taking the stage while also being open for public education. Music travels through the halls because of the intentional simplicity ingrained in the original structure, and the education of said music travels through the wings as an extension of the said structure. American Concert Hall neatline assignment Neo-Renaissance Public https://worldarchitecture.artinterp2.org/files/original/cec7343e21d760ce597b21710f0c84b7.jpg 121af5ac0ebeb37162e1d6c5dba9a545 https://worldarchitecture.artinterp2.org/files/original/58604e08e73d56faeda061d7ca485291.jpg e1b921e4428991ee6ced474cd3bcf166 https://worldarchitecture.artinterp2.org/files/original/8278d71b3f3dbca9613e8555e338ac79.jpg 93811eca40fbe1e3bda60a2cecafeb91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carnegie Library of Pittsburgh, Allegheny Branch Language A language of the resource Pittsburgh, Pennsylvania Description An account of the resource The structure has a quadratic footprint, with morphed and rugged edges. It sports a clock tower near the bottom of the structure when viewed from above. It has several levels and rooms, with it housing around 1,100 individuals with just its auditorium alone. From this we get a greater understanding of the structure’s stature. It features several entrances throughout, including what appears to be one near the clock tower. Once more, the building materials that define the Richardsonian Romanesque style are prevalent. With that signature granite stone material as an exterior coat, it pairs with glass in the windows and arches around the structure to bring these prominent features to the forefront!! This building is also heavily inspired by the Allegheny courthouse, located a little ways away from it, and was the first Carnegie public library in the U.S. It has since been closed as a library and replaced with a different building but the structure is now reused mainly as a theater! License A legal document giving official permission to do something with the resource. Image 1: Creative Commons https://upload.wikimedia.org/wikipedia/commons/0/00/Carnegie_Free_Library_of_Allegheny.jpg Image 2: Creative Commons https://upload.wikimedia.org/wikipedia/commons/3/36/Carnegie_Library_Allegheny_ReadingRoom_1900.jpg Drawing 1: Creative Commons https://upload.wikimedia.org/wikipedia/commons/a/af/US-PA%281891%29_p735_ALLEGHENY_CITY%2C_CARNEGIE_LIBRARY.jpg Contributor An entity responsible for making contributions to the resource Julian Forster Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Lu Donnelly et al., "Carnegie Library of Pittsburgh, Allegheny Branch", [Pittsburgh, Pennsylvania], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/PA-01-AL75. Date A point or period of time associated with an event in the lifecycle of the resource Created: 1889 Creator An entity primarily responsible for making the resource Smithmeyer and Pelz Spatial Coverage Spatial characteristics of the resource. 40.453273906810765, -80.0054183116302 Medium The material or physical carrier of the resource. granite (rock), glass Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Richardsonian Romanesque https://worldarchitecture.artinterp2.org/files/original/c9512ee8804e93f672b243c4808215bb.jpg b30719441b1b8775411ce14d5db66a18 https://worldarchitecture.artinterp2.org/files/original/0ded0bf4f643b8982cc13bfe29f41d17.jpg f1a93a5627ad5c4d2c4f3c7d46aa7594 https://worldarchitecture.artinterp2.org/files/original/b846bf0a8186de78291428c599451f28.jpg bc41e39bf4f391e7cfa5c4d26e6d9890 https://worldarchitecture.artinterp2.org/files/original/d904dfaedc35455ad8966039682cd0ff.JPG 1bc1c9c9c8f7cf1fd90dbc4e5f6f03e1 https://worldarchitecture.artinterp2.org/files/original/ce565401304c9ed1feb3eccf8ea8f2c6.jpg b171d11ab7e7235c3435a10d2208d6f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Casa de los Azulejos. Contributor An entity responsible for making contributions to the resource Kevin Language A language of the resource Mexico City, Mexico. Date A point or period of time associated with an event in the lifecycle of the resource - 1600: Original building on the site constructed. - 1720: Early renovations and expansions made by noble families. - 1793: Reconstruction and remodeling. - 18th century: Application of blue and white Puebla talavera tiles. - 20th century: Minor modifications and adaptive reuse. Creator An entity primarily responsible for making the resource - Condes del Valle de Orizaba. - Luis de vivero. Temporal Coverage Temporal characteristics of the resource. Colonial era Spatial Coverage Spatial characteristics of the resource. 19.434196106121156, -99.14020295767119 Medium The material or physical carrier of the resource. - Stone. - Wood. - Ceramic Tiles. - Iron. Extent The size or duration of the resource. -Two story massive building. - The tallest point of this building is 9.3 meters. Type The nature or genre of the resource Public Format The file format, physical medium, or dimensions of the resource Mexican Baroque. Source A related resource from which the described resource is derived Image: 1,2,3, & 4: https://mexicocity.cdmx.gob.mx/venues/la-casa-de-los-azulejos/ Image 5:https://archive.org/details/moonhandbooksmex00chri/page/34/mod e/2up License A legal document giving official permission to do something with the resource. Image 1,2,3,& 4: Public Domain. Image 5: Creative comments. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - Humphrey, C. (2005) Moon Handbook Mexico City. 3rd edn. Emeryville, Calif.: Avalon Travel. - Ciudad de México (n.d.) La Casa de los Azulejos. Available at Description An account of the resource Casa de los Azulejos rises from the streets of Mexico City like a jewel of colonial elegance. Its upper floors shines with thousands of blue and white Talavera tiles, arranged in i geometric and floral patterns that catch the sunlight. The solid gray volcanic stone of the ground floor anchors the building, providing a stark contrast to the airy brilliance above. Corners and edges are finely carved stone details, framing the vibrant mosaics and infusing the structure with a sense of opulence. All the patterns following to the top of the building crowns the building gracefully, completing its harmonious proportions. From every angle, Casa de los Azulejos captivates the eye by seamlessly blending Baroque architectural precision with the lively colors and textures of traditional Mexican craftsmanship. https://worldarchitecture.artinterp2.org/files/original/17b6e7f37b0c97aba2ed37654a5d1f2c.jpg ff0837d68b2527d57b90e06d2b11ed82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of Notre Dame from the SE Rights Holder A person or organization owning or managing rights over the resource. Paris_Notre-Dame_Southeast_View_01,jpg (https://upload.wikimedia.org/wikipedia/commons/7/77/Paris_Notre-Dame_Southeast_View_01.JPG) https://worldarchitecture.artinterp2.org/files/original/a5412e24e053d4bff0b47d58f012bb85.jpg 547cd703523661b1fbc72b7071a8e58a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cathedral of Notre Dame; Notre Dame de Paris; Temple of Reason/Temple of the Supreme Being Language A language of the resource Île de la Cité, Paris, France Date A point or period of time associated with an event in the lifecycle of the resource 1163 – Bishop Maurice de Sully begins construction of new cathedral. 1270 – South transept and rose window completed by Pierre de Montreuil. 15 April 2019 – A fire destroys a large part of the roof and the spire. Reconstruction begins two years later in 2021. Fall 2024? - Notre Dame reopened after complete restoration. Creator An entity primarily responsible for making the resource Patron: Maurice de Sully Master Mason/Architect: Jean De Chelles (1250-1260) Architect: Pierre de Montreuil (1270) Contributor An entity responsible for making contributions to the resource Divya Kumar-Dumas & Quint Gregory Source A related resource from which the described resource is derived image 1:Paris_Notre-Dame_Southeast_View_01,jpg (https://upload.wikimedia.org/wikipedia/commons/7/77/Paris_Notre-Dame_Southeast_View_01.JPG) image 2:Notre-Dame_de_Paris_2013-07-24.jpg (https://upload.wikimedia.org/wikipedia/commons/a/af/Notre-Dame_de_Paris_2013-07-24.jpg) License A legal document giving official permission to do something with the resource. image 1: Creative Commons image 2: Creative Commons Spatial Coverage Spatial characteristics of the resource. 48.85289032686707, 2.3499450510626616 Format The file format, physical medium, or dimensions of the resource French Gothic Type The nature or genre of the resource Religious midterm neatline assignment https://worldarchitecture.artinterp2.org/files/original/9fce1dd92c8cf648e393c07f0a37b36b.jpeg 694bd94355679fa14827844fef0bca99 https://worldarchitecture.artinterp2.org/files/original/3409d65b241dd423962ed6381710ec8e.jpeg 7ef411721b6c0ceba8575f88832fbbcc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Central Cathedral Mosque of Dushanbe Language A language of the resource Dushanbe, Tajikistan Date A point or period of time associated with an event in the lifecycle of the resource Construction begun: 2009 Completed: 2020 Creator An entity primarily responsible for making the resource Architect/Builder: unknown Patron: Government of Tajikistan and State Committee on Religion (also supported by Qatar funding) Spatial Coverage Spatial characteristics of the resource. Contemporary Islamic architecture (21st century Medium The material or physical carrier of the resource. Latitude: 38.5706 N Longitude: 68.7765 E Extent The size or duration of the resource. Reinforced concrete Marble cladding Stone Decorative tile Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Major national mosque complex with courtyards, minarets, and monumental dome Description An account of the resource <em>The Central Cathedral Mosque of Dushanbe features a large national mosque complex with its central dome and tall minarets, and spacious courtyard design, which leads visitors from the surrounding urban district to the ceremonial space. The mosque exterior features marble walls and decorative tile patterns, and pointed arches, which unite contemporary building methods with Islamic architectural traditions. The prayer hall inside the mosque features a large domed space that receives light from big windows and decorative lighting to create an expansive atmosphere of civic importance. The mosque received state funding during the 21st century to become a symbol of Islamic revival in post-Soviet Tajikistan while showcasing traditional architectural elements and contemporary monumental design. The mosque design unites Islamic heritage with modern urban design elements to establish itself as the main religious site in Dushanbe</em> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant N/A Source A related resource from which the described resource is derived Image 1: https://globalvoices.org/wp-content/uploads/2023/06/1686932086195-01.jpeg Image 2: https://pbs.twimg.com/media/FyHR1zjXsA4MFWW?format=jpg&name=large License A legal document giving official permission to do something with the resource. Image 1: Nurbek Bekmurzaev Image 2: Umut Acar Contributor An entity responsible for making contributions to the resource Mursal Abdullah Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. rchnet (n.d.) Central Cathedral Mosque, Dushanbe. Available at: https://archnet.org/ (Accessed: December 2, 2025). Yalcin, R. (2012) Contemporary Mosque Architecture in Central Asia. Istanbul: ISAM Publications. Khalid, A. (2007) Islam after Communism: Religion and Politics in Central Asia. Berkeley: University of California Press. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chairman Mao Memorial Hall Language A language of the resource Beijing, China Date A point or period of time associated with an event in the lifecycle of the resource Novemeber 24, 1976 - Construction begins May 24, 1977 - Construction completed Contributor An entity responsible for making contributions to the resource Moanna Dixson Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://cpc.people.com.cn/GB/143527/143528/10412112.html East Asian https://worldarchitecture.artinterp2.org/files/original/6a5996e18856a6ce852c97a1a7d6da73.jpg 44f347585e2e5f7c5a0f0062746cc77b https://worldarchitecture.artinterp2.org/files/original/4848de90d61b8f6da30cbde7ebd61497.jpg ccb8b1bbad1b06cacfd7466108107b0d https://worldarchitecture.artinterp2.org/files/original/0617eca49b826184d1df16ecc08be26f.jpg 54c1e94ca101eaf45be2c5151435aa3e https://worldarchitecture.artinterp2.org/files/original/f5e03102c2b5f57f3cab3a050fcb8800.jpg a13da00f77be09ce28e99280062ac66f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapultepec Castle Contributor An entity responsible for making contributions to the resource Kevin Language A language of the resource Mexico City, Mexico Date A point or period of time associated with an event in the lifecycle of the resource 1785: Construction begins under Juan Vicente De Guemes 1791: Expansion and remodeling 1864: Renovations begin adding gardens, terraces and European style interior. 1914: Adapted as the Mexican military academy. 1940: Converted into the national museum of history with restoration and preservation work. Creator An entity primarily responsible for making the resource - Miguel Constanzo. - Anotonio Gonzalez De Velasco. - Adolfo Campillo. - Carl Gangolf. Temporal Coverage Temporal characteristics of the resource. Colonial Era Spatial Coverage Spatial characteristics of the resource. 19.42055086996949, -99.18189009182335 Medium The material or physical carrier of the resource. - Stone. - Masonry. - Wood. - Iron. - Stucco and plaster. - Tiles. - Volcanic Stone. Extent The size or duration of the resource. - The elevation from the sea is 7,628 feet and 200 meters sitting on a hill above terrain. - The castle is 10,000 square meters while including terraces, gardens and courtyards. Type The nature or genre of the resource Palace-Castle Format The file format, physical medium, or dimensions of the resource Neoclassical Source A related resource from which the described resource is derived Image 1,2,3, & 4: https://www.themagazineantiques.com/article/museum-visit-chapultepec-castle-in-mexico-city/ License A legal document giving official permission to do something with the resource. Image 1,2,3, & 4: Public domain. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. - Dalati, S., 2023. Museum visit: Chapultepec Castle in Mexico City. The Magazine Antiques, 3 May. \/ Description An account of the resource The castle sits majestically at the top of Chapultepec hill. The light colored stone with sturdy columns support the castle terraces. This enhances the structural stability and visually. The columns stretches horizontally across the hill creating huge courtyards and terraces. The towers are vertically emphasized and thick. Arched windows of varying sizes and decorative balconies break the mass of the walls, creating a rhythmic and elegant pattern. Wide stone staircases connect the terraces, emphasizing the castle’s layered, stepped form. Roofs are covered in traditional clay tiles, complementing the castles historic and timeless aesthetic.