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                    <text>Hispanica Baetica Italica, Santiponce, Sevilla, Spain Collegium of exedra</text>
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                    <text>Jornadas del 2200 Aniversario de la Fundación de Itálica Sevilla 1994, et al. Itálica MMCC : Actas de Las Jornadas Del 2.200 Aniversario de La Fundación de Itálica (Sevilla, 8-11 Noviembre 1994). Consejería de Cultura, Empresa Pública de Gestión de Programas, 1997.&#13;
&#13;
* Caballos. Italica Arqueologica. 1999.&#13;
&#13;
* García y Bellido, A. (1960) Colonia aelia augusta Italica. Madrid: Instituto español de arqueologia.</text>
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                    <text>Plan of the Collegium of the Excedra&#13;
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                    <text>-Jornadas del 2200 Aniversario de la Fundación de Itálica Sevilla 1994, et al. Itálica MMCC : Actas de Las Jornadas Del 2.200 Aniversario de La Fundación de Itálica (Sevilla, 8-11 Noviembre 1994). Consejería de Cultura, Empresa Pública de Gestión de Programas, 1997.&#13;
&#13;
- Caballos. Italica Arqueologica. 1999.&#13;
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- García y Bellido, A. (1960) Colonia aelia augusta Italica. Madrid: Instituto español de arqueologia.</text>
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                    <text>Photo of the existing site </text>
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                <text>- Around 206 BC garden was founded </text>
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                <text>Ancient Roman Architecture </text>
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                <text>A building has been identified as the seat of a Collegium due to its internal structure and size. Previously known as ‘The House of the Exedra,’ it occupies an entire space, spanning approximately 4,000 square meters. At its center lies a peristyle, which was encircled by galleries. These galleries were roofed with cross vaulting, supported by brick pillars of rectangular cross-section. At its center stands a small flowering tree, its soft pink blossoms adding a touch of color to the muted stone surroundings. The garden’s layout is defined by a distinctive, undulating stone border that curves organically around what once have been a fountain and now partially filled with collapsed brickwork. In the heart of the peristyle garden is a pool renowned for its distinctive curves. This pool encircles a circular planter, which could be used for planting trees or flowers.&#13;
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                <text>Image 1 &amp; 2: Creative comments </text>
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                <text>* Jornadas del 2200 Aniversario de la Fundación de Itálica Sevilla 1994, et al. Itálica MMCC : Actas de Las Jornadas Del 2.200 Aniversario de La Fundación de Itálica (Sevilla, 8-11 Noviembre 1994). Consejería de Cultura, Empresa Pública de Gestión de Programas, 1997.&#13;
&#13;
* Caballos. Italica Arqueologica. 1999.&#13;
&#13;
* García y Bellido, A. (1960) Colonia aelia augusta Italica. Madrid: Instituto español de arqueologia.&#13;
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                    <text>Plan of Villa Brunel showing phase 3</text>
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                <text>Sultana Rahim</text>
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                <text>https://roman-gardens.github.io/place/</text>
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                    <text>Plan of the Villa of Fortunatus, Fraga, Huesca.</text>
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                    <text>Gorges, Planche XLII</text>
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                    <text>Gorges, J.-G. and Centre Pierre Paris (1979) Les villas hispano-romaines : inventaire et problématique archéologiques. Paris: Boccard.</text>
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                <text>Waldemar Barrios</text>
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                <text>A garden surrounded by a 20.5 x 17m Peristyle. Within the perimeter of the garden, on the its northern side was a raised brick pool. Long and narrow with rounded ends. To the east of the pool a well, 12-14 meters deep. The garden was surrounded by galleries covered in mosaic with different floral and animal designs. The name of the builder was centered in the south portion of the galleries. The name split in two parts, FORTU NATUS, with the Chi Ro in the middle along an Alpha and Omega symbols surrounding the Chi Ro. Later on a Christian Chapel was constructed to the south west of the garden. </text>
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                <text>Segóbriga, Hispania Tarraconensis</text>
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                <text>Monumental baths about 88 meters long and 40 meters wide were built in Flavian times in the north end of the city. Immediately after the entry came a large peristyle courtyard. Perhaps it was a garden but could also have been primarily a palestra. At the end away from the entrance and towards the baths proper was found the base of a statue.</text>
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                <text>Añón Feliu, C. and Fomento de Construcciones y Contratas (2001) Historia de los parques y jardines en España. Madrid: Fomento de Construcciones y Contratas.</text>
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                <text>Spanisharts website.</text>
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                <text>Image 1- Site Plans, Credit: From Spanisharts website.&#13;
Image 2 -  Photo Juan Manuel Abascal or Rosario Cebrián. From Cervantesvirtual website.</text>
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                <text>Rock, Stone, and Wood</text>
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&#13;
Image 2 - https://raw.githubusercontent.com/roman-gardens/gre-images/main/content/place/hispania_tarraconensis/segobriga/his_tar_seg_bath_fig2.jpg</text>
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                    <text>Plan of Villa Romana. Black lines are from the second villa only, grey lines indicate first villa walls. In some cases these walls were used in the second villa.</text>
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                    <text>"Clopper Almon, adapted from Taracena." </text>
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                <text>42°37'19"N 1°18'13"W</text>
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                <text>Garden</text>
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                <text>Mezquíriz de Catalán, M.Á. (1956) Los mosaicos de la villa romana de Liédena (Navarra). Pamplona: Consejo de Cultura de Navarra, Institución Príncipe de Viana.</text>
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                <text>Taracena Aguirre, B., Mezquiriz, M.A. and Vázquez de Parga, L. (1956) Excavaciones en Navarra. 2, (1947-1951). Pamplona: Imprenta Provincial.</text>
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            <name>Rights Holder</name>
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                <text>Plan of Villa Romana. Black lines are from the second villa only, grey lines indicate first villa walls. In some cases these walls were used in the second villa.</text>
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                <text>Image Credit: Clopper Almon, adapted from Taracena. Page number is unknown</text>
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                    <text>Plan of the Arcos I baths.</text>
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                    <text>Adapted from de Palol, p. 81.</text>
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                <text>classical period</text>
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                <text>The Garden is simplistic in its form. Located in Hispania Tarraconensis, it is quadratically bounded on all four sides, though it is highlighted with a semicircle at the north side of the form. It has a central garden area that is led through from this semicircle and features at least four different areas surrounding it. Located near the upper semicircle on both sides are thought to be changing rooms. This stems from the idea that the main garden land was thought to be a swimming pool. It is worth noting that these changing rooms were thought to be shared by both sexes of the inhabitants. The long sides of the main land are courtyards. These assist in being space for those not swimming, bathing or changing clothes. The baths sizes are impressive as they come in at around 55 x 95 m and they surround the large main garden in the center which brings the entire space into frame. </text>
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                    <text>Plan drawing of the Villa en Puente de la Olmilla.</text>
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                    <text>Fernández Castro</text>
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                    <text>Fig. 13. Sector of the village revealed by Fernández Castro, 1982: fig. 46.</text>
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                <text>Brittany Lumanlan Martin</text>
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                <text>Albaladejo, Hispania Tarraconensis</text>
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            <description>A name given to the resource</description>
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                <text>Yeni Mosque</text>
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                <text>Istanbul, Türkiye</text>
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1695: Building is completed</text>
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            <name>Creator</name>
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                <text>Architects: Davut Ağa, Dalgıç Ahmed Çavuş, Mustafa Ağa</text>
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            <description>Spatial characteristics of the resource.</description>
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            <name>Medium</name>
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                <text>Religious</text>
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                <text>Ottoman</text>
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                <text>Brittany Lumanlan Martin</text>
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                <text>Image 1: Creative Commons</text>
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            <description>A legal document giving official permission to do something with the resource.</description>
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                <text>Denny, Walter B. Yeni Valide Mosque at Eminönü. 1597-1603; 1661-3. JSTOR, https://jstor.org/stable/community.14501328. Accessed 13 Nov. 2025.</text>
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                <description>A name given to the resource</description>
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                    <text>Plan of Villa el Santiscal, Gorges, Planche LXIII</text>
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                    <text>Gorges, J.-G. (1979) Les Villas hispano-romaines : inventaire et problématique archéologiques. dissertation. Université de Bordeaux III, Centre Pierre Paris ; Diffusion E. de Boccard.</text>
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            <name>Title</name>
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                <text>Villa el Santiscal</text>
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                <text>Alyson Schruefer</text>
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            <description>A language of the resource</description>
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                <text>Hispania Baetica, Arcos de la Frontera</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>unspecified</text>
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                <text>Roman Empire</text>
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                <text>Garden</text>
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                <text>This rich country villa on the left bank of the Guadalete River was begun in the first century and continued in use through the fourth century with its heyday in the third century AD.  Figured mosaics found in the nineteenth century are now lost. Partial excavations around 1965 disclosed a villa built around a central peristyle (14 x 10 m) with a garden in the center. A rill pool ran around the outside of the garden. On each side there was a fountain and semicircular extension of the pool into the planting area of the garden.</text>
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                    <text>Plan of House R2 (Tang R2)  End of the First Century BC (Fig. 1)</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="64">
                <name>License</name>
                <description>A legal document giving official permission to do something with the resource.</description>
                <elementTextContainer>
                  <elementText elementTextId="1704">
                    <text>Adapted from Mar and Ruiiz de Arbulo</text>
                  </elementText>
                </elementTextContainer>
              </element>
              <element elementId="80">
                <name>Bibliographic Citation</name>
                <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
                <elementTextContainer>
                  <elementText elementTextId="1705">
                    <text>Mar, R. &amp; Ruiz de Arbulo, J., 1993. Ampurias Romana: Historia, Arquitectura y Arqueología. Sabadell: Editorial Ausa</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
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        <src>https://worldarchitecture.artinterp2.org/files/original/55e367ab0aa89ba7401f431a15780369.png</src>
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        <src>https://worldarchitecture.artinterp2.org/files/original/eeef4a16b86944314d4517dae44ea868.png</src>
        <authentication>9a10c1f1ed8f620cfef11309cb3d31ec</authentication>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1686">
                <text>House R2 (Tang R2)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1687">
                <text>Empúries (L’Escala), Catalonia, Spain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1688">
                <text>First phase: 1st quarter of the 1st century BC (begun)</text>
              </elementText>
              <elementText elementTextId="1739">
                <text>Second phase: 2nd third of the 1st century BC (expansion)</text>
              </elementText>
              <elementText elementTextId="1740">
                <text>Third phase: 1st century AD (peristyle addition)</text>
              </elementText>
              <elementText elementTextId="1741">
                <text>Fourth phase: Late 1st – early 2nd century AD (eastern reworking)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1689">
                <text>Mursal Abdullah</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1709">
                <text>Garden</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1742">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="82">
            <name>Temporal Coverage</name>
            <description>Temporal characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1743">
                <text>Roman Republic </text>
              </elementText>
              <elementText elementTextId="1744">
                <text>Early Roman Empire (1st c. BC – 2nd c. AD)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="81">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1745">
                <text>Latitude: 42.1307° N&#13;
Longitude: 3.1185° E</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1746">
                <text>Stone masonry</text>
              </elementText>
              <elementText elementTextId="1747">
                <text>Stucco</text>
              </elementText>
              <elementText elementTextId="1748">
                <text>Marble architectural elements</text>
              </elementText>
              <elementText elementTextId="1749">
                <text>Mortar</text>
              </elementText>
              <elementText elementTextId="1750">
                <text>Painted plaster</text>
              </elementText>
              <elementText elementTextId="1751">
                <text>Tile roofing</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1752">
                <text>Large elite Roman domus with multiple construction phases;</text>
              </elementText>
              <elementText elementTextId="1753">
                <text>Two horti</text>
              </elementText>
              <elementText elementTextId="1754">
                <text>Two peristyle gardens</text>
              </elementText>
              <elementText elementTextId="1755">
                <text>Extended eastern wings. Approx. 400 m² main peristyle garden in Phase 2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1756">
                <text>Roman domus with atrium(s) and peristyles</text>
              </elementText>
              <elementText elementTextId="1757">
                <text>Domestic / Elite residential</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1758">
                <text>Adapted images and plans from Mar and Ruiz de Arbulo, Ampurias Romana (1993).</text>
              </elementText>
              <elementText elementTextId="1759">
                <text>Adapted from Tang, Delos, Carthage, Ampurias (2005</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1760">
                <text>Image 1: Creative Commons</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="1761">
                <text>Tang, B. Delos, Carthage, Ampurias: The Housing of Three Mediterranean Trading Centers. Bretschneider, Rome, 2005.</text>
              </elementText>
              <elementText elementTextId="1762">
                <text>Ripio Perelló, E. Ampurias: Itinerary-Guide. Instituto de Prehistoria y Arqueología, Barcelona, 1972.</text>
              </elementText>
              <elementText elementTextId="1763">
                <text>Mar, R., and J. Ruíz de Arbulo. Ampurias Romana. Editorial Ausa, Sabadell, 1993.</text>
              </elementText>
              <elementText elementTextId="1764">
                <text>Balil Iliana, A. "Casa y urbanismo en la España antigua. Casa familiar y vivienda colectiva en la España romana." Boletín del Seminario de Estudios de Arte y Arqueología XXXVIII, 1973, 101–102.</text>
              </elementText>
              <elementText elementTextId="1765">
                <text>Aquilué, X., and J. Ruíz de Arbulo. La jardinería en la época antigua. Historia de los Parques y Jardines en España. Madrid, 2001.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1766">
                <text>&lt;em&gt;House R2 is a richly layered Roman residence shaped by four major construction phases that expanded its footprint and transformed its gardens from simple horti into elaborate peristyle landscapes.&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The house demonstrates how domestic architecture in Emporiae adapted to shifting social needs, urban boundaries, and elite display culture. Notes include building evolution, garden features, porticoes, and eastern expansions, based on Tang’s phasing and archaeological plans.&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1767">
                <text>&lt;p&gt;&lt;em&gt;House R2 (Tang R2) is an elite Roman domus in the Roman City of Emporiae, located near the forum. The building shows four major construction phases, which can be clearly understood through its plan and surviving architectural features. By comparing the archaeological drawings with the 3D reconstructions and excavation photographs, the transformation from two smaller atrium houses into one large, luxurious residence becomes visible.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In the earliest phase (early 1st century BC), the property consisted of two separate houses, each with a central atrium opening to the western cardo and a simple rear garden (hortus). The layout at this stage is compact and symmetrical, following the typical Italic atrium-house model. In the second phase, one house (R2A) expanded dramatically by consuming both original gardens, extending eastward beyond the city wall, and adding a spacious 400 m² peristyle garden surrounded by porticoes. The rooms along this garden show a shift toward openness, natural light, and elite display culture.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The later phases reveal further architectural refinement. The former hortus of the second house (R2B) was converted into another peristyle garden (35a) with porticoes on three sides and a curved wall with window openings toward the garden, an unusual and elegant feature visible in Tang’s reconstruction. The addition of a bath suite on the west and a monumental eastern hall (room 46) in the final phase demonstrates increasing wealth and a move toward villa-like comfort. The plans show extended porticoes forming wind protection, and the small painted altar with a serpent and cock suggests domestic cult activity tied to the garden spaces.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;From visual study of the plans, images, and garden reconstructions, House R2 can be understood as a residence that gradually evolved into a highly designed architectural environment where gardens, porticoes, and interior suites were integrated into a unified elite lifestyle.&lt;/em&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
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