4 10 235 https://worldarchitecture.artinterp2.org/files/original/6d9ac99abcfb5d9f661537f90535d438.jpg ad4d7f43fa4b38e6824ee02a9049c99e https://worldarchitecture.artinterp2.org/files/original/e7734158f2cfd086f4575dba2eb61e20.jpg 2f28cf180002f5e2474530e61377454f https://worldarchitecture.artinterp2.org/files/original/3c055bb8c29502aaa25e8b7be77bb911.jpg 2d037a81a3b4f5c59d285eb9e7c1e05a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Zacatecas Cathedral Contributor An entity responsible for making contributions to the resource Justin Forster Type The nature or genre of the resource Religious Source A related resource from which the described resource is derived Image 1 https://whc.unesco.org/uploads/thumbs/site_0676_0001-750-750-20090928171726.webp Image 2 https://www.thehistoryhub.com/wp-content/uploads/2015/03/Zacatecas-Cathedral-Inside-150x150.jpg Image 3 https://lugares.inah.gob.mx/sites/default/files/2023-05/_DSC5236.JPG License A legal document giving official permission to do something with the resource. Creative Commons Language A language of the resource Historic Centre of Zacatecas, Mexico Date A point or period of time associated with an event in the lifecycle of the resource 1772 Temporal Coverage Temporal characteristics of the resource. New Spanish Baroque, 18 century Creator An entity primarily responsible for making the resource Financial/Construction Patrons: Spanish mine owners and wealthy elites of Zacatecas during the silver boom. Spatial Coverage Spatial characteristics of the resource. Latitude: 22.775912217080126, Longitude: -102.57191645045556 Medium The material or physical carrier of the resource. The Zacatecas Cathedral is made from different types of stone, specifically trachyte and sandstone, with some elements like sculptures and canopies fashioned from limestone. These materials, including the golden-pink hue of the native trachyte, are characteristic of the region and are prominently featured in the cathedral's architecture. Extent The size or duration of the resource. There is no single definitive height for the Cathedral from ground to top because of the city's location within the valley and on hillsides, different buildings will have different heights. Although, the city of Zacatecas is situated at an elevation of approximately 2,469 meters (8,100 feet) above sea level. Format The file format, physical medium, or dimensions of the resource Spanish Baroque style Description An account of the resource The Zacatecas Cathedral has a Latin cross layout, with a long nave crossed by two transepts, and side aisles. It is not square, circular, or irregular but instead follows the common and traditional design of a Latin cross plan, which is an axial layout defined by its cross-like shape. The Zacatecas Cathedral has an octagonal dome with a lantern. The construction of the Zacatecas Cathedral used the Spanish Baroque style and involved building it in sections over a period of about 30 years, from 1730 to 1760, with its materials being mainly local pink colored stone. The detailed, ornate facade is a hallmark of the Baroque style, which the Spanish brought to the Americas during the colonial era. Abstract A summary of the resource. The cathedral's exterior is covered in a dense and varied tapestry of ornamental patterns that reflect the "ultra-baroque" Churrigueresque style. The facade and altarpieces of the cathedral are adorned with numerous sculptures of religious figures, demonstrating the style's integration of sculpture and architecture. The overwhelming visual texture of the cathedral is created by the intricate, deeply carved stonework that covers nearly every surface of the facade. The cathedral's striking colors comes from the specific local materials used for its construction like pink sandstone, yellow-gold, and Bronze and Marble. midterm Spiritual Foreign Structure https://worldarchitecture.artinterp2.org/files/original/9c8b07c35e85fba255548d06f5146fb0.jpg 177a4718df75bd091dbee274f1b61184 https://worldarchitecture.artinterp2.org/files/original/df802f4051e5628211a9a21394c53b62.png c2d2cba168bed64b477a9c24bdbd77d5 https://worldarchitecture.artinterp2.org/files/original/6162ab19f038b6a9fac155ab9ffaa84e.jpg b7b7199253e8e1b86e5670a7d2daf37e https://worldarchitecture.artinterp2.org/files/original/86a6e3ab0c22ec9966d69e6a70638b81.jpg d3945b871c74f03d3b7095e22c678c9b https://worldarchitecture.artinterp2.org/files/original/aa943c9c38ee6f876d187abd028d0cf9.jpg 497e9b937863da39c8613a9a095677ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Temple of Kalabsha Contributor An entity responsible for making contributions to the resource Sultana Rahim Source A related resource from which the described resource is derived Image 1: The_Temple_of_Kalabsha_by_Dennis_G._Jarvis Image 2: Kalabsha_temple Image 3: DSC07647_Kalabsha_Temple Image 4:Temple of Gerf Hussein. stone, ca. 13th century BCE, portions of temple moved from original site to New Kalabsha ca. 1960s. Image5:DSC07669_Antient_egiptian_sculpture_close_to_Kalabsha_temple License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Temple of Gerf Hussein. (ca. 13th century BCE, portions of temple moved from original site to New Kalabsha ca. 1960s). [Stone]. https://jstor.org/stable/community.8749678 Image 1: Creative Commons Creator An entity primarily responsible for making the resource Augustus Caesar Spatial Coverage Spatial characteristics of the resource. 23.96097229765745, 32.86777367629409 Medium The material or physical carrier of the resource. Stone Language A language of the resource New Kalabsha Island, Egypt originally located at Bab al-Kalabsha (Gate of Kalabsha) Date A point or period of time associated with an event in the lifecycle of the resource 30 BC 1962 to 1963 (relocated) Temporal Coverage Temporal characteristics of the resource. Roman era Extent The size or duration of the resource. 76m x 22 m Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Nubian architecture Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Museum Island, Berlin Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.egypttoursportal.com/ https://en.wikipedia.org/wiki/Temple_of_Kalabsha JSTOR, https://jstor.org/stable/community.8749678. Description An account of the resource The Kalabsha Temple is a large, sandstone complex that was once located at Bab la-Kalabsha, but was relocated in the 1960s to Aswan, Egypt. The temple is built on elevated ground and surrounded by high walls near Lake Nasser. The main entry point is a pylon gateway that leads directly into an open courtyard surrounded by a row of columns and doorways that lead to other halls. Movement in the temple is rather linear, as it features five interior spaces that proceed one after another. Smaller chambers can be found lining the inner passage and a chapel can be accessed using the outer one. Surfaces are decorated with carvings depicting deities, pharaohs, and other symbolic motifs which were colored with pigments that have now faded. The temple was dedicated to the Nubian god Mandulis and was commissioned by Augustus Caesar. Solidifying the monument not only as a place of religious devotion, but also as a sign of Roman authority with its massive scale and magnificence. midterm religous stone https://worldarchitecture.artinterp2.org/files/original/f709c2d4590f018dc7c765e96761925e.jpg a9f278fd0d62f259007f209e40a5ebe3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monastery of Saint Anthony Date A point or period of time associated with an event in the lifecycle of the resource 356 AD Creator An entity primarily responsible for making the resource The creators of the building were the followers of Saint Anthony the Great. Contributor An entity responsible for making contributions to the resource Stanley Ojibeka Type The nature or genre of the resource Religious Language A language of the resource The building was established in the Eastern Sahara near the Red Sea. Temporal Coverage Temporal characteristics of the resource. This building was built during the 4th century Spatial Coverage Spatial characteristics of the resource. 28°55′N 32°21′E, 28.92°N 32.35°E Description An account of the resource The Monastery is designed in the Coptic style, with a tall fortress serving as a defense mechanism for the monks. Inside the monastery, there are buildings where the monks live. Medium The material or physical carrier of the resource. The main structure of the building is made up of sandstone and mudbrick Wood was also used for doors and windows for the buildings inside the monastery. Extent The size or duration of the resource. The size of the Monastery of Saint Anthony is over 18 acres. Format The file format, physical medium, or dimensions of the resource Coptic Source A related resource from which the described resource is derived Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/1/19/MonasteroAntonio2.jpg/960px-MonasteroAntonio2.jpg midterm https://worldarchitecture.artinterp2.org/files/original/1754b018299908f28a0ef878931033f1.jpg 3270e48c010fb4ea606ab843b4d8471f https://worldarchitecture.artinterp2.org/files/original/98441ed4a0c89b7439fead3f4030c4b3.jpg c61407488f60ba581c1bc55ce1c08ede https://worldarchitecture.artinterp2.org/files/original/ee1af69f51fc2d6cfd31e14d030ae1b4.jpg b6c94b8a3b02e2c62d0bbfe15349b4ac https://worldarchitecture.artinterp2.org/files/original/4def0bce5f93c2addfc49c3ef10dbf9c.jpg b8bebe365d86954fa2c8c2b520296d75 https://worldarchitecture.artinterp2.org/files/original/e0b8134a7bba394b52e937024323dd59.jpg 228995da2f75791f2fdcbd212f38cc9f https://worldarchitecture.artinterp2.org/files/original/7badcc4c6f4cdce4f1c2bc35b9ebbb7f.jpg 7ae80fb6306e2f59e4f75c85a4f2732a https://worldarchitecture.artinterp2.org/files/original/d4980ce24b3bce62435140cceeb76e0f.jpg e3aa93a4af8eab79d391e013f10590e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hagia Sophia Grand Mosque Contributor An entity responsible for making contributions to the resource Brittany Lumanlan Martin Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Byzantine Architecture Source A related resource from which the described resource is derived Image 1: https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Hagia_Sophia_Mars_2013.jpg/2560px-Hagia_Sophia_Mars_2013.jpg Image 2: https://upload.wikimedia.org/wikipedia/commons/thumb/0/00/Hagia_Sofia_%2814193941907%29.jpg/2560px-Hagia_Sofia_%2814193941907%29.jpg Image 3: https://www.jstor.org/stable/community.12084479 Image 4: https://www.jstor.org/stable/community.18119327 Image 5: https://www.jstor.org/stable/community.18127412 Image 6: https://www.jstor.org/stable/community.12289773 Image 7: https://commons.wikimedia.org/wiki/File:Deesis_mosaic_Hagia_Sophia.jpg License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Anthemius of Tralles & Isidorus of Miletus, Greek. Church of Hagia Sophia (Holy Wisdom), Constantinople Plan. 532-537. JSTOR, https://jstor.org/stable/community.12084479. Accessed 9 Oct. 2025. Image 4: Anthemius of Tralles and Isidorus of Miletus. Hagia Sophia. 532-537. JSTOR, https://jstor.org/stable/community.18119327. Accessed 9 Oct. 2025. Image 5: Antelami, Benedetto, Italian, ca. 1150-ca. 1230. Hagia Sophia. 532-537. JSTOR, https://jstor.org/stable/community.18127412. Accessed 9 Oct. 2025. Image 6: Hagia Sophia. 532-37. JSTOR, https://jstor.org/stable/community.12289773. Accessed 9 Oct. 2025. Image 7: Creative Commons Spatial Coverage Spatial characteristics of the resource. 41.008663932307826, 28.98014281017376 Language A language of the resource Fatih, Istanbul, Turkey Date A point or period of time associated with an event in the lifecycle of the resource 532 - Construction begins 537 - Construction is completed 1453 - Constantinople falls to Ottoman forces and is converted from an Orthodox Christian church to a mosque 1919 - While under occupation during World War I by the British, French, Italian, and Greek forces, a Divine Liturgy is performed and the mosque is converted back into a church 1935 - Mustafa Kemal Atatürk, Turkish President and founder of the Republic of Turkey, converts the building into a museum 2020 - Hagia Sophia is reclassified as a mosque Creator An entity primarily responsible for making the resource Architect: Anthemius of Tralles and Isidore of Miletus Patron: Emperor Justinian I Medium The material or physical carrier of the resource. Brick, mortar, wood, metal Marble, pumice stone, glass Description An account of the resource The Hagia Sophia is a classic example of Byzantine architecture. The mosque stands at 182 feet (55.6 m) tall. Its most prominent feature is its large central dome, surrounded and supported by four towering columns, known as minarets. Forty arched windows line the base of this large dome, but more than 200 windows light the structure overall, some of them fitted with stained glass. Smaller half-domes and a variety of columns also line the building’s facade, the latter of which were primarily recycled from older Roman structures. At its base, the structure takes a rectangular shape. Brick, mortar, wood, and metal comprise the outer and supportive structures, while marble, pumice stone, and glass were used for interior decorative features. Carved relief panels and mosaics depicting religious scenes can be found all along the interior. Other Byzantine-style motifs, such as acanthus leaves and palm fronds, can also be found carved into columns and marble panels. midterm Mosque neatline assignment Religious Turkey Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sharm el Sheikh Language A language of the resource Egypt Contributor An entity responsible for making contributions to the resource Mursal Abdullah https://worldarchitecture.artinterp2.org/files/original/682724d7bbfa91d2cbf7be873c3b3339.jpg 33c582ec8f7274249b54f295422724ee https://worldarchitecture.artinterp2.org/files/original/304273c0d7ad2d235db801da90e2b1af.jpg e9f17082ee04dda25eef5cbd3e562c4d https://worldarchitecture.artinterp2.org/files/original/2b362f8269bb7243df25061660043d6b.jpg 78dd52366131e516d40ca95bfa9773a8 https://worldarchitecture.artinterp2.org/files/original/a0c0455ecc590bb3b48263c57fcd13a4.jpg f674778543c617a3de90c6fe68ea2dbe https://worldarchitecture.artinterp2.org/files/original/fef879b071770f1057764500e71045f7.jpg 6dfe9ee83a05c5da4978a8bd529ffbd9 https://worldarchitecture.artinterp2.org/files/original/89b9192f89986597b049f70aad964acc.jpg 60fb0992aab544d53b1a6580cd0c06aa https://worldarchitecture.artinterp2.org/files/original/4af0ddc25fe3ba396cac309e646bebef.jpg 496ee00e5808081714ac84d351c6e222 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ely Cathedral Creator An entity primarily responsible for making the resource Overseer: Abbot Simeon Type The nature or genre of the resource Religious Language A language of the resource Ely, Cambridgeshire, England, U.K Date A point or period of time associated with an event in the lifecycle of the resource 1081: Construction on current cathedral began 1109: Achieved status of cathedral 1189: Basic construction complete 1322: Octagon tower construction begins 1349: Lady Chapel is finished Temporal Coverage Temporal characteristics of the resource. Middle Ages Spatial Coverage Spatial characteristics of the resource. 52°23'55"N 0°15'49"E Medium The material or physical carrier of the resource. Stone Marble Limestone Extent The size or duration of the resource. 537 ft in length, 217 ft in height Format The file format, physical medium, or dimensions of the resource Romanesque Source A related resource from which the described resource is derived Image 1: Ely Cathedral from Quanea Drove F.jpg (https://upload.wikimedia.org/wikipedia/commons/1/1d/Ely_Cathedral_from_Quanea_Drove_F.jpg) Image 2: Ely Cathedral Choir, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/4/47/Ely_Cathedral_Choir%2C_Cambridgeshire%2C_UK_-_Diliff.jpg) Image 3: Ely Cathedral Lady Chapel, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/63/Ely_Cathedral_Lady_Chapel%2C_Cambridgeshire%2C_UK_-_Diliff.jpg) Image 4: Ely Cathedral High Altar, Cambridgeshire, UK - Diliff.jpg (https://upload.wikimedia.org/wikipedia/commons/6/62/Ely_Cathedral_High_Altar%2C_Cambridgeshire%2C_UK_-_Diliff.jpg) Image 5: Ely Cathedral February 2018 021.jpg (https://upload.wikimedia.org/wikipedia/commons/f/fd/Ely_Cathedral_February_2018_021.jpg) Image 6: Ely Cathedral - Google Art Project.jpg (https://upload.wikimedia.org/wikipedia/commons/7/75/Ely_Cathedral_-_Google_Art_Project.jpg) Image 7: Ely Cathedral From Air.jpg (https://upload.wikimedia.org/wikipedia/commons/2/25/Ely_Cathedral_From_Air.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Image 4: Creative Commons Image 5: Creative Commons Image 6: Creative Commons Image 7: Creative Commons Contributor An entity responsible for making contributions to the resource Hannah Demory Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.britannica.com/place/Ely-cathedral https://www.elycathedral.org/about/history-heritage/the-story-of-ely https://en.wikipedia.org/wiki/Ely_Cathedral Description An account of the resource The layout of the Ely Cathedral is that of a cross, with two large towers protruding into the sky at the cross's intersection and at its feet. The cathedral is about 21 stories tall, and the length of one and a half football fields. The main entrance is at the bottom of the cross layout. The structure itself is built out of stone, marble, and limestone. The exterior of the cathedral is ordinately decorated, showcasing various sizes in arches that are carved into the cathedrals walls, with scallops and crosses meticulously filling in each empty gap in the stone. The structure is a muddled gray color, showing faint signs of its survival through the centuries. On the tower where the entrance is, a large golden clock faces the visitors. Small turrets also reach to the sky in various places along the roof. Windows are generously carved into the cathedral, allowing much light to shine into the church. Many of the windows are made of stained glass, allowing for much color and life to be brought into the building. This building was used as a cathedral throughout history, allowing a place for people to come and worship. The religious building was created to encapsulate the sight of those who visit and for people to be in awe of its structure. As mentioned previously, the layout of the building is that of a cross. Seeing as this is a cathedral, the cross was a deliberate choice, invoking emotion of what Jesus Christ had gone through historically. Cathedral England midterm Religious Romanesque https://worldarchitecture.artinterp2.org/files/original/86ae27dc2f7a45e619c6db49ddb3a2fd.jpeg 0ef403f31f525834a0e9f818de1c7ea1 https://worldarchitecture.artinterp2.org/files/original/4bc70e5811dc96f6f23db7a4f58ea9cd.png 8ced9284d78f986332e6c5677b4dc7ac https://worldarchitecture.artinterp2.org/files/original/39705386e22ef9c7303a14228e6e7ca9.png 14e59aaffe84b015281080bdf6566397 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bethabara Moravian Church Type The nature or genre of the resource Religious Contributor An entity responsible for making contributions to the resource Julian Forster Language A language of the resource Winston-Salem North Carolina Date A point or period of time associated with an event in the lifecycle of the resource Begun: 1788 Completed: 1788 Creator An entity primarily responsible for making the resource Architect: Frederic William Marshall Architect: Abraham Loesch Temporal Coverage Temporal characteristics of the resource. 18th century German Colonial Spatial Coverage Spatial characteristics of the resource. 36.15270418805049, -80.29455856130483 Medium The material or physical carrier of the resource. Stone, brick and wood Extent The size or duration of the resource. Area: 8 acres Format The file format, physical medium, or dimensions of the resource German Colonial religious type Description An account of the resource The structure is considerably sound with a firm rectangular form, as it hails as one of the last structures to represent the German Colonial church structure. It includes two levels, two chimneys, and a belfry at the top. While it does feature a second level, it does appear that there is more space on the main lower level. It is also worth noting that it appears there were initial plans to have a basement level, however ultimately was not added. The structure presents a multitude of windows and doors. There are two front entrances on the North-East side of the structure that one may enter through. From there to the immediate left is the Structure’s auditorium. To the right of these entrances lies two bedrooms, a living room, and a kitchen toward the back right of the structure (facing from the front). There are similarly two exits through the back that leads directly to what appears to be a well. The second level also features a smaller auditorium, which is considered a part of the main one on the lower level, and another bedroom. The structure has an angled roof which does present in its interior design as well as the exterior design. Its patterns are quite simplistic in its exterior, with the majority of the building possessing a stone masonry wall into brick pattern. On its interior, its patterns are also simplistic, as they follow a simple white color into a more natural wood color on objects like window arches and doors. Its structural process and build deliver on the structure's signaling of religious context. It establishes an iconicity when we think of an old, colonial, well-established church in the United States. Source A related resource from which the described resource is derived Image1: Bethabara_Moravian_Church https://upload.wikimedia.org/wikipedia/commons/6/61/Bethabara_Moravian_Church.JPG Image 2: Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_1_of_6) https://upload.wikimedia.org/wikipedia/commons/2/2f/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_1_of_6%29.png Image 3: Bethabara_Moravian_Church,_2147_Bethabara_Road_(State_Route_1681),_Old_Town,_Forsyth_County,_NC_HABS_NC,34-OLTO,1-_(sheet_2_of_6) https://upload.wikimedia.org/wikipedia/commons/4/47/Bethabara_Moravian_Church%2C_2147_Bethabara_Road_%28State_Route_1681%29%2C_Old_Town%2C_Forsyth_County%2C_NC_HABS_NC%2C34-OLTO%2C1-_%28sheet_2_of_6%29.png License A legal document giving official permission to do something with the resource. Image1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Abstract A summary of the resource. The church has been added to the Historic Bethabara Park. This may partly impacts its lack of documentation of its dimensions. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://historicbethabara.org/historic-building-grounds/the-gemeinhaus/ https://www.bethabara.org/ Worth Alexander Younts, "Bethabara Moravian Church", [Winston-Salem, North Carolina], SAH Archipedia, eds. Gabrielle Esperdy and Karen Kingsley, Charlottesville: UVaP, 2012—, http://sah-archipedia.org/buildings/NC-01-067-0077. midterm https://worldarchitecture.artinterp2.org/files/original/01ec8098c9b3861520ff6182618e6bbc.jpg b8d586d470c7aea080bac38044261cf5 https://worldarchitecture.artinterp2.org/files/original/fa26878033fa4fa630130bfd79c3f9f4.png cda2e7078a154ee7ca4b36ee10a1c766 https://worldarchitecture.artinterp2.org/files/original/5a95f97be9cb2013c4056cbc6a880656.jpg 98439598c8df4e5b142a70eef1fe4904 https://worldarchitecture.artinterp2.org/files/original/282ab1bb2c7bd28bfa25362b47e6e4fa.jpg f0a777a13af63feb1d6c3bd8d3af0cda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angkor Wat Type The nature or genre of the resource Religious Contributor An entity responsible for making contributions to the resource Jayce Johnson Language A language of the resource Siem Reap, Cambodia Spatial Coverage Spatial characteristics of the resource. 13.41270933274133, 103.86697497116442 Source A related resource from which the described resource is derived Image 1: 20171126_Angkor_Wat_4712_DxO (https://upload.wikimedia.org/wikipedia/commons/d/d4/20171126_Angkor_Wat_4712_DxO.jpg) Image 2: Angkor_Wat_M3 (https://upload.wikimedia.org/wikipedia/commons/a/ad/Angkor_Wat_M3.png) Image 3: Angkor_Wat_(12224460023) (https://upload.wikimedia.org/wikipedia/commons/b/ba/Angkor_Wat_%2812224460023%29.jpg) Image 4: Angkor_Wat_-_edificio_principale_2 (https://upload.wikimedia.org/wikipedia/commons/b/b2/Angkor_Wat_-_edificio_principale_2.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Attribution-Share Alike 4.0 International license. Image 2: Creative Commons Attribution-Share Alike 3.0 Unported license. Image 3: Creative Commons Attribution-Share Alike 2.0 Generic Image 4: Creative Commons Attribution-Share Alike 4.0 International Date A point or period of time associated with an event in the lifecycle of the resource 12th century (estimated date of construction) 1177 (Sacking of Angkor by Cham people) 15th Century (Angkor mostly abandoned) 1863 (French explorer Henri Mouhot come across Angkor Wat) 20th Century (Restoration projects begin) 1970's (Restoration projects halt due to political turmoil) Mid 1980's (Restoration work resumes) 1992 (Designated as a UNESCO World Heritage site in danger status) 2004 (Danger status is removed) Creator An entity primarily responsible for making the resource Patron: King Suryavarman II Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. 1. https://whc.unesco.org/en/list/668/ 2. https://www.britannica.com/topic/Angkor-Wat 3.https://www.angkorenterprise.gov.kh/temple/65/angkor-wat#:~:text=Angkor%20Wat%20is%20a%20temple,1%2C626%2C000%20m2%3B%20402%20acres). 4. https://www.researchgate.net/publication/247878036_The_stone_materials_of_the_Angkor_monuments_Cambodia_The_magnetic_susceptibility_and_the_orientation_of_the_bedding_plane_of_the_sandstone Temporal Coverage Temporal characteristics of the resource. 12th century, Khmer Empire, Cambodia Medium The material or physical carrier of the resource. Sandstone, Brick, and Laterite Extent The size or duration of the resource. 162.6 Hectares (402 Acres) Description An account of the resource Angkor Wat is a very large temple complex that is primarily square in shape. Currently the stone walls are white with brown stains caused by weathering. The brown color tends to be more apparent on the roofs of the structure. The temple itself is surrounded by a large stone wall with pillars supporting a small overhang. There are two types of towers that protrude from the temple. Smaller flat topped cylindrical towers mark the corners of the temple's inner wall. While the temple itself has five taller pointed cylindrical towers at its four corners and a large one present in the center. Angkor Wat contains various bas reliefs of important religious figures of the region. The building and entire complex was and is still primarily used as a religious site for both Buddhist and Hindu religions. Format The file format, physical medium, or dimensions of the resource Khmer Empire Cambodia midterm South East Asia https://worldarchitecture.artinterp2.org/files/original/a70b8ec2d0ef30e568cb479289f359af.jpg 35225dd8411b91e52b6eb6a0055ebe1b https://worldarchitecture.artinterp2.org/files/original/846fef5c4ba9d4cd63f6dd4b5da18dba.jpg d3ff2688c09004318728e68429f4a37c https://worldarchitecture.artinterp2.org/files/original/eb7763a0d3a8a52105dce82b08bed39e.jpg 6fc0a8bec568432d77677ad59d2a9cd8 https://worldarchitecture.artinterp2.org/files/original/0c0dcb43c43608f924fceb533688a9ec.jpg 7addce9fc5b6d335ac263cc689298ed6 https://worldarchitecture.artinterp2.org/files/original/15bcbbb33d60b34cab6e4994af93312c.jpg 0e77d81f4d90cd4c0401347b7a49d4fe https://worldarchitecture.artinterp2.org/files/original/e5f9287e3399b61c153cf2c32ebd5a17.png 0d8c84b0fc9f6d1ad832b4a6cf7e5d0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cologne Cathedral Contributor An entity responsible for making contributions to the resource Alyson Schruefer Spatial Coverage Spatial characteristics of the resource. 50.94137977783817, 6.95823848153271 Medium The material or physical carrier of the resource. Sandstone and Limstone Type The nature or genre of the resource Religious Format The file format, physical medium, or dimensions of the resource Gothic Source A related resource from which the described resource is derived Creative Commons Attribution-ShareAlike 4.0 License; Language A language of the resource Cologne, Germany Temporal Coverage Temporal characteristics of the resource. Middle Ages - Renaissance Extent The size or duration of the resource. External length 144.58 m (474.3 ft) External width 86.25 m (283.0 ft) Width of west façade 61.54 m (201.9 ft) Width of transept façade 39.95 m (131.1 ft) Width of nave (with aisles, interior) 45.19 m (148.3 ft) Height of southern tower 157.31 m (516.1 ft) Height of northern tower 157.38 m (516.3 ft) Height of ridge turret 109.00 m (357.61 ft) Height of transept façades 69.95 m (229.5 ft) Height of roof ridge 61.10 m (200.5 ft) Inner height of nave 43.35 m (142.2 ft) Height of side aisles 18 m (59 ft) Building area 7,914 m2 (85,185.59 sq ft) Window surface area 10,000 m2 (107,639.10 sq ft) Roof surface area 12,000 m2 (129,166.93 sq ft) Gross volume without buttresses 407,000 m3 (14,400,000 cu ft) License A legal document giving official permission to do something with the resource. Image 1:© Raimond Spekking / CC BY-SA 4.0 (via Wikimedia Commons) Image 2: Theodor Verhas / Henry Winkles - Udo Mainzer: Köln in historischen Ansichten. Wuppertal 1977, S. 71 Image 3: Johannes Franciscus Michiels - http://www.muenchner-stadtmuseum.de Image 4: Johann Franz Michiels - Uta Grefe: Köln in frühen Photographien 1847-1914, Schirmer/Mosel Verlag, München, 1988, ISBN 3-88814-294-6 Scan by Raimond Spekking Image 5: File:Cologne Cathedral interior.JPG: Pascal Reusch derivative work: Georgfotoart - This file was derived from: Cologne Cathedral interior.JPG: Image 6: https://en.wikipedia.org/wiki/Cologne_Cathedral#/media/File:Plan.cathedrale.Cologne.png Date A point or period of time associated with an event in the lifecycle of the resource 1248 - Construction begins 1560 - Construction halted 1814 - Construction began again, increasing funding by the late 40's 1880 - Original Medieval plan is completed Description An account of the resource Created during the medieval ages this grand cathedral's original architects desire to create a grand sculpture to house the Reliquary of the Three Kings. While left incomplete until centuries further the cathedral would endure the times and tribulations of history. Withstanding countless shelling by the allied powers in WW2 standing tall amongst the flattened city. Adoring the cathedral's grand entrance intricately designed roofing dwarfs the viewer. On either side sculptures of religious figures stand proud. Pushing through the grand archway a rectangular floor plan holds the structural curvature of the walls and window sills. Extraordinarily open and grand the roofs utilize this to enhance acoustics boosting the faithful voices of the priest of the past. Stained glass windows adored with religious iconography line each rectangular wing. In the center a stage with a grandiose pipe organ hangs high a few stories upwards. Externally the footprint is a kin to a cross with a curved semi-circle northern wing. The facade continues up the front to the duel spires that reach high into the sky. midterm https://worldarchitecture.artinterp2.org/files/original/b77448bb155ae3da92eb0fa341676c61.jpg c6ba74006f87bf432b044dcc98e6fea3 https://worldarchitecture.artinterp2.org/files/original/0d8ccdf8ac1ec26bf8a002944c0b9906.jpg 95cb72237446060c041107f9fb521fb8 https://worldarchitecture.artinterp2.org/files/original/a01a7aec0bc87ae107d9949c672ee75a.jpg 6fbb3d557626a208adc9873e3cb970a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource midterm possibilities Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chieftain’s house, Lofotr Viking Museum Date A point or period of time associated with an event in the lifecycle of the resource 500 AD - Original community is established 1986 - Archeological Excavation project begins 1995 - Reconstruction completed, museum opens Extent The size or duration of the resource. 83 x 12 meters Type The nature or genre of the resource Palace-Castle Source A related resource from which the described resource is derived Image 1: Chieftain’s house (reconstruction).jpg (https://upload.wikimedia.org/wikipedia/commons/5/53/Chieftains_house_%28reconstruction%29.jpg) Image 2: Viking museum Lofotr.jpg (https://upload.wikimedia.org/wikipedia/commons/6/6e/Viking_museum_Lofotr.jpg) Image 3: Senja 17 080.jpg (https://upload.wikimedia.org/wikipedia/commons/0/0d/Senja_17_080.jpg) License A legal document giving official permission to do something with the resource. Image 1: Creative Commons Image 2: Creative Commons Image 3: Creative Commons Contributor An entity responsible for making contributions to the resource Moanna Dixson Language A language of the resource Borg, Vestvågøy, Norway Temporal Coverage Temporal characteristics of the resource. Viking Age Medium The material or physical carrier of the resource. Wood Turf Format The file format, physical medium, or dimensions of the resource Viking Age Longhouse Description An account of the resource The chieftain’s house at Lofotr Viking Museum is an overpowering recreation of Viking Age longhouses. Like many longhouses, both of Viking communities and around the world, it takes the shape of an oval with a convex roof, and is constructed primarily of natural materials, wood and turf. The building has various entrances along its length and is separated into five sections: the living quarters, the trash heap, the feast hall, the storage room, and the farm (byre). The interior and roof are supported by wooden pillars with intricate carvings. The museum combines the assumed aesthetics of Viking living spaces with modern innovations—lighting, exit signs, etc. During the Viking Age, longhouses would often be used as both an abode for the chieftain, his family, and his workers (usually working at the farm) and as a communal space. Most notable in this specific structure is the feast hall, where ceremonies were held and the chieftain displayed his power. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. https://www.lofotr.no/en/chieftains-house/ https://www.museumnord.no/en/stories/the-chieftains-house-at-borg/ https://norse-mythology.org/viking-political-institutions/ https://en.m.wikipedia.org/wiki/Lofotr_Viking_Museum Spatial Coverage Spatial characteristics of the resource. 68.2400° N, 13.7531° E. Longhouse midterm Scandinavian Viking Wood